| Jwar Bhata | Amiya Chakravarty | Dilip Kumar, Mridula Rani, Shamim Bano, Agha, Bikram Kapoor, K. N. Singh, Khalil, Mumtaz Ali | Drama | Debut of Dilip Kumar. Music: Anil Biswas Lyrics: Narendra Sharma |
Jwar Bhata (1944) | Hindi Movie Plot - Bollywood MuVyz
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Complete information on bollywood movie: Jwar Bhata Star cast, Movie Rating, Reviews, Plot, Screenshots, Song listing, Trailer, Watch Movie link and more...
Jwar Bhata (1944 film)
muvyz.com/moviepage/gn933142/plot/
Complete information on bollywood movie: Jwar Bhata Star cast, Movie Rating, Reviews, Plot, Screenshots, Song listing, Trailer, Watch Movie link and more...
|
| Jwar Bhata | |
|---|---|
| Directed by | Amiya Chakravarty |
| Starring | Ruma Guha Thakurta Aga Jaan Dilip Kumar Vikram Kapoor Mridula Rani Shamim Bano |
| Music by | Anil Biswas (composer) |
| Cinematography | Radhu Karmakar |
| Release date(s) | 1944 |
| Country |  India |
| Language | Hindi |
Synopsis
Dilip Kumar makes his feature film debut with this musical romance directed by Amiya Chakravarty. An old man has two marriageable daughters named Rama (Shamim) and Renu (Mridula). When the millionaire scion Narendra (Aga Jaan), who is slated to marry Rama, disguises himself to take a peak at his future bride, he mistakes Renu for Rama, and the two fall in love. When the mistake is discovered after the wedding, Renu curses God and is kicked out the house for heresy. She meets a wandering musician named Jagdish (Kumar), before returning home to learn that her sister is pregnant and deathly ill. They WERE faced with the stark choice of saving the life of the mother or the fetus, until Renu makes up with God, prompting a miracle
Shamim Bano![Photo: Shamim Bano* (also commonly termed 'Shamim', or more formally 'Shamim Bano Begum') (1914-1984), was an early film actress of Indian and Pakistan. She was the second wife of famed Pakistani film director and producer Anwar Kamal Pasha, and thus daughter-in-law of renowned poet, writer and scholar Hakim Ahmad Shuja.
Origins
Shamim Bano, or Shamim Bano Begum, was born in 1914 to a Punjabi Rajput family of farmers and small landowners[2] who had sold most of their patrimony and shifted to Lahore and later Bombay (now Mumbai), soon after the end of the First World War.
Career
Shamim was a moderately successful Indian heroine of the 1940s. She was the niece of legendary actress/singer Khursheed Begum. Today, she is mostly remembered as being the co-star of Dilip Kumar in his very first film Jwar Bhata (1944).
She started her career in the late 1930s probably with Vishnu Cine’s Baghi (1939). Ranjit Movietone’s Armaan (1942) was one of the most popular films of her career. Another milestone of her career was Kishore Sahu’s Sindoor (1947), which became quite controversial during its release because it dealt with the topic of Hindu widow remarriage. Mehmaan, Sanyasi and Pehle Aap were other notable films of her career.
After partition in 1947 she migrated to Pakistan and appeared in few Pakistani films including Shahida (1949) where she was paired with Dilip Kumar’s younger brother Nasir Khan and, Do Ansoo (1949-50) which became the first hit Urdu film of Pakistan.
She later married the producer/director of Do Ansoo , Anwar Kamal Pasha, who was somewhat younger to her, and bid adieu to her film career to settle for marital bliss. She died at her home in Lahore, in 1984.
* Not to be confused with another, later Pakistani film actress Shamim Ara](https://fbcdn-sphotos-h-a.akamaihd.net/hphotos-ak-ash3/p480x480/561873_644258055592893_1497766868_n.jpg)
Shamim Bano (also commonly termed 'Shamim', or more formally 'Shamim Bano Begum') (1914-1984), an early film actress of Indian and Pakistani cinema, who starred alongside Dilip Kumar when he was starting out on his career, in Jwar Bhata (1944 film).[note 1] She was the second wife of famed Pakistani film director and producer Anwar Kamal Pasha, and thus daughter-in-law of poet, writer and scholar Hakim Ahmad Shuja.
Origins
Shamim Bano, or Shamim Bano Begum, was born in 1914 to a Punjabi Rajput family of farmers and small landowners who had sold most of their patrimony and shifted to Lahore and later Bombay (now Mumbai), soon after the end of the First World War.Career
Shamim was a moderately successful Indian heroine of the 1940s. She was the niece of legendary actress/singer Khursheed Begum. Today, she is mostly remembered as being the co-star of Dilip Kumar in his very first film Jwar Bhata (1944).She started her career in the late 1930s probably with Vishnu Cine’s Baghi (1939). Ranjit Movietone’s Armaan (1942) was one of the most popular films of her career. Another milestone of her career was Kishore Sahu’s Sindoor (1947), which became quite controversial during its release because it dealt with the topic of Hindu widow remarriage. Mehmaan, Sanyasi and Pehle Aap were other notable films of her career.
After partition in 1947 she migrated to Pakistan and appeared in few Pakistani films including Shahida (1949) where she was paired with Dilip Kumar’s younger brother Nasir Khan and, Do Ansoo (1949-50) which became the first hit Urdu film of Pakistan.
She later married the producer/director of Do Ansoo , Anwar Kamal Pasha, who was somewhat younger to her, and bid adieu to her film career to settle for marital bliss. She died at her home in Lahore, in 1984.
Mridula Rani(This interview was conducted in 1954).
Today, more than ever before, girls and boys from all walks of life seem to have but one ambition: to join the films.
Drawing upon my own experience in the film industry, I would like to tell these young people that, unless they have a natural talent for acting, or have some responsible person to guide and protect them, they should not hanker after a film career.
Yes, the glamour and tinsel of the film industry will always attract newcomers. But it is best to know beforehand that there will be financial setbacks and other disappointments which they may never surmount.
Luckily enough, my entry into filmdom was facile–rather, it was thrust upon me, because, although I had always enjoyed seeing films, I never once thought of stepping in front of the cameras!
Born at Almora, I went through school and college in Delhi and I always regarded Delhi as my home town. Taught English at the convent which I attended, and Urdu and Hindi at home, I was quite proficient in languages.
While I was in college, I received a great many offers from Bombay’s film producers inviting me to join the industry. I managed to decline all of them— even the first two deputations, from Bombay Talkies Ltd., led by cameramen Parenja and Mathur, On the third occasion, however, the lovely Devika Rani deputed Director Amiya Chakravarty, a friend of the family, to persuade me. He must have had tremendous powers of persuasion, because, determined as I was never to become an actress, I succumbed to the offer.
That was in 1944. I joined the films one year before I was due to graduate from the Delhi University. I signed a five-year contract with Bombay Talkies to play leading roles. As soon as I joined, Devika Rani, like a benign fairy godmother, took me under her wing. She gave me a princely salary of Rs. 2,500 a month and fully furnished living quarters. No new recruit to films had been given such a high salary before. It was Devika Rani who gave me the screen name of “Mridula”. She, however, always preferred to call me by my real name, Kanta.
My first film was “Jwar Bhata” and cast opposite me, in the male lead, was a tousle- haired young man with keen, intense eyes who started his film career simultaneously with me — and, perhaps, as apprehensively. The young man was Dilip Kumar.
Devika Rani was my inspiration and guiding light. She was always at hand, on the sets and on location, spurring me on with encouraging words. “Jwar Bhata” made me, what is called in movie parlance, “famous overnight”. My fan mail grew to tremendous proportions, the newspapers featured me incessantly, and I was besieged by tempting offers from other producers.
But I knew that whatever I had achieved was due to the encouragement of Devika Rani and Himansu Rai. The success was not entirely mine–a very large measure of it belonged to Bombay Talkies. To me this studio was like an “Alma Mater”, the institution which taught me much and which was like a home to me.
I shed copious tears when recently the company went into liquidation. It was like being told that a dear friend had passed away. How much better it would be for our industry if we were to have more institutions like Bombay Talkies and more producers like Devika Rani and Himansu Rai.
Even when I knew that Devika Rani was severing her connections with Bombay Talkies, I did not think of getting out of my contract with the company. However, under the new management, my contract was not renewed in time. This immediately left me free to accept other film assignments. One of them was an important role in Prakash Pictures’ “Dhruv Bhagat”. Nineteen years old at the time, I had the unique experience of playing mother to a young man of sixteen!
The picture celebrated the coveted Silver Jubilee at the box office, but for me it turned out to be a severe setback. I soon realised that I should never have accepted that role, because I began to be “typed” and everyone forgot the Mridula of “Jwar Bhata”.
After that I never did get the opportunity to play roles of my choice. Fortunately, none my pictures flopped at the box office. Most of them were “jubilee hits”, and although I did not earn money in lakhs, I never lost confidence in myself.
I then accepted a role in Munshi Productions’ “Baap Beti”, mainly because I wanted to learn something new from Director Bimal Roy. I did not have a big role, but I was told that whatever little I did was done well.
Now, for the first time, I shall have the opportunity to act with popular artists like Usha Kiron and Mukesh in “Anurag”. I hope I shall not disappoint my fans. Commercial success, of course, is an impetus to an artist. But, if like me one steps into the background for a while, I have one advice to offer: patience and perseverance will overcome mountains.
Among the Indian film stars, I admire Motilal, Raj Kapoor, Geeta Bali, Nalini Jaywant and Durga Khote. My favourites among the foreign stars are Laurence Olivier, Tyrone Power, Vivien Leigh, Joan Fontaine and Greta Garbo.
My hobbies are few. I love the outdoor life, and, in the house, I enjoy reading, cooking and needlework. I am not very musical-minded, but I am equally at ease with both Indian dancing and the ballroom variety.
Being married has its advantages and recompenses, even for a film star. My little girl Roma keeps me fully occupied at home. Indeed, I do not know what else I would do during my periods of inactivity.
It is said that the film industry is not too enthusiastic about married girls. It was my friend and well-wisher, Devika Rani, who advised me to marry. And, as always, I followed her advice! (This interview was conducted in 1954)
Mridula in 1954. She and actor Dilip Kumar made their first film together.
FilmographyActress (53 titles)
1978
Des Pardes
(as Mridula)
1972
Naag Panchami
(as Mridula)
1969
Pyar Ka Sapna
(as Mridulla)
1968/I
Brahmachari
(as Mridula)
1966
Dada
(as Miradula)
1966
Do Badan
(as Mridula)
1965
Aasmaan Mahal
1965
Boxer
1965
Rustom-E-Hind
1964
Jantar Mantar
1959
Kavi Kalidas
(as Mridula)
1956
Anuraag
1954
Baap Beti
(as Mridula)
1950
Ram Darshan
1944
Jwar Bhata
Renu
Mridula Rani and Agha Jan(Kashmere) from JwarBhata 1944
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Meenu Mumtaz's father Mumtaz Ali and her husband Sayyed Ali Akbar
Meenu Mumtaz –
Meenu Mumtaz -
music director was Anil Biswas.
Anil Biswas
from user-generated website I am personally quite vague about those 40s period- Anil da's most prolific decade. Vague with reference to the movies he composed for- the songs are unforgettable. In the decade where untrained voices- actors and actresses- were made to sing, Anil da brought out any melody that might be present there.
Some Unforgettable Melodies of the 1940s
Take the classic case of Ashok Kumar- listen to his early compositions in "Achut Kanya", "jhoola" etc. and then listen to the lullaby of "Kismet". We can see the amount of rehearsals that must have gone into the song. Anil da is much amused when asked of this - "No...Ashok was no singer. And I think that this was the only song he sang fully in tune". And "Kismet " became the craze of the decade- the songs are now part of folklore. What an entire range of emotions Anilda covered here. It might be an abject lesson to budding composeres. The fiery "Aaj himalay ki choti se fir humne lalkara hai" , the above lullaby "Dheere dheere aa re badal, mera bulbul so raha hai", the bhajan "Ab tere siva kaun mera krishn kanhaiya" (the finest bhajan ever), the pathos filled "Ghar ghar me diwali hai mere ghar me andhera"- and of course, that most precious melody of all "Papiha re, mere piya se kahiyo ja". The last mentioned is my personal favorite - a haunting number beautifully rendered by his sister Paru Ghosh, a most talented singer. Another gorgeous Parul melody that moved me no end was "Jisne bajadi bansuri geet usi ke gaye ja". This song I heard during a superb series called "Rashikeshu" on AIR Vividh Bharati some couple of years back. This was a 30 part series of 15 mins each where a young composer (cant recall his name) chats with Anilda on his musical styles. Was very engaging- and during the course of this program, I heard many hitherto unheard melodies. "Suhani milan beet jaye" is another very beautiful melody.
Anil da on Mukesh
In 1946, Motilal introduced him to his cousin, Mukeshchand Mathur, saying that he was a great Saigal fan and would like to sing in films. Anil da recounts "I heard him out and was not greatly impressed with his voice but Motilal was a close friend and so I complied and made a song for him much in the Saigal mould. On the recording day, there was no sign of Mukesh. Furious, I got into my car and went to look for him in his favourite haunts- finally finding him in one of them a few pegs high. Dragging him into the car, I took him to the studio loo first . Opened the tap water and kept his head under that for a minute or so. Sobered a little, he very quietly told me that he had forgotten all about the recording. I gave him a resounding slap and told him that that was not to forget such a thing in the future. I think whatever pain Mukesh felt then he poured out into the song. And it was then that I realized the enormous gift that this man had- his magnificent timbre which is unsurpassed. He became an instant hit- but I wanted him to be Mukesh-I rather than Saigal-II. And slowly drew him out of the Saigal shadow. He was never out of it fully- but he certainly carved a niche for himself." And what a whole host of unforgettable melodies this cobo gave us - this song which Mukesh first sang was of course the evergreen "Dil jalta hai to jalne de" , then that lovely duet with Lata in Anokha pyar "Ab yaad na kar", "Dum bhar ka tha daur khushi ka", "Jeevan sapna toot gaya" , a masterpiece of a pianomelody in "Aaram" "Ae jaane jigar dil me samane aaja" and just to finish, two of the greatest duets ever heard in our films -a lajawab duet from "Lajawab" "Zamane ka dastoor hai yeh purana" and that, oh undescribably beautiful "Zindagi ka ajab fasana hai" from his last film "Choti choti baatein".
Anil da and Talat Mahmood
I have expanded on the discovery of The Voice on my page on Talat saab. So all that remains here is a look at the unforgettable melodies that these two gave us. Their first effort was an instant success "Ae dil mujhe aisi jagah le chal" from "Arzoo", "Shukriya ae pyar tera" in Aaram, another one-of-the-greatest-duets "Seene me sulagte hain arman" and that pathos filled "Ek main hoon ek meri bebasi ki raat hai"- both brilliantly delievred by Talat saab, another blue gem "Mohobbat turk ki maine" from "Do Raha", and in "Waris", the ever popular foot tapper "Rahi matwale" and the philosophical "Kabhi hai gham kabhi khushiyan". In 1957, the two recorded a few ghazals and geets together - a couple of which have been released recently by HMV. One is the fairly popular "Phir pyar kiya phir roya" (loosely based on the Lata melody in "Baiju Bawra" "Mohe bhool gaye sanwaria"). But it is the other less-heard numebr that caugth my imagination. Its a terrifically composed number superbly sung by Talat "Sitaron tum gawah rehna, main unko kya kabhi bhoola".
The Anil da- Lata Gems
What more is there to say of Anil da? He lives in his songs - which we shall ever cherish and love. He is a much-respected musician, respected by all renowned exponents of the Classical Music genre and the ligh music like. He was a pioneer in the field of our film music - a musical phenomenon, the likes of which we will never see again.
Kuch aur zamana kehta hai, kuch aur hai zid mere dil ki ; Main baat zamane ki manu ya baat sunoon apne dil ki....
My 10 All-Time Favorite Anil da Songs
| 1. Aa mohobbat ki basti basayenge hum(Kishore & Lata) | 2. So gayi hai chandni(Lata) |
| 3. Man me kisiki preet basale(Lata) | 4. Zamane ka dastoorhaiyeh purana(Mukesh & Lata) |
| 5. Seene me sulagte hain arman(Talat & Lata) | 6. Katati hai ab to zindagi(Lata) |
| 7. Sitaron tum gawah rehna main unko(Talat) | 8. Papiha re mere piya(Parul Ghosh) |
| 9. Tum meet mere tum pran mere(Suraiya) | 10. Pee bin soonaji(Manna Dey & Lata) |
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Jwar Bhata.1944 (first movie of Dilip Kumar)
I have been getting many warnings from the youtube, please visit my other site HameshaJawanGeet if my this account is .. -
Parul Ghosh...Bhool Jana Chati Hoon. Jwar Bhata 1944.
Singer. Parul Ghosh. Movie. Jawar Bhata.
Jwar Bhata (1944) | Hindi Movie Plot - Bollywood MuVyz
muvyz.com/moviepage/gn933142/plot/Complete information on bollywood movie: Jwar Bhata Star cast, Movie Rating, Reviews, Plot, Screenshots, Song listing, Trailer, Watch Movie link and more...Jwar Bhata (1944 film) - Wikipedia, the free encyclopedia
en.wikipedia.org/wiki/Jwar_Bhata_(1944_film)Jwar Bhata is a 1944 black and white Indian drama film directed by Amiya Chakravarty. It marked the debut of Dilip Kumar who went onto become one of the ...Jwar Bhata.1944 (first movie of Dilip Kumar) - YouTube
www.youtube.com/watch?v=mu77Yt4maPAJan 12, 2011 - Uploaded by IMIRZA777I have been getting many warnings from the youtube, please visit my other site HameshaJawanGeet if my this ...JWAR BHATA-1944-BHOOLA BHAHTKA PATH HARA ...
www.youtube.com/watch?v=xkb-BN0c0osJan 4, 2012 - Uploaded by SHAHIDJSIPURIthis song is rear but the movie jwar bhata more rear even dilip sahib also want to see this movie if anybody ...
Jwar Bhata (1944) - IMDb
www.imdb.com/title/tt0151168/
Rating: 6.5/10 - 13 votes
Directed by Amiya Chakrabarty. With Ruma GuhDirector:
Amiya ChakrabartyCast
| Credited cast: | |||
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Ruma Guha Thakurta | ||
| |
Aga Jaan | ... |
Narendra
|
| |
Vikram Kapoor | ||
 |
Dilip Kumar | ... |
Jagdish
|
| |
Arun Kumar Mukherjee | ||
| |
Mridula Rani | ... |
Renu
|
| |
Shamim | ... |
Rama
|
| |
K.N. Singh | ||
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See full technical specs »
Storyline
Jwar Bhata (1944) - Nth Wall - The Ultimate Indian Movie ...
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Jwar Bhata(1944) - Latest Information about Jwar Bhata(1944) review, Jwar Bhata(1944) trailers , videos, Jwar Bhata(1944) bollywood movie review, promos,Plot :
A musical romance remembered mainly for Dilip Kumars debut. An old
partiarch ahs two unmarried daughters Rama (Shamim) and Renu (Mridula)
Narendra (Aga Jaan), the modern son of an urban millionaire, is to marry
Rama. Visiting the family in disguise to sneak a look at his future
bride, he mistakes Rama for Renu and they fall in love. The mixup comes
to light only after the wedding. Renu balmes god and is thrown out of
the house for blasphemy. On a train, she joins some travelling
performers led by Jagdish (D. Kumar), and to escape getting caught she
pretends to live with him. When Renu goes home again, her sister Rama is
pregnant and ill and a choice must be made between the foetus and the
mother. Renu makes up with god and the mother. Renu makes up with god
and through divine intervetions Ramas and her child lives are saved. The
films ten songs include several by singer Parul Ghosh. [Source:
Encyclopaedia of Indian Cinema]
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Country:
IndiaLanguage:
HindiRelease Date:
1944 (India) See more »Also Known As:
High and Low Tides See more »Company Credits
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company contact information
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IMDbPro »
Technical Specs
Runtime:
Sound Mix:
MonoColor:
Black and WhiteAspect Ratio:
1.37 : 1Jwar Bhata 1944 Movie News, Wallpapers, Songs & Videos ...
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Music Director
Color
BLanguage
HindiDirector
Banner
- Bombay Talkies
Release Date
- 1 Jan 1944
Genre
- Family Drama
Star Cast
- Dilip Kumar.... Jagdish
- Mridula.... Renu
- Shamim.... Rama
- Bikram Kapoor
- K N Singh
- Khalil
- Mumtaz Ali
- Agha.... Narendra
Jwar Bhata : Lyrics and video of Songs from the Movie Jwar ...
hindigeetmala.net/movie/jwar_bhata.htmLyrics and video of songs from Movie / Album : Jwar Bhata (1944); Music by: Anil Biswas; Singer(s): Parul Ghosh, Amirbai Karnataki, Manna Dey, Arun Kumar, ...
Song HeadingSinger(s) Music Director Lyricist Movie / Album Actor(s) Sanjh Ki Bela
4.67 - 3 votesArun Kumar Anil Biswas Narendra Sharma Jwar Bhata (1944) Video Playlist of all the songs of this movie from youtube Advertisements
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Jwar Bhata (1944)Film cast: Dilip Kumar, Mridula, Shamim, Agha, Bikram Kapoor, K N Singh, Khalil, Mumtaz Ali Singer: Parul Ghosh, Amirbai Karnataki, Manna Dey, Arun Kumar, Anil Biswas Lyricist: Narendra Sharma Music Director: Anil Biswas Film Director: Amiya Chakraborty External Links: Jwar Bhata at IMDB Jwar Bhata at Wikipedia Jwar Bhata.1944 (first movie of Dilip Kumar) - YouTube
www.youtube.com/watch?v=mu77Yt4maPAJan 12, 2011 - Uploaded by IMIRZA777I have been getting many warnings from the youtube, please visit my other site HameshaJawanGeet if my this ...JWAR BHATA-1944-BHOOLA BHAHTKA PATH HARA ...
www.youtube.com/watch?v=xkb-BN0c0osJan 4, 2012 - Uploaded by SHAHIDJSIPURIthis song is rear but the movie jwar bhata more rear even dilip sahib also want to see this movie if anybody ...JWAR BHATA-1944- ANDHKAR JALTE JUGNU KE-DILIP ...
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www.youtube.com/watch?v=sfw2s3JD6zMDec 14, 2013 - Uploaded by KhariBaatDilip Kumar First Movie Jwar Bhatta 1944 - Dilip Kumar Unknown Facts 01 Subscribe now and watch for more ...Parul Ghosh...Bhool Jana Chati Hoon. Jwar Bhata 1944 ...
www.youtube.com/watch?v=oo1DKzaOwEoNov 23, 2009 - Uploaded by IMIRZA777Singer. Parul Ghosh. Movie. Jawar Bhata. ... Dilip Kumar First Movie Jwar Bhatta 1944 - Dilip Kumar Unknown ...JWAR BHATA-1944- GAO KABIR UDAO ABIR -DILIP ...
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Dilip Kumar First Movie Jwar Bhatta 1944 - Dilip Kumar Unknown Facts 01
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Movie : Jwar Bhata (1973) Star Cast : Saira Banu, Dharmendra, Sujit Kumar Director : Adurthi Subba Rao (as ...Jwar Bhata | 1973 | Full Hindi Movie | Dharmendra, Saira ...
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Movie:- Jwar Bhatta (1973) Starcast:- Dharmendra, Saira Banu, Sujit Kumar Music by:- Laxmikant Payrelal ...........................................................................................................................
film (Jwar Bhata) (1944)
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songs:-
Parul Ghosh - Bhool jana chahti hoon- film Jawarbhata 1944 lyrics:Pt. Narayen Sharma
Parul Ghosh was an eminent playback singer of Hindi and Bengali movies of the 1940s. She is best remembered for the song ...
Bhool Jana Chahati Hu | Jwar Bhata 1944 | Parul Ghosh.
Prabhu Charanon Mein Deep Jalao
Provided to YouTube by Sa Re Ga Ma Prabhu Charanon Mein Deep Jalao · Parul Ghosh · Amir Bai · Chorus Jwar Bhata ...
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Prabhu charnon mein deep jalaaoby Atul |
New post on Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs |  |
Song-Prabhu charnon mein deep jalaao(Jwaar Bhaata)(1944) Singers-Parul Ghosh, Amirbai Karnataki, Lyrics-Pt Narendra Sharma, MD-Anil Biswas
Chorus
Lyrics
prabhu charanon mein deep jalaao
man mandir ujiyaalaa ho
prabhu charanon mein deep jalaao
man mandir ujiyaalaa ho
prabhu charanon mein deep jalaao
kare kripaa jo krishnachandra to
kare kripaa jo krishnachandra to
kyun dukh kaa andhiyaalaa ho
kyun dukh kaa andhiyaalaa ho
prabhu charanon mein deep jalaao
man mandir ujiyaalaa ho
prabhu charanon mein deep jalaao
man mandir ujiyaalaa ho
prabhu charanon mein deep jalaao
man mandir ujiyaalaa ho
prabhu charanon mein deep jalaao
kare kripaa jo krishnachandra to
kare kripaa jo krishnachandra to
kyun dukh kaa andhiyaalaa ho
kyun dukh kaa andhiyaalaa ho
prabhu charanon mein deep jalaao
man mandir ujiyaalaa ho
prabhu charanon mein deep jalaao
hridayakamal kaa sinhaasan
bane kr^ishna kaa vrindaavan
hr^idayakamal kaa sinhaasan
bane kr^ishna kaa vrindaavan
jeevan apanaa use saunp do
jeevan apanaa use saunp do
jo jag kaa rakhvaalaa ho
jivan apnaa use saunp do
jo jag kaa rakhvaalaa ho
prabhu charanon mein deep jalaao
man mandir ujiyaalaa ho
prabhu charanon mein deep jalaao
bane kr^ishna kaa vrindaavan
hr^idayakamal kaa sinhaasan
bane kr^ishna kaa vrindaavan
jeevan apanaa use saunp do
jeevan apanaa use saunp do
jo jag kaa rakhvaalaa ho
jivan apnaa use saunp do
jo jag kaa rakhvaalaa ho
prabhu charanon mein deep jalaao
man mandir ujiyaalaa ho
prabhu charanon mein deep jalaao
nainaa prem-chakor sakhi
chandaa nandakishor sakhi
nainaa prem-chakor sakhi
un nainan se dekh jagat ko
un nainan se dekh dekh
un nainan se dekh jagat ko
base yhaan nandalaalaa ho
base yahaan nandalaalaa ho
prabhu charanon mein deep jalaao
man mandir ujiyaalaa ho
prabhu charanon mein deep jalaao
chandaa nandakishor sakhi
nainaa prem-chakor sakhi
un nainan se dekh jagat ko
un nainan se dekh dekh
un nainan se dekh jagat ko
base yhaan nandalaalaa ho
base yahaan nandalaalaa ho
prabhu charanon mein deep jalaao
man mandir ujiyaalaa ho
prabhu charanon mein deep jalaao
giridhar ke charanon mein aa
giridhar ke charanon mein aa
raadheshyaam naam gun gaa
koras:raadheshyaam raadheshyaam
jai raadheshyaam raadheshyaam
giridhar ke charano me aa
giridhar ke
maalik meraa bansiwaalaa
maalik meraa bansiwaalaa
man meraa brijabaalaa ho
maalik meraa bansiwaalaa
man meraa brijabaalaa ho
prabhu charanon mein deep jalaao
man mandir ujiyaalaa ho
prabhu charanon mein deep jalaao
giridhar ke charanon mein aa
raadheshyaam naam gun gaa
koras:raadheshyaam raadheshyaam
jai raadheshyaam raadheshyaam
giridhar ke charano me aa
giridhar ke
maalik meraa bansiwaalaa
maalik meraa bansiwaalaa
man meraa brijabaalaa ho
maalik meraa bansiwaalaa
man meraa brijabaalaa ho
prabhu charanon mein deep jalaao
man mandir ujiyaalaa ho
prabhu charanon mein deep jalaao