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Sindbad Alibaba and Aladdin
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Sindbad Alibaba Alladin 1965 : Yeh Haseen Nazare ...
www.youtube.com/watch?v=a8Fwon0K94IFeb 24, 2011 - Uploaded by Basheer Ahmed Khan AzeemiSindbad Alibaba Alladin 1965 : Yeh Haseen Nazare Muntazir Hain : Asha Bhosle : Md Ravi : Full Ver. Basheer ...Aaj Hai Gulfaam - Sindbad Alibaba Aladdin (HQ) - YouTube
www.youtube.com/watch?v=8BV-xMK75ZE- Dec 24, 2010 - Uploaded by aryankhan65Song-Aaj Hain Gulfam Se Bhi (Allah Meherbaan To Gadha Pahelwaan) Film-
Sindbad Alibaba Aur ... film-sindbad alibaba alladin(1965), yeh hanseen ... - YouTube
www.youtube.com/watch?v=C64r0Y7UpRwDec 24, 2012 - Uploaded by Jitender SiwachFILM-SINDBAD ALIBABA ALLADIN(1965), YEH HANSEEN NAZAARAY ,SINGER-ASHA BHOSLE ... Kya Jawan raat hain..Rafi / Asha...Sindbad Alibaba aur ...
www.youtube.com/watch?v=1QiL86bP6zQAug 5, 2011 - Uploaded by khurshid khanExcellent print & beautiful duet song of Sindbad Alibaba aur Alladin beautifully song by Rafi/Asha,posted by ...SINDBAD,ALIBABA,ALLADIN-1965 - YouTube
www.youtube.com/watch?v=srbwFodakz8Apr 19, 2009 - Uploaded by rajeev pradhanPavan Jhakora Sang Mere Gaaye Lata Mangeshkar Film Meri Bhabhi ... Aye Mere Humnawa Rafi ...sindbad alibaba and aladdin 1965 - YouTube
www.youtube.com/watch?v=B8SEc7sRK1sJan 31, 2015 - Uploaded by Selimen TopluKya Jawaan Raat Hai Bahaaron Ki Asha Bhonsle Mohammed Rafi Film Sindbad Alibaba Alladin ...BY ASHA BHONSLE,MD:RAVI-"SINDBAD,ALIBABA ...
www.youtube.com/watch?v=HE6-wSjY8SAApr 19, 2009 - Uploaded by rajeev pradhan"YE HASEEN NAZAARE"BY ASHA BHONSLE,M.D:RAVI-"SINDBAD,ALIBABA,ALLADIN-1965 ... "ARABIAN DANCE BY TRIBES-SINDBAD,ALIBABA ...
www.youtube.com/watch?v=VTzcWRNc31YApr 19, 2009 - Uploaded by rajeev pradhankhilo khilo matwaari kaliyo Sheela Film Sikandar (1941) Music Mir Sahib Lyrics Pandit Sudarshan. ... Sinbad ...Aye Mere Humnawa Rafi & Asha Film Sinbad Alibaba ...
www.youtube.com/watch?v=DOSfyEwBmW4Jun 27, 2011 - Uploaded by Ajay YuvrajSINDBAD ALIBABA ALLADIN (1965) PRADEEP KUMAR, ... Aye Mere Humnawa Rafi & Asha Film ...Kya Jawaan Raat Hai Bahaaron Ki Asha Bhonsle ...
www.youtube.com/watch?v=5qpuVTuKXZUJan 27, 2014 - Uploaded by Ajay YuvrajKya jawaan raat hai bahaaron ki Asha Bhonsle Mohammed Rafi Film Sindbad Alibaba Alladin (1965
Aaj Hai Gulfaam - Sindbad Alibaba Aladdin (HQ)
Song-Aaj Hain Gulfam Se Bhi (Allah Meherbaan To Gadha Pahelwaan) Film-Sindbad Alibaba Aur Aladin (1965) Music-Ravi ...
- As I am browsing through my collection of the 1960s, I come across the 1965 film 'Sindbad, Alibaba, Alladin'. The list of songs rang a few bells I just happened to ...
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SINDBAD,ALIBABA,ALLADIN-1965 - YouTube
www.youtube.com/watch?v=srbwFodakz8Apr 19, 2009 - Uploaded by rajeev pradhanPavan Jhakora Sang Mere Gaaye Lata Mangeshkar Film Meri Bhabhi ... Aye Mere Humnawa Rafi ...Sindbad Alibaba Alladin 1965 : Yeh Haseen ... - YouTube
www.youtube.com/watch?v=a8Fwon0K94IFeb 24, 2011 - Uploaded by Basheer Ahmed Khan AzeemiSindbad Alibaba Alladin 1965 : Yeh Haseen Nazare Muntazir Hain : Asha Bhosle : Md Ravi : Full Ver. Basheer ...Aaj Hai Gulfaam - Sindbad Alibaba Aladdin (HQ) - YouTube
www.youtube.com/watch?v=8BV-xMK75ZE- Dec 24, 2010 - Uploaded by aryankhan65Song-Aaj Hain Gulfam Se Bhi (Allah Meherbaan To Gadha Pahelwaan) Film-
Sindbad Alibaba Aur ... Sindbad Alibaba Aur Alladin - HindiGeetMala.net
hindigeetmala.net/movie/sindbad_alibaba_aur_alladin.htm- Lyrics and video of songs from Movie / Album : Sindbad Alibaba Aur Alladin (
1965); Music by: Ravi; Singer(s): Mohammed Rafi, Manna Dey, Asha Bhosle, Usha ...
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Sinbad Alibaba Aur Aladin (1965) Part 1 | MemsaabStory
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Jul 26, 2009 - Alas, the film is only available on VCD so no subtitles; whatever I got out of the ... In any case, Sinbad, Alibaba, Aladin and Jameela set sail on ...Sinbad Alibaba Aur Aladin (1965) Part 1
I’ve been dying to see this ever since I found out it existed. It’s not any big secret that I’m a sucker for an Arabian Nights tale, especially as done in 1960s India on a shoestring budget. And if Helen is in it along with Sayeeda, Minoo Mumtaz, Bela Bose and Madhumati, how can it possibly be bad? It’s a dance extravaganza! The music is by one of my favorite music directors, Ravi—and it is lovely. Alas, the film is only available on VCD so no subtitles; whatever I got out of the story I’ve basically made up wholesale because it was seriously bewildering. But the visuals are so fabulous (despite the poor video quality) that I thought it time for another comic-book style entry, which is my way of saying: “Look at the pictures and figure the story out for yourselves.”
Oh boy!!! A three-for-one deal! The film opens with an announcement by two of the sultan’s men (Ram Avtar and Polson), and then the sultan himself (SN Banerjee) is entertained by two lovely dancers:
In the sultan’s dungeon sits an old man, who is surprised when he hears thumping and banging noises coming from the floor and walls of his cell.
Alibaba (Baghwan), Sinbad (Pradeep Kumar) and Aladin (Agha) are surprised but happy to find each other in the old man’s cell. There is some discussion about the Princess’s wedding, and then we are treated to another song courtesty of Princess Jameela herself (Sayeeda) and her ladies in waiting. I like the song a lot so am sharing it here (just picture colored fountains and waterfalls!):
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Please note how the annoying Ultra Video mark changes size and moves around—this happens throughout, and is occasionally accompanied by a stern warning against pirating which scrolls across the screen too, obscuring much of the action. This naturally only results in me wanting to pirate Ultra VCDs and DVDs instead of buying them! Why would I pay money for something as annoying as this, Ultra? Why?
In any case, after the Princess’s colorful waterfall song ends, our three heroes manage to escape with the old man thanks to the stupidity of the sultan’s guards. Sinbad heads straight for the Princess’s rooms; they are apparently already acquainted. I love her bathtub.
As you can see, the sultan’s guards find Sinbad there. Swords are drawn, and Sinbad escapes over the wall and reunites with his waiting friends. They are chased through the bazaar by the sultan’s men, knocking over fruit carts and so on as is always the case, before they find refuge in a restaurant owned by a friend (Rajan Haksar).
The buffoonish guards are easily led astray by the three dancing girls and their lovely song, and our three heroes, the old man, and their friend sit and talk about something. I have no idea what though. A magic show outside distracts them.
This prompts them to dress up in disguise and go to the sultan’s palace as magicians. I am highly entertained by the sultan’s lecherous little goatee-stroking midget:
and Agha dressed up as a gypsy girl, who has to bear the unwanted amorous attentions from said little person and the sultan.
(And Ultra inflicts yet another unwanted viewing obstacle on me.) Jameela runs away with Sinbad and his friends, although Sinbad appears to be surprised that she is the Princess. Didn’t he visit her earlier in that same palace? Isn’t the point of this visit to take her away? I’m seriously confused.
Then our three heroes are summoned by public announcement to the sultan’s court, and go to see him. It appears to be amicable, and they all leave without any problem. I have no idea what they talk about or if the sultan has any clue that Jameela is now staying with them, although the sultan’s vizier says something about her marriage again.
There’s another meeting at home, with Jameela looking shyly on, but I’ve got no clue what it’s about either.
In any case, Sinbad, Alibaba, Aladin and Jameela set sail on Sinbad’s (I assume) ship, and the adventures begin.
First up: Aladin spots a mysterious pink light flashing at sea, and Sinbad dives down to see where it’s emanating from. He spends some time walking on the bottom of the ocean while doing the breaststroke with his hands, which is pretty funny. He also finds a sword inside a giant oyster shell and does battle with a mostly unseen tentacled creature; Sinbad finally uses the sword to hack off the tentacles.
Khoon! It’s even that same gaudy red that we see on land. Once he’s back on board his ship with his shiny new sword, we cut abruptly to the desert somewhere, where Alibaba and Aladin have found a restaurant. Aladin is passed out drunk, and the manager asks Alibaba to pay their bill. Some other guy pays it for them and discusses something with Alibaba, who leaves the restaurant (and Aladin, still slumped over the table).
Meanwhile, Jameela and Sinbad are asleep on the sand when they are set upon by some horsemen who take them to their camp. I am thrilled to see one of my favorite bad guys, Shyam Kumar, as their leader. Sinbad catches sight of beautiful Zarina (Minoo Mumtaz) and romances her with a song (Why? This confuses me even more. Isn’t he in love with Jameela?) while Shyam Kumar assaults poor Jameela.
What is going on? Will Sinbad rescue Jameela? Or is he too distracted by Minoo? Where are Aladin and Alibaba? Tune in next time as Aladin finds his lamp (and genie Helen!). Plenty more adventures that I don’t understand at all await!
Sinbad Alibaba Aur Aladin (1965) Part 2
The end of our first installment saw Aladin passing out drunk at a restaurant in the desert, and Alibaba going off in search of Sinbad and Princess Jameela; elsewhere in the same desert, Sinbad is romancing Zarina (Minoo Mumtaz) for some unknown reason as Shyam Kumar tries to molest poor Jameela.
Zarina apparently (and unwisely) tells Sinbad what Shyam has in store for Jameela, because Sinbad drops Zarina like a hot potato and races to Jameela’s rescue. During his fight with the lecherous Shyam, a lamp falls to the ground, setting fire to the tent. It rapidly spreads, and in the ensuing mayhem, Sinbad and Jameela escape after Sinbad retrieves his new sword.
They meet up with Alibaba (I guess they just bump into him somewhere in the vast desert), and overhear a conversation between two horsemen. This leads them to follow the horsemen to another encampment, where Aladin has been brought in front of a very cranky King who turns out to be a powerful Magician as well. The Magician King is startled to hear Aladin’s name and gives an order of some sort. Aladin is taken away as trumpeters annouce the arrival of some royal visitors.
These visitors turn out to be Sinbad disguised as a Prince, with Jameela posing as a would-be bride for the Magician King. The Magician is more than pleased with her, and annouces that they will be married forthwith! or something like that.
While Jameela readies herself for her wedding, the Magician King drags the unfortunate Aladin up a steep mountain to a very gaudily lit cave. He lowers Aladin into it and orders him to find a lamp hidden inside.
With much fear and trepidation Aladin makes his way to the lamp. When he takes it back to the cave opening, the Magician King tells him to throw the lamp up—but clever Aladin refuses, knowing that he will be left in the cave. The furious Magician leaves him there anyway, with the lamp, seals up the cave again and stomps off to get married. Aladin and I are in for a treat!
The lamp contains a spritely miniature Genie (Helen) who instructs Aladin to rub the lamp, freeing her from it to give us a lively song and dance.
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Oh, Helen, you are always such A Good Thing. She reunites Aladin with his buddy Alibaba, and then transports both to the palace where Jameela is fretting over her impending nuptials.
Having a Genie at your disposal is extremely handy, especially if you are a lazy script-writer! She makes them invisible and they escape from the Magician King’s abode. There follows a comic interlude where Alibaba is sad (Sinbad has a sword and Jameela, and Aladin the gorgeous Genie Helen and his lamp, and he has nothing) and Aladin lends him the lamp, only to discover that the Genie only serves one master at a time. When Aladin tries to give her an order too, it doesn’t turn out well.
Although he feels a little bad for his friend, Alibaba isn’t ready to relinquish the lamp just yet. He gives his own orders to the Genie. I just love the special effects in this film!
She creates a lovely palace complete with a harem, and then treats us all to yet another pretty song with magical dancing girl backup while Aladin looks on sadly (or perhaps angrily—it’s hard to tell).
When Alibaba gets up to join the dance at the end, Aladin takes the opportunity to get the lamp back and call the Genie for himself.
He orders her to take away Alibaba’s palace and harem, and they are transported to a strange place with a vaguely Roman feel, where Aladin proceeds to romance the Genie. She is underwhelmed by this development.
They are joined by Sinbad and Jameela, and after some discussion, the gist of which escapes me completely, the Genie does her “ek, do, teen” magic again.
Now what? Where has Genie sent our intrepid heroes (and heroine)? What has frightened them so? Here’s a hint:
Watch this space to find what happens next as Sinbad, Alibaba and Aladin do fierce battle with a fiery Godzilla, and other surprises await!
Sinbad Alibaba Aur Aladin (1965) Part 3
Previously, Sinbad has found a special sword (not that he’s really used it thus far) and Aladin has found a magic lamp complete with Genie Helen, but poor Alibaba (except for one brief moment) has nothing to show for our trio’s (or quartet’s, if you count Jameela) adventures.
The Genie has now put them right in the middle of a nightmare, though; perhaps this will be his chance to shine. But first, they need to get away from the menacing fire-breathing Godzilla!
Godzilla chases them up a hill, where they find refuge in a cave which is conveniently stocked with spears. They fend Godzilla off by poking him in the eye. It’s not as fearsome as it could be, though: Godzilla looks kind of cute clinging to the cave entrance, like Gemma when she puts her front paws up on my lap. Plus, the blood flowing from the wound reminds me uncomfortably of tears falling, and I feel sad for the big guy as he mopes away with the spear still stuck in his eye socket.
Alibaba draws the short straw, so to speak, when they decide that someone should keep watch in front of the cave entrance while the rest get some shut-eye (at least, that’s my assumption).
Alibaba’s patently obvious apprehension is well-founded, too. A pretty girl in a leopard print dress appears and he chases after her—this turns out to be not such a great idea.
Yikes!!!
Alibaba manages to get away despite the girl biting him on the hand (I don’t know why). When he returns to the cave, however, his friends have disappeared and there are more surprises waiting for him in the form of tribesmen with spears and what look like gumdrop-dotted paper party hats.
Their leader is our old friend Shyam Kumar! who is still lusting after Jameela, and who really needs to wash his hair. When Jameela refuses him again, he has the whole party tied to stakes—and it’s time for another song. The dancer in this one is really good, but I have no idea who she is.
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While the tribesmen and Shyam Kumar are distracted, the girl in the leopard print dress reappears and cuts Sinbad, Jameela, Alibaba and Aladin free. Much swashbuckling follows, and Sinbad finally manages to kill Shyam (although still not with his lovely new sword, which has been left behind in the cave entrance with the lamp). The mysterious girl leads them to a door and utters some magic words (which only sound like gibberish to me).
If you don’t want to know the ending, you might want to stop here! But it’s a fairly difficult-to-find film, and I love the cracktastic goodness that keeps on coming right up until the end, so I’m going to keep on.
SPOILERS FROM HERE TO THE END
Beyond this magic door lies a cave full of treasure—but our mysterious friend is only interested in a sumptuously patterned carpet.
Wheee! I love Indian movie flying carpets! Our now-quintet makes one stop to retrieve the sword and the lamp (with a minor hitch):
and head home, leaving behind the now one-eyed Godzilla monster, poor guy.
At home, the vizier has just usurped the sultan’s throne. The townspeople watch in amazement as our intrepid heroes and heroines fly in, and are greeted with joy by their friends the old man and Rajan Haksar.
Quickly apprised of the coup situation, our quintet heads for the palace where the vizier greets them and demands that they hand over their magical treasures. Naturally, they refuse.
We finally get to see the sword’s special powers! Our heroines fly above the soldiers, bashing them on their heads with poster mailing tubes (or something), while Aladin’s beloved Genie transforms him into a fiery rotary object of some sort.
These are so delicious that we have to see them again:
Sinbad smites the Vizier with his sword, and he burns up and vanishes. Now all that’s left is to return the magic sword, lamp and carpet to where they got them (why? I have no idea). Aladin balks at returning the lamp since it contains Helen, until he summons the Genie again.
Tun Tun appears instead! How I love her. She has taken over as Genie, so that Helen can be free to marry Aladin. The carpet carries the sword and lamp off into the sunset. And all’s well that ends well.
Even though I had no idea what was going on for the most part, this was oodles and oodles of fun. The songs by Ravi are fabulous (with two Helen dances!) and the special effects remarkably…well, effective.
These old “lesser grade” films are so wonderful in my opinion; it’s a shame that they aren’t being restored and subtitled, and packaged and marketed for a wider audience. They may have not been hits in the mid-sixties, but in the first decade of the 21st century—fraught as it is with war, terrorism and recession—I think they are a perfect distraction.
Bhagwan Dada biopic makers had a tough time ... - Mid Day
Aug 25, 2013 - "Most of the negatives of Bhagwan dada's films were destroyed in fire and no films prior to 'Albela' (1951) are readily available for reference," ...www.mid-day.com › Entertainment News › Bollywood NewsBhagwan Dada biopic makers had a tough time
Very little is known about Bhagwan Dada and it includes the fact that he apparently introduced hand-to-hand combat in Indian cinema. He is even credited for introducing the concept of a body double for performing stunts.
"Since there is no ready reference material available on Bhagwan Dada, it took a lot of time in doing research on the film," Kunal Shetye, director marketing, Kimaya Motion Pictures Pvt. Ltd., which is producing the film, told IANS.
"In the last 18 months of the research, the team has visited places right from National Film Archives to various private film collectors and libraries in Mumbai, Pune, Nasik and Baroda.
"Most of the negatives of Bhagwan dada's films were destroyed in fire and no films prior to 'Albela' (1951) are readily available for reference," he added.
According to available information, seen mostly as a simpleton in films like "Jhanak Jhanak Payal Baje and "Chori Chori", Bhagwan began acting in the silent era with "Criminal".
It is said that during his stint in filmdom, he scaled great heights of success, directed-produced films and even owned a studio. In fact, in the 1940s, he was seen as the richest actor with a fleet of 40 cars.
But then destiny took a turn, and he lost his wealth. He died in penury in 2012 aged 88.
Bhagwan's eldest son Arun Bhagwan Palav came as a ray of hope for the makers and provided valuable inputs for the film.
"Bhagwan Dada's eldest son Arun has played a very important role by giving us the story inputs for the film. Additionally, senior film journalist Isak Mujawar, who has also written a book on Bhagwan Dada, has contributed," said Shetye.
Patwardhan, who worked with Bollywood director Madhur Bhandarkar in films like "Heroine" and "Fashion", decided to make the film after reading an article on Bhagwan Dada a few years back. It quoted the late actor saying: 'The distance between Forras Road and Lamington Road can be easily covered in 15 to 20 minutes, but it took me (Bhagawan) 12 years to reach there…."
After reading that piece, he got curious about the legendary actor and decided to explore. The opportunity came when Monish Babre, managing director of Kimaya Motion Pictures Pvt. Ltd., suggested he make a film on the life and times of Bhagwan.
The film will not only show Bhagwan's journey from being a goon to a successful actor and filmmaker, it will also explore the era between 1930 and 1951 and present life in Bombay pre- and post-independence, and the early stages of the Indian film industry.
After finding material on Bhagwan dada, another mammoth task for the makers is casting.
"This being a biopic, the main focus will be to get look alikes of yesteryear's legendary actors on the screen, including Bhagwan Dada, Raj Kapoor, Geeta Bali, Guru Dutt and Lalita Pawar, in addition to actors from the silent movie era like Master Vitthal and Baburao Pehelwan and music director C. Ramchandra," Shetye said.
Makeup of the actors to create look-alikes on screen will be done by National Award winning makeup artist Vikram Gaikwad.
The biopic will be released in Hindi and will be sent to various international film festivals with English subtitles.
- See more at: http://www.mid-day.com/articles/bhagwan-dada-biopic-makers-had-a-tough-time/228607#sthash.l7M3xzze.dpuf
Saeeda (Sayeeda) Khan - Cineplot.com
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Other names: Minoo, Meenu Mumtaz, Minu Mu...
Parent(s): Mumtaz Ali (father)
Born: Malikunnisa Ali; 26 April 1942; Bombay, ...
Spouse(s): Sayeed Ali Akbar
MemsaabStory | I watch obscure (often bad) movies so you ...
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