| Aamne Samne | Suraj Prakesh | Shashi Kapoor, Sharmila Tagore, Prem Chopra | Musical |
(1967)&ved=0ahUKEwjvlcPy7PbmAhV26nMBHVzEDYQQMwhfKA4wDg&iact=mrc&uact=8)
Movie: AAMNE SAAMNE (1967 ) starring... - Dev Radhika,s ...
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Kabhi Raat Din Hum Door The...Aamne Saamne (1967)
Film:Aamne Saamne Singer:Lata Mangeshkar, Mohammed Rafi Lyricist:Anand Bakshi Music Director:Kalyanji Anandji Film ca
Nain MilaKar Chain Churana - Aamne Samne (1967) KARAOKE by Prabhat Kumar Sinha
The Song Nain Milakar Chain Churana is a Hindi Dance Song Sung originally by Legendary Singer Mohammed Rafi for Shashi .KABHI RAAT DIN HUM DOOR THAY - AAMNE SAAMNE 1967 - LATA & RAFI revival song .
kabhi raat din - MOVIE aamne saamne 1967 - MUSIC kalyanji anandji CAST shashi kapoor , sharmila tagore . revival song .
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You can visit these YouTube links for videos of the song:
https://www.youtube.com/watch?v=-ja-PN5Q9A0
https://www.youtube.com/watch?v=AmxlRVm5Kek
https://www.youtube.com/watch?v=0buOspoqD-k
https://www.youtube.com/watch?v=caPNTAdoWVs
Lyrics of Kabhi Raat Din Hum Dur The - कभी रात-दिन हम दूर थे
kabhi raat-din hum dur the, din-raat ka abb saath haikabhi raat-din hum dur the, din-raat ka abb saath hai
woh bhi itefaaq ki baat thi, yeh bhi itefaaq ki baat hai
woh bhi itefaaq ki baat thi, yeh bhi itefaaq ki baat hai
kabhi raat-din hum dur the
teri aankh me hai khumaar sa, meri chaal me hai surur sa
teri aankh me hai khumaar sa, meri chaal me hai surur sa
yeh bahaar kuchh hai piye huye, yeh sama nashe me hai chur sa
yeh sama nashe me hai chur sa
kabhi in fijaao me pyaas thi, abb mausam-e-barsaat hai
woh bhi itefaaq ki baat thi, yeh bhi itefaaq ki baat hai
kabhi raat-din hum dur the
mujhe tumne kaise badal diya, hairaan hu main is baat par
mujhe tumne kaise badal diya, hairaan hu main is baat par
mera dil dhadakta hai aajkal, teri shaukh najaro se puchhkar
teri shaukh najaro se puchhkar
meri jaan kabhi mere bas me thi, abb jindagi tere haath me hai
woh bhi itefaaq ki baat thi, yeh bhi itefaaq ki baat hai
kabhi raat-din hum dur the
yu hi aaj tak rahe hum juda, tumhe kya mila hame kya mila
yu hi aaj tak rahe hum juda, tumhe kya mila hame kya mila
kabhi tum khafa, kabhi hum khafa, kabhi yeh gila, kabhi woh gila
kabhi yeh gila, kabhi woh gila
kitne bure the woh din sanam, kitni hasin yeh raat hai
woh bhi itefaaq ki baat thi, yeh bhi itefaaq ki baat hai
kabhi raat-din hum dur the, din-raat ka abb saath hai
kabhi raat-din hum dur the
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Aamne Saamne - O Mere Bechain Dil Ko Chain - Mohd.Rafi - YouTube
Mere Bechain Dil Ko Chain (Mohammed Rafi) - Aamne Samne 1080p ...
Lyrics of Mere Bechain Dil Ko Chain Tune Diya - मेरे बेचैन दिल को चैन तूने दिया
o mere bechain dil ko chain tune diyamere bechain dil ko chain tune diya
shukriya shukriya, o shukriya shukriya
o tera ehsaan jo pyaar tune kiya
tera ehsaan jo pyaar tune kiya
shukriya shukriya, o shukriya shukriya
kabhi khaabon mein maine aa aa ke
teri nind churaayi raaton mein
kabhi uljhaaya kabhi suljhaaya
teri julfon ko mulakaton mein
teri julfon ko mulakaaton mein
ho meri gustaakhiyon ko tune maaf liya
meri gustaakhiyon ko tune maaf liya
shukriya shukriya, o shukriya shukriya
har waqt samaayi rehati thi
maayusi meri nigaahon mein
main bhatak jaata, main behek jata
gir jata main inn raahon mein
gir jata main inn raahon mein
o mere saathi mujhe tune tham liya
mere saathi mujhe tune tham liya
shukriya shukriya, o shukriya shukriya
maujon ne teri hi baatein ki
taaron ne tera hi naam liya
jab gulshan se huwa tera gujar
phulon ne bhi daman tham liya
phulon ne bhi daman tham liya
o tune jaanejahaan dil mujhako diya
tune jaanejahaan dil mujhako diya
shukriya shukriya, o shukriya shukriya
o mere bechain dil ko chain tune diya
mere bechain dil ko chain tune diya
shukriya shukriya, o shukriya shukriya
Mohammed Rafi, Mere Bechain Dil Ko Chain, Bollywood Romantic ...
Lyrics of Mere Bechain Dil Ko Chain Tune Diya - मेरे बेचैन दिल को चैन तूने दिया
o mere bechain dil ko chain tune diyamere bechain dil ko chain tune diya
shukriya shukriya, o shukriya shukriya
o tera ehsaan jo pyaar tune kiya
tera ehsaan jo pyaar tune kiya
shukriya shukriya, o shukriya shukriya
kabhi khaabon mein maine aa aa ke
teri nind churaayi raaton mein
kabhi uljhaaya kabhi suljhaaya
teri julfon ko mulakaton mein
teri julfon ko mulakaaton mein
ho meri gustaakhiyon ko tune maaf liya
meri gustaakhiyon ko tune maaf liya
shukriya shukriya, o shukriya shukriya
har waqt samaayi rehati thi
maayusi meri nigaahon mein
main bhatak jaata, main behek jata
gir jata main inn raahon mein
gir jata main inn raahon mein
o mere saathi mujhe tune tham liya
mere saathi mujhe tune tham liya
shukriya shukriya, o shukriya shukriya
maujon ne teri hi baatein ki
taaron ne tera hi naam liya
jab gulshan se huwa tera gujar
phulon ne bhi daman tham liya
phulon ne bhi daman tham liya
o tune jaanejahaan dil mujhako diya
tune jaanejahaan dil mujhako diya
shukriya shukriya, o shukriya shukriya
o mere bechain dil ko chain tune diya
mere bechain dil ko chain tune diya
shukriya shukriya, o shukriya shukriya
Lyrics of Nain Milaakar Chain Churaana, Kiska Hai Yeh Kaam - नैन मिलाकर चैन चुराना किसका है ये काम
nain milaakar chain churaana kiska hai yeh kaamnain milaakar chain churaana kiska hai yeh kaam
humse puchho hamko pata hai uss jaalim ka naam
humse puchho hamko pata hai uss jaalim ka naam
nain milaakar chain churaana kiska hai yeh kaam
humse puchho hamko pata hai uss jaalim ka naam
woh aaya toh kho gayi yeh saari mehfil
woh aaya toh kho gayi yeh saari mehfil
dekha iss andaaj se sab kho baithe dil
thoda sa woh meherbaan thoda sa kaatil
thoda sa woh meherbaan thoda sa kaatil
woh jiski har ek ada par laakho hai iljaam
woh jiski har ek ada par laakho hai iljaam
humse puchho hamko pata hai uss jaalim ka naam
nain milaakar chain churaana kiska hai yeh kaam
are humse puchho hamko pata hai uss jaalim ka naam
kiska gussa hai bhala jispe aaye pyaar
kiska gussa hai bhala jispe aaye pyaar
aisa dushman haay re jisko samajhe yaar
socho toh woh kaun hai sharmila dildaar
socho toh woh kaun hai sharmila dildaar
jiski mast nasheeli najre aisi jaise jaam
jiski mast nasheeli najre aisi jaise jaam
humse puchho hamko pata hai uss jaalim ka naam
nain milaakar chain churaana kiska hai yeh kaam
humse puchho hamko pata hai uss jaalim ka naam
jaagi-jaagi si jara kuchh soyi-soyi
jaagi-jaagi si jara kuchh soyi-soyi
aankhe bhi uss shokh ki hai khoyi-khoyi
shola hai woh phul hai ya sapna koyi
shola hai woh phul hai ya sapna koyi
jiski khaatir koyi bhi ho sakta hai badnaam
jiski khaatir koyi bhi ho sakta hai badnaam
are humse puchho hamko pata hai uss jaalim ka naam
nain milaakar chain churaana kiska hai yeh kaam
humse puchho hamko pata hai uss jaalim ka naam
You can visit these YouTube links for videos of the song:
https://www.youtube.com/watch?v=HqrEvjpHB20
https://www.youtube.com/watch?v=j-harvvZOBo
https://www.youtube.com/watch?v=l4vs-Ua2Hw8
Lyrics of Aaj Kal Humse Ruthe Hai Sanam - आज कल हमसे रूठे हुए हैं सनम
aaj kal humse ruthe huye hai sanamaaj kal humse ruthe huye hai sanam
pyaar me ho rahe hai sitam pe sitam lekin khuda ki kasam
honge jis roj hum aamane saamane
honge jis roj hum aamane saamane
saare shikawe gile dur ho jaayenge
aaj kal humse ruthe huye hai sanam
unke har naaj ki hamne taarif ki
unke har naaj ki hamne taarif ki
shukriya bhi na kehne ki taklif ki
hamne dekha toh parde me woh chhup gaye
hamne dekha toh parde me woh chhup gaye
kya pata tha woh magrur ho jaayenge
aaj kal humse ruthe huye hai sanam
aaj kal humse ruthe huye hai sanam
khubsurat hai woh aur maasum hai
khubsurat hai woh aur maasum hai
abb yeh baate kaha maalum hai
jo phasaane fakat apne honto pe hai
jo phasaane fakat apne honto pe hai
har gali me yeh mashhoor ho jaayenge
aaj kal humse ruthe huye hai sanam
aaj kal humse ruthe huye hai sanam
humko apni nigaaho pe hai aitbaar
humko apni nigaaho pe hai aitbaar
ek din unko kar denge hum bekaraar
jis tarah hum mohabbate me majbur hai
jis tarah hum mohabbate me majbur hai
iss tarah woh bhi majbur ho jaayenge
aaj kal humse ruthe huye hai sanam
pyaar me ho rahe hai sitam pe sitam
honge jis roj hum aamane saamane
honge jis roj hum aamane saamane
saare shikawe gile dur ho jaayenge
aaj kal humse ruthe huye hai sanam
Lyrics of Ankhiya Na Chura O O Baalama - अँखिया ना चुरा ओ ओ बालमा
hoy ankhiya na chura o balamaankhiya na chura o balama, o sanu chadake na ja o jalima
na tod najariya ki dor ko ke phir pachhatayega
jo maine dil de diya kisi aur ko
ankhiya na chura o o balama, sanu chadake na ja o o jalima
dil ka shisha tut na jaye, tut na jaye, tut na jaye
hay dil ka shisha tut na jaye, ashiq tera ruth na jaye
daman na chhuda aa aa aa
daman na chhuda o balama, sanu chadake na ja o jalima
na tod najariya ki dor ko ke phir pachhatayega
jo maine dil de diya kisi aur ko
ankhiya na chura o o balama, sanu chadake na ja o o jalima
main dil wapas le jayunga, le jayunga, le jayunga
hay main dil wapas le jayunga, dard tujhe wo de jayunga
nahi jisaki dawa aa aa haye
nahi jisaki dawa o balama, sanu chadake na ja o o jalima
na tod najariya ki dor ko ke phir pachhatayega
jo maine dil de diya kisi aur ko
ankhiya na chura o o balama, sanu chadake na ja o o jalima
kismat mein tha tujhape marana, tujhape marana, tujhape marana
hay kismat mein tha tujhape marana, kya rakha hai tujhame warana
kuchh hai to bata aa aa aa
kuchh hai to bata o balama, sanu chadake na ja o jalima
na tod najariya ki dor ko ke phir pachhatayega
jo maine dil de diya kisi aur ko
ankhiya na chura o o balama, sanu chadake na ja o o jalima
Akhiyan Na Churao Baalma - Hindi Song - Aamne Saamne - Video ...
Ankhiyan Na Churao Balma Lyrics | Aamne Saamne (1967) Songs ...
Aamne Saamne All Songs Jukebox | Shashi Kapoor, Sharmila Tagore ...
Aamne Saamne (1967)
I watched this with Carla (Filmigeek), who liked it more than I did possibly thanks to the dazzling spectacle that is Sharmila in a swimsuit. For me it was ruined on the mystery front by obvious red herrings thrown at me like bricks and then left unexplained; and elsewhere by the insistence of the men who supposedly “loved” Sharmila (including the hero, argggghh Shashi) threatening repeatedly to kill her if she didn’t do what they wanted. There was fun to be had in some foot-tapping Kalyanji-Anandji musical numbers (and background score) and the general gorgeous sixties ishtyle of Shashi and Sharmila (what splendid alliteration!), but it didn’t quite make up for the annoyances above and a sad lack of gadgetry, lairs or any other kind of embellishment which might have made it less predictable.
Khair. You cannot always win everything.
The film opens on a dark (but not stormy) night as a mysterious male figure approaches a dimly lit mansion. A woman’s scream rings out and the servants spring into action, catching a man on the grounds. As the credits roll, he is put on trial. His name is Deepak Verma (Shashi Kapoor), and the unhappy murder victim is Vimla, his wife. The judge acquits him for lack of evidence but as is so often the case in real life too, the public—and Vimla’s brother Jeevan (Karan Dewan)—judge him guilty, believing that Deepak killed his wife for her fortune.
Now, we all know that because he is The Shash, he cannot possibly be guilty, right? The filmmakers know this too, and so bend over backwards to try and make us think this might be different. He gets off a plane, dressed in a natty white suit with drainpipe pants and sunglasses, watched by a suspicious-looking character smoking a cigar (Shinde—dear Edwina’s brother-in-law, husband of sister Marie and a dancer/musician in his own right). Deepak exits the airport looking nervously over his shoulder and on the way to his hotel switches from one taxi to another in an obvious effort to obscure his trail.
At the hotel (whose Taj-like majestic exterior is not at all matched by its modest interior) Deepak opens his suitcase so that we can see he’s packing a gun and makes a phone call to “Suraj Prakash” (cute nod to the film’s producer/director)—introducing himself as Gopal Mittal.
(Birbal has made him an id bracelet with his new name: I guess that’s all he needs to take on a new identity.)
Deepak Gopal has purchased a house complete with creepy gardener and car for his new life as a bachelor, although he does assure the gardener that he will have a new wife soon.
He wanders through his dark bungalow, turning lights on one by one to a snappy Bond-like score, until he opens the drapes in his bedroom and comes to a Hitchcock-like stop at the rear window overlooking his neighbor’s house. His new wife appears to already be on the horizon! He watches as she is hailed from below, runs downstairs and climbs into a taxi; then he looks at a photograph he is holding in his hand.
The neighbor is pretty Sapna Mathur (Sharmila Tagore), a girl of some means with a beau by the name of Prem Malhotra (Prem Chopra) and they head for a nightclub (yay!) where the music is as much of a treat as you could ever want. It is reason enough to put up with the painfully obvious red herrings!
I know that one or two (Mike Barnum I am looking at you) of you will be as thrilled as I am to recognize yet another filmi prop that I also happen to have lying around in my house! Of course I’m way more excited about my lamp than is Sharmila, probably because mine is much more beautiful.
But I digress.
Sapna’s older brother Pran (Madan Puri) appears on the scene (in one of those “of course this is going to be someone benign because we’re so obviously supposed to be afraid” approaches), and when Sapna complains about her pesky new neighbor he assures her that he’ll take care of her. More Hitchcockian lurking and spying from the rear window ensues. I am distracted by those bunchy things behind Shashi’s head. What ARE they? Grapes for someone to peel?
Pran is eager for Sapna to marry his friend Prem, but she has the good sense to be reluctant. At this point the CSP couple is introduced as well in the form of Rajendranath as “Subodh Mukherjee” (jokes about the famed producer-director and Bengali stereotypes are made) and his wife Eetabai (Shammi) whose face is hidden behind her ginormous Maharashtrian pearl “guchhedar nath” (I love it). Gopal hires them as cook and handyman and I am delighted to see them both.
Gopal now seemingly coincidentally begins bumping into Sapna everywhere she goes, and he uses every opportunity to flirt outrageously with her. She is suspicious and flouncy at first of course, but his Shammi-like persistence (and lip-synching, and dancing) pays off and she really starts balking at her brother’s insistent questions about her marriage to Prem. When Gopal is injured while saving her from a runaway carousel (that she isn’t even riding; this movie is full of false alarms) at a fair, her fate is sealed and love, well, blossoms.
For a while all the shark-in-the-water music and overdone scare tactics disappear in favor of love songs in tree-filled parks, but not for long.
Sapna’s new romance does not go down at all well with Prem or Pran, who want her to marry Prem. Prem pressures Pran, who pressures Sapna, who is obstinate. If I had to choose between a guy who looks like Shashi and only wanted my money and a guy who talks through a clenched jaw and specializes in destroying things he can’t have, I’d choose Gopal too.
Yup, definitely Gopal, and truthfully I’d not only never speak to my brother again if he pulled a gun on me, but I’d put out a restraining order on him. I’d do the same for a would-be fiance if he brandished an aluminum foil knife at me, too.
Instead Sapna marries Gopal at the registrar’s office with Subodh and Eeta as witnesses, and they head off for a happy honeymoon in Kashmir where Sapna water-skis on Dal Lake (she spent a lot of time in swimsuits that year) as Gopal serenades her. Prem and Pran are pretty unhappy when they discover what has happened!
On their way home from their honeymoon Sapna is pushed from a hilltop where she was waiting for Gopal to get water for their conveniently stalled automobile and ends up in the hospital.
Did Gopal—who is really Deepak of course—murder his first wife Vimla for the inheritance? Is he behind the attempt on wealthy Sapna’s life? Or is it Prem or Pran having a fit of manly rage? What will Sapna do when she finds out about her husband’s past? If not Deepak, who did kill Vimla, and why? Who is the mysterious guy lurking about watching Gopal/Deepak? And how is he connected to servant/CSP Subodh?
This is most definitely one of those movies that I feel like I should love—but just can’t quite. This was my second viewing of it, and I didn’t much care for it the first time around either, for all of the same reasons. It simply lacks some indefinable thing for me—humor, craziness, a sense of fun. It takes itself too seriously and there are stretches of boredom interspersed with all those ridiculously obvious attempts to scare which didn’t (and I am easy to scare). I’ve liked Shashi and Sharmila’s chemistry in other films together, but here it doesn’t quite gell; and as I said before, I find the repeated casual threats to kill poor Sapna beyond irritating.
But on the upside, we are treated to a crazy Laxmi Chhaya dance:
and Shashi and Sharmila are gorgeous:
so there’s always that.
