| Nadaan | Zia Sarhadi | Noor Jehan, Masood, Nazir Maya Devi, Murad, Alaknanda, Aman, Jilloobai | Social | Music: Datta Korgaonkar Lyrics: Zia Sarhadi, Tanveer Naqvi |
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Directed by Zia Sarhadi, Hindi movie Nadaan
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Film Title; Nadan. Nadan 1943 India, Hindi. Banner A. B. Productions Director Zia Sarahadi. Select Cast Masood, Maya Devi, Noor Jahan, Jilloo, Alaknanda, ...
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Nadaan is a 1943 Indian Bollywood film. It was the fourth highest grossing Indian film of 1943. Cast[edit]. Aman as Mukesh; Noor Jehan as Roopa; Masood as ...
Nadaan is a 1943 Indian Bollywood film. It was the fourth highest grossing Indian film of 1943.[1]
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atul's bollywood song a day- with full lyrics | over ten ...
atulsongaday.me/
4 mins ago - Why I thought the movie is by Mahesh Bhatt is a mystery. Years later I .... I am presenting today this song from the 1943 film 'Nadaan'. The film is ...Nadaan (1943) - Nth Wall - The Ultimate Indian Movie ...
www.nthwall.com/hi/movie/Nadaan-1943/9543209467
Nadaan(1943) - Latest Information about Nadaan(1943) review, ... The film boasts six Nurjehan numbers including the famous Ab to nahin duniya mein apna ...Plot :
A romantic adventures story about Anil (Masood) and Roopa (Nurjehan) who were promised to each other as children but start off their adult acquaintance on the wrong foot when Anil hands Roopa over to the police for resembling a face on a wanted poster. They meet again when both become journalist on the same newspaper owned by Mukesh (Aman), who also fancies Roopa. The film boasts six Nurjehan numbers including the famous Ab to nahin duniya mein apna thikana. [Source: Encyclopaedia of Indian Cinema]
- en.wikipedia.org/wiki/List_of_Bollywood_films_of_1943Bollywood Cinema · Indiafilm.svg ... Top grossing films[edit]. The top ten grossing films at the Indian box office in 1943: ... Nadaan, Rs. 5,000,000. 5. Nauker, Rs.
Nadaan - Wikipedia, the free encyclopedia
en.wikipedia.org/wiki/NadaanFrom Wikipedia, the free encyclopedia. Jump to: navigation, search. Nadaan may refer to: Nadaan (1943 film), a Bollywood film; Nadaan (1951 film), ...C. Ramchandra - IMDb
www.imdb.com/name/nm0708128/Bollywood 25 Greatest Music Directors. a list of ... The Best 15 Hindi Film Composers ... 1951 Nadaan ... 1943 Mr. Jhatpat (as Ram Chitalkar, original music by).
- C. RamchandraMusic composer
- Ramchandra Narhar Chitalkar was a renowned music composer in the movie industry of India. In the composer's role, he mostly used the name C. Ramachandra, though he also used the names Annasaheb, Ram Chitalkar, and Shyamoo. Wikipedia
bollywood song a day- with full lyrics | over ten ...
atulsongaday.me/16 mins ago - I am presenting today this song from the 1943 film 'Nadaan'. .... As per details available on IMDB, the film's star cast includes Abhi Bhattacharya
AB TOH NAHIN DUNIYA MEIN- NURJEHAN FILM- NADAN ...
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Jun 19, 2013 - Uploaded by Jitender Siwach
AB TOH NAHIN DUNIYA MEIN- NURJEHAN FILM- NADAN(1943) MD- K DUTTA LYRICCS- ZIA ...ek anokha gham - nurjahan - film - nadan(1943 ... - YouTube
www.youtube.com/watch?v=ypxdE9r8xrwApr 14, 2013 - Uploaded by Jitender SiwachEK ANOKHA GHAM - NURJAHAN - FILM - NADAN(1943) MD-K DUTTA. "/channel ...NADAN(1943) - YouTube
www.youtube.com/watch?v=C56s8ntz6I4Jun 19, 2013 - Uploaded by Jitender SiwachAB TOH NAHIN DUNIYA MEIN- NURJEHAN FILM- NADAN(1943) MD- K DUTTA LYRICCS- ZIA ...Nadan (1943) - HindiGeetMala.net
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4.00 - 2 votesNoor Jehan Datta Korgaonkar Zia Sarhadi Nadaan (1943) Video Playlist of all the songs of this movie from youtube Advertisements
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Nadaan (1943)Film cast: Aman, Noor Jehan, Masood Singer: Noor Jehan Lyricist: Tanveer Naqvi, Zia Sarhadi Music Director: Datta Korgaonkar External Links: Nadaan at IMDB Nadaan at Wikipedia nurjehan film- nadan(1943) md- k dutta lyriccs - Bhojpurinama
m.bhojpurinama.com/.../AB-TOH-NAHIN-DUNIYA-MEIN--NURJEHA...SURAIYA SINGS FOR M.D. NAUSHAD AT THE AGE OF 14 - FILM KANOON 1943 · Film: Jogajog--Phele Jabe Chole Jani Jani--Kanan Devi (1943) ...
ek anokha gham - nurjahan - film - nadan(1943 ... - YouTube
www.youtube.com/watch?v=ypxdE9r8xrwApr 14, 2013 - Uploaded by Jitender SiwachEK ANOKHA GHAM - NURJAHAN - FILM - NADAN(1943) MD-K DUTTA. "/channel ...Dil Doon Ke Na Doon - Noor Jehan - Nadan 1943 - YouTube
www.youtube.com/watch?v=whPqZPLAb-wSep 10, 2013 - Uploaded by Bhooli Bisri AawazenSinger: Noor Jehan Film: Nadan 1943. ... Dil Doon Ke Na Doon - Noor Jehan - Nadan 1943.EIK ANOKHA GHAM - NADAN - audio - YouTube
www.youtube.com/watch?v=1vanHYtu0OoJan 4, 2008 - Uploaded by jimmynoor68noor sings in film 'nadan' 1943. ... Hunterwali Ki Beti 1943 : Dile Nadan Tujhe Hua Kya Hai : Khan ...roshni apni umangon ki- noor jehan- film- naadaan(1943) a ...
www.youtube.com/watch?v=qDd5liX3KNUDec 23, 2013 - Uploaded by Jitender SiwachAE MAUT BURA HO TERA- MOHD RAFI- FILM- CHAALBAAZ(1958) A ... Dil Doon Ke Na Doon - Noor ...Dil Doon Ke Na Doon - Noorjehan - Naadaan-1943 ...
www.youtube.com/watch?v=ASJ26UGZI6cMar 28, 2013 - Uploaded by DrSandeepRaiFilm - Naadaan-1943. Singer - Noorjehan. ... EIK ANOKHA GHAM - NADAN - audio by jimmynoor68
Dil Doon Ke Na Doon - Noor Jehan - Nadan 1943
Singer: Noor Jehan Film: Nadan 1943.
Noor Jehan
Noor Jehan was the biggest singing star of them all - the diva of
Bollywood in the 1940s till Independence and then a successful
singer-actress before becoming a leading playback singer in Pakistan.
Born in the Kasur area of Punjab on September 21, 1926, she was fascinated by singing since the age of six. She idolized Akhtari Begum and Kajjanbai and the former advised her to first learn classical music. Thus she first perfected her classical singing under Ghulam Mohammed Khan. She entered films as a child artiste in small roles beginning with Sheila: Pind di Kudi (1935), said to be the first Punjabi film in India, before being seen prominently in another Punjabi film, Gul-e-Bakavali (1939). However, she was first noticed in a big way playing the female lead in Khandaan (1942) opposite Pran where her song Tu Kaunsi Badli Mein Mere Chand Hai Aaja became a raging hit. She married her Khandaan director Syed Shauqat Hussain Rizvi and worked in many of his films like Zeenat (1945) and Jugnu (1947).
Following Khandaan's success, Rizvi and Noor Jehan shifted to India's film capital, Bombay. She soon conquered the city with her vibrant voice. She had that unusual combination of a good voice, a style that could be compared to those of good classical thumri singers and the striking stage presence of a good performer. She acted in a string of films - Dhuai (1943), Naukar (1943), Nadan (1943), Dost (1944), Badi Maa (1945), Village Girl (1945) and thanks to them, Noor Jehan became the number one female star in India. Fortunately for her, her timing was perfect. The uninhibited culture of the heroines of the 1930s was drawing to a close and a more conservative heroine was coming to the fore. In Zeenat, she popularized the qawali as never before with Aahen Na Bhari Shikwen Na Kiye sung with another famous singer of those days, Zohra Ambala.
Noor Jehan reached her peak in India the following year with Mehboob Khan's Anmol Ghadi (1946) which boasted of three singing stars cast together - Noor Jehan, Surendra and Suraiya. The result was a musical feast composed by maestro Naushad and Noor Jehan's duet with Surendra Awaaz De Kahan Hai and her solos Jawaan Hai Mohabbat, Mere Bachpan ke Saathi, Kya Mil Gaya Bhagwan and Aaja Meri Barbad Mohabbat ke Sahare are hummed and remembered till today. In fact, Lata Mangeshkar's early singing style was inspired by Noor Jehan even though the latter's weighty vocals were a far car from Lata's thin voice. One can see this in films like Andaz (1949) and Bazaar (1949).
Following Mirza Sahiban (1947) and Jugnu (1947) with Dilip Kumar, Noor Jehan migrated to Pakistan following the partition of India. Though India's top star and despite much pleading from close friends in the Indian Film Industry to stay back in India, she opted for the newly formed smaller nation as she wanted to be with the country where her birthplace, Kasur, fell. Jugnu, was in fact the breakthrough film for both Dilip Kumar and Mohammed Rafi whose duet with Noor Jehan - Yahan Badla Wafa Ka established him as a leading male playback singer in Bollywood. Incidentally, Rafi also played a small role in Jugnu.
In Pakistan, Noor Jehan had to start from scratch as the Pakistani Film Industry was in tatters following partition. It took her till 1951 to come out with her first film there, Chan Wey, in Punjabi. She was also credited as Director (since husband Shauqat Hussain Rizvi was 'ashamed' to direct a Punjabi film) thus becoming Pakistan's first woman director. Chan Wey was a box office smash on both sides of the border in Punjab with the Wey Mundiya Sialkotia song fondly recalled by nostalgic old-timers even today. Followed Dopatta (1952), her first Urdu film and an even bigger success. The music for Dopatta, as for Jugnu and Chan Wey was composed by Feroz Nizami. Songs like Chaandni Raaten, Tum Zindagi ko Gham ka Fasana, Sanwaria Tohe Koi Pukare, Jigar ki Aag and Main Ban Patang Ud Jaaoon are some of the most memorable songs in Noor Jehan's career and was a hat-trick of hits with her and Nizami. Her following film Gulnar (1953) disappointed at the box office though it did re-unite her with mentor Ghulam Haider and produced lilting songs like Bachpan ki Yaadgaron and Lo Chal Diye Woh.
Noor Jehan remained a singing star in Pakistan till 1961 in both Punjabi and Urdu. Some of her well known films included Patay Khan (1955), Intezar (1956), Anaarkali (1958), Chhoomantar (1958), Neend (1959) and Koel (1959) before doing her last film as an actress, Ghalib (1961). Of these special mention must be made of Intezar and Koel which are still considered among the all time great musicals in the history of Pakistani Cinema. The music for both these films was composed by Khwaja Khursheed Anwar. Lata Mangeshkar rates Intezar as her favourite Pakistani film, musically. Noor Jehan was at the peak of her vocal talents in these films with songs like Jis Din se Piya, O Jaanewale Re, Saawan ki Ghanghor in the former and Dil ka Diya Jalaya, Rhim Jhim Rhim Jhim Pade Pohar, Tere Bina Sooni Sooni, O Bewafa, Sagar Roye Lehren Shor Machayen and Mehki Fizayen in the latter. Koel was her last big success as an actress and she was presented at her glamorous best.
On the personal front, however, by now Noor Jehan's marriage to Syed Shauqat Hussain Rizvi was over and she married actor Ejaz Durrani, nine years younger than her in 1959. In between she did hit the headlines several times with her 'affairs', in particular with cricketer Nazar Mohammed. Durrani was not keen for her to act and so Noor Jehan quit acting and got into playback singing with Salma (1960) with the beautifully composed song Zindagi Hai Ya Kisika Intezar. Earlier, she did allow Rizvi to use her songs on Mussarat Nazir after she opted out of his Jan-e-Bahar (1958) after recording a couple of songs.
Some great Urdu musical films Noor Jehan sang for include Qaidi (1962) - Mujhse Pehlisi Mohabbat Mere Mehboob Na Maang (considered the greatest Urdu song ever and poet Faiz Ahmed Faiz was so impressed of her rendition, he gifted her the poem!), Baji (1963) - Dil ke Afsane, Lakhon Mein Ek (1967) - Chalo Achcha Hua, Salgirah(1969) - Le Aayi Phir Kahan Pe and Meri Zindagi Hai Naghma. In particular she made a great voice for Shamim Ara, Pakistan's leading actress in the 1960s.
Noor Jehan's Punjabi hits of the period include Mirza Jat (1967) and especially Heer Ranjha (1970), considered one of the finest films to come out of Lollywood and without doubt one of the all time great musicals from across the border. The latter's music composed by Khursheed Anwar contains divine compositions like Chan Mahiya, Sun Wanjhli di Mithri Taan Wey, Chham Chham Nachan and Zulfan di Thandi Thandi among others. And when the India-Pak war of 1965 broke out, Noor Jehan braved curfew and sang the soul stirring Ae Watan ke Sajeele Jawan and Mariya Dhol Sipaya to boost the morale of the Pakistani troops.
Her second marriage too broke up in 1971 as Ejaz got involved with his Heer Ranjha heroine, Firdaus. This led to Noor Jehan boycotting Firdaus and not singing for her, thus effectively ending Firdaus's career. In the 1970s and 80s Noor Jehan cut down on her Urdu films and concentrated more on Punjabi songs. Some well known songs of this period include Sanu Nehar Waley Pul te Bulake, Tu Weh Mahi Chaila, Neendar Nahin Aandi, Jaa Ajj Tu Main Teri etc. In fact, no Punjabi film was complete if Madam Noor Jehan had not sung in it!
In 1982 at a function held to celebrate the golden jubilee of the Indian Talkie, the Mallika-e-Tarranum (Queen of Melody) came back to India and enthralled audiences as she sang Awaaz De Kahan Hai...
In 1996, Noor Jehan recorded her last song in Pakistan which was Ki Dam Da Bharosa for the film Sakhi Badshah and stopped singing due to failing health and newer trends in music. She stayed away from the limelight for four years during which she received treatment at various hospitals. She passed away in Pakistan on December 23, 2000 due to heart failure. She is survived by six children, three from each marriage. Quoting a report on her death,
"She died in the arms of her loving daughters in Karachi - the daughters she had brought up as a single parent. Leaving behind millions in gold and cash for her children and thousands of immortal melodies for her fans, she had embarked on her last journey. The falling night of December 23, 2000, was the holiest night of the month of Ramadaan, a night when sins are forgiven and when the doors of heaven are flung wide open. Noor Jehan, who never sang in her life without advance payment, was leaving for the Hereafter with booked promises."
Noor Jehan received many awards, including with the highest Pakistani honour in entertainment, Tamgha-e-Imtiaz (The Pride of Performance) in 1966, Pakistan's top civil award and countless cultural awards.
Born in the Kasur area of Punjab on September 21, 1926, she was fascinated by singing since the age of six. She idolized Akhtari Begum and Kajjanbai and the former advised her to first learn classical music. Thus she first perfected her classical singing under Ghulam Mohammed Khan. She entered films as a child artiste in small roles beginning with Sheila: Pind di Kudi (1935), said to be the first Punjabi film in India, before being seen prominently in another Punjabi film, Gul-e-Bakavali (1939). However, she was first noticed in a big way playing the female lead in Khandaan (1942) opposite Pran where her song Tu Kaunsi Badli Mein Mere Chand Hai Aaja became a raging hit. She married her Khandaan director Syed Shauqat Hussain Rizvi and worked in many of his films like Zeenat (1945) and Jugnu (1947).
Following Khandaan's success, Rizvi and Noor Jehan shifted to India's film capital, Bombay. She soon conquered the city with her vibrant voice. She had that unusual combination of a good voice, a style that could be compared to those of good classical thumri singers and the striking stage presence of a good performer. She acted in a string of films - Dhuai (1943), Naukar (1943), Nadan (1943), Dost (1944), Badi Maa (1945), Village Girl (1945) and thanks to them, Noor Jehan became the number one female star in India. Fortunately for her, her timing was perfect. The uninhibited culture of the heroines of the 1930s was drawing to a close and a more conservative heroine was coming to the fore. In Zeenat, she popularized the qawali as never before with Aahen Na Bhari Shikwen Na Kiye sung with another famous singer of those days, Zohra Ambala.
Noor Jehan reached her peak in India the following year with Mehboob Khan's Anmol Ghadi (1946) which boasted of three singing stars cast together - Noor Jehan, Surendra and Suraiya. The result was a musical feast composed by maestro Naushad and Noor Jehan's duet with Surendra Awaaz De Kahan Hai and her solos Jawaan Hai Mohabbat, Mere Bachpan ke Saathi, Kya Mil Gaya Bhagwan and Aaja Meri Barbad Mohabbat ke Sahare are hummed and remembered till today. In fact, Lata Mangeshkar's early singing style was inspired by Noor Jehan even though the latter's weighty vocals were a far car from Lata's thin voice. One can see this in films like Andaz (1949) and Bazaar (1949).
Following Mirza Sahiban (1947) and Jugnu (1947) with Dilip Kumar, Noor Jehan migrated to Pakistan following the partition of India. Though India's top star and despite much pleading from close friends in the Indian Film Industry to stay back in India, she opted for the newly formed smaller nation as she wanted to be with the country where her birthplace, Kasur, fell. Jugnu, was in fact the breakthrough film for both Dilip Kumar and Mohammed Rafi whose duet with Noor Jehan - Yahan Badla Wafa Ka established him as a leading male playback singer in Bollywood. Incidentally, Rafi also played a small role in Jugnu.
In Pakistan, Noor Jehan had to start from scratch as the Pakistani Film Industry was in tatters following partition. It took her till 1951 to come out with her first film there, Chan Wey, in Punjabi. She was also credited as Director (since husband Shauqat Hussain Rizvi was 'ashamed' to direct a Punjabi film) thus becoming Pakistan's first woman director. Chan Wey was a box office smash on both sides of the border in Punjab with the Wey Mundiya Sialkotia song fondly recalled by nostalgic old-timers even today. Followed Dopatta (1952), her first Urdu film and an even bigger success. The music for Dopatta, as for Jugnu and Chan Wey was composed by Feroz Nizami. Songs like Chaandni Raaten, Tum Zindagi ko Gham ka Fasana, Sanwaria Tohe Koi Pukare, Jigar ki Aag and Main Ban Patang Ud Jaaoon are some of the most memorable songs in Noor Jehan's career and was a hat-trick of hits with her and Nizami. Her following film Gulnar (1953) disappointed at the box office though it did re-unite her with mentor Ghulam Haider and produced lilting songs like Bachpan ki Yaadgaron and Lo Chal Diye Woh.
Noor Jehan remained a singing star in Pakistan till 1961 in both Punjabi and Urdu. Some of her well known films included Patay Khan (1955), Intezar (1956), Anaarkali (1958), Chhoomantar (1958), Neend (1959) and Koel (1959) before doing her last film as an actress, Ghalib (1961). Of these special mention must be made of Intezar and Koel which are still considered among the all time great musicals in the history of Pakistani Cinema. The music for both these films was composed by Khwaja Khursheed Anwar. Lata Mangeshkar rates Intezar as her favourite Pakistani film, musically. Noor Jehan was at the peak of her vocal talents in these films with songs like Jis Din se Piya, O Jaanewale Re, Saawan ki Ghanghor in the former and Dil ka Diya Jalaya, Rhim Jhim Rhim Jhim Pade Pohar, Tere Bina Sooni Sooni, O Bewafa, Sagar Roye Lehren Shor Machayen and Mehki Fizayen in the latter. Koel was her last big success as an actress and she was presented at her glamorous best.
On the personal front, however, by now Noor Jehan's marriage to Syed Shauqat Hussain Rizvi was over and she married actor Ejaz Durrani, nine years younger than her in 1959. In between she did hit the headlines several times with her 'affairs', in particular with cricketer Nazar Mohammed. Durrani was not keen for her to act and so Noor Jehan quit acting and got into playback singing with Salma (1960) with the beautifully composed song Zindagi Hai Ya Kisika Intezar. Earlier, she did allow Rizvi to use her songs on Mussarat Nazir after she opted out of his Jan-e-Bahar (1958) after recording a couple of songs.
Some great Urdu musical films Noor Jehan sang for include Qaidi (1962) - Mujhse Pehlisi Mohabbat Mere Mehboob Na Maang (considered the greatest Urdu song ever and poet Faiz Ahmed Faiz was so impressed of her rendition, he gifted her the poem!), Baji (1963) - Dil ke Afsane, Lakhon Mein Ek (1967) - Chalo Achcha Hua, Salgirah(1969) - Le Aayi Phir Kahan Pe and Meri Zindagi Hai Naghma. In particular she made a great voice for Shamim Ara, Pakistan's leading actress in the 1960s.
Noor Jehan's Punjabi hits of the period include Mirza Jat (1967) and especially Heer Ranjha (1970), considered one of the finest films to come out of Lollywood and without doubt one of the all time great musicals from across the border. The latter's music composed by Khursheed Anwar contains divine compositions like Chan Mahiya, Sun Wanjhli di Mithri Taan Wey, Chham Chham Nachan and Zulfan di Thandi Thandi among others. And when the India-Pak war of 1965 broke out, Noor Jehan braved curfew and sang the soul stirring Ae Watan ke Sajeele Jawan and Mariya Dhol Sipaya to boost the morale of the Pakistani troops.
Her second marriage too broke up in 1971 as Ejaz got involved with his Heer Ranjha heroine, Firdaus. This led to Noor Jehan boycotting Firdaus and not singing for her, thus effectively ending Firdaus's career. In the 1970s and 80s Noor Jehan cut down on her Urdu films and concentrated more on Punjabi songs. Some well known songs of this period include Sanu Nehar Waley Pul te Bulake, Tu Weh Mahi Chaila, Neendar Nahin Aandi, Jaa Ajj Tu Main Teri etc. In fact, no Punjabi film was complete if Madam Noor Jehan had not sung in it!
In 1982 at a function held to celebrate the golden jubilee of the Indian Talkie, the Mallika-e-Tarranum (Queen of Melody) came back to India and enthralled audiences as she sang Awaaz De Kahan Hai...
In 1996, Noor Jehan recorded her last song in Pakistan which was Ki Dam Da Bharosa for the film Sakhi Badshah and stopped singing due to failing health and newer trends in music. She stayed away from the limelight for four years during which she received treatment at various hospitals. She passed away in Pakistan on December 23, 2000 due to heart failure. She is survived by six children, three from each marriage. Quoting a report on her death,
"She died in the arms of her loving daughters in Karachi - the daughters she had brought up as a single parent. Leaving behind millions in gold and cash for her children and thousands of immortal melodies for her fans, she had embarked on her last journey. The falling night of December 23, 2000, was the holiest night of the month of Ramadaan, a night when sins are forgiven and when the doors of heaven are flung wide open. Noor Jehan, who never sang in her life without advance payment, was leaving for the Hereafter with booked promises."
Noor Jehan received many awards, including with the highest Pakistani honour in entertainment, Tamgha-e-Imtiaz (The Pride of Performance) in 1966, Pakistan's top civil award and countless cultural awards.
Noor Jehan's Song List (1941 – 1950) - Cineplot.com
cineplot.com › Film › Statistics
Aug 8, 2010 - Song Film Year Co-Singers Music Director Lyricist Mere Liye. ... Dil Doon Ke Na Doon, Nadan, 1943, Noor Jehan, Datta Korgoankar Noor Jehan’s Song List (1941 – 1950)
____________________
____________________
| Song | Film | Year | Co-Singers | Music Director | Lyricist |
| Mere Liye Jahan Mein | Khandan | 1942 | Noor Jehan | Ghulam Haider | F D Taaseer, D N Madhuk |
| Too Kaunsi Badli Mein | Khandan | 1942 | Noor Jehan | Ghulam Haider | F D Taaseer, D N Madhuk |
| Hum Khelenge Aankh Macholi | Khandan | 1942 | Noor Jehan | Ghulam Haider | F D Taaseer, D N Madhuk |
| Maar Gayi Re | Khandan | 1942 | Noor Jehan, Shamshad Begum, Naseem Akhtar | Ghulam Haider | F D Taaseer, D N Madhuk |
| Udja Udja Panchhi Udja | Khandan | 1942 | Noor Jehan, Ghulam Haider | Ghulam Haider | F D Taaseer, D N Madhuk |
| Ek Anokha Gham | Nadan | 1943 | Noor Jehan | Datta Korgoankar | Zia Sarhadi & Tanvir Naqvi |
| Dil Doon Ke Na Doon | Nadan | 1943 | Noor Jehan | Datta Korgoankar | Zia Sarhadi & Tanvir Naqvi |
| Ab To Nahin Duniya Mein | Nadan | 1943 | Noor Jehan | Datta Korgoankar | Zia Sarhadi & Tanvir Naqvi |
| Roshni Apni Umangon Ki | Nadan | 1943 | Noor Jehan | Datta Korgoankar | Zia Sarhadi & Tanvir Naqvi |
| Naachti Ja Gaaey Ja | Nadan | 1943 | Noor Jehan | Datta Korgoankar | Zia Sarhadi & Tanvir Naqvi |
| Bann Bann Ja Banjaarey | Nadan | 1943 | Noor Jehan | Datta Korgoankar | Zia Sarhadi & Tanvir Naqvi |
| Mohabbat Karne Wale | Nadan | 1943 | Noor Jehan | Datta Korgoankar | Zia Sarhadi & Tanvir Naqvi |
| Ab Mast Jawani Aayi | Duhai | 1943 | Noor Jehan | Rafique Ghaznavi | Bharat Vyas |
| Bade Bewafa Hain Yeh Mard | Duhai | 1943 | Noor Jehan | Rafique Ghaznavi | Bharat Vyas |
| Jinhen Karna Tha Dil Abaad Apna | Naukar | 1943 | Noor Jehan | Rafique Ghaznavi & Shanti Kumar | Akhtar Sherani, Munshi Shamas & Nazim Panipati |
| Bulbul Ke Hain Yeh Nale | Naukar | 1943 | Noor Jehan | Rafique Ghaznavi & Shanti Kumar | Akhtar Sherani, Munshi Shamas & Nazim Panipati |
| Labon Pe Hai Mere Kahani Kisi Ki | Naukar | 1943 | Noor Jehan, Rajkumari, Balwant Singh | Rafique Ghaznavi & Shanti Kumar | Akhtar Sherani, Munshi Shamas & Nazim Panipati |
| Jhoom Aye Gul-e-Naubahar | Naukar | 1943 | Noor Jehan, Rajkumari | Rafique Ghaznavi & Shanti Kumar | Akhtar Sherani, Munshi Shamas & Nazim Panipati |
| Teri Yaad Aayi | Lal Haveli | 1944 | Noor Jehan | Mir Sahib | Munshi Shams Lucknavi |
| Banti Nazar Aati Nahin | Lal Haveli | 1944 | Noor Jehan | Mir Sahib | Munshi Shams Lucknavi |
| Mohaniya Sundar Mukhda Khol | Lal Haveli | 1944 | Noor Jehan, Surendra | Mir Sahib | Munshi Shams Lucknavi |
| Dil Le Ke Mukar Na Jaana | Lal Haveli | 1944 | Noor Jehan, Surendra | Mir Sahib | Munshi Shams Lucknavi |
| Ja Re Panchi Ja | Lal Haveli | 1944 | Noor Jehan, Surendra | Mir Sahib | Munshi Shams Lucknavi |
| Bhaiya Hamaro Aain Hai | Lal Haveli | 1944 | Noor Jehan | Mir Sahib | Munshi Shams Lucknavi |
| Aao mere pyare sanwaria | Lal Haveli | 1944 | Noor Jehan | C. Ramchandra | Munshi Shams Lucknavi |
| Alam Par Alam | Dost | 1944 | Noor Jehan | Sajjad Hussain | Munshi Shams Lucknavi |
| Badnam Mohabbat Kaun Kare | Dost | 1944 | Noor Jehan | Sajjad Hussain | Munshi Shams Lucknavi |
| Ab Kaun Hai Mera | Dost | 1944 | Noor Jehan | Sajjad Hussain | Munshi Shams Lucknavi |
| More Sajana More Sajana | Dost | 1944 | Noor Jehan | Sajjad Hussain | Munshi Shams Lucknavi |
| Koi Prem Ka Deke Sandesa | Dost | 1944 | Noor Jehan | Sajjad Hussain | Munshi Shams Lucknavi |
| Aa Intezar Hai Tera | Badi Maa | 1945 | Noor Jehan | Datta Korgoankar | Anjum Pilibhity, Zia Sarhadi, Raja Bhade & Dinkar D. Patil |
| Kisi Tarah Se Mohabbat Mein | Badi Maa | 1945 | Noor Jehan | Datta Korgoankar | Anjum Pilibhity, Zia Sarhadi, Raja Bhade & Dinkar D. Patil |
| Diya Jalakar Aap Bujhaya | Badi Maa | 1945 | Noor Jehan | Datta Korgoankar | Anjum Pilibhity, Zia Sarhadi, Raja Bhade & Dinkar D. Patil |
| Tum Humko Bhula Baithe | Badi Maa | 1945 | Noor Jehan | Datta Korgoankar | Anjum Pilibhity, Zia Sarhadi, Raja Bhade & Dinkar D. Patil |
| Nacho Sitaro | Zeenat | 1945 | Noor Jehan | Hafiz Khan/Mir Sahib | Qamar Jalalabadi/Nakhsab Charjoi |
| Bulbulon Mat Ro Yahan | Zeenat | 1945 | Noor Jehan | Hafiz Khan/Mir Sahib | Qamar Jalalabadi/Nakhsab Charjoi |
| Aaja Ri Nindiya | Zeenat | 1945 | Noor Jehan | Hafiz Khan/Mir Sahib | Qamar Jalalabadi/Nakhsab Charjoi |
| Aahen Na Bhareen | Zeenat | 1945 | Noor Jehan, Zohrabai Ambala Wali, Kalyani | Hafiz Khan/Mir Sahib | Qamar Jalalabadi/Nakhsab Charjoi |
| Aandhiyan Gham Ki Yun Chalin | Zeenat | 1945 | Noor Jehan | Hafiz Khan/Mir Sahib | Qamar Jalalabadi/Nakhsab Charjoi |
| Sakhi Aaya Sawan Aaya | Zeenat | 1945 | Noor Jehan, Zohrabai Ambala Wali, Kalyani | Hafiz Khan/Mir Sahib | Qamar Jalalabadi/Nakhsab Charjoi |
| Aa Bade-e-Saba Kuch Tune Suna | Bhai Jaan | 1945 | Noor Jehan | Shyam Sunder | Partav Lakhnavi |
| Chupke Se Dil Mein | Bhai Jaan | 1945 | Noor Jehan | Shyam Sunder | Partav Lakhnavi |
| Apne Na Ho Sake Jo | Bhai Jaan | 1945 | Noor Jehan | Shyam Sunder | Partav Lakhnavi |
| Aaja Bedardi Aaja | Bhai Jaan | 1945 | Noor Jehan | Shyam Sunder | Partav Lakhnavi |
| Kis Tarah Bhoolega Dil | Village Girl | 1945 | Noor Jehan | Shyam Sunder | Wali Saheb |
| Yeh Kaun Hansa | Village Girl | 1945 | Noor Jehan | Shyam Sunder | Wali Saheb |
| Baithi Hoon Teri Yaad Ka | Village Girl | 1945 | Noor Jehan | Shyam Sunder | Wali Saheb |
| Sajan Pardesi Balam Pardesi | Village Girl | 1945 | Noor Jehan | Shyam Sunder | Wali Saheb |
| Main Kheton Ka Panchhi | Village Girl | 1945 | Noor Jehan | Shyam Sunder | Wali Saheb |
| Rut Aai Suhaani Hai | Village Girl | 1945 | Noor Jehan, G.M. Durrani | Shyam Sunder | Wali Saheb |
| Dukh Dard Se Jag Mein Koi | Humjoli | 1946 | Noor Jehan | Hafiz Khan | Anjum Pilibhity |
| Pholon mein nazar ye kaun | Humjoli | 1946 | Noor Jehan | Hafiz Khan | Anjum Pilibhity |
| Yeh Desh Hamara Hindustan | Humjoli | 1946 | Noor Jehan | Hafiz Khan | Anjum Pilibhity |
| Bhagwan, Kab Tak Teri Duniya | Humjoli | 1946 | Noor Jehan | Hafiz Khan | Anjum Pilibhity |
| Raaz Khulta Nazar Nahin Aata | Humjoli | 1946 | Noor Jehan | Hafiz Khan | Anjum Pilibhity |
| Mori Chancal Jawani Muskuraye | Humjoli | 1946 | Noor Jehan | Hafiz Khan | Anjum Pilibhity |
| Awaz De Kahan Hai | Anmol Ghadi | 1946 | Noor Jehan, Surendra | Naushad | Tanvir Naqvi & Anjum Pilibhity |
| Kya Mil Gaya Bhagwan | Anmol Ghadi | 1946 | Noor Jehan | Naushad | Tanvir Naqvi & Anjum Pilibhity |
| Mere Bachpan Ke Saathi | Anmol Ghadi | 1946 | Noor Jehan | Naushad | Tanvir Naqvi & Anjum Pilibhity |
| Jawan Hai Mohabbat | Anmol Ghadi | 1946 | Noor Jehan | Naushad | Tanvir Naqvi & Anjum Pilibhity |
| Aaja Meri Barbad Mohabbat | Anmol Ghadi | 1946 | Noor Jehan | Naushad | Tanvir Naqvi & Anjum Pilibhity |
| Deke Mujhe Woh Dard e Jigar | Dil | 1946 | Noor Jehan | Zafar Khursheed | Shams Lakhnavi, Syed Arsh Haidry & Razi Banarsi |
| Aayi Ghadi Suhani | Dil | 1946 | Noor Jehan | Zafar Khursheed | Shams Lakhnavi, Syed Arsh Haidry & Razi Banarsi |
| Ae Hawa Ja Ja | Dil | 1946 | Noor Jehan | Zafar Khursheed | Shams Lakhnavi, Syed Arsh Haidry & Razi Banarsi |
| Chali Gaadi Dhuwan Udati | Dil | 1946 | Noor Jehan | Zafar Khursheed | Shams Lakhnavi, Syed Arsh Haidry & Razi Banarsi |
| Baaba Mere Chhot Gaey | Dil | 1946 | Noor Jehan | Zafar Khursheed | Shams Lakhnavi, Syed Arsh Haidry & Razi Banarsi |
| Bhanwre Shor Na Karna | Dil | 1946 | Noor Jehan, B.A. Moti | Zafar Khursheed | Shams Lakhnavi, Syed Arsh Haidry & Razi Banarsi |
| Yahan Badla Wafa Ka | Jugnu | 1947 | Noor Jehan, Mohammad Rafi | Feroze Nizami | Nakhshab, Shari Bhopali, Asghar Sarhadi & Adeeb Saharn Puri |
| Aaj Ki Raat | Jugnu | 1947 | Noor Jehan | G.A. Chisthi | Nakhshab, Shari Bhopali, Asghar Sarhadi & Adeeb Saharn Puri |
| Umangen Dil Ki Machli | Jugnu | 1947 | Noor Jehan | Feroze Nizami | Nakhshab, Shari Bhopali, Asghar Sarhadi & Adeeb Saharn Puri |
| Hamen To Sham-E-Gham Mein | Jugnu | 1947 | Noor Jehan | Feroze Nizami | Nakhshab, Shari Bhopali, Asghar Sarhadi & Adeeb Saharn Puri |
| Tum Bhi Bhula Do | Jugnu | 1947 | Noor Jehan | Feroze Nizami | Nakhshab, Shari Bhopali, Asghar Sarhadi & Adeeb Saharn Puri |
| Ritu Rangili Aayi | Mirza Sahiban | 1947 | Noor Jehan, Shamshad Begum, Zohrabai Ambala Wali | Pt. Amarnath, Husnalal & Bhagatram | Qamar Jalalabadi/Aziz Kashmiri |
| Aaja Tujhe Afsana Judaai Ka | Mirza Sahiban | 1947 | Noor Jehan | Pt. Amarnath, Husnalal & Bhagatram | Qamar Jalalabadi/Aziz Kashmiri |
| Kya Yehi Tera Pyar Tha | Mirza Sahiban | 1947 | Noor Jehan | Pt. Amarnath, Husnalal & Bhagatram | Qamar Jalalabadi/Aziz Kashmiri |
| Tum Aankhon Se Door Ho | Mirza Sahiban | 1947 | Noor Jehan, G.M. Durrani | Pt. Amarnath, Husnalal & Bhagatram | Qamar Jalalabadi/Aziz Kashmiri |
| Haath Seene Pe Jo Rakh Do | Mirza Sahiban | 1947 | Noor Jehan, G.M. Durrani | Pt. Amarnath, Husnalal & Bhagatram | Qamar Jalalabadi/Aziz Kashmiri |
| Haye Re Ud Ud Jaye | Mirza Sahiban | 1947 | Noor Jehan, Shamshad Begum, Zohrabai Ambala Wali | Pt. Amarnath, Husnalal & Bhagatram | Qamar Jalalabadi/Aziz Kashmiri |
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Dil Doon Ke Na Doon - Noor Jehan - Nadan 1943
Singer: Noor Jehan Film: Nadan 1943.
MD-----------------------------Great K DUTTA Lyrics-------------------------ZIA SARHADI.
Roshni Apni Umangon Ki
Provided to YouTube by Sa Re Ga Ma Roshni Apni Umangon Ki · Noor Jehan Nadan ℗ Saregama India Limited Released on: ...
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