Aaina. 1977 film.
7/10·IMDb. Shalini belongs to a large, poor village family. When her
mother tries to poison the family out of despair, Shalini steps out to
work.
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Indian films and posters from 1930: film (aaina)(1993)
bombaymann2.blogspot.com › 2017/03 › film-aaina1993
film (aaina)(1993) ... bombaymann2.blogspot.com/2014/01/film-aaina1944.html. Jan 6 ... Aaina (English: Mirror), is a 1993 film directed by Deepak Sareen and ...
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| Aaina | S. M. Yusuf | Trilok Kapoor, Sulochana Chatterjee, Yakub, Gope, Kaushalya, Yashodhra Katju, Husn Banu, Mirza Musharraf, Leela Mishra | Social | Music: Fateh Ali Khan, Gulshan Sufi Lyrics: Pandit Phani, Tanveer Naqvi |
Aina
1944
India, Hindi
Select Cast Gope, Husn Bano, Trilok Kapoor, Yakoob, Kaushalya, Leela Mishra, Mirza Musharaf, Rajkumari Shukal, Sulochana Chattarjee & Yashodhara Kathju
Total Results 2
Aina
1944
Banner R. D. Production
Director S. M. Yusuf
Song Synopsis Booklet
1104356
Aaina is a Bollywood film. It was released in 1944.
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Aaina (1944 film)
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Aaina (1944 film)
Aaina - Wikipedia
Aaina may refer to: Aaina (1944 film), Indian Hindi language film directed by S. M. Yusuf starring Trilok Kapoor; Aaina (1977 film), Indian Hindi language film ...
Aaina is a Bollywood film. It was released in 1944. Cast. The cast of the film: Trilok Kapoor; Kaushalya; Yakub; Husn Banu; Sulochana Chatterjee; Rajkumari
Complete information on bollywood movie: Aaina Star cast, Movie Rating, Reviews, Plot, Screenshots, Song listing, Trailer, Watch Movie link and more...
Aaina (1944) - IMDb
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Director:
S.M. YusufStars:
Husn Banu, Sulochana Chatterjee, Gope | See full cast & crew »Cast
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Husn Banu
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Sulochana Chatterjee
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Gope |
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Trilok Kapoor |
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Kaushalya
 Kaushalya - IMDb
Kaushalya, Actress: Aaina. Kaushalya is an actress, known for Aaina (1944), Zaban (1943) and Tamasha (1952).
Kaushalya Kumari – Profile & Filmography – Cineplot.com |
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Leela Mishra |
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Storyline
Add Full Plot | Add SynopsisAaina (1944)-Bollywood Movie Reviews, Trailers, Wallpapers ...
www.nthwall.com/hi/movie/Aaina-1944/9543209285Aaina(1944) - Latest Information about Aaina(1944) review, Aaina(1944) trailers , videos, Aaina(1944) Telugu movie review, promos, Telugu movie Aaina(1944) ...
Plot :
The invention of "Aina" (Mirror) was invented by Sikander Zulqernain,
so that we can see our ugliness or beauty, as others would find in us
but to-day, we presented to you a novel type of "Aina" in which you will
see the reflections of joys and sorrows, virtues and vices that occur
in your daily life. Your will find innumerable Indian homes unhappy
shattered, only because of petty grivances and jealousey of one member
of the family to the other. . Krishna was typical woman of that type,
who inspite of being a happy mother, commanding wealth and respect, was
on the verdge of ruining her home, just because she was shot tempered
and of quarrelsome nature . Not one member of the family was pleased
with her treatment. The eldest daughter-in-law Jea, was a widow and
thus unhappy, but Krishna instead of consoling and helping her to forget
her sorrow, blamed her saying that she was the cause of her sons death.
Shanti, the second daughter-in-laws fate was in no way better than
Jeas. She was an ideal emblem of an Indian wife, who performed; her
duties towards her husband Vinod and other members of thefamily inspite
of an ill-treatment she received from Krishna and her sister-in-law
Anjali. The only one, who appreciated and respected Shanti was Vilas,
her younger brother-in-law, who loved her with a true heart of a
brother. But his love and respect was misjudged by her younger sister
Anjali, who was spoilt and pampered by Krishna. She was not only
satisfied by misjudging for herself but foolishly told others and
brought a bolt on her brothers and sisters character. . The fatehr
Kundanlal played a very passive role of life inspite of knowing the
state of affairs at home. Whenever his sons and daughters complained,
he replied; "Jai se Bhagwan ki Marzi" (They wilt be done). . On account
of such atmosphere and unrest in the house Vinod, the husband of Shanti
always remained absent from home by going on his business tours.
Howsover he returned after a very long time, hoping the condition of the
house must have proved. But hardly he steped into his room he heard
the same sounds of quarrel and fights. He tolerated for some time, but
the climax of his patience reached, when he saw there is no peace even
whilst taking his food. Through shear disgust, he left his food
untouched and went to his room to dress up and leave. Shanti his wife
tried her level best to induce him to take his food but he paid no heed
to her. In the meantime, Vilas entered the room and told him that he
should not leave the house and go away but on the contrary some means
must be found out to bring peace and harmoney. At this moment Vilas
eyes fell at the door and saw Anjali inquistively peeping through the
door. Vilas in anger pulled her inside the room telling her to come in
and listen, Anjalis shout for mother, also brought Krishna in to the
room. Vilas told Vinod that Anjali should be sent to her sasurals place
at once for she is the main cause of the trouble at home. Anjali
burning with shame and anger, spitefully accused Vilas of his misconduct
with Shanti bhabhi She told Vinod and Krishna that to day morning, he
was kissing Shanti bhabhis hand. The shameful accusation enraged Vilas
to such an extent that he slapped Anjali. Krishna in return slapped
Vilas, who was greatly insulted and promised to leave the house at once.
Shanti seeing Vilas leaving, due to misunderstanding cause on account
of her, begged and sowre by her Sohag for Vilas to come back. Vilas
hesitated at these words and finaly returned to please Shanti. But the
fate was against her, for Vilas return caused Vinod to be more
suspicious and left the house heartlessly leaving Shanti in tears
calling for her "nath". . Vinod worried in disgusted, with sounds of
quarrels still lingering in his ears, drove at an uncontrollable speed
and had a hair breadth escape from dashing against another car. Luckily
in the other car was Sumetra, whom he had met her in the train whilst
returning to Bombay and had become good friends in on time. Sumetra had
a gift of the gap and came to Bombay as she was invited by womens club
for a debate on the subject " An Indian Woman". During the journey she
had gathered a little about Vinods home troubles seeing his face
distrubed and haggered, smelt some troubles and postponed her plan of
going to the hall and took him to her house. Sumetra played a very
efficient hostess and entertained Vinod so well that he forget all his
worries and cares.- Gradually, day by day, Vinod fell head over ears for
Sumetra. . In the meantime, Krishna forced Vilas to marry with Urmi,
the daughter of Manoharlal. Urmi knew the condition of Kundanlals house
and Vilas happy-go-lucky nature but agreed to marry him to please her
father and do away with her step-mother who was ill-treating her. On
the other hand Vilas refused his mother Krishna to marry Urmi, but when
Shanti bhabhi requested him and told him that by refusing he will cause
others to look upon them more suspiciously. Vilas realised his mistake
and agreed to marry for his bhabhis sake. . No sooner Urmi came to
Kundanlals house, Krishna started ill-treating Urmi. In the beginning,
Urmi took all insults and scolding very patiently, but when she could
bear no longer, quite confused and not knowing what to do, went near
the photo of her late mother engraved in an "Aina" and began to cry for
her help. The "Aina" accidently slipped from her hands and crashed into
pieces. To her disappointment and surprise she saw into four broken
pieces of the "Aina", the reflections of the photos on the wall (1)
Chand Bibi. (2) Sati Sawitri (3) Jai Ambe. (4) Baharat Mata; and her
later mothers teachings came to her memory. Urmi quite changed resolved
to improve the condition of her sasural. . On the other hand, Vinod
disappointed of his home, neglected his wife Shanti adn his business,
and madly fell in love with Sumetra. One evening the Secretary came and
told them that Vinod is going to marry Sumetra andhas more over issued a
cheque of two lakhs which will be dishonoured if money is not paid
before ten o clock tomorrow, and even perhaps this very bunglow will
have to be vacated. Kundanlal now realised that his folly to rely at
Gods will and neglect his duties towards his home and business. He
promised to set things right and atonce started his office, On the other
hand Urmi and Vilas resolved to induce Vinod not to be rash and marry
Sumetra. But, alas! Vinod was to disgusted his home and openly accused
his brother of his misconduct of with his wife Shanti. Vilas humiliated
before his wife Urmi, stunted with anger, resolved to kill or to be
killed by his brother, went with a revolver after him. Urmi saw the
desperate attitude of both the brothers and knew the tragedy inevitable,
thought the only way to solve the situation was to convince Sumetra how
wrong she was in playing the part of destroying the happiness of
another woman and her family. But Urmi was too late, Shanti broken
hearted had left the house leaving a letter, for she truely believed the
best things for an Indian woman is to die with honour then to live
wihout it. [Source: Booklet]
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Black and WhiteAaina (1944) Cast - Actor, Actress, Director ... - Cinestaan
Directed by S.M. Yusuf, Hindi movie Aaina stars Husn Banoo and Yakub Khan Mehboob Khan in the lead role. Know the full star cast of Aaina film like producer,
Crew
Direction
S.M. Yusuf
Director
Writing
S.M. Yusuf
Screenwriter
Prabhulal Dwivedi
Story Writer
Pandit Phani
Dialogue Writer
Kamal Rashid
Dialogue WriterMusic
Camera and Electrical
Ahmedulla Ajmeri
Cinematographer
Sound
B.V. Save
Audiography
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S.A. Karim
Editor
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balam ho balam ji
ye kya jadu dara
ho balam ji
ye kya jadu dara
jiya nhi lage
hiya nhi lage
jiya nhi lage
hiya nhi lage
o tore kare neina
chura lege chena re
uda lege nidiya
balam ho balam ji
ye kya jadu dara
ho balam ji
ho gugat me muskurake
kahe dola man bhaya
gugat me muskurake
kahe dola man bhaya
nage sehat dil par kahe
chup kar war chalaya
jobna dikhakar gori
kahe ko hame mara
balam ho balam ji
ye kya jadu dara
ho balam ji
ye kya jadu dara
jiya nhi lage
hiya nhi lage
jiya nhi lage
hiya nhi lage
o tore kare neina
chura lege chena re
uda lege nidiya
balam ho balam ji
ye kya jadu dara
ho balam ji
ho dekha surtiya tori
raja manwa mora dole
dekha surtiya
dekha surtiya tori
raja manwa mora dole
fula fula pet tihara
fula fula pet tihara
dar sa mohe lage
dur dur tak babu mohe
tu nhi lage pyara
balam ho balam ji
ye kya jadu dara
ho balam ji
ye kya jadu dara
jiya nhi lage
hiya nhi lage
jiya nhi lage
hiya nhi lage
o tore kare neina
chura lege chena re
uda lege nidiya
balam ho balam ji
ye kya jadu dara
ho balam ji
lyrics typed by: kavita golden
ye kya jadu dara
ho balam ji
ye kya jadu dara
jiya nhi lage
hiya nhi lage
jiya nhi lage
hiya nhi lage
o tore kare neina
chura lege chena re
uda lege nidiya
balam ho balam ji
ye kya jadu dara
ho balam ji
ho gugat me muskurake
kahe dola man bhaya
gugat me muskurake
kahe dola man bhaya
nage sehat dil par kahe
chup kar war chalaya
jobna dikhakar gori
kahe ko hame mara
balam ho balam ji
ye kya jadu dara
ho balam ji
ye kya jadu dara
jiya nhi lage
hiya nhi lage
jiya nhi lage
hiya nhi lage
o tore kare neina
chura lege chena re
uda lege nidiya
balam ho balam ji
ye kya jadu dara
ho balam ji
ho dekha surtiya tori
raja manwa mora dole
dekha surtiya
dekha surtiya tori
raja manwa mora dole
fula fula pet tihara
fula fula pet tihara
dar sa mohe lage
dur dur tak babu mohe
tu nhi lage pyara
balam ho balam ji
ye kya jadu dara
ho balam ji
ye kya jadu dara
jiya nhi lage
hiya nhi lage
jiya nhi lage
hiya nhi lage
o tore kare neina
chura lege chena re
uda lege nidiya
balam ho balam ji
ye kya jadu dara
ho balam ji
lyrics typed by: kavita golden
kuch bol bol panchhi
o par khol khol panchhi
ho par khol khol panchhi
kuch bol bol panchhi
jannat ki sej tujhko
par dekh ud na jana
par dekh ud na jana
dhundhe chaman kisi ka
tera ye chahchahana
tera ye chahchahana
ho par khol khol panchhi
ho kuch bol bol panchhi
kuch bol bol panchhi
ho par khol khol panchhi
ho kuch bol bol panchhi
kuch bol bol panchhi
aakash aaj hain tu
kal ki magar na jane
kal ki magar na jane
karlega kaid koi
kitne bhi kar bahane
kitne bhi kar bahane
ho par khol khol panchhi
ho kuch bol bol panchhi
kuch bol bol panchhi
ho par khol khol panchhi
ho kuch bol bol panchhi
kuch bol bol panchhi
kuch bol bol panchhi
kuch bol bol panchhi
kuch bol bol panchhi
misle khayal aaye the
aakar ke chale gaye
duwa hamare gham ki
batakar ker chale gaye
phulo ki aas jinse lagaye huye the ham
phulo ki aas jinse lagaye huye the ham
kante vi raste me bichakar chale gaye
misle khayal aaye the
aakar ke chale gaye
aayi na thi hamare chaman me bahar abhi
aayi na thi hamare chaman me bahar abhi
vo aag aashiyana me lagakar chale gaye
misle khayal aaye the
aakar ke chale gaye
bhule se bhi kabhi maa
jinhe ham bhula sake
bhule se bhi kabhi maa
jinhe ham bhula sake
dil se hame vo apne
bhulakar chale gaye
misle khayal aaye the
aakar ke chale gaye
duwa hamare gham ki
batakar ker chale gaye
lyrics typed by : pinky thukur
aakar ke chale gaye
duwa hamare gham ki
batakar ker chale gaye
phulo ki aas jinse lagaye huye the ham
phulo ki aas jinse lagaye huye the ham
kante vi raste me bichakar chale gaye
misle khayal aaye the
aakar ke chale gaye
aayi na thi hamare chaman me bahar abhi
aayi na thi hamare chaman me bahar abhi
vo aag aashiyana me lagakar chale gaye
misle khayal aaye the
aakar ke chale gaye
bhule se bhi kabhi maa
jinhe ham bhula sake
bhule se bhi kabhi maa
jinhe ham bhula sake
dil se hame vo apne
bhulakar chale gaye
misle khayal aaye the
aakar ke chale gaye
duwa hamare gham ki
batakar ker chale gaye
lyrics typed by : pinky thukur
khushi ke tarane sunata chala ja
khushi ke tarane sunata chala ja
chala ja, chala ja yahi geet gata chala ja
khushi ke tarane sunata chala ja
chala ja
mukaddar ne kisko fansaya nahi hai
mukaddar ne kisko fansaya nahi hai
kise aashuo ne mitaya nahi hai
hansi apne gam ki lutta chala ja
hansi apne gam ki lutta chala ja
chala ja, chala ja yahi geet gata chala ja
khushi ke tarane sunata chala ja
khushi ke tarane sunata chala ja
chala ja
sambhal zindagi tujhko, samjha rahi hai
sambhal zindagi tujhko, samjha rahi hai
jawani teri, tujhko bahaka rahi hai
jawani teri, tujhko bahaka rahi hai
jawani ke daman bachata chala ja
jawani ke daman bachata chala ja
chala ja, chala ja yahi geet gata chal ja
khushi ke tarane sunata chala ja
khushi ke tarane sunata chala ja
chala ja, chala ja yahi geet gata chal ja
khushi ke tarane sunata chala ja
chala ja
shakti ka aakar
hai bharat mata ki beti
shakti ka aakar
hai bharat mata ki beti
shakti ka aakar
samay samay par devi tune
samay samay par devi tune
badla hai sansaar
samay samay par devi tune
badla hai sansaar
hai bharat mata ki beti
shakti ka aakar
hai bharat mata ki beti
shakti ka aakar
janha basi tu jakar maya
wanha shanti laai
janha basi tu jakar maya
wanha shanti laai
deep bani andhere ghar ka
shobha ban mukh paai
deep bani andhere ghar ka
shobha ban mukh paai
pati ki kismat ka hai taara
bindiya teri naar
pati ki kismat ka hai taara
bindiya teri naar
hai bharat mata ki beti
shakti ka aakar
hai bharat mata ki beti
shakti ka aakar
dheeraj tera dharam hai nari
daya hai teri shan
dheeraj tera dharam hai nari
daya hai teri shan
dev pujaran tu satvanti
pati tera bhagwan
dev pujaran tu satvanti
pati tera bhagwan
sote bhagy jagaye mere
payal ki jhankar
sote bhagy jagaye mere
payal ki jhankar
hai bharat mata ki beti
shakti ka aakar
hai bharat mata ki beti
shakti ka aakar
godh me teri khela bachpan mera
maa pyari maa
godh me teri khela bachpan mera
aaj sukhi hai mauj me teri
phul sa jivan mera maa pyari maa
godh me teri khela bachpan mera
thapak thapak kar loriya gakar
thapak thapak kar loriya gakar
tune mujhe sulaya aankh me kati tune rate
aankh me kati tune rate jhula mera jhulaya
jhula mera jhulaya maa pyari maa
godh me teri khela bachpan mera
man me mere yaad hai teri
man me mere yaad hai teri
tune mujhe bhulaya
mamta ne teri mata pyari
mamta ne teri mata pyari aaj mujhe rulaya
aaj mujhe rulaya maa pyari maa
godh me teri khela bachpan mera
maa pyari maa
duniya humare gam ki basa kar chale gaye
phulo ki aas jin se lagaye hue the hum
phulo ki aas jin se lagaye hue the hum
kaante wo raaste me bichha kar chale gaye
misl-e-khayal aaye the aa kar chale gaye
aayi na thi humare chaman me bahar bhi
aayi na thi humare chaman me bahar bhi
wo aag vadiya me laga kar chale gaye
misl-e-khayal aaye the aa kar chale gaye
bhule se bhi kabhi na jinhe hum bhula sake
bhule se bhi kabhi na jinhe hum bhula sake
dil se hume wo apne bhula kar chale gaye
misl-e-khayal aaye the aa kar chale gaye
duniya humare gam ki basa kar chale gaye
 | Aansu Na Bahaana |
Shama | Gulshan Sufi, Fateh Ali Khan | |
| Aaina (1944) | Pandit Phani |
aankho, aansu na bahana
ye raaj hai dil ke
ye raaj hain dil ke
dil hi na chhupana
aansu na bahana
aankho, aansu na bahana
hai tune jinhe, hai tune jinhe
palko ki chilman me chhupaya
hai tune jinhe
palko ki chilman me chhupaya
pardo me khisaya
unhe ro kar na gamana
ro kar na gamana
aansu na bahana
aankho, aansu na bahana
tumse mili shikwa, takdeer humari
tum jeet gaye ho, kismat hai tumahari
e dil na tadapna
e dil na tadapna
hum pe na tadapna
e dil na tadapna
hum pe na tadapna
wo khud ho chale aaye
wo khud ho chale aaye
asar ab na dikhana
asar ab na dikhana
aansu na bahana
ye raaj hain dil ke
dil hi na chhupana
aansu na bahana, aankho