bombaymann2.blogspot.com/2015/09/film-boy-friend1961.html ... Oct 15, 1993 - Complete information on bollywood movie: Boy Friend Star cast, Movie Rati
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film (Boy Friend)(1961)
Jan 15, 2009 - Boy Friend (1961). boyfriend. Although filmed in black and white, this film has a lot of sparkle: the songs by Shankar Jaikishan, the effervescent ..
Lyrics and video of songs from Movie / Album : Boy Friend (1961); Music by: Shankarsinh Raghuwanshi, Jaikishan Dayabhai Pankal; Singer(s): Aarti, Lata ...
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Listen to Hindi songs from Boy Friend. Boy Friend ... Boy Friend 1961 Shammi Kapoor, Madhubala, Dharmendra, Nishi, Dhumal, Maruti. Play ... Film Director.
MOHAMMAD RAFI & AARTI MUKHERJEE - BOYFRIEND 1961 ... RAFI & AARTI MUKHERJEE FILM:BOYFRIEND Boy Friend is a 1961 Hindi movie directed and ...
Singer : Aarti Mukherjee : Lyrics and video of Hindi Film Songs ...
Boy Friend (1961)
by Shankar - Jaikishan - Complete information including lyricist,
singers and other credits, ratings and user and critic reviews, complete
songs ...
May 28, 2015 - Following this he received offers of supporting roles in ''Boy Friend'' (1961). Dharmendra was next seen in several women-oriented films from ...
HASRAT JAIPURI ...
1961] All Songs [HQ ...
SHANKAR JAIKISHAN LY-HASRAT ...
"
Boy Friend"
is an interesting story of fate & life. . Only fate could do this -
In the city of Ambala a ten years old son of a millionaire ....
"
Boy Friend"
is an interesting story of fate & life. . Only fate could do this -
In the city of Ambala a ten years old son of a millionaire ...
Song : mujhe apna yar banalo ..happy and sad slow version together...Enjoy unique romantic song ... SHAMMI kAPOOR :-The ...
=================================================
Song :
mujhe apna yar banalo ..happy and sad slow version together...Enjoy unique romantic song ... SHAMMI kAPOOR :-The ...
Song :
mujhe apna yar banalo ..happy and sad slow version together...Enjoy unique romantic song ... SHAMMI kAPOOR :-The ...
"
Boy Friend"
is an interesting story of fate & life. . Only fate could do this -
In the city of Ambala a ten years old son of a millionaire ...
"
Boy Friend"
is an interesting story of fate & life. . Only fate could do this -
In the city of Ambala a ten years old son of a millionaire ...
Movie: Boy Friend Singers:
Mohammed Rafi Lyricists: Hasrat Jaipuri Music Director : Shankar Jaikishan Leading Cast ...
========================================
Boy Friend 1961 Hindi Movie Watch Online Informations : Director : Naresh Saigal Writer : Shivaji Rathore Country : India Language : Hindi Cast
Crew
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film (Boy Friend)(1961)
Naresh Saigal | Shammi Kapoor, Dharmendra, Madhubala | Romance | Shankar-Jaikishan |
Feb 3, 2016 - Madhubala and Shammi Kapoor in Boy Friend. IMAGE: Madhubala and Shammi Kapoor in their last film together, Boy Friend (1961). Rail Ka ... 'She was very much in love with Dilip Kumar, so was he with her. I remember ...
Last updated on: February 03, 2016 18:50 IST
He had even proposed marriage to Madhubala.
When she had giggled it off, he was said to have gone home and cried in front of his mother, only to be snubbed by her.
'Are you in your senses? You can't marry her, she is a Muslim. There will be too many problems,' she had warned him tersely.
'When I met her on the set of Rail Ka Dibba for the first time, I could not take my eyes off her. I was like hit by a thunderbolt,' he had confessed.
In spite of his overt self-confidence and cavalier disposition, he was 'extremely nervous' taking Madhubala in his arms for an intimate scene. 'I was so nervous that I kept forgetting my lines,' he had said. 'And she was fully aware of the effect she had been having on me and was relishing it thoroughly.'
He just couldn't stop the rhapsody: 'She was breathtakingly beautiful... Woh jab paani peeti thi toh aisa lagta tha jaise yahan se (runs his finger down his neck) ek nas mein se paani guzarta hua neeche ja raha hai... (when she drank water, it was as if I could see water flowing down her throat). She was so delicate.'
'She was very much in love with Dilip Kumar, so was he with her. I remember during the making of Naqab at Prabhat Talkies in Poona, he would often drive to the location all the way from Bombay to see her. If she was shooting, he would stand at a distance outside the 'field' of the camera and single-mindedly watch her perform without disturbing her.'
'I must admit, in spite of knowing that Madhu was already in love, I could not resist falling madly in love with her. No one can blame me for it. Even today, after meeting so many women and having had relationships with God knows how many, I can swear that I have never seen a more beautiful woman. Add to that her sharp intellect, maturity, poise and sensitivity. She was awesome.' (Shammi was speaking to me in early 2011, a few months before his demise.)
Becoming very nostalgic about Madhubala, he wondered 'why women like Madhubala don't happen anymore?' After a pause, 'When I think of her even now, after six decades, my heart misses a beat. My God, what beauty. What presence. Today's girls make me feel they might have just hopped out of incubators.'
After another pause, he had said, 'I think life was a bit too harsh on her. She didn't deserve to go through all that she did.'
'Are you in your senses? You can't marry her, she is a Muslim. There will be too many problems,' she had warned him tersely. Those were conservative days.
After blissfully relishing the attention the tall, stylish, irresistibly handsome young man was lavishing on her, Madhubala had turned pragmatic and made him see reason. 'To be fair to Madhu,' Shammi had admitted, 'even though she kept teasing and tantalising me, she never let me forget that she was madly in love with Yusuf (Dilip Kumar). She could never resist mentioning Yusuf at the slightest opportunity. She seemed to feel motherly towards me.'
Though Shammi had signed on Jeevan Jyoti first, P N Arora's Rail Ka Dibba had gone on the floor ahead of it, as if it was ordained that his career should start with Madhubala.
In fact, the first ever film Shammi had signed was his friend Aspi Irani's Hum Tum Aur Woh opposite Madhubala. But that film didn't go beyond the opening shot. Shammi was a beginner during Rail Ka Dibba. A confident and more experienced Madhubala would go all out to help him in whatever way she could.
Madhubala and Shammi Kapoor had worked together in two more films after Rail Ka Dibba: Lekhraj Bhakri's Naqab (1955) and Naresh Saigal's Boy Friend (1961). By Naqab, Shammi had gained in a lot of confidence.
'On the sets, Madhu and I would have long academic discussions, especially on love and love scenes in our films. We did some very interesting love scenes in Naqab,' Shammi had said.
Their last film together was Boy Friend. By then Shammi was a big star and flying high. 'I remember filming the delicate Rafi Saab number Salaam, Aapki Meethi Nazar Ko Salaam. It was as if I was actually serenading her,' Shammi had recalled.
Recalling one of his earlier meetings with her, Shammi had said, 'After we became friends during Rail Ka Dibba, Madhu would often tell me that I was too thin and needed to put on weight. Soon I took to drinking lots of beer. Ten years later, when we met on the sets of Girl Friend, I was a star and very self-assured. She looked at me and said, 'You look very confident now, but you need to lose lots of weight, you have become f-a-a-t.' How could anyone resist a woman like that? She was always blunt, in-your-face.'
Shammi thought Madhubala was a highly underrated actress in spite of performing consistently well in her films. His favourite film of hers was Guru Dutt's Mr and Mrs 55 (1955), though for sheer intensity and professional approach he had 'loved' Mughal-e-Azam (1960).
His obsession had also taught Shammi a lesson, as he admitted: 'The spell of helplessness I experienced with Madhu did set me thinking and I resolved never again to be so helpless in front of a woman. I had become too vulnerable with her.'
'After that, I didn't ask for any of the top heroines of the day to be paired with me. I didn't ask for a Nargis, Vyjayanthimala or a Padmini. Not that I had a choice at that stage in my career, but it was always easier to work with newcomers. I worked with Vyjayanthimala and Padmini much later in my career after I had established myself.'
'I made a film with Meena Kumari too, Mem Sahib (1956), but it was a smaller role, a negative one at that, and I get bumped off around the interval. The hero of the film was Kishore Kumar. By the way, I got raves for my death scene. It disturbed me because at that stage nobody would talk about my 'live' acts.' (Laughs)
'Most of my heroines like Ameeta, Asha Parekh, Ragini, Sharmila Tagore, Rajshree and Kalpana were freshers, who were either making their debut opposite me or doing their second or third film. It was always easy working with them because I knew where I stood with them and could call all the shots, have my way without being questioned. In return, they achieved instant stardom.'
Excerpted from Shammi Kapoor: The Game Changer by Rauf Ahmed with the kind permission of the publishers, Om Books International.
'Are you in your senses? You can't marry her, she is a Muslim. There will be too many problems,' she had warned him tersely.
IMAGE: Madhubala and Shammi Kapoor in their last film together, Boy Friend (1961).
Rail Ka Dibba had a silver lining for Shammi (Kapoor): The 'exciting experience' of working with the 'gorgeous' Madhubala, 'who was just out of this world,' as Shammi had gushed.'When I met her on the set of Rail Ka Dibba for the first time, I could not take my eyes off her. I was like hit by a thunderbolt,' he had confessed.
In spite of his overt self-confidence and cavalier disposition, he was 'extremely nervous' taking Madhubala in his arms for an intimate scene. 'I was so nervous that I kept forgetting my lines,' he had said. 'And she was fully aware of the effect she had been having on me and was relishing it thoroughly.'
He just couldn't stop the rhapsody: 'She was breathtakingly beautiful... Woh jab paani peeti thi toh aisa lagta tha jaise yahan se (runs his finger down his neck) ek nas mein se paani guzarta hua neeche ja raha hai... (when she drank water, it was as if I could see water flowing down her throat). She was so delicate.'
IMAGE: The stunningly beautiful Madhubala in Mughal-e-Azam (1960).
'Those days Madhu was romantically involved with Dilip Kumar on the one side and Premnath on the other. I kept wondering yeh Shammi Kapoor beech mein kaise aa gaya?
(How did Shammi Kapoor land in between?) Since I was just a nobody at
that stage, no one had bothered to associate my name with Madhu's.''She was very much in love with Dilip Kumar, so was he with her. I remember during the making of Naqab at Prabhat Talkies in Poona, he would often drive to the location all the way from Bombay to see her. If she was shooting, he would stand at a distance outside the 'field' of the camera and single-mindedly watch her perform without disturbing her.'
'I must admit, in spite of knowing that Madhu was already in love, I could not resist falling madly in love with her. No one can blame me for it. Even today, after meeting so many women and having had relationships with God knows how many, I can swear that I have never seen a more beautiful woman. Add to that her sharp intellect, maturity, poise and sensitivity. She was awesome.' (Shammi was speaking to me in early 2011, a few months before his demise.)
Becoming very nostalgic about Madhubala, he wondered 'why women like Madhubala don't happen anymore?' After a pause, 'When I think of her even now, after six decades, my heart misses a beat. My God, what beauty. What presence. Today's girls make me feel they might have just hopped out of incubators.'
After another pause, he had said, 'I think life was a bit too harsh on her. She didn't deserve to go through all that she did.'
IMAGE: Saira Banu and Shammi Kapoor in Junglee (1961).
He had even proposed marriage
to Madhubala. When she had giggled it off, he was said to have gone home
and cried in front of his mother, only to be snubbed by her.'Are you in your senses? You can't marry her, she is a Muslim. There will be too many problems,' she had warned him tersely. Those were conservative days.
After blissfully relishing the attention the tall, stylish, irresistibly handsome young man was lavishing on her, Madhubala had turned pragmatic and made him see reason. 'To be fair to Madhu,' Shammi had admitted, 'even though she kept teasing and tantalising me, she never let me forget that she was madly in love with Yusuf (Dilip Kumar). She could never resist mentioning Yusuf at the slightest opportunity. She seemed to feel motherly towards me.'
Though Shammi had signed on Jeevan Jyoti first, P N Arora's Rail Ka Dibba had gone on the floor ahead of it, as if it was ordained that his career should start with Madhubala.
In fact, the first ever film Shammi had signed was his friend Aspi Irani's Hum Tum Aur Woh opposite Madhubala. But that film didn't go beyond the opening shot. Shammi was a beginner during Rail Ka Dibba. A confident and more experienced Madhubala would go all out to help him in whatever way she could.
Madhubala and Shammi Kapoor had worked together in two more films after Rail Ka Dibba: Lekhraj Bhakri's Naqab (1955) and Naresh Saigal's Boy Friend (1961). By Naqab, Shammi had gained in a lot of confidence.
'On the sets, Madhu and I would have long academic discussions, especially on love and love scenes in our films. We did some very interesting love scenes in Naqab,' Shammi had said.
Their last film together was Boy Friend. By then Shammi was a big star and flying high. 'I remember filming the delicate Rafi Saab number Salaam, Aapki Meethi Nazar Ko Salaam. It was as if I was actually serenading her,' Shammi had recalled.
IMAGE: Kalpana Mohan and Shammi Kapoor in Professor (1962).
Madhubala was so fascinated by Shammi's presentation of another song in the film, Dheere Chal Ae Bheegi Hawa
that she would keep one eye open as he serenaded her (though she was
supposed to be asleep in the sequence. When he chided her for
distracting him, she said, 'I can't help it, Shammi, I am fascinated by
what you are doing... ;the way you are enacting the song. Where do you
learn all this?' Shammi would just laugh it away.Recalling one of his earlier meetings with her, Shammi had said, 'After we became friends during Rail Ka Dibba, Madhu would often tell me that I was too thin and needed to put on weight. Soon I took to drinking lots of beer. Ten years later, when we met on the sets of Girl Friend, I was a star and very self-assured. She looked at me and said, 'You look very confident now, but you need to lose lots of weight, you have become f-a-a-t.' How could anyone resist a woman like that? She was always blunt, in-your-face.'
Shammi thought Madhubala was a highly underrated actress in spite of performing consistently well in her films. His favourite film of hers was Guru Dutt's Mr and Mrs 55 (1955), though for sheer intensity and professional approach he had 'loved' Mughal-e-Azam (1960).
His obsession had also taught Shammi a lesson, as he admitted: 'The spell of helplessness I experienced with Madhu did set me thinking and I resolved never again to be so helpless in front of a woman. I had become too vulnerable with her.'
'After that, I didn't ask for any of the top heroines of the day to be paired with me. I didn't ask for a Nargis, Vyjayanthimala or a Padmini. Not that I had a choice at that stage in my career, but it was always easier to work with newcomers. I worked with Vyjayanthimala and Padmini much later in my career after I had established myself.'
'I made a film with Meena Kumari too, Mem Sahib (1956), but it was a smaller role, a negative one at that, and I get bumped off around the interval. The hero of the film was Kishore Kumar. By the way, I got raves for my death scene. It disturbed me because at that stage nobody would talk about my 'live' acts.' (Laughs)
'Most of my heroines like Ameeta, Asha Parekh, Ragini, Sharmila Tagore, Rajshree and Kalpana were freshers, who were either making their debut opposite me or doing their second or third film. It was always easy working with them because I knew where I stood with them and could call all the shots, have my way without being questioned. In return, they achieved instant stardom.'
Excerpted from Shammi Kapoor: The Game Changer by Rauf Ahmed with the kind permission of the publishers, Om Books International.
Watch And Listen ToFull Length Hindi Movie Song
Mujhe Apana Yaar Bana Lo From Movie Boy Friend.
Boy Friend (1961) | MemsaabStory
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Boy Friend (1961) | Hindi Movie Plot - Bollywood MuVyz
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Complete information on bollywood movie: Boy Friend Star cast, Movie Rating, Reviews, Plot, Screenshots, Song listing, Trailer, Watch Movie link and more...- Boy Friend
- Initial release: 1961
Boy Friend (1961) - HindiGeetMala.net
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Song Heading | Singer(s) | Music Director | Lyricist | Movie / Album | Actor(s) |
Mujhe Apna Yar Bana Lo | Mohammed Rafi | Shankar Jaikishan | Hasrat Jaipuri, Shailendra | Boy Friend (1961) | Shammi Kapoor |
Video Playlist of all the songs of this movie from youtube | Advertisements |
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Boy Friend (1961) |
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Boy Friend (1961 film) - Wikipedia, the free encyclopedia
https://en.wikipedia.org/wiki/Boy_Friend_(1961_film)
Boy Friend is a 1961 Hindi movie directed by Naresh Saigal. The film stars Shammi Kapoor, Madhubala and Dharmendra. The film's music is by Shankar ...
Boy Friend 1961 I Shammi Kapoor, Madhubala ...
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Oct 1, 2013
Watch superhit classic movie Boy Friend (1961), directed by Naresh Saigal, Music by Shankar Jaikishan ...DHERE CHAL DHERE CHAL - BOYFRIEND 1961 - YouTube
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Sep 22, 2010 - Uploaded by Shaam44
Boy Friend is a 1961 Hindi movie directed and produced by Naresh ... The films music is by Shankar ...BOYFRIEND 1961 - YouTube
www.youtube.com/watch?v=G8Eyoa5eXzw
Jul 17, 2010 - Uploaded by Shaam44
Boy Friend is a 1961 Hindi movie directed and produced by Naresh Saigal. The film stars Shammi Kapoor ...Boy Friend (1961) - IMDb
www.imdb.com/title/tt0135168/
Rating: 6.7/10 - 18 votes
On his release he comes across a friend in a train, and at the friend's request sets ... Discuss Boy Friend (1961) on the IMDb message boards » ... Buy Movie andDirector:
Naresh SaigalWriter:
Shivaji RathoreCast
Cast overview: | |||
Shammi Kapoor | ... |
Madan aka Shyam
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Madhubala | ... |
Sangeeta
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Nishi | ... |
Sushma
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Dharmendra | ... |
Police Inspector Sunil Singh
(as Dharminder)
|
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Dhumal | ... |
Sampat
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Maruti Rao | ... |
Sevakram
(as Maruti)
|
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Mahendra | |||
Amirbai Karnataki | ... |
Mrs. Rajni Singh
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Radheshyam | ... |
Madan's dad
(as Radhey Shyam)
|
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Sudesh Kumar | ... |
(as Sudesh)
|
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Shivraj | ... |
Thakur Harcharan Singh
|
Edit
See full technical specs »
Storyline
A young lad, separated at a young age from his parents takes on the life
of petty crime and ends up in jail. On his release he comes across a
friend in a train, and at the friend's request sets upon to trace his
two daughters; he meets them and falls in love with one of them. But the
police are on his trail due to a stolen necklace belonging to none
other than his birth mother. Written by
rAjOo (gunwanti@hotmail.com)
Plot Summary
|
Add SynopsisCountry:
IndiaLanguage:
HindiCompany Credits
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IMDbPro »
Technical Specs
Sound Mix:
Mono (RCA Sound System)Color:
Black and White
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Music by Shankarsingh Raghuwanshi & Jaikishan Dayabhai Panchal
See more »
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Aiga Aiga, Aiga Yeh Kya Ho GayaMusic by Shankarsingh Raghuwanshi & Jaikishan Dayabhai Panchal
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Watch superhit classic movie Boy Friend (1961), directed by Naresh Saigal, Music by Shankar Jaikishan ...DHERE CHAL DHERE CHAL - BOYFRIEND 1961 - YouTube
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Sep 22, 2010 - Uploaded by Shaam44
Boy Friend is a 1961 Hindi movie directed and produced by Naresh ... The films music is by Shankar ...BOYFRIEND 1961 - YouTube
www.youtube.com/watch?v=G8Eyoa5eXzw
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DHEERE CHAL AE BHEEGI HAWA-RAFI-FILM-BOY FRIEND(1961)MD-SALAM AAP KI MEETHI NAZAR KO SALAM-RAFI-FILM-BOY FRIEND(1961) MD-SHANKAR JAIKISHAN L-HASRAT JAIPURI
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BOY FRIEND - Shammi Kapoor, Madhubala
"Boy
Friend" is an interesting story of fate & life. . Only fate could
do this - In the city of Ambala a ten years old son of a millionaire
=================================================
When Shammi Kapoor fell for Madhubala - Rediff.com Movies
Feb 3, 2016 - Shammi thought Madhubala
was a highly underrated actress in spite of performing consistently
well in her films. His favourite film of hers was Guru Dutt's Mr and Mrs
55 (1955), though for sheer intensity and professional approach he had 'loved' Mughal-e-Azam (1960).
"Boy
Friend" is an interesting story of fate & life. . Only fate could
do this - In the city of Ambala a ten years old son of a millionaire .
"
Boy Friend"
is an interesting story of fate & life. . Only fate could do this -
In the city of Ambala a ten years old son of a millionaire ...
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Dekho Na Jao Janeman · Lata Mangeshkar Boy Friend ℗ Saregama India Limited ...
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Madhubala
Sangeeta
Dharmendra
Police Inspector Sunil Singh
Maruti
Sevakram
Amirbai Karnataki
Mrs. Rajni Singh
Kewal Kapoor, Actor: Dil Deke Dekho. Kewal Kapoor is an actor, known for Dil Deke Dekho (1959) and Ek Phool Char Kaante (1960).
1960
Ek Phool Char Kaante
(as Keval Kapoor)
1959
Dil Deke Dekho
(as Keval Kapoor)
Personal Details
Alternate Names:
Keval KapoorOther crew
Bhiku | ... | production assistant (as Bhikoo) |
D.R. Bhosle | ... | publicity designer (as Bhonsley) |
K. Kapoor | ... | assistant choreographer |
Krishna | ... | production assistant |
S.P. Mahendra | ... | production controller |
Harish Kumar Mehra | ... | publicity officer (as Hari Mehta) |
Badri Prasad | ... | choreographer |
Naresh Saigal | ... | presenter |
Ramesh Saigal | ... | by courtesy of: Dharminder |
Directed by
Naresh Saigal |
Writing Credits (in alphabetical order)
Shivaji Rathore | ... | (written by) |
Cast (in credits order)
Shammi Kapoor | ... | Madan aka Shyam | |
Madhubala | ... | Sangeeta | |
Nishi | ... | Sushma | |
Dharmendra | ... | Police Inspector Sunil Singh (as Dharminder) | |
Dhumal | ... | Sampat | |
Maruti | ... | Sevakram | |
Mahendra | |||
Amirbai Karnataki | ... | Mrs. Rajni Singh | |
Radheshyam | ... | Madan's dad (as Radhey Shyam) | |
Sudesh Kumar | ... | (as Sudesh) | |
Shivraj | ... | Thakur Harcharan Singh | |
Rest of cast listed alphabetically: | |||
Mohan Choti | ... | Dance Master (uncredited) | |
Moolchand | ... | Thakur's Manager (uncredited) |
Produced by
K. Dutta | ... | coordinating producer |
Naresh Saigal | ... | producer |
Music by
Jaikishan Dayabhai Panchal | ... | (as Jaikishan) |
Shankarsingh Raghuwanshi | ... | (as Shanker) |
Cinematography by
Krishan Saigal | ... | director of photography |
Film Editing by
Pran Mehra |
Art Direction by
D.H. Sasse | ... | (as D.H. Sase) |
Makeup Department
Lilabai Deshpande | ... | hair stylist (as Leela Bai) |
Gregory Masearenhas | ... | makeup artist (as Gregory M.) |
C.N. Reddy | ... | assistant makeup artist |
Production Management
Baboo R. | ... | production in charge |
Art Department
Mundlik | ... | assistant art director (as Mandlik) |
Sound Department
Ahluwalia | ... | audiographer |
P. Hari Kishan | ... | audiographer (as Hari) |
Kishore S. Rane | ... | audiographer (as Rane) |
Camera and Electrical Department
Gopal K. Hegde | ... | assistant camera (as G.H. Hegde) |
Kishore Rege | ... | camera operator |
Costume and Wardrobe Department
Manikrao Jagtap | ... | costumes (as Manik Rao Jagtap) |
Editorial Department
Abba Joshi | ... | film processing |
S.B. Mane | ... | assistant editor (as Mane) |
Ramlal | ... | assistant editor |
Krishnan Sachdeva | ... | chief assistant editor (as Krishan Sachdev) |
Music Department
D.O. Bhansali | ... | assistant song recordist (as Bhansali) |
Hasrat Jaipuri | ... | lyricist (as Hasrat) |
Minoo Katrak | ... | song recordist |
Lata Mangeshkar | ... | playback singer |
Aarti Mukherjee | ... | playback singer (as Arti Mukherjee) |
Mohammad Rafi | ... | playback singer (as Mohd. Rafi) |
Subir Sen | ... | playback singer |
Shailendra | ... | lyricist |
Dattaram Wadkar | ... | music assistant (as Dattaram) |
Other crew
Bhiku | ... | production assistant (as Bhikoo) |
D.R. Bhosle | ... | publicity designer (as Bhonsley) |
K. Kapoor | ... | assistant choreographer |
Krishna | ... | production assistant |
S.P. Mahendra | ... | production controller |
Harish Kumar Mehra | ... | publicity officer (as Hari Mehta) |
Badri Prasad | ... | choreographer |
Naresh Saigal | ... | presenter |
Ramesh Saigal | ... | by courtesy of: Dharminder |