- Initial release: 1974
- Running time: 145 minutes
Pran Jaye Par Vachan Na Jaye - YouTube
www.youtube.com/watch?v=spMI9po875kSep 14, 2012 - Uploaded by Goldmines TelefilmsPran Jaye Par Vachan Na Jaye is a 1974 Hindi film produced by Ratan Mohan and directed by S. Ali Raza ...Pran Jaye Par Vachan Na Jaye - Wikipedia, the free ...
en.wikipedia.org/wiki/Pran_Jaye_Par_Vachan_Na_JayePran Jaye Par Vachan Na Jaye is a 1974 Hindi film produced by Ratan Mohan and directed by S. Ali Raza. The film stars Sunil Dutt, Rekha, Iftekhar, Premnath, ...- www.imdb.com/title/tt0070558/Rating: 6/10 - 15 votesRaja Thakur (Sunil Dutt) is an outlaw who fights oppression and corruption in his own unique way. This Robin Hood like figure is a feared and respected figure ...
Director:
Ali Raza
Cast
Cast overview, first billed only: Sunil Dutt ... Raja ThakurRekha ... JanniyaBindu ... LilyRanjeet ... BanditJeevan ... DharamdasMadan Puri ... Jagmohan (as Madanpuri)Jayshree T. ... Dancer (Bikaner ki chunri odhey...)Iftekhar ... Seth DhanrajSuhail S.P. Mahendra ... (as S.P. Mahendar)Maruti Rao ... Lahori (as Maruti)Jankidas ... Dharamdas' companionKeshto Mukherjee ... Prospective groom for Janniya (as Kestomukerji)Prem Nath ... Mangal Singh (as Premnath)Rajan Haksar ... Thakur Bhanwar Singh (as Rajan Huksar)Edit
Storyline
Raja Thakur (Sunil Dutt) is an outlaw who fights oppression and corruption in his own unique way. This Robin Hood like figure is a feared and respected figure among the villagers and when he attends a dance performance given by the famous dancer Janiya (Rekha), he finds himself attracted to her. He shows his feelings openly but this proves to be a hindrance to Janiya - people now consider her to be the exclusive property of the outlaw and fear to ask her to perform for them. A rival gang kidnaps Janiya and invoke the wrath of Raja Thakur. Now Raja Thakur will have to leave the rural area, where he rules, and go into an unknown territory, to deal with unknown gangsters, and he must do so in order to keep his word. Written by gavin@sunny_deol2009@yahoo.comPlot Summary | Add Synopsis
Certificate:
A
Country:
IndiaLanguage:
Hindi
Company Credits
Show detailed company contact information on IMDbPro »
Technical Specs
Sound Mix:
MonoColor:
Color - hindigeetmala.net/movie/pran_jaye_par_vachan_na_jaye.htmLyrics and video of songs from Movie / Album : Pran Jaye Par Vachan Na Jaye (
1974); Music by: O P Nayyar; Singer(s): Asha Bhosle; having star cast: Sunil Dutt ...
Song Heading Singer(s) Music Director Lyricist Movie / Album Actor(s) Chain Se Hamako Kabhi, Aapane Jine Naa Diyaa
Asha Bhosle O P Nayyar S H Bihari Pran Jaye Par Vachan Na Jaye (1974) Video Playlist of all the songs of this movie from youtube Advertisements
Legend / symbol used on this page
Pran Jaye Par Vachan Na Jaye (1974)Film cast: Sunil Dutt, Rekha, Premnath, Ranjeet, Bindu, Jeevan, Madan Puri, Veena, Iftekhar, Birbal, Suresh Chatwal, Rajan Haksar, Ratna Mala, Jay Shree T, Jankidas, Tiwari Singer: Asha Bhosle Lyricist: S H Bihari Music Director: O P Nayyar Film Director: Ali Raza Film Producer: Ratan Mohan External Links: Pran Jaye Par Vachan Na Jaye at IMDB Pran Jaye Par Vachan Na Jaye at Wikipedia Rekha naked in Pran Jaye Par Vachan Na Jaye - Veoh
www.veoh.com/.../v2512846FZFcjEgW?...Pran+Jaye+Par+Vachan+Na+J...http://videodubba.comRekha in Pran Jaye Par Vachan Na Jaye. ... Watch Free Movies, TV Shows & Anime Videos Online | Free TV, Movie & ...
bollywooddeewana: Pran Jaye Par Vachan Na Jaye (1974)
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Chain Se Humko Kabhi Aapne Jeene Na Diya Asha Bhosle Live Doordarshan
Movie : Pran Jaye Per Vachan Na Jaye (1974) Singer : Asha Bhosle Lyrics : S. H. Bihari Music : O. P. Nayyar.
Lyrics of Chain Se Hamako Kabhi, Aapane Jine Naa Diyaa - चैन से हमको कभी आपने जीने ना दिया
chain se hamako kabhi apane jine na diya
zahar bhi chaha agar, pina to pine na diya
chain se hamako kabhi
chand ke rath men rat ki dulhan jab jab aegi
yad hamari apake dil ko tarasa jaegi
aapane jo hai diya, vo to kisine na diya
zahar bhi chaha agar, pina to pine na diya
chain se hamako kabhi apane jine na diya
zahar bhi chaha agar, pina to pine na diya
chain se hamako kabhi
aapaka gam jo is dil men din-rat agar hoga
sochake ye dam ghutata hai phir kaise guzar hoga
kash na hoti apani judai maut hi a jati
koi bahane chain hamari ruuh to pa jati
ik pal hansana kabhi dil ki lagi ne na diya
zahar bhi chaha agar, pina to pine na diya
chain se hamako kabhi
Asha Bhosle Won an Award For a Song Which Was Never ...
movies.ndtv.com › MusicAug 11, 2016 — Asha Bhosle won an award for Chain se hum ko kabhi aap ne jeene na diyaa, ... It was the last song she sang for composer O P Nayyar; This trivia ... (Except for the headline, this story has not been edited by NDTV staff and is ...
Asha Bhosle's Filmfare-winning song that was never picturised!
www.tribuneindia.com › NationAug 11, 2016 — New Delhi, August 11 Do you know that Asha Bhosle won the Filmfare Best Singer Award of ... The award was for 'Chain se hum ko kabhi aap ne jeene na diyaa', the last song she sang for composer OP Nayyar, which was supposed to be ... Diljit Dosanjh on why 'Suraj Pe Mangal Bhari' creates history.
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Videos
After :-
The last song Asha sang for him, after they had broken up, won her Filmfare award for Pran Jaye Par Vachan na Jaye, was the haunting song: Chain se hum ko kabhi..Aapne jeene na diya…
The last song Asha sang for him, after they had broken up, won her Filmfare award for Pran Jaye Par Vachan na Jaye, was the haunting song: Chain se hum ko kabhi..Aapne jeene na diya…
Pran Jaye Par Vachan Na Jaye (1974) | MemsaabStory
Pran Jaye Par Vachan Na Jaye (1974)
I have no idea what the plot of this movie is—seriously no idea—but I know that I love it. Even if with subtitles it became a maudlin, sexist melodrama (which I doubt) I would still love it. Why? Well for one thing it is extremely shiny. Premnath has a lair made completely out of mirrors, and not in a pretty Mughal-e-Azam kind of way but in a spectacularly gaudy disco kind of way. The songs by OP Nayyar are delightful and the cinematography (VN Reddy) is gorgeous. The cast is a veritable Who’s Who of character actors. And a still-dashing Sunil Dutt makes a dacoit I can really root for, although he does seem a little old for plump young Rekha. The story is liberally sprinkled with dacoit-drama masala ingredients: greedy moneylenders, long-lost daughters, flashbacks, dozens of people named Singh, pretty pretty Marwari horses, and real ruffians lurking beneath a veneer of respectability and draped with scantily-clad gori extras. I felt totally sated by the end.
Did I mention the mirrors? Lots and lots of mirrors.
My plot synopsis is no doubt be riddled with errors but since I was entertained by what I thought was going on hopefully you will be too. Feared and respected Raja Thakur (Sunil Dutt) is called in by a girl’s parents when local rich man Bhanwar Singh (Rajan Haksar) refuses to marry their daughter. There is some issue with her purity, I gather, although it seems to me that Bhanwar Singh doesn’t have much room to point fingers when a) he seems in all likelihood responsible for the issue to begin with; and b) his hobby is whipping nautch girls. Plus of course I can’t approve of her “loving” parents marrying this poor girl to such a nasty man, but izzat is izzat after all. Khair. Raja and his men find Bhanwar in the local brothel, owned by Chandabai (Indira Bansal), pursuing his hobby.
As Raja’s men force Bhanwar to dress in his wedding clothes, Raja is entertained by a dancer named Janiya (Rekha), and smitten on sight.
See what I mean about the photography? The film is full of these interesting angles and the colors are to die for (although a little source TLC would be in order, along with subtitles).
Dance ended and Bhanwar and his bride tied together in what will no doubt be a horrific nightmare for her, Raja either proposes marriage or wants to confer the status of mistress on Janiya. She refuses indignantly: Raja is a criminal, a dacoit! He is amused and returns to his Ma (Veena) and her rather more welcoming arms; we are treated to a flashback which reveals that Raja’s father was making sure his son got a good education before a greedy moneylender (Tiwari) and his assistant (Randhir) ruined him, and he died from a heart attack.
I am always happy to see Veena and ecstatic to see Tiwari; that kurta almost rivals the pink nightie, although he looks very thin. I worry that he was sick and he sadly never appears again in this movie.
Back in the present, the police (led by Kedar Sehgal, a long-standing “that guy” recently identified by readers Quezar and Mool Narain Singh) decide to trap Raja Thakur and his men at the local temple when he goes there to worship. Luckily for Raja the police in this film aren’t any smarter than the ones in other seventies movies and are easily outwitted. It’s also an excellent excuse for another song and dance, this time courtesy of Jayshree T. I’m also thrilled to see a young and very fine RANJEET! and Raja’s beautiful well-trained white horse.
Raja now finds out from local scumbag moneylender Dharamdas (Jeevan) and one of his dacoits (Maruti) that nobody is attending Janiya’s dances since finding out about Raja’s interest in her. Raja’s best friend and right-hand man Pandit (?) doesn’t want to get involved, but Dharamdas and Raja come up with some sort of plan that pleases them.
Meanwhile, Janiya is at the local police station bewailing her fate and confiding in Inspector Darogaji (?) that she was kidnapped at the age of six. Taken from her wealthy father Seth Dhanraj (Iftekhar), she was sold off to Chandabai and brothel life. Unbeknownst to Dhanraj, none other than his own brother-in-law Jagmohan (Madan Puri) was involved, along with Dharamdas and a wealthy man named Mangal Singh (Premnath).
Darogaji doesn’t appear to believe her, and has her arrested (why, I have no idea) but he does send another inspector to meet Dhanraj and tell him the story. Dhanraj wants to meet her and arranges to come to the police station later. Naturally Jagmohan does not want a reunion to happen, fearing that his involvement in the kidnapping will come to light. He goes to see Dharamdas, who is whiling his time away with a tall skinny European. Dharamdas scoffs at the notion that Janiya is really the long-lost Sheetal—he just wants to get back to his girl (“June, come sooon!”).
But before Dhanraj can get to the police station Raja discovers that she’s been arrested. Although Pandit is once again reluctant, Raja immediately organizes a rescue. It is accomplished with a maximum of noise, smoke, and gunfire, and Janiya is grateful—and impressed by Raja’s manliness (so am I). Pandit is shot, but escapes and makes his way back to the dacoit cave: he is pretty angry and I assume it’s because he’s been shot over something he didn’t want to do in the first place. I could be way off on that. Raja knocks him out with a swift punch to the face, takes out the bullet and douses the wound in liquor.
The next day Seth Dhanraj arrives at the police station and is shown the clothes and a gold necklace that Janiya had said she was wearing when kidnapped. They are indeed long-lost Sheetal’s, and Dhanraj is thrilled (Jagmohan not so much), at least until he finds out she’s been taken by bandits.
Now Dharamdas panics along with Jagmohan and goes to see Mangal Singh. Mangal points out that the only link to them and Sheetal’s kidnapping (besides Sheetal’s memory, which apparently they dismiss) is Chandabai, and he sends his henchman to kill her with a poisonous fountain pen which I guess he does because she’s never seen again after he pokes her with it.
In Raja’s cave, Janiya has now decided that she loves Raja whom she had previously scorned. And unfortunately, Pandit decides that he loves (or wants, more precisely) Janiya whom HE had previously scorned. After he tries to rape her one day, the long-standing friendship between him and Raja is broken and he is banished from the gang. The attempted rape scene is interesting for two reasons: one, the film itself has an “Adults Only” (A) certificate and the only reason for it that I can think of are the prolonged (what I suppose the censors might consider tantalizing) hints that Janiya is not wearing anything (although she clearly IS); the other is that Ranjeet is the one who saves her! How delicious is that?!
Raja takes Janiya to his Ma for safekeeping (the police are now looking for Janiya and Raja as well). This proves to be a bad idea, because Mangal has by now decided that kidnapping Sheetal for ransom is a good next step for him. He double-crosses Jagmohan (who thinks they are just getting rid of her so that his treason will remain undetected by Dhanraj) into arranging the kidnapping (courtesy of Shetty and Khursheed, a scary duo if ever there was one—poor Rekha! She does a lot of shrieking in these twenty minutes or so!). Poor Ma is killed when she tries to stop them, although she doesn’t die until she’s given a long speech to Raja while clutching a gigantic piece of silver jewelry in her bloodied hand which he eventually puts to good use.
So now poor Janiya/Sheetal is in Mangal’s clutches (and his disco lair) and Dharamdas is still determined to kill Janiya to protect his interests. Will Dhanraj be able to pay the ransom and save his daughter’s life? Will Raja get there first? Can Dhanraj accept a dacoit as a son-in-law?
And is there anything more fun than a gleefully debauched Premnath reflected in a thousand brightly colored mirrors?
No, dear friends, I think not. Especially when that lair contains a MASALA DEATH TRAP labyrinth of needle-like spikes.
I know there were plenty of nuances that I missed (or misread), and there is a dizzying array of characters tossed in at the end whose genesis I never did understand. Still and all, I thoroughly enjoyed this loony fun-filled glitter-fest and can’t recommend it highly enough. At the bare minimum look up the songs; and please, universe, make subtitles happen!
And last but not least, these are some of the several million actors appearing in this for whom I need names. Can anyone help?
(left to right: police inspector, Darogaji, Pandit, Mangal henchman)
(left, Mangal henchman 2; right, crazy man)
UPDATE! Some ids courtesy of encyclopedia Mool Narain Sardana: Darogaji=SP Mahendra; Mangal henchman=Kirti Kumar; Mangal henchman 2=Fazloo (Fazal Khan); crazy man=Rajpal. Yay!
Aa Ke Dard Jawan Hai (Film- Pran Jaye Par Vachan Na Jaye)
Chain Se Humko Kabhi, Aapane Jine Na Diya Lyrics - Pran ...
PRAN JAYE PAR VACHAN NA JAYE - Ek Tu Hai Piya
The film's music is by O. P. Nayyar. Pran Jaye Par Vachan Na Jaye is a 1974 Hindi movie produced by Ratan Mohan and directed ...Pran jaye par shan na jaye violent scene by Nilay "V"
a blunt truth about indian society.Chain Se Humko Kabhi - YouTube- https://www.youtube.com/watch?v=iETSko4yuLwFeb 13, 2015 - Uploaded by Pran KatariyaPran Katariya. SubscribeSubscribedUnsubscribe 4,016 ... by Pran Katariya 832 views. 4:44. Chain Se ...
Chain Se Humko Kabhi - YouTube
www.youtube.com/watch?v=_Y3TQ2uZEK8Dec 7, 2014 - Uploaded by Pran KatariyaChain Se Humko Kabhi. Pran Katariya ... "Chain Se Hamko Kabhi (From "Pran Jaye Par Vachan Na ...Chain Se Humko Kabhi - YouTube
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PRAN JAYE PAR VACHAN NA JAYE - Dekho Are Dilbar
The film's music is by O. P. Nayyar. Pran Jaye Par Vachan Na Jaye is a 1974 Hindi movie produced by Ratan Mohan and directed ...PRAN JAYE PAR VACHAN NA JAYE - Dekho Raja Dekho
Pran Jaye Par Vachan Na Jaye is a 1974 Hindi movie produced by Ratan Mohan and directed by S. Ali Raza. The film stars Sunil ..O.P. NAYYAR'S PRAN JAYE PAR VACHAN NA JAYE: "Ek Tu Hai Piya"
'Ek Tu Hai Piya.." Asha Bhosle Featuring Rekha and Sunil Dutt Lyric: Shamsul Huda Bihari Music: O.P. Nayyar Film: Pran Jaye .Pran Jaye Par Vachan Na Jaye Full Movie - YouTube
Pran Jaye Par Vachan Na Jaye ( HINDI FILM ) - Amazon.com
Pran Jaye Par Vachan Na Jaye
{{Pran Jaye Par FILM/MOVIE Na Jaye}}Pran Jaye Par Vachan Na Jaye is a 1974 Hindi film produced by Ratan Mohan and directed by S. Ali Raza. The film stars Sunil ...Pran Jaye Par Vachan Na Jaye ( HINDI FILM ) - Amazon.com
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Ek Tu Hai Piya Jispe Dil Pran Jay Par Vachan Na Jaye www keepvid com5:47
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Radio Ceylon 28-01-2015~Wednesday Morning~01 Ek Hi Film Se - Pran Jaye Par Vachan Na Jaye (1974)27:56
Asha Bhosle photos
Asha was one of several children. She had a brother named Hridayanath Mangeshkar, as well as three sisters named Lata, Usha, and Meena. Of these Lata Mangeshkar would grow up to be a legendary figure in the world of film music, and Asha's professional rival.
Her exposure to music began in infancy. Her father Dinanath, was an accompanied classical vocalist and was very active in the theatre. However he passed away when Asha was only nine years old. This placed the family under considerable financial hardship. Because of this, the family moved a lot. Ultimately the family settled in Bombay, where Asha and her sister Lata started to sing for the films.
Her exposure to music began in infancy. Her father Dinanath, was an accompanied classical vocalist and was very active in the theatre. However he passed away when Asha was only nine years old. This placed the family under considerable financial hardship. Because of this, the family moved a lot. Ultimately the family settled in Bombay, where Asha and her sister Lata started to sing for the films.
Aside from the Hindi films, she was quite active in Marathi films. In this period she is noted for such songs as Khedyamadhle Ghar Kaularu, Majha Hoshil Kaa? Bugadi Mazi and Nach Re Mora.
1956 marked a major turning point in Asha's career. This was in this year that her work in O.P. Nayyar's "C.I.D." thrust her into the public's attention. After a number of successful songs under O.P. Nayyar, she became one of his favourite singers and they maintained a productive relationship for several decades.
Building upon the success of "C.I.D.", she was able to sing in B.R. Chopra's "Naya Daur" (1957), this too became part of a very successful long term collaboration. This brought her to the attention of the fledgling R.D. Burman with whom she established an even stronger collaboration. Some important early work with R.D. Burman, Dum Maro Dum ("Hare Rama Hare Krishna" - 1971), Duniya Mein ("Apna Desh" - 1972), and Jaane Jaan, Dhoondhta Phir Raha ("Jawani Diwani" - 1972)
However the professional relationship between R.D. Burman and Asha Bhosle was destined to morph into something closer. They were married 1980; the remained married un till his death in 1994.
Asha Bhosle and family
Pran Jaye Par Vachan Na Jaye (1974) Songs Lyrics
Director: S. Ali Raza
Producer(s): Ratan Mohan
Music Director(s): Omkar Prasad Nayyar
Lyricist(s): Shamsul Huda Bihari (S. H. Bihari)
Composer(s): Omkar Prasad Nayyar
Pran Jaye Par Vachan Na Jaye (1974) Songs Lyrics
Dekho Raja Dekho
by Asha Bhosle3:06Dilbar Tere Pyaar Ne
by Asha Bhosle4:23Bikaner Ki Chunri Odhi
by Asha Bhosle5:13Aa Ke Dard Jawaan Hai
by Asha Bhosle5:28Mere Ghar Aap Aaye
by Asha Bhosle5:27Chain Se Hamako Kabhi
by Asha Bhosle3:275:47
Lata,Meena,Asha,Usha
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Chain Se Humko Kabhi: Lyrics and Translation
chain se ham ko kabhii aap ne jiine na diyaaYou have never let me live in peace.
zahar bhii chaahaa agar, piinaa to piine na diyaa
Yet, even if I asked to die by poison, you would not let me drink it.chand ke rath me.n raat kii dulhan jab jab aayegiiWhen the Night arrives as a bride on the Moon’s chariot,
yaad hamaarii aap ke dil ko taDpaa jaayegiimemories of me will continue to cause you heartache.
pyaar ke jalte zakhmo.n se jo dil me.n ujaalaa haiThe light in your heart emanating from our love’s burning wounds
ab to bicchaD ke aur bhii zyaadaa baDhnevaalaa haiwill continue to shine more brightly now that we are apart.
aap ne jo hai diyaa, vah to kisii ne na diyaaWhat you have given to me, no one else has been able to replicate.
zahar bhii chaahaa agar, piinaa to piine na diyaaYet, even if I asked to die by poison, you would not let me drink it.aap kaa gham jo is dil me.n din-raat agar hogaaTo bear your sorrow in my heart all day and night,
soch ke yah dam ghuTataa hai, phir kaise guzar hogaa?the very thought of this is suffocating. How can I endure it?
kaash na aatii apnii judaayii, maut hii aa jaatiiIf only death had come to me instead of this separation,
koii bahaane chain hamaari ruuh to paa jaati
then, under this pretext, my soul could finally rest at peace.
ek pal ha.nsnaa kabhii dil kii lagii ne na diyaa
My heart’s emotions have never let me smile for a moment.
zahar bhii chaahaa agar, piinaa to piine na diyaaYet, even if I asked to die by poison, you would not let me drink it.chain se ham ko kabhii aap ne jiine na diyaaYou have never let me live in peace.
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