film (Kaanoon)(1943)-(alternative titles: The Law)



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 Ek Tu Ho Ek Main Lyrics | Kanoon (1943

Director:

 

Cast

Complete credited cast:
Shahu Modak
Miss Mehtab
Badri Prasad
Gajanan Jagirdar
Nirmala
A. Shah
Rest of cast listed alphabetically:
Ulhas
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  1. Kanoon (1943)-Bollywood Movie Reviews, Trailers ... - Nth Wall

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PLOT :

A social wrong which has no legal protec law so lame to come in line with public opinion? . Ashok, a young collagina, when sees his own father married to a girl younger than himself (Ashok) is inspired with a fire to fight against this social evil. He is supported enthusiastically in his mission by his mission by his collage companion Miss Usha. They share between themselves feeling of love as well as a sense of deep shame for cruelties inflicted by men upon women. . Ushas father, Lala Dina Nathji is an affectionate parent.He has encouraged his daughter for higher studies. But the unfortunate fellow is heavily indebted. Seth Hirachand has advanced him so much and so often that his head hangs down before him in humility. Though the money lender is well advancde in age, his lust is not quenched and is the look out for a new wife. Who else should be the victim to his passions but the only daughter of the unfortunate Dian Nathji? So he begins to spread the net cleverly for his choicest prey. . Ramesh is another college youth who is attracted towards Usha, not knowing that she is the same beauty whom his own father has determined to seize. Usha knows that Ramesh is paying youthful attentions to her but is not in the least inclined towards him. Losing many a battle for love with Usha, Ramesh is paying youthful attentions to her but is not in the least inclined towards him. Losing many battle for love with Usha, Ramesh has a second worrry also. He is fiercly loved by Hansa, the daughter of the Munim. These two have been brought up together from childhood, and many of thier jokes and mischiefs were understood as acts of love which should one day be blessed by a solemn marriage. Little did this poor girl and her father know that the rich have a desire to perpetuate the difference with the poor, and that the prospects of marriage with Ramesh were remote. . Dina Nathji is given to understand by the cunning Hirachand that he is prepared to make an allaince by accepting Usha in his house - mislead him as to who will be the bridegroom - son or father. Dina Nathji, in good faith, accepts the proposal and begins preparations for the marraiage. . In this tug of war, Usha and Ashok are forgotten. They are planning to stage one drama "KANOON" to propagate their views on a problem of social welfare. They do not know of scenes behind their back. Ramesh is packed off with the Munim on some business pretext, so that he may not have a chance to foil the fathers plans at the critical juncture. Harichand unfolds his intention before Dina Nath, expecting quiet submission but he finds a surprise. Dina Nath, refuses to accept him as son-in-law. Hirchand threatens serious action through courts, utilising his dues as a lover to obtain Usha. To save her father, Usha accepts the old man as her husband. . We now come to love-torn hearts of Ashok, Hansa and Ramesh Usha has silently but voluntarily walked into oblivion. The bonds of religious feelings are sufficient to achore her boat in the storm. She resigns herself into living with Hirachand but boldly refuses to fall a prey to his demands. . The drama of " KANOON" is at last staged with Ashok, Ramesh and Usha in the main roles. HIrachand is seated in the Balcony. Every dialogue, every scene makes him restless. The drama proceeds Usha comes on the stage with a revolver, showing to commit suicide when Hirachand at once rushes from his seat and drops dead in the House. . The improtance of the Drama is then made clear by Ashok in a speech with lays open his heart-his mission of life. [Source: Booklet]
tion or remedy is the problem benhind the scenes. If a marriage of a child can be resrtained by law, why not the marriage of a young maidan to an old man? Is the society so dull headed in realising the agony underlying this grave injustice or is the

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Films Of The '40s - Kanoon (1943) - Hamara Forums


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