......
3:39Tere Sadke Balam (Video Song)
2:45Insaaf Ka Mandir Hai Yeh Bhagwan - Mohammed Rafi - AMAR - Dilip Kumar, Madhubala, Nimm
5:22na milta gam to barbadi ke..Lata_Shakeel B_Naushad_Amar1954..a tribute
4:06Lata Mangeshkar - Na Shikwa Hai Koi Na Koi Gila Ha
3:26Jane Wale Se Mulaqat Na Hone Payi - Lata Mangeshkar - AMAR - Dilip Kumar, Madhubala, Nimmi
3:17Umangon Ko Sakhi (HD) - Lata Mangeshkar - Amar 1954 - Music by Naushad - Lata Hit
3:08Ek Baat Kahoon (Video Song) - Ama
3:12Udi Udi Chhayi Ghata Jiya Lehraye - Lata Mangeshkar - AMAR - Dilip Kumar, Madhubala, Nimmi
4:33Khamosh Hai Mera (Video Song) - Amar
3:22Radha Ke Pyare Krishna Kanhai (HD) - Asha - Amar 1954 - Music by Naushad - Asha Bhosle Hits
Amar (1954) | MemsaabStory
memsaabstory.com/2010/09/25/amar-1954/
Amar (1954) | Dustedoff
madhulikaliddle.com/2008/11/28/amar-1954/
Nov 28, 2008 - Mehboob Khan, who directed Aan, Andaz and Mother India, also made this unusual film. It explores themes that were avant garde for the 50's: ...Amar (1954) | Hindi Movie Reviews - Bollywood MuVyz
muvyz.com/moviepage/fc486506/moviereviews/
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- Amar
- Release date: 1954 (India)
- Running time: 2h 29m
Photographic Lobby Card Amar.1954; India |
Banner Mehboob Prod. |
Director Mehboob |
Select Cast Jayant, Madhubala, Nimmi, Ulhas, Agha Mehraj, Amar, Dilip Kumar, Haroon, Husn Bano, Muqri, Murad, Nawab Khan, Pandeji, Shahin & Siddiqi |
Lobby Card of Film Amar directed by Mehboob 1954
osianama.com/cine-lbp-0817089
Lead Cast Jayant, Madhubala, Nimmi, Ulhas, Agha Mehraj, Amar, Dilip Kumar, Haroon, Husn Bano, Muqri, Murad, Nawab Khan, Pandeji, Shahin & Siddiqi ...
Amar : Lyrics and video of Songs from the Movie Amar (1954)
hindigeetmala.net/movie/amar.htm
Lyrics and video of songs from Movie / Album : Amar (1954); Music by: Naushad Ali; Singer(s): Asha Bhosle, Lata Mangeshkar, Mohammed Rafi; having star ...| Song Heading | Singer(s) | Music Director | Lyricist | Movie / Album | Actor(s) |
| Insaaf Kaa Mandir Hai Ye Bhagavaan Kaa Ghar Hai 4.29 - 245 votes | Mohammed Rafi | Naushad | Shakeel Badayuni | Amar (1954) | Dilip Kumar,Madhubala, Nimmi |
| Video Playlist of all the songs of this movie from youtube | Advertisements |
Legend / symbol used on this page The original video of this song is available from youtube. Only audio (no video) of this song is available from youtube. Lyrics of this song is available in Englsih Transliteration. No Lyrics are available right now. The lyrics will be added in due course. Lyrics of this song is also available in Hindi. Average rating of songs and number of votes by visitors of HindiGeetMala. |
 Amar (1954) |
|
Amar (film) - Wikipedia, the free encyclopedia
https://en.wikipedia.org/wiki/Amar_(film)
Amar(Hindi: अमर, translation: "immortal") is a 1954 black-and-white Bollywood movie. Produced and directed by Mehboob Khan, the film stars Dilip Kumar, ...
AMAR - Dilip Kumar, Madhubala, Nimmi - YouTube
www.youtube.com/watch?v=6ykoUmIDcwg
Jan 16, 2014 - Uploaded by Sepl VintageMovies
Release:1954. Like * Comment * Share - Don't forget to LIKE the video and write your COMMENT's ...LATA MANGESHKAR - NA MILTA GHUM TO - AMAR (1954 ...
www.youtube.com/watch?v=GYXbuC73lcM
May 8, 2009 - Uploaded by sadeeq1980
AMAR IS A 1954 INDIAN MOVIE - DIRECTOR & PRODUCER MEHBOOB KHAN, MUSIC DIRECTOR, NAUSHAD ...Amar - 1954 , 96/365 Bollywood Centenary - YouTube
www.youtube.com/watch?v=q4EBmHvVC5A
Aug 20, 2012 - Uploaded by indiavideodotorg
... 100 years of Bollywood, a series featuring the milestones of Hindi Cinema, India. The 1954 released ...Amar (1954) - IMDb
www.imdb.com/title/tt0046703/
Rating: 7.1/10 - 88 votes
Amar (1954). 149 min ... 25 July 2013 11:53 AM, EDT | The Guardian - Film News ... Amar · Shree 420 · Mera Naam Joker · Mughal-E-Azam · Teesri Manzil.
Anju Rai lives a wealthy lifestyle with her widowed
dad in a palatial house. She is now of marriageable age, and her dad has
arranged her marriage with Advocate Amarnath. Both Anju and ...
See full summary »
Director:
Mehboob KhanStars:
Madhubala, Nimmi, Dilip Kumar | See full cast & crew »Cast
| Cast overview, first billed only: | |||
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Madhubala | ... | Anju |
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Nimmi | ... | Sonia |
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Dilip Kumar | ... | Advocate Amarnath |
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Jayant | ... | Sankat Chhaila |
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Ulhas | ... | Rai Saheb Mohanlal (as Ullhas) |
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Mukri | ... | Advocate (as Muqri) |
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Husn Banu | ... | (as Husnbanoo) |
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Amar |
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Siddiqui |
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Murad | ... | The Judge |
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Pandey | ... | (as Pandeji) |
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Haroon |
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Agha Miraz | ... | (as Agha Mehraj) |
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Shakeel Nomani | ... | (as Shakeel Naumani) |
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Shahin |
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Edit
Storyline
Anju Rai lives a wealthy lifestyle with her
widowed dad in a palatial house. She is now of marriageable age, and her
dad has arranged her marriage with Advocate Amarnath. Both Anju and
Amarnath meet and fall in love with each other. Shortly before their
formal engagement, Anju notices a change in Amarnath - as he appears to
be drifting further from her. Then he decides to demolish his house and
re-built it, and also refuses to go near any Mandir - either alone or in
Anju's company. When part of the house collapses, he is injured, but
recuperates quickly. It is then the town is set afire with rumors that
Amarnath may have sexually molested a village belle named Sonia, who
sells milk, lives a poor lifestyle with her widowed dad, cruel
step-mother, and is to be married to the village goon, Shankar. Watch
what happens when Shankar gets killed, and Sonia is arrested for killing
him.
Written by
rAjOo (gunwanti@hotmail.com)
Plot Summary
|
Add Synopsis
Parents Guide:
Add content advisory for parents »
Edit
See full technical specs »
Details
Country:
IndiaLanguage:
HindiRelease Date:
1954 (India) See more »Also Known As:
Immortal See more »Filming Locations:
IndiaCompany Credits
Show more on
IMDbPro »
Technical Specs
Runtime:
Sound Mix:
Mono (RCA Sound System)Color:
Black and WhiteAspect Ratio:
1.37 : 1
Edit
Did You Know?
Trivia
Before Amar, Mehboob Khan had made Aan in colour but he thought that Amar will look good in b/w. Later Mother India & Son of India were made in colour. Amar came in between these films. Music meastro Naushad Ali and cinematography Fareedom Irani, worked in most Mehboob Productions. See more »Frequently Asked Questions
This FAQ is empty. Add the first question.User Reviews
Amar(1954)
A misunderstood classic brilliantly shot in
b/w in a style reminiscent of Alfred Hitchcock.Possibly many are baffled
by the way the story is churned out but it follows a definitive pattern
leading to the poetical climax.Excellent use of the temples
highlightens the subjects of rape and unmarried mothers.Definitely a
thinking film though the frequent songs may seem absurd.Madhubala and
Nimmi are outstanding.Dilip Kumar's acting has been misunderstood
because his role is opposite to the usual tragic,heroic types he is
known for.But the depth he takes his character into is amazing.I rate
his acting in this film as the most sophisticated of his career.The
music and songs are above average and the script is good.The supporting
cast is strong and all excell in their roles.As in all Mehboob films the
message here is the downtrodden in society,here a victim of rape left
to the mercies of a bigoted community.This film will be hailed in the
future because it's message and style was too complex for its time.
Na Milta Gham Lyrics | Amar (1954) Songs Lyrics | Latest ...
https://www.lyricsbogie.com/movies/amar-1954/na-milta-gham.html
Amar (1954) Songs Lyrics
Director: Mehboob Khan
Producer(s): Mehboob Khan
Music Director(s): Naushad Ali
Lyricist(s): Shakeel Badayuni
Composer(s): Naushad Ali
Amar (1954) Songs Lyrics
Umango Ko Sakhi
by Lata Mangeshkar3:15Udi Udi Chhayi Ghata
by Lata Mangeshkar3:12Na Milta Gham
by Lata MangeshkarNa Shikwa Hai Koi
by Lata Mangeshkar4:07Khamosh Hai Khevanhaar
by Lata Mangeshkar4:26Jaane Wale Se
by Lata Mangeshkar3:26Insaaf Ka Mandir Hai
by Mohammed Rafi2:54Ek Baat Kahoon
by Asha BhosleTere Sadke Balam
by Lata Mangeshkar3:31Radha Ke Pyare Krishna Kahaie
by Asha Bhosle3:33
Lyrics of Na Milata Gham To from Amar - 1954 | LyricsMasti ...
www.lyricsmasti.com/song/1789/get_lyrics_of_Na-Milata-Gham-To.html
Hindi Film Songs - Amar (1954) | MySwar
myswar.com/album/amar-1954
Amar (1954)
by Naushad - Complete information including lyricist, singers and other
credits, ratings and user and critic reviews, complete songs listing,
award ...
AMAR - Dilip Kumar, Madhubala, Nimmi - YouTube
www.youtube.com/watch?v=6ykoUmIDcwg
Jan 16, 2014 - Uploaded by Sepl VintageMovies
Release:1954. Like * Comment * Share - Don't forget to LIKE the video and write your COMMENT's ...LATA MANGESHKAR - NA MILTA GHUM TO - AMAR (1954 ...
www.youtube.com/watch?v=GYXbuC73lcM
May 8, 2009 - Uploaded by sadeeq1980
AMAR IS A 1954 INDIAN MOVIE - DIRECTOR & PRODUCER MEHBOOB KHAN, MUSIC DIRECTOR, NAUSHAD ...Amar - 1954 , 96/365 Bollywood Centenary - YouTube
www.youtube.com/watch?v=q4EBmHvVC5A
Aug 20, 2012 - Uploaded by indiavideodotorg
... 100 years of Bollywood, a series featuring the milestones of Hindi Cinema, India. The 1954 released ...TERE SADQE BALAM -LATA SHAKEEL -NAUSHAD ...
www.youtube.com/watch?v=zmEU9sGUcDw
Dec 24, 2012 - Uploaded by crazyoldsongs
TERE SADQE BALAM -LATA SHAKEEL -NAUSHAD - AMAR (1954) .... How about movie Ganga ...Amar 1954 - A Video PlayList on Dailymotion
www.dailymotion.com/playlist/xxziv...amar-1954/1
Dailymotion India - Playlist Amar 1954. ... Amar part 1 www.filmicity.in. By www.Amar (1954) Full Movie | Classic Hindi Films by MOVIES ...
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Apr 16, 2015 - Uploaded by Movies Heritage
Watch classic Hindi movie Amar (1954) starting Madhubala, Dilip Kumar, Nimmi. Subscribe to our Movies ...Amar 1954 Songs Amar 1954 Lyrics Amar 1954 Videos ...
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Jun 9, 2011 - Uploaded by 1960Ibrahim
Amar 1954 Songs Amar 1954 Lyrics Amar 1954 Videos Download MP3 ... Amar | All Songs | Dilip Kumar's ...Amar (1954) - Watch Online Hindi Movies, Dubbed Movies ...
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amar full movie; amar full movie download; 1954 amar movi download hd ... old movie amar ...
Khaamosh Hai Khewanhaar Meraa_Lata Mangeshkar in ...
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Aug 13, 2012 - Uploaded by rumahale
Movie: Amar (1954) Producer & Director: Mehboob Khan Cast: Dilip Kumar, Nimmi, Madhubala, Jayant ...- HD
TERE SADQE BALAM -LATA SHAKEEL -NAUSHAD - AMAR (1954)
SINGER : LATA JI LYRICS : SHAKEEL BADAYUNI MUSIC : NAUSHAD MOVIE : AMAR (1954)
JAANE WAALE SE MULAQUAT NA HONE PAYII -LATA -SHAKEEL -NAUSHAD - AMAR (1954)
SINGER : LATA JI LYRICS : SHAKEEL MUSIC : NAUSHAD MOVIE : AMAR (1954)
Tere Sadke Balam (Video Song) - Amar
Listen to this melodious track "Tere Sadke Balam" from Amar featuring Dilip Kumar and Madhubala. Film – Amar Music ...
insaf ka mandir hai ye bhagwan ka ghar hai.. amar-part 1,2,3
Song : insaaf ka mandir hai ye bhagwan ka ghar hai.. Movie: Amar(1954) Singer(s): Mohammad Rafi, Chorus Music Director: ...
Khaamosh Hai Khewanhaar Meraa_Lata Mangeshkar in Amar (1954)
Movie: Amar (1954) Producer & Director: Mehboob Khan Cast: Dilip Kumar, Nimmi, Madhubala, Jayant, Ulhas, Mukri, Murad.
- HD
- HD
- HD
Ek Baat Kahoon (Video Song) - Amar
Listen to "Ek Baat Kahoon Song" from Amar featuring Nimmi ,Madhubala & Dilip Kumar.The song is sung by Asha Bhosale. Film ...
Na Shikwa Hai Koi (Video Song) | Amar | Dilip Kumar | Madhubala
Listen to "Na Shikwa Hai" song from Amar featuring Madhubala & Dilip Kumar. Film – Amar Music – Naushad Actor – Dilip Kumar, ...
Na Milta Gham Toh Barbadi (Video Song) - Amar
Listen to this heart touching song " Na Milta Gham Toh Barbadi" song from Amar featuring Nimmi. The song is sung by Lata ...
Amar - 1954 , 96/365 Bollywood Centenary
96th episode of 100 years of Bollywood, a series featuring the milestones of Hindi Cinema, India. The 1954 released Bollywood ...
AMAR - Dilip Kumar, Madhubala, Nimmi
Amarnath (Dilip Kumar) is a well known lawyer, who is honest and known for his sense of justice. One day, he meets Soniya ...
2:16:59
2:16:59Amar (1954) Full Movie | Classic Hindi Films by MOVIES HERITAGE
Watch classic Hindi movie Amar (1954) starting Madhubala, Dilip Kumar, Nimmi. Subscribe to our Movies Heritage: ...
Amar
pparently Mehboob's favourite film in which the cowardly hero Amar Dilip Kumar, a lawyer, seduces a milkmaid, Sonia Nimmi ...
Amar (1954) | Dustedoff
madhulikaliddle.com/2008/11/28/amar-1954/
Nov 28, 2008 - Mehboob Khan, who directed Aan, Andaz and Mother India, also made this unusual film. It explores themes that were avant garde for the 50's: ...Amar - 1954 - Sangeetahouse
www.sangeetahouse.com/album/amar_-_1954.html
Lyrics and video of songs from Movie / Album : Amar (1954); Music by: Naushad Ali; Singer(s): Asha Bhosle, ,
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 | Insaaf Ka Mandir Hai Ye Bhagavaan Ka Ghar Hai | Mohammed Rafi | Naushad | Dilip Kumar, Madhubala |
| Amar (1954) | Shakeel Badayuni |
SINGERS : MOHD.RAFI AND CHORUS LYRICS : SHAKEEL BADAYUNI MUSIC : NAUSHAD MOVIE : AMAR ( 1954 ) ...
kahna hai jo kah de tujhe kis baat ka dar hai
hai khot tere man me jo bhagavaan se hai dur
hai khot tere man me jo bhagavaan se hai dur
hai paanv tere
hai paanv tere phir bhi tu aane se hai majboor
aane se hai majboor
himmat hai to aaja ye bhalaayi ki dagar hai
insaaf kaa mandir hai ye bhagavaan kaa ghar hai
dukh de ke jo dukhiyo se na insaaf karegaa
bhagavaan bhi usako na kabhi maaf karegaa
ye soch le, ye soch le
ye soch le har baat ki daataa ko khabar hai
daataa ko khabar hai
himmat hai to aa jaa ye bhalaayi ki dagar hai
insaaf kaa mandir hai ye bhagavaan kaa ghar hai
ye samaa ye jahaa phir kahaan
ho, tere sadke balam na kar koi gham
ye samaa ye jahaa phir kahaan
ye samaa ye jahaa phir kahaan
tere sadke balam na kar koi gham
ye samaa ye jahaa phir kahaan
din hai suhaane, phir kaun jaane aaye na aae bahaar
tu gham ko pi le, dam bhar ko ji le
duniya ka kya aetbaar
ho ji piyaa, duniya kaa kya aetbaar
tere sadke balam na kar koi gham
ye samaa ye jahaa phir kahaan
kaanto me daaman ulajhe na saajan
phulo me hans kar guzaar
thodi khushi hai, thodi hansi hai
dukh zindagi me hazaar
ho ji piyaa, dukh zindagi me hazaar
tere sadke balam na kar koi gham
ye samaa ye jahaa phir kahaan
naiya milan ki mauje pavan ki, kahti hai tujhko pukaar
gaataa chalaa chal, hansta chalaa chal
jivan ki nadiyaa ke paar
ho ji piyaa, jivar ki nadiya ke paar
tere sadake balam na kar koi gham
ye samaa ye jahaa phir kahaan
ye samaa ye jahaa phir kahaan
tere sadke balam na kar koi gham
ye samaa ye jahaa phir kahaan
Lyrics of Insaaf Ka Mandir Hai Ye Bhagavaan Ka Ghar Hai - इंसाफ़ का मंदिर है ये à¤à¤—वान का घर है
insaaf kaa mandir hai ye bhagavaan kaa ghar haikahna hai jo kah de tujhe kis baat ka dar hai
hai khot tere man me jo bhagavaan se hai dur
hai khot tere man me jo bhagavaan se hai dur
hai paanv tere
hai paanv tere phir bhi tu aane se hai majboor
aane se hai majboor
himmat hai to aaja ye bhalaayi ki dagar hai
insaaf kaa mandir hai ye bhagavaan kaa ghar hai
dukh de ke jo dukhiyo se na insaaf karegaa
bhagavaan bhi usako na kabhi maaf karegaa
ye soch le, ye soch le
ye soch le har baat ki daataa ko khabar hai
daataa ko khabar hai
himmat hai to aa jaa ye bhalaayi ki dagar hai
insaaf kaa mandir hai ye bhagavaan kaa ghar hai
Tamanna Lut Gai Performers: Nimmi, Madhubala Singer: Lata Mangeshkar Music: Naushad Lyrics: Shakeel Badayuni Film: Amar, ...
phir bhi tere dam se mohabbat hai
mubaarak gair ko khushiyaan mujhe
gham se mohabbat hai
na milataa gham to
barbaadi ke afasaane kahaan jaate
na milataa gham to
barbaadi ke afasaane kahaan jaate
agar duniyaa chaman hoti
to viraane kahaan jaate
chalo achchhaa huaa apano me koi gair to nikalaa
ji, koi gair to nikalaa
agar hote sabhi apane, to begaane kahaan jaate
to begaane kahaan jaate
duaaye do mohabbat
hamne mit kar tumko sikhalaa di
duaaye do mohabbat
hamne mit kar tumako sikhalaa di
mohabbat tumako sikhalaadi
na jalati shamaa me to parvaane kahaan jaate
to parvaane kahaan jaate
agar duniyaa chaman hoti
to viraane kahaan jaate
tumhi ne gham ki daulat di
badaa ahasaan farmaayaa
badaa ahasaan farmaayaa
zamaane bhar ke aage haath
phailaane kahaan jaate
na milataa gham to
barabaadi ke afasaane kahaan jaate
Lyrics of Na Milta Gam To Barbadi Ke Afsaane Kaha Jate - ना मिलता ग़म तो बर्बादी के अफ़साने कहाँ जाते
ho, tamannaa lut gayiphir bhi tere dam se mohabbat hai
mubaarak gair ko khushiyaan mujhe
gham se mohabbat hai
na milataa gham to
barbaadi ke afasaane kahaan jaate
na milataa gham to
barbaadi ke afasaane kahaan jaate
agar duniyaa chaman hoti
to viraane kahaan jaate
chalo achchhaa huaa apano me koi gair to nikalaa
ji, koi gair to nikalaa
agar hote sabhi apane, to begaane kahaan jaate
to begaane kahaan jaate
duaaye do mohabbat
hamne mit kar tumko sikhalaa di
duaaye do mohabbat
hamne mit kar tumako sikhalaa di
mohabbat tumako sikhalaadi
na jalati shamaa me to parvaane kahaan jaate
to parvaane kahaan jaate
agar duniyaa chaman hoti
to viraane kahaan jaate
tumhi ne gham ki daulat di
badaa ahasaan farmaayaa
badaa ahasaan farmaayaa
zamaane bhar ke aage haath
phailaane kahaan jaate
na milataa gham to
barabaadi ke afasaane kahaan jaate
"Movie: Amar (1954) Singer: Lata Mangeshkar Lyricist: Shakeel Badayuni Music Director: Naushad Director: Mehboob Na Shikwa ...
naa shikwa hai koyi, naa koyi gila hai
naa shikwa hai koyi, naa koyi gila hai
salamat rahe tu yeh meri dua hain
naa shikwa hai koyi
bahut hi kathin hain mohabbat ki rahen
bahut hi kathin hain mohabbat ki rahen
jara bachke chalna jamana bura hain
naa shikwa hai koyi
oh ajab tere mehfil me dekha tamasha
kahi roshani hain kahi hain andhera
ajab tere mehfil me dekha tamasha
kahi roshani hain kahi hain andhera
kahi hain andhera
mukaddar chirago ke badle huye hain
mukaddar chirago ke badle huye hain
koyi bujh raha hain koyi jal raha hain
naa shikwa hai koyi
oh mubarak tujhe ho, tere dil ki duniya
meri jindgi kaa koyi gham naa karna
mubarak tujhe ho, tere dil ki duniya
meri jindgi kaa koyi gham naa karna
koyi gham naa karna
yeh sab gardishe hain, nasibo ke pyare
yeh sab gardishe hain, nasibo ke pyare
naa meri khata hain naa teri khata hain
naa shikwa hai koyi
Lyrics of Naa Shikwa Hai Koyi Naa Koyi Gila Hai - ना शिकवा है कोई, ना कोई गिला है
naa shikwa hai koyi, naa koyi gila hainaa shikwa hai koyi, naa koyi gila hai
naa shikwa hai koyi, naa koyi gila hai
salamat rahe tu yeh meri dua hain
naa shikwa hai koyi
bahut hi kathin hain mohabbat ki rahen
bahut hi kathin hain mohabbat ki rahen
jara bachke chalna jamana bura hain
naa shikwa hai koyi
oh ajab tere mehfil me dekha tamasha
kahi roshani hain kahi hain andhera
ajab tere mehfil me dekha tamasha
kahi roshani hain kahi hain andhera
kahi hain andhera
mukaddar chirago ke badle huye hain
mukaddar chirago ke badle huye hain
koyi bujh raha hain koyi jal raha hain
naa shikwa hai koyi
oh mubarak tujhe ho, tere dil ki duniya
meri jindgi kaa koyi gham naa karna
mubarak tujhe ho, tere dil ki duniya
meri jindgi kaa koyi gham naa karna
koyi gham naa karna
yeh sab gardishe hain, nasibo ke pyare
yeh sab gardishe hain, nasibo ke pyare
naa meri khata hain naa teri khata hain
naa shikwa hai koyi
Lyrics of Tere Sadake Balam Na Kar Koi Gam - तेरे सदके बलम ना कर कोई ग़म
tere sadke balam na kar koi ghamye samaa ye jahaa phir kahaan
ho, tere sadke balam na kar koi gham
ye samaa ye jahaa phir kahaan
ye samaa ye jahaa phir kahaan
tere sadke balam na kar koi gham
ye samaa ye jahaa phir kahaan
din hai suhaane, phir kaun jaane aaye na aae bahaar
tu gham ko pi le, dam bhar ko ji le
duniya ka kya aetbaar
ho ji piyaa, duniya kaa kya aetbaar
tere sadke balam na kar koi gham
ye samaa ye jahaa phir kahaan
kaanto me daaman ulajhe na saajan
phulo me hans kar guzaar
thodi khushi hai, thodi hansi hai
dukh zindagi me hazaar
ho ji piyaa, dukh zindagi me hazaar
tere sadke balam na kar koi gham
ye samaa ye jahaa phir kahaan
naiya milan ki mauje pavan ki, kahti hai tujhko pukaar
gaataa chalaa chal, hansta chalaa chal
jivan ki nadiyaa ke paar
ho ji piyaa, jivar ki nadiya ke paar
tere sadake balam na kar koi gham
ye samaa ye jahaa phir kahaan
ye samaa ye jahaa phir kahaan
tere sadke balam na kar koi gham
ye samaa ye jahaa phir kahaan
Listen to this heart touching song"Janewaale Se Mulakatein" from Amar featuring Madhubala & Dilip Kumar. The song is sung by ...
o jaane vaale se mulaaqaat naa hone paayi
dil ki dil me hi rahi baat naa hone paayi
o jaane vaale se mulaaqaat naa hone paayi
chaandani khil na saki, chaand ne munh mod liya
chaandani khil na saki, chaand ne munh mod liya
jisaka aramaan tha vo baat naa hone paayi
o jaane vaale se mulaaqaat naa hone paayi
dil me tufaan uthe, phir bhi jubaan khul na saki
dil me tufaan uthe, phir bhi jubaan khul na saki
badaliya chhaa gayi barasaat naa hone paayi
o jaane vaale se mulaaqaat naa hone paayi
Lyrics of Jaane Vaale Se Mulaqat Na Hone Paai - जाने वाले से मुलाक़ात ना होने पाई
jaane vaale se mulaaqaat naa hone paayio jaane vaale se mulaaqaat naa hone paayi
dil ki dil me hi rahi baat naa hone paayi
o jaane vaale se mulaaqaat naa hone paayi
chaandani khil na saki, chaand ne munh mod liya
chaandani khil na saki, chaand ne munh mod liya
jisaka aramaan tha vo baat naa hone paayi
o jaane vaale se mulaaqaat naa hone paayi
dil me tufaan uthe, phir bhi jubaan khul na saki
dil me tufaan uthe, phir bhi jubaan khul na saki
badaliya chhaa gayi barasaat naa hone paayi
o jaane vaale se mulaaqaat naa hone paayi
Check out the song" Ek Baat Kahoon" song from Amar Featuring Nimmi,Dilip Kumar & Madhubala. Film – Amar Music – Naushad ...
o piya sun le agar tu
ik bat kahu mere piya sun le agar tu
jab dil me nahi pap to phir soch naa kar tu
ik bat kahu
ik bat kahu mere piya sun le agar tu
o piya sun le agar tu
chhote se mere man me hai kya kah nahi pau
mai to kah nahi pau
chhote se mere man me hai kya kah nahi pau
mai to kah nahi pau
kehte huye sharmau bhala kaise batau
mai kaise batau
o sab kuch hai in ankho me jara dekh idhar tu
o piya dekh idhar tu
jab dil me nahi pap to phir soch naa kar tu
ik bat kahu
ik bat kahu mere piya sun le agar tu
o piya sun le agar tu
do naino ke panghat pe lage
pyar ke mele, lage pyar ke mele
do naino ke panghat pe lage
pyar ke mele
ansu bhi hai muskan bhi jo chahe so le le
jo chahe so le le
ho saajan bhare bazar se khali naa gujar tu
piya khali naa gujar tu
jab dil me nahi pap to phir soch naa kar tu
ik bat kahu
ik bat kahu mere piya sun le agar tu
o piya sun le agar tu
naiya meri dubi jati hai
khamosh hai khewanhar mera
khamosh hai khewanhar mera
naiya meri dubi jati hai
naiya meri dubi jati hai
jinda hun magar ab jine ki
umid bhi tuti jaati hai
khamosh hai khewanhar mera
sahil ki tamanna thi mujhko
majhadhar me beda ja pahucha
jine ki duaaein kyan mangu
pani to gale tak aa pahucha
dil dhundh raha hai duniya ko
duniya hai ke chhuti jati hai
naiya meri dubi jati hai
khamosh hai khewanhar mera
gham apna juban tak la naa sakun
sansar ko munh dikhla naa sakun
ghutta hai jo dam rukte hai kadam
badhte hai kadam rukte hai kadam
ghutta hai jo dam rukte hai kadam
manjil ki taraf bhi ja naa sakun
bhatka hua raahi jaan ke ab
takdir bhi ruthi jati hai
naiya meri dubi jati hai
khamosh hai khewanhar mera
charno me tere hai laaj meri
sun aaj jara fariyad meri
tu dur nahi, majbur nahi
nagari hai magar barbad meri
kya yuhi garibo ki duniya
sansar me luti jati hai
jinda hun magar ab jine ki
umid bhi tuti jaati hai
khamosh hai khewanhar mera
Lyrics of Ik Bat Kahu Mere Piya Sun Le - इक बात कहूँ मेरे पिया सुन ले
ik bat kahu mere piya sun le agar tuo piya sun le agar tu
ik bat kahu mere piya sun le agar tu
jab dil me nahi pap to phir soch naa kar tu
ik bat kahu
ik bat kahu mere piya sun le agar tu
o piya sun le agar tu
chhote se mere man me hai kya kah nahi pau
mai to kah nahi pau
chhote se mere man me hai kya kah nahi pau
mai to kah nahi pau
kehte huye sharmau bhala kaise batau
mai kaise batau
o sab kuch hai in ankho me jara dekh idhar tu
o piya dekh idhar tu
jab dil me nahi pap to phir soch naa kar tu
ik bat kahu
ik bat kahu mere piya sun le agar tu
o piya sun le agar tu
do naino ke panghat pe lage
pyar ke mele, lage pyar ke mele
do naino ke panghat pe lage
pyar ke mele
ansu bhi hai muskan bhi jo chahe so le le
jo chahe so le le
ho saajan bhare bazar se khali naa gujar tu
piya khali naa gujar tu
jab dil me nahi pap to phir soch naa kar tu
ik bat kahu
ik bat kahu mere piya sun le agar tu
o piya sun le agar tu
Lyrics of Khamosh Hai Khewanhar Mera - खामोश हैं खेवनहार मेरा
khamosh hai khewanhar meranaiya meri dubi jati hai
khamosh hai khewanhar mera
khamosh hai khewanhar mera
naiya meri dubi jati hai
naiya meri dubi jati hai
jinda hun magar ab jine ki
umid bhi tuti jaati hai
khamosh hai khewanhar mera
sahil ki tamanna thi mujhko
majhadhar me beda ja pahucha
jine ki duaaein kyan mangu
pani to gale tak aa pahucha
dil dhundh raha hai duniya ko
duniya hai ke chhuti jati hai
naiya meri dubi jati hai
khamosh hai khewanhar mera
gham apna juban tak la naa sakun
sansar ko munh dikhla naa sakun
ghutta hai jo dam rukte hai kadam
badhte hai kadam rukte hai kadam
ghutta hai jo dam rukte hai kadam
manjil ki taraf bhi ja naa sakun
bhatka hua raahi jaan ke ab
takdir bhi ruthi jati hai
naiya meri dubi jati hai
khamosh hai khewanhar mera
charno me tere hai laaj meri
sun aaj jara fariyad meri
tu dur nahi, majbur nahi
nagari hai magar barbad meri
kya yuhi garibo ki duniya
sansar me luti jati hai
jinda hun magar ab jine ki
umid bhi tuti jaati hai
khamosh hai khewanhar mera
For more songs visit http://iseriesindia.com.
udi-udi chhaayi ghataa jiyaa laharaaye
piyaa-piyaa haule-haule papiharaa gaaye
papiharaa gaaye
aayi re saawan rut he ri sakhi
udi-udi chhaayi ghataa
o dur hawaa me udataa jaaye, ik pachhi kaa jodaa
belaa milan ki jab mai dekhun, lalachaaye man mora
o aankh-michauli mil-mil khele phulo ke sag bhanwra
paapi najariya aisi maare dhadke re dil mora
koyi gori chori-chori naino me samaaye
papiharaa gaaye
aayi re saawan rut he ri sakhi
udi-udi chhaayi ghataa
o pi kaa sadesa le kar aaye, aaj badariya kaare
mathe pe bidiyaa chamakan laagi nain bhaye kajarare
o koyal kuke mor bhi naache manawaa tu bhi gaa re
prem ki bansi aisi baaji dur huye dukh saare
raate biti suni-suni jine ke din aaye
papiharaa gaaye
aayi re saawan rut he ri sakhi
udi-udi chaayi ghataa jiyaa laharaaye
piyaa-piyaa haule-haule papiharaa gaaye
aayi re saawan rut he ri sakhi
udi-udi chhaayi ghataa
teri duhaai, teri duhaai
ham bhi hain tere
kuch to daya kar
laakhon ki tune bigdi banaai
raadha ke pyaare
tu unka hai koi na jinka
ho jag saagar hai main tinka
tufaan se aaj bacha le
o mere paalan haare
fariyaad main le kar
tere dwaar aayi
krishan kanhaai more krishan kanhaai
ham bhi hain tere
kuch to daya kar
laakhon ki tune bigdi banaai
raadha ke pyaare
sansaar ka tu hai raaja
o nirdhan ke kaam bhi aa ja
preetam ka saath na chhute
bekas ki aas na tute
main aasha ki kaliyaan
charno mein laai
krishan kanhaai more krishan kanhaai
ham bhi hain tere
kuch to daya kar
laakhon ki tune bigdi banaai
raadha ke pyaare
Lyrics of Uudi Uudi Chhaai Ghataa Jiyaa Laharaaye - उड़ी-उड़ी छाई घटा जिया लहराये
udi-udi chhaayi ghataa jiyaa laharaayeudi-udi chhaayi ghataa jiyaa laharaaye
piyaa-piyaa haule-haule papiharaa gaaye
papiharaa gaaye
aayi re saawan rut he ri sakhi
udi-udi chhaayi ghataa
o dur hawaa me udataa jaaye, ik pachhi kaa jodaa
belaa milan ki jab mai dekhun, lalachaaye man mora
o aankh-michauli mil-mil khele phulo ke sag bhanwra
paapi najariya aisi maare dhadke re dil mora
koyi gori chori-chori naino me samaaye
papiharaa gaaye
aayi re saawan rut he ri sakhi
udi-udi chhaayi ghataa
o pi kaa sadesa le kar aaye, aaj badariya kaare
mathe pe bidiyaa chamakan laagi nain bhaye kajarare
o koyal kuke mor bhi naache manawaa tu bhi gaa re
prem ki bansi aisi baaji dur huye dukh saare
raate biti suni-suni jine ke din aaye
papiharaa gaaye
aayi re saawan rut he ri sakhi
udi-udi chaayi ghataa jiyaa laharaaye
piyaa-piyaa haule-haule papiharaa gaaye
aayi re saawan rut he ri sakhi
udi-udi chhaayi ghataa
Lyrics of Radha Ke Pyare Krishina Kanhai - राधा के प्यारे कृष्ण कन्हाई
raadha ke pyaare krishan kanhaaiteri duhaai, teri duhaai
ham bhi hain tere
kuch to daya kar
laakhon ki tune bigdi banaai
raadha ke pyaare
tu unka hai koi na jinka
ho jag saagar hai main tinka
tufaan se aaj bacha le
o mere paalan haare
fariyaad main le kar
tere dwaar aayi
krishan kanhaai more krishan kanhaai
ham bhi hain tere
kuch to daya kar
laakhon ki tune bigdi banaai
raadha ke pyaare
sansaar ka tu hai raaja
o nirdhan ke kaam bhi aa ja
preetam ka saath na chhute
bekas ki aas na tute
main aasha ki kaliyaan
charno mein laai
krishan kanhaai more krishan kanhaai
ham bhi hain tere
kuch to daya kar
laakhon ki tune bigdi banaai
raadha ke pyaare
 | Dance Music (Amar) | Naushad | ||
| Amar (1954) | Instrumental Songs |
Amar (1954)
This is my least favorite of the Mehboob Khan films I’ve seen, and it is such a pity. It boasts a fine cast with excellent acting, absolutely gorgeous music, stunning cinematography, detailed sets and costumes. The visuals, the ambiance and the characterizations all convey a wild Romanticism, but the plot collapses into an unholy mess halfway through. The pivotal event around which it revolves is completely incongruous with the characters we have come to know (not to mention that I have a serious quarrel with some of the resulting fallout). It feels like Mehboob didn’t show up at all to work on the second half; it’s as if he realized that he was confused about what he was trying to say, knew he had screwed it up, didn’t have the energy to care, and finally just gave up.
According to Bunny Reuben’s biography of Mehboob, the film was originally to be directed by one of Mehboob’s long-time assistants, Mehrish, who worked on the story. Mehboob took the assignment back into his own hands because distributors weren’t willing to offer enough money for it otherwise, and he needed to recoup some of his astonishing expenditure on Aan. I don’t know how it might have fared had Mehrish directed it instead, but I wish I did; Mehboob himself did not do it justice.
Well. There is still plenty to enjoy even so. Most of the songs I have heard before, although I had not known or remembered that they were from this film. They are unbelievable: Naushad truly outdid himself for this film, especially the thematic “Insaaf Ka Mandir Hai Yeh.” Faredoon Irani’s camera work is breathtaking (so is the lighting); although I sometimes wished for color, given the exquisite detail in the sets and costumes (so much pretty!), his use of black and white film is among the best ever, by anyone, anywhere.
Madhubala and Dilip Kumar were in the midst of their affair, and it shows in their sparkling chemistry (which is actually part of the problem for this instead of a blessing), and Nimmi is wonderful as the simple but irrepressible milkmaid Sonia who finds herself in an untenable situation not of her making. Her theatrics are more, well, theatrical than the understated performances of her co-stars, but it’s impossible not to love her.
The film opens with Sonia greeting the day eagerly as she tends to the animals in her care (birds, goats, cows, you name it). She cheerfully chatters away at them, although when her prattling leads to a reminder of her stepmother (Husn Banu) she falters a bit.
(What a pair of faces, na? So sweet.) This dark shadow passes quickly, though, and when she goes inside to find her stepmother still sleeping it’s obvious that, beatings or not, she is uncowed (pun partially intended, sorry).
Her elderly crippled father clearly loves her and like many before him seems sorry to have inflicted his second wife on her (and himself); he watches in horror as she ties a cow to her stepmother’s bed and then makes it run. I laugh and laugh along with her.
It’s not hard to see why the dour town bully Sankat (Jayant) has his heart set on marrying her; it’s also not difficult to see why she doesn’t care for him at all!
His possessive attitude towards Sonia extends to his land as well, and he has beaten up some of the village men and torn down the tents they put up on his land for the annual fair, a long-standing tradition. When the police charge Sankat with a crime, he goes to see Amarnath (Dilip Kumar), a lawyer known in the village for his sense of fair play.
Amarnath has met Sonia earlier that day, when her dupatta flew off in the wind and wrapped itself around his head, causing him to fall off his horse—to her mischievous amusement.
When he chases her in anger, she accidentally slams his hand in a gate; remorseful, she tears a strip from that same dupatta and bandages his finger with it. There is a spark of attraction there, but neither acts on it.
Predictably, Amar turns down Sankat’s request to represent him and delivers a short lecture on how Sankat’s money does not entitle him to be selfish.
Amar’s father, who lives in a city elsewhere, wants him to get married. To that end, he sends a photograph of the girl he has chosen for Amar’s approval.
That girl is Anju (Madhubala), the daughter of the local (to Amar and the village) zamindar, Rai Sahab (Ulhas). The angry villagers (led by the CSP, Mukri, a villager who has become a lawyer himself albeit a cowardly and ineffective one) go to the zamindar to ask for justice and that their fair be allowed to take place on Sankat’s land as it always has. Rai Sahab does not care about their problems, but Anju intervenes when her father will not.
Sankar is as rude and uncooperative to Anju as he is to everyone else, and he further tells her that Amarnath is representing him in court. Furious, Anju goes to see Amar, who recognizes her as the girl his father wants him to marry. He is smitten immediately and allows her to go on thinking that he is Sankat’s lawyer even as he flirts with her.
Anju hires a battalion of lawyers on the villagers’ behalf, and goes with them to court on the day of Sankat’s trial. It does not go well for her, as the lawyer Sankat has actually engaged does his job well—and hers tells her she should just give up!
Amar, who is present in the courtroom, steps in to help her and wins the case: Sankat’s land deed specifies that he must let the villagers hold their fair on it every year; it was a condition of the sale.
At this point, Mukri also spills the beans to Anju that Amar is the man her father has chosen to be her husband, stunning her.
The villagers are elated at winning their case and begin preparations for the fair. The other girls push Sonia forward to thank Amar with a garland of flowers when he goes through the village soon after, but she is nervous in his presence and he treats her with irritated contempt.
Not one to be kept down for long, Sonia bathes and makes herself pretty for the festivities—incurring the wrath of her stepmother when she borrows her mirror. Anju and Amar arrive together (by now seriously falling in love) as honored guests and are seated in the front row to watch the entertainment: a stunning song and dance led by Sonia.
As she dances, Sankat watches in anger and frustration. I should say here that the songs are not subtitled, which is a great loss—it was clear that the lyrics (for all of the songs, but especially this one) held shades of meaning that I couldn’t fully appreciate, and held messages in it for and between Amar and Anju that I couldn’t decipher. Boo!
At the fair’s end, a storm blows up and Sonia makes her way home. She soon realizes that Sankat, torn apart by jealousy and rage, is following her and a frightening cat-and-mouse game commences, which includes some amazing photography—especially when Sonia hides underwater in a pond as Sankat fishes around for her in the dark water, his dhoti billowing near her head.
It is totally riveting, and scary!
Actually to this point I have been pretty enraptured by the whole thing: the story, the characters, the great touches of humor. But now the film trips and falls flat on its face with a resounding *thud*.
Sonia manages to escape Sankat by taking refuge in Amar’s house. He finds the terrified and exhausted girl in his library:
and rapes her!
I am stunned. The plot synopses that I have read say that he “seduced” her, but there is no seduction here. As portrayed in the film itself, it is purely and simply RAPE in all its ugliness.
It makes no sense at all. For all his arrogance, Amar has shown himself to be a principled and compassionate person, and by now he is head over heels in love with his beautiful fiancee Anju: there is sizzling chemistry between them. Poor Sonia is devastated; she makes her way home, stumbling through the rain and wind, to find Sankat waiting at home with her father and stepfather. They are all startled by her vehement defiance.
The rest of the film stumbles along in equal desperation. Having failed miserably to set the stage properly for this turning point, there is nowhere for Mehboob—or the cast—to go with it. It limps along to a lame conclusion as Amar broods and complains about how guilty he feels and tries to justify it.
Uhhhh…NO, Amar. She had fear and desperation in her eyes, you asshat.
Madhubala succeeds against the odds in her portrayal of an increasingly bewildered Anju trying to understand what has happened to her romance, but who can now root for her love story to succeed? I can’t! She deserves much better than a rapist! (And she is so incredibly, luminously, beautiful.)
And Sonia…oh lovely, lively, independent Sonia. She turns into a wet dishrag of a bhartiya naari—the man who raped her is now the center of her universe, the man she loves, the man to whom she will forever faithful.
Arghh.
I am left with nothing but the pretty pictures and the lovely songs and an unfulfilled wish to understand what on earth the film is trying to say. It seems to me that with a little care the spark shown between Amar and Sonia could have been nurtured a bit; along with a lessening in the intensity of his relationship with Anju, it could have resulted in an impulsive actual seduction—NOT RAPE—making a believable catalyst for all the second half angst. What the h-e-double-toothpicks, Mehboob? What were you thinking? Plus the ending just makes me want to stick needles in my eyes.
This is a movie I wish I could recommend wholeheartedly; so much of it was profoundly lovely. But it also let me down so terribly: which is kind of a metaphor for the story itself, if you think about it, and just as disappointingly hard to believe.
Nimmi's Filmfare interview | filmfare.com
https://www.filmfare.com/features/nimmis-filmfare-interview-11920.html
Jan 22, 2016 - Dilip Kumar ke aashiq hum bhi the ... like Nargis, Madhubala, Meena Kumari and Vyjayanthimala, came in the petite and crystal-eyed Nimmi. ... K Asif's colossal but time-lagged love and God is remembered perhaps for an ..
The women Dilip Kumar really loved - Times of India
https://timesofindia.indiatimes.com › Entertainment › Hindi › Bollywood
Dilip Kumar apparently fell in love with renowned actress, Kamini Kaushal. It was on the sets of Shaheed that their love blossomed. They were planning to marry ...
The women Dilip Kumar really loved
The women Dilip Kumar really loved
Dilip Kumar apparently fell in love with renowned actress, Kamini Kaushal. 
It was on the sets of Shaheed that
their love blossomed. They were planning to marry as well, but Kamini's
brother was against the relationship. Since Kamini was already married
to her late sister's husband to look after her child, it was difficult
for her to move out. Rumour has it that Kamini’s brother had even
threatened the actor to break off with his sister and move on.
It was on the sets of Shaheed that
their love blossomed. They were planning to marry as well, but Kamini's
brother was against the relationship. Since Kamini was already married
to her late sister's husband to look after her child, it was difficult
for her to move out. Rumour has it that Kamini’s brother had even
threatened the actor to break off with his sister and move on.
3/6The women Dilip Kumar really loved
Dilip
Kumar was engaged to be married to Madhubala. However, it was rumoured
that the two broke up due to Dilip's ego issues. Apparently, Madhubala
wasn't being allowed to shoot at a particular location and the producer
of the film had asked Dilip to convince her father. He tried to do so
but failed and the actress refused to disobey her father. When it came
to their marriage, Madhubala asked him to apologise to her father but
Dilip refused to so and the two broke up. Madhubala was reportedly madly
in love with Dilip Kumar and was apparently very sad when he got
married to someone else.
4/6The women Dilip Kumar really lovedDilip Kumar and Vyjayanthimala
Though they never accepted this relationship,
people close to them on
their films’ sets confirmed Vyjayanthimala’s fondness for her co-star
and their rumoured affair. The two did 6 films together and their
sizzling onscreen chemistry also spilled over their off-screen bonding.
Though they never accepted this relationship,
people close to them on
their films’ sets confirmed Vyjayanthimala’s fondness for her co-star
and their rumoured affair. The two did 6 films together and their
sizzling onscreen chemistry also spilled over their off-screen bonding.
After
his break up with Madhubala, Dilip Kumar had stayed away from love and
relationships for quite some time. But, he moved on after meeting Saira
Banu. When the actor was introduced to Saira Banu, he apparently
considered her to be “too young” to be paired opposite him in the movie.
Saira had even confessed that she was in love with Dilip's on-screen
image since the age of 12. Their fairytale romance culminated into a
marriage. At the time of their wedding, Dilip Kumar was 44 and Saira
Banu was 22.
5/6The women Dilip Kumar really loved
However, reportedly, Dilip Kumar was also in a relationship with a Pakistani lady, Asma. Dilip saab
apparently had divorced Saira Banu to get married to Asma. But their
marriage didn’t last long and they ended up divorcing after two years.
Apparently, Asma was caught cheating on Dilip saab, which he could not tolerate. He later remarried Saira Banu.
6/6The women Dilip Kumar really loved
It
was only after his divorce with Asma, that the actor apparently
realised his mistake of moving out of his first marriage. He then
reportedly went back to Saira Banu. Since then, Saira Banu quit acting
and has been enjoying her role as a homemaker. And then, as they say,
the two lived happily ever after.