| Rattan | M. Sadiq | Karan Dewan, Swarnlata, Amir Banu, Wasti, Chandabai, Manju, Rajkumari Shukla, Badri Prasad, Gulab, Azurie | Social Romance | Music: Naushad Lyrics: D. N. Madhok |
| Rattan | |
|---|---|
 |
|
| Written by | R.S. Choudhury, D.N. Madhok |
| Starring | Swaran Lata, Karan Dewan and Amir Banu |
| Release date(s) | 1944 |
| Running time | 118 minutes |
| Country | India |
| Language | Hindi |
Cast
- Swaran Lata as Gauri
- Karan Dewan as Govind
- Amir Banu as Basant Kumar
- Azoorie
- Chanda
- Gulab
- Manju
- Badri Prasad
- Rajkumari Shukla
- Wasti
STORY
The two main characters of the film are Gauri (Swarnlata) and Govind (Karan Dewan). Gauri and Govind live in a village and have been playmates since they were children. Even now that they’ve grown up, they’re the best of friends, with Gauri constantly pulling Govind’s leg, gobbling up the parathas his mother’s made for him, and teasing him. It’s obvious that they’re in love
The entire village knows about Gauri and Govind’s romance, though except for a couple of interfering old hags, nobody seems to mind much. This, despite the fact that Govind is a bania while Gauri is a Rajput—in other words, they’re from different castes.
One of the interfering old hags is a woman called Gangu. Gangu has been telling Gauri’s mother (Amir Banu) that now that Gauri has grown up, it’s not seemly for her to be gallivanting around the village with Govind. Gauri’s mother, therefore, ticks Gauri off too.Govind’s mother (?) is, similarly, not in favour of Govind harbouring any sort of affection for Gauri. She tries repeatedly to tell her husband (Badri Prasad) to check his son, but all to no avail. Govind’s father is a laidback man, who isn’t particularly perturbed by Govind’s friendship with Gauri, or by the fact that Govind, despite being now an adult, doesn’t do much to help his father with their small business.
One somewhat unusual relationship (at least for 40s’ Hindi cinema) here is that of Govind’s parents. He keeps teasing his wife that his marrying her broke the heart of a girl who had long been in love with him. His wife, when teased, immediately grabs her bundle of clothes and threatens to go off to stay with her brother. And whenever she makes that threat, her husband says that since she will leave his home, he will leave too and go off to spend the rest of his days on the banks of the Ganga, where he’ll die – and as soon as he mentions dying, she quickly bustles over, shutting him up, and they hug and make up. Rather cute...........................Details
Rattan or Ratan is a 1944 Indian Bollywood film starring Swaran Lata, Karan Dewan and Amir Banu. It was the highest grossing Indian film of 1944 and is cited as an "All Time Blockbuster". The film is noted as the film which made Naushad one of the top contributors to music in Indian films and enabled him to demand a fee of Rs 25000 a film.The heroine of the movie Swaran Lata had said in a live interview with the PTV that the tunes of the songs of Rattan were set by the lyricist Dinanath Madhok himself.
Country:
IndiaLanguage:
HindiAlso Known As:
Rattan See more »
Company Credits
Show detailed company contact information on IMDbPro »
Technical Specs
Runtime:
Sound Mix:
MonoColor:
Black and WhiteSee full technical specs »Aspect Ratio:
1.37 : 1
Rattan (1944) | Dustedoff
dustedoff.wordpress.com/2011/04/19/rattan-1944/Apr 19, 2011 - For a film that was made in 1944 (a period that seemed to be dominated by theatrical acting and some pretty chauvinistic ideas), Rattan was ...
Rattan 1944, Hindi film - YouTube
www.youtube.com/watch?v=HQdeZ5enjBAJun 28, 2012 - Uploaded by indiavideodotorgRattan released in 1944 was directed by M. Sadiq. The film is noted in the Hindi film industry as the film ...
Oh Jaanewaale Balamwa Laut Ke Aa Amirbai Karnataki Shyam ...
www.youtube.com/watch?v=-od_9SokUKEApr 13, 2011 - Uploaded by Murad VintageSense.com LyallpuriThe film Rattan, released in 1944 and starring Amir Banu, Karan Dewan and Swarnalata was a ...
Amirbai Karnataki and Shyam Kumar O jaanewaale balamwa laut ...
www.youtube.com/watch?v=4jkyI9x3B7cJun 23, 2012 - Uploaded by Murad VintageSense.com LyallpuriListen to vintage songs at http://www.vintagesense.com ... The film Rattan, released in 1944 and starring ...
Piya Ghar Aaja - Romantic Song - Rattan (1944) - Classic Bollywood ...
www.youtube.com/watch?v=5V_pqaXrdPEApr 26, 2012 - Uploaded by BollywoodcaptainThe film Rattan, released in 1944 and starring Amir Banu, Karan ... Piya Ghar Aaja - Romantic Song - Rattan ...
Rattan (1944) - Classic Bollywood Movie - Part 1 of 10 - Amir Banu ...
www.youtube.com/watch?v=0EzE8s1u7rEApr 20, 2012 - Uploaded by BollywoodcaptainThe film Rattan, released in 1944 and starring Amir Banu, Karan Dewan and Swarnalata was a ...
Pardeshi Balma - Romantic Song - Rattan (1944) - Classic ...
www.youtube.com/watch?v=Milm5R9NxG4Apr 26, 2012 - Uploaded by BollywoodcaptainThe film Rattan, released in 1944 and starring Amir Banu, Karan ... Pardeshi Balma - Romantic Song - Rattan ...
Oh Jaanewaale Balamwa Laut Ke Aa Amirbai Karnataki Shyam ...
www.youtube.com/watch?v=-od_9SokUKEApr 13, 2011 - Uploaded by Murad VintageSense.com LyallpuriListen to vintage songs at http://www. ... The film Rattan, released in 1944 and starring Amir Banu, Karan ...
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3:37
o jane wale balamwa..ratan 1944- ameer bai karnataki-shyam kumar-naushadby mastkalandr
- Song : O Jane wale balamwa laut ke aa laut ke aa.. Movie : Ratan(1944), Singers: Ameer Bai Karnataki,Shyam kumar, Lyricist ...
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ankhiyan mila ke..Johrabai ambalawali_Ratan1944 with a tribute by Lata Mangeshkar
Song : ankhiya mila ke jiya bharma ke ..A romantic, classic hit song with a tribute by Lata Mangeshkar Movie : Rattan (1944) ... -
milke bichhad gayi ankhiyan..amirbai karnataki-d n madhok-Naushad-Ratan 1944..a tribute
Song : Milke bichhad gayin ankhiyan .. Movie : Ratan (1944), Singer : Amirbai Karnataki, Lyricist : D N Madhok, Music Director ...
Watch classic Hindi movie RATTAN (1944), starring Swaran Lata & Karan Dewan. Subscribe to our Movies Heritage channel: ...Rattan is a 1944 Indian film starring Swaran Lata, Karan Dewan and Amir Bano. It was a highly successful movie of 1944. The film ...0:00:09 - Ankhiyan Milake 0:02:36 - O Janewale Balamwa 0:05:18 - Rimjhim Barse Badarwa 0:10:04 - Pardesi Balma 0:12:50 - Milke ...SINGER : ZOHRABAI AMBALEWALI AND CHORUS LYRICS : D N MADHOK MUSIC : NAUSHAD MOVIE : RATAN (1944)Watch classic Hindi movie RATTAN (1944), starring Swaran Lata & Karan Dewan. Subscribe to our Movies Heritage channel: ...0:00:09 - Ankhiyan Milake 0:02:36 - O Janewale Balamwa 0:05:18 - Rimjhim Barse Badarwa 0:10:04 - Pardesi Balma 0:12:50 - Milke ...Rattan is a 1944 Indian film starring Swaran Lata, Karan Dewan and Amir Bano. It was a highly successful movie of 1944. The film .....Rattan : Lyrics and video of Songs from the Movie Rattan (1944)
hindigeetmala.net/movie/rattan.htmLyrics and video of songs from Movie / Album : Rattan (1944); Music by: Naushad Ali; Singer(s): Zohrabai, Karan Dewan, Manju, Shyam Kumar, Amirbai ...
Song Heading Singer(s) Music Director Lyricist Movie / Album Actor(s) Ankhiyaan Milaake Jiyaa Bharamaa Ke
4.72 - 25 votesZohrabai Ambalewali Naushad D N Madhok Ratan (1944) Amir Banu, Karan Deewan Video Playlist of all the songs of this movie from youtube Advertisements
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Ratan (1944)Film cast: Karan Dewan, Swarna Lata, Chanda, Amir Bano, Basant Kumar, Gulab, Manju, Badri Prasad, Vasti Lyricist: D N Madhok Music Director: Naushad Ali Film Director: M Sadiq External Links: Ratan at IMDB
Movie: Rattan (1944) Singer: Zohrabai Ambalewali Music Director: Naushad Lyricist: D. N. Madhok Director: M. Sadiq Aai Diwali ...
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Movie: Rattan (1944) Singer: Zohrabai Ambalewali Music Director: Naushad Lyricist: D. N. Madhok Director: M. Sadiq Rimjhim ...
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Highest
grossing movie of yhe year and all time Blockbuster as it ran in
theatres for three years in Karachi. Lahore and Bombay as ...
milke bichhad gayi ankhiyan..amirbai karnataki-d n madhok-Naushad-Ratan 1944..a tribute
Song
: Milke bichhad gayin ankhiyan .. Movie : Ratan (1944), Singer :
Amirbai Karnataki, Lyricist : D N Madhok, Music Director
Rattan - Jhoothe Hain Sab Sapne Suhane
Jhoothe Hain Sab Sapne Suhane Performers: Manju, Swaran Lata Singer: Manju Music: Naushad Lyrics: DN Madhok Film:
Jhoote Hain Sab Sapne Suhane (HD) - Rattan Songs - Manju - Swarnlata - Naushad - Filmigaane
Movie: Rattan (1944) Singer: Manju Music Director: Naushad Lyricist: D. N. Madhok Director: M. Sadiq Jhoote Hain Sab Sapne ...
PARDESI BALAMA BAADAL AAYA-ZOHRABAI AMBALEWALI-D N MADHOK-NAUSHAD(RATAN 1944)
SINGER : ZOHRABAI AMBALEWALI LYRICS: D N MADHOK MUSIC : NAUSHAD MOVIE RATAN ( 1944)
Pardesi Baalma Baadal Aaya (HD) - Rattan Songs - Karan Deewan - Swarnlata - Naushad - Filmigaane
"Movie: Rattan (1944) Singer: Zohrabai Ambalewali Music Director: Naushad Lyricist: D. N. Madhok Director: M. Sadiq Pardesi
songs film Ratan 1944
Swaran Lata
From Wikipedia, the free encyclopedia
Swaran Lata (Urdu: سورن لتا, Punjabi: ਸਵਰਨ ਲਤਾ) was a Pakistani film actress. She started her career in the film industry in British India and later moved to Pakistan. She was described as a 'Tragedy Queen' because of her emotional, tragic roles, her presence on screen and her moving dialogue delivery. She worked in Bollywood and in Pakistani cinema.Swaran Lata
Swaran LataBorn December 20, 1924
Rawalpindi, British Punjab (British India)Died February 8, 2008 (aged 83)
Lahore, West Punjab (Pakistan)Other names Saeeda Bano Occupation Actress Years active 1942–1971 Spouse(s) Nazir Ahmed
Early life
Swaran Lata was born into a Siyal Jatt Sikh family in Rawalpindi, British India on December 20, 1924. She did her Senior Cambridge from Delhi and then joined the Academy of Music and Arts, Lucknow. In early 1940s, her family moved to Bombay.
Sawarn Lata later converted to Islam after she married Nazir Ahmed, a famous actor, director and producer at the time. She changed her name to Saeeda Bano. The Swaran-Nazir pair was a very creative ensemble, churning out many movies together both before and after Partition.
Career
An exceptional and wondrous story about how she entered the realm of acting trails Swaran. Her parents died when she was very young and she lived most of her adolescent life with her elder brother, whom she recalls "very strict". However, it is the story of how she got discovered that Swaran tells with great passion: "I was a student at college in Lucknow, India. When I was traveling from Delhi to Lucknow, a few directors saw me. They approached me to act in films but I was not interested at first. One of them then went to my elder brother with the offer, and to my utmost surprise he agreed".
Swaran Lata started her career as a stage actress. Her first film was Awaaz released in 1942. Swaran and Nazir migrated to Pakistan at the time of the Partition of India in 1947. They left everything they had behind in Bombay and shifted to Lahore. The duo had to start from scratch and were part of the early Pakistani film industry.
Swaran Lata was heroine of Pakistan's first ever silver jubilee film Pherey. The film was a Punjabi film but she was an Urdu speaker who was trained in Lucknow, the home of Urdu littérateurs. For the film, she was coached in Punjabi language by Baba Alam Siahposh, a Punjabi poet, who was also one of the lyricists of the film songs.
As heroine, Laarey, Naukar, Heer and as character actress Sawaal were her famous films. From 1960 onwards, she reduced her appearances and mainly shifted towards character roles.
In her lifetime, Swaran worked with great names like Prithviraj Kapoor and Motilal in India and with Santosh Kumar, Darpan, Inayat Hussain Bhatti and Habib in Pakistan.
September 18th, 2010
=======================================================
Swaranlata – Her Last Interview
When one speaks of legends, the mind instantly paints a picture of grandeur. Consider an actress who was labelled ‘tragedy queen’ for her moving performances, and a thespian who took the world of Indian cinema by storm with her dark eastern looks. Swaran Lata, of the Nazir-Swaran Lata duo, began her journey with her husband, in the pre-Partition hit, Laila-Majnoo. They continued as a husband and wife team across the border in the then newly formed, independent Pakistan film industry.
Swaranlata with Darpan in Noor-e-Islam (1957)
The fledgling industry owed much to this remarkably talented couple who showed commitment and determination in spite of the initial problems they had to face while commencing their careers in Pakistan. “We had no money when we first came here; we left everything behind in India. Our good friend, Bari, gave us food and a place to stay. I then returned to India and brought back some of my things and Nazir Sahib and I subsequently began working,” says Swaran. However, having stood her ground, to this day, she maintains the reputation of being a star whose dialogue delivery and haunting voice has been the hallmark of her success.
Swaran Lata, now almost 80, a great-grandmother and in great shape for her age, cannot recall exactly how many movies she has acted in, but when asked to name a few she says: “Before Partition, I starred in Laila Majnoo, Vamikh Azra, Ratan, Maa Baap Ki Laaj, Pratigya and Tasveer”. Afterwards, she remembers acting in Phairai, Larai, Shehri Baboo, Heer, Khatoon and Sachayee. Of course, unforgettable is the famous song from Swaran’s film, Heer, Asaan jaan ke meet laye ankh we, which has recently, in a very contemporary style, been sung and remixed by singer Annie in her debut album.
The original song was an instant hit and to this day, is a hot favourite among music lovers. Furthermore, according to Swaran, her late husband produced and directed quite a few films in Pakistan such as Noor-i-Islam, Azmat-i-Islam, Naukar, Sawaal and Heer and she states very confidently that “all his movies were a success.” In her lifetime, Swaran has worked with great names like Prithvi Raj Kapoor, Moti Lal and Dilip Kumar in India and with Santosh Kumar, Darpan, Inayat Hussein Bhatti and Habib in Pakistan. This portfolio can stand to impress anyone who has the slightest idea about old cinema and its top actors.
An exceptional and wondrous story about how she entered the realm of acting trails Swaran. Sadly, her parents passed away when she was very young and she lived most of her adolescent life with her elder brother, whom she recalls “was very strict.” However, it is the story of how she got discovered that Swaran tells with great passion: “I was a student at college in Lucknow, India. When I was travelling from Delhi to Lucknow, a few directors saw me. They approached me to act in films but I was not interested at first. One of them then went to my elder brother with the offer, and to my utmost surprise he agreed. I then started my career as an actress in Poona where after my first movie, the studio closed down. I went to Bombay where I got good work. From 1944 onwards I became very popular and was known as one of the top artistes around.
“After Partition, my husband and I came to Lahore and I stopped working in movies after Nazir Sahib’s first heart attack.” She is adamant about never taking up acting again, “I have retired. I’ve given interviews on TV programmes like Aap Ka Zameer by Zameer Sahib. That was an excellent interview and I enjoyed it. However, now I take pleasure in being at home with my children, grand children and great grand children.” She is not a social person by nature and happily reveals that she does not mingle with people from the film industry anymore. “I like to keep to myself,” she says.
Having witnessed a huge change in the workings of cinema since she first started out as an actress, Swaran is not very happy with the state of affairs at present. “Our films had no vulgarity. They could be watched sitting with families and the story line was powerful yet simple. Everything has changed now in both the Pakistani and Indian film industries. New people have come in and everything is glamorized. The elements of nudity and heavy make-up have crept in whereas at my time, our films were successful without all of this. I don’t want to comment too much on what I think because I refuse to watch any of the latest films as it is.”
Swaran believes that the production style and quality of movies has also shifted to a great extent and that a new trend is being followed. Although technology has aided production immensely, the vision and calibre of producers from her time is unmatchable. Commenting upon the type of audiences that watch films nowadays, Swaran says, “At our time, movie watching was enjoyed by the gentry. Now it is the masses who watch films and they prefer watching Punjabi movies, which I don’t like at all.”
She is also disappointed because she feels that “movie-makers are too commercial now. There is less attention on the story and more stress on love scenes and dances.” The Pakistani censor board, in her view, is a joke. “I was on the censor board but I quickly left because whatever we, as the board members, recommended was never followed. Strange films were passed as fit for showing and a lot of people on the board were bought off.”
Being a staunch believer in hard work and dedication, Swaran stresses on continuous practice and self-training for anyone who is striving to be a great actress. “I used to spend hours perfecting my role for each film. My dialogue delivery was known to be incredibly controlled and in sync with my facial expressions. I used to become one with my character. Being an actress requires great discipline,” she says. Swaran shrewdly advises: “An actress needs to know how to speak well and carry herself. I used to dress very simply in a white sari and blouse. I did not like being over dressed in public and my make-up was light at all times. Actresses in my time possessed a natural beauty which, I feel, has now been overshadowed with the application of heavy and unnecessary make-up and styling. Every actress looks the same and their individuality is being lost.”
What does Swaran translate this passion for sheer discipline into now? For one, even at her age, she still does cardiovascular exercises every morning and a yoga routine every evening. She keeps herself fit and active and still cooks for her children and grand children who live with her. “I think a person should maintain their health throughout their life, otherwise at my age I could have been bed-ridden,” she says.
Having been blessed with an exciting and fulfilling life, she looks back contently at everything she has achieved. “Sometimes I feel sorry that I left India and came to Pakistan because a lot of sacrifice was involved. However, I have settled in very well and the best thing is that I am respected by everyone. I am proud of all my children, grand children and in turn great grand children. My life is now very simple and I just look forward to spending time with my family in Lahore.”
Getting a little teary eyed at the end, Swaran goes on to say: “I must mention my dear friend Najma who I miss very much since she passed away and I must thank my friends Bari and his wife Saloni with whom I now spend a lot of time at their home.”
One thing is for certain, Swaran Lata’s story of fame and success will be told by every successive generation of her family. The government should honour such artistes who have rendered significant services to the film industry with their hard work and dedication, creating an infrastructure for future generations – This interview was conducted by Fariha Arshed in 2006 for Dawn Newspaper. Swaranlata died in 2008
Death
Swaran Lata died at the age of 83 in Lahore on February 8, 2008. She had four children, three daughters and a son.
Filmography
- Awaaz (1942) Hindi film
- Tasveer (1943) Hindi film
- Pratigya (1943) Hindi film
- Ishara (1943) Hindi film
- Us Paar (1944) Hindi film
- Raunaq (1944) Hindi film
- Ratan (1944) Hindi film
- Ghar Ki Shobha (1944) Hindi film
- Preet (1945) Hindi film
- Laila Majnu (1945) Hindi film
- Pratima (1945) Hindi film
- Chand Tara (1945) Hindi film
- Wamaq Azra (1946) Hindi film
- Shaam Savera (1946) Hindi film
- Abida (1947) Hindi film
- Gharbar (1948) Hindi film
- Sachai (1949) Urdu film
- Pherey (1949) Punjabi film
- Anokhi Daastan (1950) Urdu film
- Laaray (1950) Punjabi film
- Bheegi Palken (1952) Urdu film
- Sheri Babu (1953) Punjabi film
- Khatoon (1955) Urdu film
- Naukar (1955) Urdu film
- Heer (1955) Punjabi film
- Sabira (1956) Urdu film
- Soteeli Maa (1956) Urdu film
- Noor-e-Islam (1957) Urdu film
- Shama (1959) Urdu film
- Billo Jee (1962) Punjabi film
- Azmat-e-Islam (1965) Urdu film
- Sawaal (1966) Urdu film
- Duniya Na Maney (1971) Urdu film
References
- Jump up ^ http://www.flickr.com/photos/pimu/2251215887/
- Jump up ^ http://www.dawn.com/weekly/images/archive/060611/images11.htm
- Jump up ^ http://www.dailytimes.com.pk/default.asp?page=2008\02\14\story_14-2-2008_pg3_7
- Jump up ^ http://www.dawn.com/weekly/images/archive/080217/images2.htm
External links
- ===============================================
-
CLICK:-Karan Dewan – Profile - Cineplot.com
Jul 18, 2011 - There was a time when Karan Dewan was known as a jubilee star; in fact over 20 of ... It also led to his marriage with his co-star Manju, who has been acting in Prabhat Films since “Aadmi”. ... Her wiki entry is close to empty. -
Karan Dewan (1917–1979)
Died:
(age 61) in Bombay, India
Filmography
Actor (43 credits)1976 Bhanwar (as Karan Diwan)1975 Himalay Se Ooncha1975 Kala Sona1973 Jalte Badan (as Karan Diwan)1973 Khoon Khoon1971 Nadaan1970 Maa Aur Mamta (as Karan Diwan)1965 Shaheed1960 Apna Ghar1959 School Master1958 Chandan1958 Miss 581958 Taqdeer1955 Bahu1955 Jashan1955 Musafirkhana1955 Duniya Gol Hai1954 Laadla1953 Aag Ka Dariya1951 Ek Nazar1950 Anmol Ratan1950 Sabak1949 Duniya1949 Lahore1949 Rakhi1948 Shakti1947 Do Dil1947 Mehandi1946 Phir Bhi Apna Hai1943 School Master
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songs:-
o jane wale balamwa..ratan 1944- ameer bai karnataki-shyam kumar-naushad
Song : O Jane wale balamwa laut ke aa laut ke aa.. Movie : Ratan(1944), Singers: Ameer Bai Karnataki,Shyam kumar, Lyricist ...
Movie: Rattan (1944) Singer: Karan Deewan Music Director: Naushad Lyricist: D. N. Madhok Director: M. Sadiq Jab Tum Hi Chale ...
Jab Tum Hi Chale Pardes Performers: Karan Dewan, Swaran Lata Singer: Karan Dewan Music: Naushad Lyrics: DN Madhok ...
Jab Tum Hi Chale Pardes (HD) - Rattan Songs - Karan Deewan - Manju - Swarnlata -Naushad - Filmigaane
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Rattan - Jab Tum Hi Chale Pardes - YouTube
https://www.youtube.com/watch?v=7w3cwmIYrjM
Sep 2, 2013 - Uploaded by Tommydan333
Jab Tum Hi Chale Pardes Performers: Karan Dewan, Swaran Lata Singer: ... Lyrics: DN Madhok Film: Rattan ...Jab Tum Hi Chale Pardes | HD Song | Karan Deewan | Ratan (1944 ...
https://www.youtube.com/watch?v=PDZ2SUUi24E
Dec 7, 2015 - Uploaded by HD Songs Bollywood
Movie:-Ratan Song:-Jab Tum Hi Chale Pardes Singer:- Karan Deewan Music:-
Did you mean: akhiyan mila ke..Johra Bai ambala wali
ankhiyan mila ke..Johrabai ambalawali_Ratan1944 with a ... - YouTube
ankhiyan mila ke..Johrabai ambalawali_Ratan1944 with a ... - YouTube
https://www.youtube.com/watch?v=iej5o-yxdXo
Movie: Rattan
Song : Saawan ke baadlon un se ye jaa kaho .. Movie : Ratan (1944), Singer : Zohrabai Ambala , Lyricist : D N Madhok, Music ...
SINGERS : ZOHRABAI AMBALEWALI AND KARAN DEWAN LYRICIST : D N MADHOK COMPOSER : NAUSHAD MOVIE : RATAN ...
"Movie: Rattan (1944) Singer: Karan Deewan, Zohrabai Ambalewali Music Director: Naushad Lyricist: D. N. Madhok Director: M.
SAWAN KE BADALO UNSE YEH JA KAHO -1944 - video dailymotion
May 21, 2014 - Uploaded by nostalgia04
SAWAN KE BADALO UNSE YEH JA KAHO -1944. 5 years ago1,804 views. Add to Playlist. Duet from ...
Dec 14, 2016 - Uploaded by ASIF SHAMS
Aaj Unse Milna Hai Full Song Prem Ratan Dhan Payo [2015] Salman Khan, Sonam Kapoor.
Highest
grossing movie of yhe year and all time Blockbuster as it ran in
theatres for three years in Karachi. Lahore and Bombay as ...
