Anjaan (1941) Movie
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Sanwariya re sanwariya; Film Anjaan(1941); Sung by Arun Kumar and Sushila
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Complete information on bollywood movie: Anjaan Star cast, Screenshots, Song listing, 
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Anjaan - Pyare Pyare Sapne Hamare (Devika Rani)
MOVIE: Anjaan 1941, SINGER: Devika Rani, LYRICS: Pradeep, MUSIC: Panna Lal Ghosh.
pyare pyare sapne hamare
pyare pyare sapne hamare
pyare pyare sapne hamare
pyare pyare sapne hamare
janam janam tak sang rahe ham
janam janam tak sang rahe ham
kabhi na ho nyare
janam janam tak sang rahe ham
kabhi na ho nyare
pyare pyare sapne hamare
pyare pyare sapne hamare
ek hamara rajmahal ho
jamuna kinare
jamuna kinare
ek hamara rajmahal ho
jamuna kinare
ham vaha par rahenge aise
jaise gagan me tare
ham vaha par rahenge aise
jaise gagan me tare
pyare pyare sapne hamare
pyare pyare sapne hamare
ek dor me band gaye ab to
man hamare tan hamare jivan hamare
ek dor me band gaye ab to
man hamare tan hamare jivan hamare
hamko lag na kar sakenge
hamko lag na kar sakenge
duniya ke ishare
hamko lag na kar sakenge
duniya ke ishare
pyare pyare sapne hamare
pyare pyare sapne hamare
1:41
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Anjaan - Sanwariya Re Sanwariya
Saawariya re saawariya
Chal chal re chal re saawariya
Chal chal re chal re saawariya
Saawariya re saawariya
Chal chal re chal re saawariya
Ek nagariya ham
Dono ki ek dagariya
Ek nagariya ham
Dono ki ek dagariya
Chal chal re chal re saawariya
Saawariya re saawariya
Chal chal re chal re saawariya
Raah katili door thikana
Raah katili door thikana
Phir bhi hamko chalte jana
Rah katili door thikana
Phir bhi hamko chalte jana
Beet jaye chahe umariya
Beet jaye chahe umariya
Chal chal re chal re sanwariya
Saawariya re saawariya
Chal chal re chal re sanwariya
Main tera rahu tu meri rahe
Main tera rahu tu meri rahe
Ha saawariya re saawariya
Saawariya re saawariya
Main tera rahu tu meri rahe
Jaise din ke sath ujhera rahe
Main tera rahu tu meri rahe
Ha saawariya re saawariya
Saawariya re saawariya
Abad rahe ham tum dono
Abad rahe ham tum dono
Aabad hamara sath rahe
Badta rahe ye iktara
Badta rahe ye iktara
Madhur preet ki basuriya
Madhur preet ki basuriya
Chal re saawariya
Chal chal re chal re saawariya
Saawariya re saawariya
Chal chal re chal re saawariya
Chal chal re chal re saawariya.
staging.osianama.com/cine-lbp-0817334
Lead
Cast Ashok Kumar, Devika Rani, Girish, V. H. Desai, Ammini, Arun Kumar,
Bachanlal Dixit, Bhargavi, David, Fatty Prasad, Gulab, Ibnul Hasan, Om
PrakashAnjaan (1941 film) - Wikipedia, the free encyclopedia
en.wikipedia.org/wiki/Anjaan_(1941_film)
Anjaan. Anjaan.jpg. Film poster. Directed by, Amiya Chakrabarty. Starring, Devika Rani ... Anjaan is a 1941 Bollywood film directed by Amiya Chakrabarty.Anjaan (1941) Songs - Hindi Movie Songs - Raaga.com
play.raaga.com/hindi/album/anjaan-1941--H004185Dec 19, 2012 - Anjaan (1941) Hindi movies songs featuring Ashok Kumar, Devika Rani. Music composed by Pannalal Ghosh. Album released in 1941.Anjaan : Lyrics and video of Songs from the Movie Anjaan ...
hindigeetmala.net/movie/anjaan.htmLyrics and video of songs from Movie / Album : Anjaan (1941); Music by: Panna Lal Ghosh; Singer(s): Arun Kumar, Ashok, Ashok Kumar, Devika Rani, Pradeep, ...
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3.00 - 1 votesDevika Rani Pannalal Ghosh Kavi Pradeep Anjaan (1941) Video Playlist of all the songs of this movie from youtube Advertisements
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Anjaan (1941)Film cast: Ashok Kumar, Devika Rani, Gulab, P Pithavala, V H Desai, David, Omprakash, Girish, Suresh, Fatty Prasad, Rajkumari Singer: Arun Kumar, Ashok, Ashok Kumar, Devika Rani, Pradeep, Rajkumari, Rekha, Suresh, Sushila Lyricist: P L Santoshi, Pradeep Music Director: Panna Lal Ghosh Film Director: Amiya Chakraborty External Links: Anjaan at IMDB Anjaan at Wikipedia Anjaan 1941 Movie News, Wallpapers, Songs & Videos ...
www.bollywoodhungama.com/moviemicro/cast/id/538811Read Anjaan 1941 movie latest news, download wallpapers, listen songs, watch videos and get latest updates for Anjaan 1941 at Bollywood Hungama.
Music Director
Color
BLanguage
HindiDirector
Lyricist
Cinematography
Dialogue
Banner
- Bombay Talkies
Release Date
- 1 Jan 1941
Genre
- Social
Star Cast
- Ashok Kumar.... Ajit
- Devika Rani.... Indira
- V H Desai
- David
- Omprakash
- Gulab .... Ranima
- Girish
- Suresh
- P Pithavala.... Ramnath
- Fatty Prasad
- Rajkumari
Story / Writers
- Amiya Chakraborty
Anjaan (1941) - IMDb
www.imdb.com/title/tt0157315/Anjaan (1941). 144 min. Your rating: 1 2 3 4 5 6 7 .... Message Boards. Discuss Anjaan (1941) on the IMDb message boards » ... Buy Movie and. TV Show DVDs...
Director:
Amiya ChakrabartyWriters:
J.S. Casshyap (dialogue), Amiya Chakrabarty, 1 more credit »
Cast
Credited cast: Devika Rani ... Indira
Ashok Kumar ... AjitV.H. Desai Girish Suresh P.F. Pithawala ... RamnathGulab ... RanimaFatty Prasad Yusuf Sulehman Syed Mukhtar David Abraham Rest of cast listed alphabetically: Rajkumari Edit
Storyline
Anjaan - Nth Wall - The Ultimate Indian Movie Database
www.nthwall.com/hi/movie/Anjaan-1941/9543209672Anjaan (1941) - Latest Information about Anjaan (1941) review, Anjaan (1941) trailers , videos, Anjaan (1941) bollywood movie review, promos, bollywood ...Plot :
Bombay Talkies formula melodrama: villain is heros rival in love, frames hero with crime, hero vindicates himself (of Janmabhoomi, 1936; Bandhan, 1940). Dowager Ranima runs the feudal household helped by the family doctor, guardian Ajit (Kumar) and villanious manager Ramnath (Pithawala). Indira (Devika Rani), the childrens governess, is wooed by both Ramnath and Ajit. Ranima dies, Ramnath accuses Ajit of having killed her but Ajit vindicates himself after a long courtroom battle. Remembered mainly as Bombay Talkies star director Amiya Chakravartys directorial debut and for the celebrated classical falutist Pannalal Ghoshs score. [Source: Encyclopaedia of Indian Cinema]Add Full Plot | Add Synopsis
Country:
IndiaLanguage:
HindiAlso Known As:
The Unknown See more »
Company Credits
Technical Specs
Runtime:
See full technical specs »Color:
Black and White
- Devika Rani
Film actress - Devika Rani Chaudhuri, usually known as Devika Rani, was an actress in Indian films who was active during the 1930s and 1940s. Widely acknowledged as the first lady of Indian cinema, Devika Rani had a successful film career that spanned 10 years. Wikipedia
- Born: March 30, 1908, Visakhapatnam
- Spouse: Svetoslav Roerich (m. 1945–1993), Himanshu Rai (m. 1929–1940)
- Awards: Dadasaheb Phalke Award, Padma Shri
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Lyrics of Anjan (1941) Movie in Hindi
www.hindilyrics.net/lyrics/hindi-lyrics-of-Anjan%20(1941).htmlHindi Lyrics > Anjan (1941). This Bollywood movie was directed by Mr Amiya Chakraborty under the banner of Bombay Talkies. The star cast for the film is ...Hindi Film Songs - Anjaan (1941) | MySwar
myswar.com/album/anjaan-1941Anjaan (1941) by Pandit Pannalal Ghosh - Complete information including lyricist, singers and other credits, ratings and user and critic reviews, complete songs ... Hindi Film Song - Pyare Pyare Sapne Hamare (Duet ...
myswar.com/song.../anjaan-1941-pyare-pyare-sapne-hamare-male-5Pyare Pyare Sapne Hamare (Duet) (Anjaan, 1941) - Music director, lyricist, singer and other credits, user ratings and reviews, similar songs, awards information ...Encyclopedia of Indian Cinema - Page 288 - Google Books Result
https://books.google.co.in/books?isbn=1135943184Ashish Rajadhyaksha, Paul Willemen, Professor of Critical Studies Paul Willemen - 2014 - ReferenceFILMS 1941-1950 ^ Amrit 1941 153'[M]/l62'[H] b&w Marathi/Hindi d Master ... a tale that also warns against the demon drink. fi|ANJAAN 1941 144' b&w Hindi d/s... Bollywood's Top 20: Superstars of Indian Cinema
https://books.google.co.in/books?isbn=0670085723Bhaichand Patel - 2012 - Biography & AutobiographyThe film started a trend of making socially committed films. ... (1936), Izzat (1937), Savitri (1937), Nirmala (1938), Vachan (1938) and Anjaan (1941). In these ...Hero Vol.1 - Google Books Result
https://books.google.co.in/books?isbn=938139802XAshok Raj - 2009 - Performing Arts... were Amiya Chakravarty (Anjaan, 1941, Basant, 1942, and Jwar Bhata, 1944, the last being Dilip Kumar's first movie),N. R.Acharaya (Naya Sansar, 1941)and ...
Video: Sanwariya re sanwariya Film Anjaan 1941 Sung by ...
www.frequency.com/video/sanwariya-re...film-anjaan1941/183110486?...Film was made by The Bombay Talkies of Himanshu Rai and Devika ... Sanwariya re sanwariya; Film Anjaan(1941); Sung by Arun Kumar and Sushila. 2mo ago ...Anjaan (1941) Videos - Dekhain
dekhain.com/videos/anjaan-(1941).htmlWatch Anjaan (1941) Online for free on Dekhain.com. See Related ... Anjaan Tamil Movie 2014 Full Movie Watch Online Suriya New Movie · Watch Video » ...
aan(1941); Sung by Arun ...
www.youtube.com/watch?v=OctVHQ3ZPksAug 20, 2012 - Uploaded by vinay k joshiMusic by Pannalal Ghosh Lyrics by Pradeep and PL Santoshi. Film was made by The Bombay Talkies of ...PYARE PYARE SAPNE HAMARE ASHOK KUMAR film ...
www.youtube.com/watch?v=DC4eE0IN37wSep 4, 2009 - Uploaded by Ajay YuvrajPYARE PYARE SAPNE HAMARE ASHOK KUMAR film ANJAAN 1941 MD PANNA LAL GOSH ASHOK KUMAR ...Anjaan 1941 Hindi Movie Ashok Kumar Devika Rani Suresh ...
www.youtube.com/watch?v=uD7kizHrVawMay 12, 2014 - Uploaded by MuVyz_4044Anjaan 1941 Hindi Movie Ashok Kumar Devika Rani Suresh ... "MAMTA" | Full Movie Hindi I Dharmendra I ...AYEE PACHHIM SE GHATA SUNG BY DEVIKA RANI FILM ...
www.youtube.com/watch?v=SKxhi3jMBwcOct 11, 2010 - Uploaded by Ajay YuvrajANJAAN (1941) V ASHOK KUMAR, DEVIKA RANI, V.H.DESAI, DAVID, OM PRAKASH, GULAB ...ayee pachhim se ghata sung by devika rani film anjaan [1941]
www.weblagu.com/AYEE-PACHHIM-SE-GHATA-S...Translate this pageSend "AYEE PACHHIM SE GHATA SUNG BY DEVIKA RANI FILM ANJAAN [1941] PANNALAL GHOSH " Ringtone to your Mobile (Ad) ... Anjaan - Pyare Pyare Sapne Hamare (Devika Rani ...
www.youtube.com/watch?v=fPzGFWNYZs4Nov 23, 2014 - Uploaded by SunahareGeetMOVIE: Anjaan 1941, SINGER: Devika Rani, LYRICS: Pradeep, MUSIC: Panna Lal Ghosh.Chitralekha1941, Hindi film - YouTube
www.youtube.com/watch?v=AiuLuZEWIq8Jun 20, 2012 - Uploaded by indiavideodotorgChitralekha released in 1941 was the first Hindi film that had its objection from the Censor Board of Film ...Popular Anjaan & Ashok Kumar videos - YouTube
https://www.youtube.com/playlist?list=PLS9Hma151X...By-UCXQamere jeevan ke path par yeh chai kaun ashok kumar devika rani film anjaan ... Sanwariya re sanwariya; Film Anjaan(1941); Sung by Arun Kumar and Sushila ...Song of Chitralekha 1941 Rut Aaye Rut Jaaye Duet Old ...
www.youtube.com/watch?v=Labe10eibtADec 10, 2010 - Uploaded by Murad Lyallpuri VintageSense.comVintageSense.com Song of Chitralekha (1941) Kumargiri is sent by ... much better and Lata, Asha, Rafi were ...Anjaan (1941) - Filmweb
www.filmweb.pl/film/Anjaan-1941-216914Anjaan (1941) - informacje o filmie w bazie Filmweb.pl. Oceny, recenzje, obsada, dyskusje ... 24 min ...
Nutan, Amiya Chakrabarty, Balraj Sahni and Usha Kiron at the ...
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Nutan, Director Amiya Chakrabarty, Balraj Sahni and Usha Kiron form a smiling quartet at..
Amiya Chakrabarty, and Usha Kiron love story
How Usha Kiron fell in love with her husband after marriage
gaddeswarup.blogspot.com/.../how-usha-kiron-fell-in-love-with-her.html
Apr 28, 2012 - When I was expecting my first child, Amiya Chakraborty died. That was the only time I ever brought up the subject with my husband after we ...
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Movie/album: Anjaan (1941)
Singers: Susheela, Arun Kumar
Song Lyricists: Ramchandra Baryanji Dwivedi (Kavi Pradeep)
Music Composer: Pannalal Ghosh
Music Director: Pannalal Ghosh
Director: Amiya Chakrabarty
Music Label: Saregama
Starring: Devika Rani, Ashok Kumar, V.H. Desai
Saawariya Re Saawariya Song Lyrics
(No Ratings Yet) Saawariya re saawariya
Chal chal re chal re saawariya
Chal chal re chal re saawariya
Saawariya re saawariya
Chal chal re chal re saawariya
Ek nagariya ham dono ki ek dagariya
Ek nagariya ham dono ki ek dagariya
Chal chal re chal re saawariya
Saawariya re saawariya
Chal chal re chal re saawariya
Raah katili dur thikana
Raah katili dur thikana
Fir bhi hamko chalte jana
Rah katili dur thikana
Fir bhi hamko chalte jana
Beet jaye chahe umariya
Beet jaye chahe umariya
Chal chal re chal re sanwariya
Saawariya re saawariya
Chal chal re chal re sanwariya
Main tera rahu tu meri rahe
Main tera rahu tu meri rahe
Ha saawariya re saawariya
Saawariya re saawariya
Main tera rahu tu meri rahe
Jaise din ke sath ujhera rahe
Main tera rahu tu meri rahe
Ha saawariya re saawariya
Saawariya re saawariya
Abad rahe ham tum dono
Abad rahe ham tum dono
Aabad hamara sath rahe
Badta rahe ye iktara
Badta rahe ye iktara
Madhur preet ki basuriya
Madhur preet ki basuriya
Chal re saawariya
Chal chal re chal re saawariya
Saawariya re saawariya
Chal chal re chal re saawariya
Chal chal re chal re saawariya.
Sushila Rani Patel: Film Industry Pioneer and Renaissance Woman (1918 - 2014)
Debashree Mukherjee
It is August 14, 1947, the eve
of India’s Independence. The streets of South Bombay are relatively riot-free
and a slightly delirious energy hangs in the humid monsoon air. Out of nowhere,
a glamorous green Hudson careens down the street and you see three beautiful
women leaning out of the car, ‘lustily singing Vande Mataram’.[i] They are gorgeous; you feel giddy just looking at them and you try to memorize
this moment of being young, alive, safe, and in Bombay in August 1947. The
three women are famous film actresses of the day: Begum Para, Protima Dasgupta,
and Sushila Rani Patel.
Dr. Sushila Rani Patel died of
a heart attack on Thursday, July 24th, 2014. She was 96 years old
and still singing.
Sushila
Rani was born in 1918 into a culturally-inclined Konkani family. Her father,
Anand Rao Tombat was a criminal lawyer who also took a keen interest in art,
cinema, theatre, literature and philosophy. Sushila Rani credited her father
for her flair for writing. Her mother, Kamladevi Tombat, gave her the gift of
music – a gift that grew in its riches with every passing year. At the age of
seven, Sushila started her formal training in classical music and studied with
such greats as Pandita Mogubai Kurdikar and Ustad Alladiya Khan Saheb. In an
interview she proudly recalled that Mogubai Kurdikar used to ‘[call] me ek patti - which means one take. She
recited one taan and I would repeat
it correctly.’ [ii] Sushila Rani received a Sangeet Natak Akademi award in 2002 after decades of
concerts, radio programmes, festivals, and recordings.
 |
| Sushila Rani plays the tanpura during riyaaz. Image courtesy Sushila Rani Patel. |
Naushad,
the acclaimed music director, once said of Sushila Rani: ‘When I think of her,
all I can think of is sheer worship, a person who has worshipped music. For her
music is not a hobby and hence she left no strings untouched. Age did not mar
her voice. The depth, the pathos, the free flow continues to grow. She is a
standing example for our generation. A person who will not be satisfied with
success, but only with perfection.' [iii] And yet, music was not the sum of Sushila Rani’s many accomplishments. She had
post-graduate degrees in Science as well as Law and she became an Advocate of
the Bombay High Court in her 60s. In this piece I want to briefly discuss her
life and career in the 1940s, a period of great excitement for a burgeoning
Bombay film industry, and a time when Sushila Rani was most closely affiliated
with movies as a film journalist, heroine, and wife of Baburao Patel.
 |
| Portrait of Sushila Rani and Baburao Patel. Currently at Girnar. |
Baburao
Patel was the self-taught, ambitious, and highly charismatic editor of the
magazine filmindia. Launched in 1935,
filmindia rapidly achieved an
unprecedented cult status. By 1937, filmindia
had become a force to reckon with, reportedly selling thousands of copies a
month in India and abroad. The magazine created a sensation with its canny mix
of rumor and review, observation and opinion. Baburao Patel’s knack for
self-publicity and his irreverent writing style made the magazine a hit and
turned him into a veritable star. The evergreen actor, Dev Anand, has said:
‘…when I first came to Bombay looking for a break in the movies, somewhere
within me lurked a desire to meet the man and have a look at this magician who
meant the Indian movie industry to me. [Baburao Patel] made and unmade stars.
He established or destroyed a film with just a stroke of his pen. That much
power he wielded then.’[iv]
Baburao Patel was a celebrity, on par with the brightest stars on the silver screen,
and young college students carried his magazine around as status symbols.
 |
| Cover of one of the first issues of filmindia in 1935. Image courtesy NFAI, Pune. |
Sushila
Rani met Baburao Patel quite by chance, on January 15, 1942. She was visiting
Bombay and had gone to the trendy Wayside Inn (Kalaghoda) for dinner with a
friend. [v] They were both avid readers of filmindia
and immediately recognized Baburao Patel sitting at a table near them. When
Baburao Patel crossed their table on the way to the men’s room, he literally
glared at Sushila Rani’s male dinner companion. That was when they were both
certain that this was indeed Baburao Patel, film critic extraordinaire and
flamboyant ladies man. Undeterred by the glare, Sushila Rani’s friend went up and
invited Patel to their table. And that was that. Sushila Rani recalled in an
interview that:‘ “He said yes I am Baburao Patel. I edit filmindia magazine,” and he congratulated me on my looks. He then
asked “Would you like to meet me again.” I said yes.’ Baburao landed up at
Sushila Rani’s house the very next morning and drove her to see the filmindia offices. While chatting over
lunch, Sushila Rani mentioned that she was a trained classical vocalist.
Baburao, a consummate charmer, expressed his surprise that so beautiful a girl
had so many talents and requested that she sing a little bit for him. Sushila
Rani selected the bhajan, ‘Ghunghat ke pat khol’, popularized by
her contemporary Jyothika Roy. Baburao lost his heart. Sushila Rani was 24
years old. Baburao was 38, married, and father to three grown-up children.
 |
| Sushila Rani c. 1940s. Image courtesy Sushila Rani Patel. |
 |
| Cover of filmindia magazine showcasing Sushila Rani's debut film, Draupadi (1944). Image courtesy NFAI, Pune. |
On
another August 14th, this time in the year 2008, I finally located Sushila
Rani and Baburao Patel’s famous Pali Hill bungalow – Girnar. I had visited
several such film pilgrimage sites before, only to turn back disappointed.
Girnar too, looked deserted. It was an aging bungalow which might have
looked desolate if my eyes weren’t tinted over with a romantic glaze. The main
door was wide open but there was no sign or sound of life. Hesitant to simply barge
in, I shouted into the darkness – ‘Excuse me! Koi hai?’. A middle-aged woman
emerged from inside and I told her I was a student doing research on Bombay
cinema. I handed her an official-looking visiting card that I had printed that
very morning outside the Malad West station. She returned within minutes and
said, ‘Madam is willing to meet you.’ As I took off my shoes and followed the
secretary up a winding staircase lined with portraits of Baburao and Sushila
Rani I felt a little disoriented, uncertain about my location within time and
reality. It was as if I had walked right into a period film that I had been
watching for the last two years.
 |
| The legendary Girnar Bungalow, pali hill, Bandra, ,Mumbai-2008. |
I
walked down a narrow partitioned corridor and entered a dining hall. Seated at
the dining table was a fragile old woman
in a flaming orange nightie. It was
only 11.30am but her face was impeccably rouged and powdered, and her neck and
arms decked out with gold jewelry. This was Sushila Rani. And she turned to
look at me. I walked up to her and beamed stupidly for a second. Then I handed
her a small bunch of roses I had picked up on the local train. She invited me
to sit and asked two singularly absurd but touching questions: ‘Do you know me?
Have you heard of filmindia?’ Later
that afternoon, Sushila Rani sang ‘Ghunghat
ke pat khol’ for me, the song that first stole Baburao’s heart. Her
89-year-old voice was as enchanting as ever.
in a flaming orange nightie. It was
only 11.30am but her face was impeccably rouged and powdered, and her neck and
arms decked out with gold jewelry. This was Sushila Rani. And she turned to
look at me. I walked up to her and beamed stupidly for a second. Then I handed
her a small bunch of roses I had picked up on the local train. She invited me
to sit and asked two singularly absurd but touching questions: ‘Do you know me?
Have you heard of filmindia?’ Later
that afternoon, Sushila Rani sang ‘Ghunghat
ke pat khol’ for me, the song that first stole Baburao’s heart. Her
89-year-old voice was as enchanting as ever.  |
| Sushila Rani poses as the helpful 'assistant'. Image courtesy Sushila Rani Patel. |
In June 1942 Sushila Rani joined filmindia as a sub-editor and unofficial
‘Jane of all trades’. She continued to edit and write with Baburao till 1981,
by which time filmindia (1935-1961)
had morphed into the more political Mother
India (1961-1981). During my own research, I had often wondered whether it
was really possible that no women, apart from actresses, had worked in the
early film industry or its satellite industries. The more I studied the
celebrity male film critics who held forth on Hindustani cinema, the more I
wondered what role, if any, women played in this discursive field. It was only
upon meeting with Sushila Rani that I was able to ask these questions to
someone who had lived through those days. She was very modest but after a few
pointed questions I learnt that under pseudonyms such as ‘Judas’ and ‘Hyacinth,’
Sushila Rani herself had generated much of the content for the 50-page
magazine. It was a two-person enterprise with occasional guest writers such as
KA Abbas and RK Karanjia. Here are some excerpts from the 2008 interview:
SR: ‘…my salary was
Rs. 200 per month! My parents were glad that I was working. My father had taken
ill and it was good that I had a job. My father had once come for a holiday. He
had met Baburao Patel and thought he was a godfather to me… he never imagined
that he would become his son-in-law! The trap was laid and I didn’t realize it
(laughs). So you be careful. With
men, you have to be careful.
‘So I started working. But I didn’t want to marry him. I
wanted to leave him because it was very difficult. He had a very bad temper and
I realized that I might have made a mistake. But in our work we were very very
complementary. We got along very well. I would do all the proofs of filmindia, write some sections.. He
would write the selling section ‘The Editor’s Mail’; that was the selling
section and letters would come from all corners of the world… from Fiji, from
Africa, from America, and every village, in all handwritings. So many letters
would come that it wasn’t possible to reply to each one so he used to tell me to
read the letters and select the good questions. That was a big job.
DM: ‘And which were
the sections that you wrote?
SR: ‘I wrote ‘Pictures
in Making’, ‘At Home and Abroad’, ‘State of the Nation’, ‘Round the World in 30
Days’… then sometimes interviews, short stories… I was always a part of the writing
as well, not merely proofing. I write very well…. There was a section called
‘You’ll hardly Believe’ [in ‘Bombay Calling’ by Judas], where I used to give
the feedback. I had to read a lot of papers for gossip. But the gossip was not
so awful as today… the writing was not in the fashion of today. People from the
film industry would come to meet us and they would talk… So I used to collect
this kind of information and then we would write it together as ‘You’ll hardly
believe that…’.
DM: ‘Tell me a
little more about your marriage and life with Baburao.
SR: ‘After I joined
filmindia I started living in Bombay
and then the affair became deeper, naturally. Finally I decided to marry him.
Fifteen days prior to my marriage I said yes. There was another person who was
interested. He’s no more so I don’t like to talk about him. And Baburao Patel
wouldn’t let me… he saw to it that the person did not get my letters. So then
this person thought that I was not interested in him. [vi] Then I married Baburao Patel, at the filmindia
office. For the first year or two everything went off well, but then I realized
that he was also… how do you say it?... very conscious of ladies. There were
women even after me, and people used to wonder how he could be interested in
them. They were not educated and they were not beautiful. But still he was
interested. So married life was mixed up with all this. Then he brought his
first wife here and I had to stay with the first wife under the same roof till
she passed away. I didn’t expect all this. I was too young, too innocent, too
naïve and he was a very seasoned person with lots of affairs. He knew the
world. So that’s why I used the word “trap”… I didn’t realize what I was getting
into.’
All too
often, women’s contributions to the Bombay film industry get buried under the
more visible work of their husbands and lovers. Sushila Rani’s work for filmindia
has tremendous historical
significance as the magazine and its contents are widely used as primary
sources by Indian film historians today. Her active participation in the
magazine also explains some very detailed and intimate interviews with
actresses from the 1940s, only possible because the interviewer was a
woman. [vii] Very few women worked as journalists in those days and
these pioneers have
been mostly forgotten. I must mention here the laudable efforts by
Sabeena
Gadihoke to document the career of India’s first woman photojournalist, Homai Vyarawalla.
 |
| Sushila Rani with her friends, well-wishers, and disciples at a Shiv Sangeetanjali festival at Girnar. |
By
presenting Sushila Rani’s own account of her work and life with Baburao Patel I
hope to have added another dimension to the way we understand the authorship of
filmindia magazine. Despite the
marital troubles she mentions above, theirs remained a solid partnership till
the very end. After Baburao’s death, Sushila Rani set up the Sushila Rani Baburao Patel
Trust which has supported many early-career musical talents, and she continued
to celebrate Baburao’s birthday every year with great fanfare.
Ever
since that first meeting in August 2008, I tried to maintain contact with
Sushila Rani, fascinated by her life and dynamism. I felt particularly grateful
to have one real human connection to ground my rather abstract relation to the
pre-Independence decades. I spent several afternoons studying filmindia in the Girnar library. Often, Sushila
Ma’am would invite me to have lunch with her upstairs and regale me with risqué
film anecdotes. A friend and I even shot some documentary footage with her that
summer. Sushila Rani remained a warm, open, generous person till the end. She
was unfailingly delighted by new people and maintained a genuine curiosity
about contemporary Bombay cinema. If you look at back issues of Filmfare you’ll be sure to find ‘Letters
to the Editor’ by Sushila Rani Patel where she congratulates some new actor or
director on their good work. Such an engagement with the people and events
around her was typical of Sushila Rani. I often wonder how she did it, how she
nurtured such an enviable joie de vivre.
The
last time I met Sushila Rani was in 2013. She looked as beautiful as ever and
still taught music lessons, though her hearing had really worsened. I urged
her, as I often had before, to pen her memoirs. Her life had spanned some of the
most iconic events in the history of the modern South Asian subcontinent.
Significantly, she was witness to almost the entirety of the first hundred
years of Indian cinema. What delightful and profound connections she would have
made between the intersecting historical and cinematic events of the twentieth
century! Even though Sushila Rani will never narrate that story anew, her voice
continues to speak to generations of movie enthusiasts from the pages of filmindia and the multiple archives of
Hindi film music.
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J. Sushila - IMDb
www.imdb.com/name/nm0839822/
J. Sushila is an actress, known for Draupadi (1944), Matwali Meera (1947) and Alam Ara ... 1947 Matwali Meera (as Sushila Rani) ... 1931 Alam Ara (as Sushila).
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Indian films and posters from 1930: J. Sushila ;,film Alam Ara ...
bombaymann2.blogspot.com/2013/12/j.html
Oct 13, 2011 - J. Sushila hindustani music, nonagenarian, sushila rani patel, classical ... J. Sushila is an actress, known for Draupadi (1944), Alam Ara (1931) ...
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- Ashok Kumar
Film actor - Ashok Kumar, Born Kumudlal Ganguly and also fondly called Dadamoni, was an Indian film actor who attained iconic status in Indian cinema. Wikipedia
cinemachaat.com320 × 240Search by image
Ashok
Kumar is wonderful. He has a genial neutrality about him as Shekhar
accepts that people are probably doing things for their own reasons
1941 FILMS
1941 FILMS
Chitralekha1941, Hindi film
Chitralekha released in 1941 was the first Hindi film that had its objection from the Censor Board of Film Certification.. For more ...
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SONGS:-
For more songs visit http://iseriesindia.com.
AYEE PACHHIM SE GHATA SUNG BY DEVIKA RANI FILM ANJAAN [1941] PANNALAL GHOSH..
ANJAAN (1941) V ASHOK KUMAR, DEVIKA RANI, V.H.DESAI, DAVID, OM PRAKASH, GULAB, GIRISH, SURESH, PITHAVALA ...Search filters2:11 Anjaan - Pyare Pyare Sapne Hamare (Devika Rani)
MOVIE: Anjaan 1941, SINGER: Devika Rani, LYRICS: Pradeep, MUSIC: Panna Lal Ghosh.4:23
Chalko Chalko Na Ras Ki Gagariya
The sweet honey voiced,top1940s playback singer Rajkumari Ji. For avoiding confusion if any,Rajkumari Banaraswali Ji (there ...1:28
main to tumse bandhi rahoon tumse bandhi rahoon
Devika Rani -----ANJAAN.
1:29Search filters
Anjaan - Main Tumse Bandhi Rahoon
MOVIE: Anjaan 1941, SINGER: Devika Rani, LYRICS: Pradeep, MUSIC: Panna Lal Ghosh.2:10
- Search filters
Anjaan - Pyare Pyare Sapne Hamare[duet]
MOVIE: Anjaan 1941, SINGERS: Ashok Kumat, Suresh, Reva, LYRICS: PRADEEP, MUSIC: Panna Lal Ghosh.1:41
Anjaan - Sanwariya Re Sanwariya-1
1:26
Search filtersAnjaan - Sanwariya Re Sanwariya part 2
Search filters
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The original video of this song is available from youtube.
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AnjaanFilm cast: Ashok Kumar, Devika Rani, Gulab, P Pithavala, V H Desai, David, Omprakash, Girish,Suresh, Fatty Prasad, Rajkumari Singer: Arun Kumar, Ashok, Ashok Kumar, Devika Rani, Pradeep, Rajkumari, Rekha, Suresh, Sushila Lyricist: P L Santoshi, Pradeep Music Director: Panna Lal Ghosh Film Director: Amiya Chakraborty External Links: Anjaan at IMDB Anjaan at Wikipedia
1:12
Search filtersAnjaan - Pyare Pyare Sapne Hamare (Ashok Kumar solo)
MOVIE: Anjaan 1941, SINGER: Ashok Kumar, LYRICS: Pradeep, MUSIC: Panna Lal Ghosh.
