bombaymann2.blogspot.com/2015/09/film-nazrana1961.html. film (Nazrana)(
film (Nazrana)(1961)
Nazrana
| Sridhar | Raj Kapoor, VyjayantimalaGemini Ganesan, Usha Kiran | Family Drama | Music by Ravi |
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Nazrana is a 1961 black-and-white melodrama Hindi film, The film stars Raj Kapoor and Vyjayanthimala, The movie is about Geeta lives a poor lifestyle.
Nazrana
Raj (Raj Kapoor) and Vasanti (Vyjayanthimala) are college mates who fall in love. Raj rents the room upstairs in her house and Vasanti’s elder sister Geeta (Usha Kiron) also falls in love with him. Vasanti sacrifices her love for her elder sister who has educated her and leaves the house. Raj and Geeta marry and have a son. Vasanti joins them but Geeta suspects there is something on between them and finally kicks Vasanti out. On finding out the truth, Geeta falls ill and dies in guilt making Raj promise that he will make Vasanti their child’s mother…
CV Sridhar made his directorial debut with the super-hit Tamil film Kalyana Parisu (1959). Re-making the film, he makes his Hindi directorial debut here with Nazrana.
Raj Kapoor takes on the Gemini Ganesan role, Vyjayanthimala plays the B
Saroja Devi character and Usha Kiron plays elder sister, Geeta.
Interestingly, Gemini Ganesan plays the small role of Vyjayanthimala’s
boss, played by A Nageshwara Rao in the original. Also, B Saroja Devi
did begin shooting for this film reprising her role from the Tamil and
the Telugu version, Pelli Kanuka (1960), also directed by
Sridhar. In the Telugu film, A Nageshwara Rao took on the role of the
hero, while Jaggayya plays Saroja Devi’s boss.
Nazrana works well enough as a typical melodrama that the South filmmakers made in Hindi. The film requires a high degree of suspension of disbelief as it opens with a 36-37 year old Raj Kapoor and a 27-28 year old Vyjayanthimala winning various events at the college sports day (yes, they are college goers)! However it settles down to watchable fare once the love triangle takes shape even if the film is full of dramatic sacrifices being made by various characters throughout the film.
Talking of the love triangle itself, it has to be said that the falling in love of Vasanti and Raj is handled much too abruptly and quickly, whereas the sequences of Geeta falling for Raj are well worked out, nicely built up and are credible right from the first time Geeta sees him to her nursing him when he is ill. Raj not relating to Geeta after marriage is well brought out and shows he is only human as he was forced to marry her. His changeover towards Geeta too works well enough as Vasanti makes a valid point when she tells Raj that their sacrifice is meaningless unless Geeta is happy.
Where the film really flounders are the lapses into high melodrama and obvious symbolism that the South filmmakers normally favoured. For example, when Vasanti realizes that Geeta loves Raj too, the symbolism of the weighing scale superimposed on Vasanti’s face with Geeta on one side and Raj on the other looks tacky and is unintentionally funny as the scales on either end go up and down. Some sequences simply belie logic. Like Geeta, in her maternal home for her delivery, asks Vasanti to dress up as a bride in front of her just so the director can have Raj walk in and be stunned seeing Vasanti in bridal finery as they both see what might have been. Or Vasanti on reading the newspaper advertisement by Geeta asking for forgiveness and to come back home decides the best way would be to go as a married woman so Geeta would have no reason to suspect her now and so agrees to marry Gemini Ganesan!
The climax takes the take. Geeta, after realizing that Vasanti and Raj loved each other, makes Raj promise that he will make Vasanti their child’s new mother after she dies. Raj promises and Geeta dies thinking this will bing Raj and Vasanti together. But as Raj reaches Vasanti by the time she’s married, he leaves his son with Vasanti with a note saying Geeta is no more and she wanted Vasanti to be Raja’s new mother and having left Raja there, walks away! (Yes, yet another sacrifice!)
The South also has the habit of having some extremely wierd angles and shot taking passing off as technical virtuosity without realizing that shots need to be taken according to the story dictates. There is this extremely strange shot of tilting down to Gemini Ganesan and Vyjayanthimala’s reflections on Gemini’s desk when he confides his feelings to her!
All central performances are fine though it must be said that Raj Kapoor and Usha Kiron come off best with their comparitively restrained, sincere performances even if Raj Kapoor’s role is undemanding by and large. Vyjayanthimala, however, follows the old South dictum and gives a performance that has its high moments, as it is she who initiates events in the film, but her acting at times tends towards high eye-popping melodrama like for instance the sequence where Geeta confides to Vasanti that she loves Raj and Vasanti ‘reacts’ to this. Achala Sachdev lends adequate support in her usual motherly role. Gemini does whatever he has to, adequately.
Ravi’s music is a definite asset with some sweetly composed melodic songs among which include Mere Peeche Ek Deewana, Zulfon Ko Bikhrake, Baazi Kisine Pyaar Ki and the two Diwali songs used quite well in both happy and sad versions.
Nazrana opened up the National audience for Sridhar as he went on to making more films in Hindi including Dil Ek Mandir (1963) and Pyar Kiye Jaa (1966).
Nazrana works well enough as a typical melodrama that the South filmmakers made in Hindi. The film requires a high degree of suspension of disbelief as it opens with a 36-37 year old Raj Kapoor and a 27-28 year old Vyjayanthimala winning various events at the college sports day (yes, they are college goers)! However it settles down to watchable fare once the love triangle takes shape even if the film is full of dramatic sacrifices being made by various characters throughout the film.
Talking of the love triangle itself, it has to be said that the falling in love of Vasanti and Raj is handled much too abruptly and quickly, whereas the sequences of Geeta falling for Raj are well worked out, nicely built up and are credible right from the first time Geeta sees him to her nursing him when he is ill. Raj not relating to Geeta after marriage is well brought out and shows he is only human as he was forced to marry her. His changeover towards Geeta too works well enough as Vasanti makes a valid point when she tells Raj that their sacrifice is meaningless unless Geeta is happy.
Where the film really flounders are the lapses into high melodrama and obvious symbolism that the South filmmakers normally favoured. For example, when Vasanti realizes that Geeta loves Raj too, the symbolism of the weighing scale superimposed on Vasanti’s face with Geeta on one side and Raj on the other looks tacky and is unintentionally funny as the scales on either end go up and down. Some sequences simply belie logic. Like Geeta, in her maternal home for her delivery, asks Vasanti to dress up as a bride in front of her just so the director can have Raj walk in and be stunned seeing Vasanti in bridal finery as they both see what might have been. Or Vasanti on reading the newspaper advertisement by Geeta asking for forgiveness and to come back home decides the best way would be to go as a married woman so Geeta would have no reason to suspect her now and so agrees to marry Gemini Ganesan!
The climax takes the take. Geeta, after realizing that Vasanti and Raj loved each other, makes Raj promise that he will make Vasanti their child’s new mother after she dies. Raj promises and Geeta dies thinking this will bing Raj and Vasanti together. But as Raj reaches Vasanti by the time she’s married, he leaves his son with Vasanti with a note saying Geeta is no more and she wanted Vasanti to be Raja’s new mother and having left Raja there, walks away! (Yes, yet another sacrifice!)
The South also has the habit of having some extremely wierd angles and shot taking passing off as technical virtuosity without realizing that shots need to be taken according to the story dictates. There is this extremely strange shot of tilting down to Gemini Ganesan and Vyjayanthimala’s reflections on Gemini’s desk when he confides his feelings to her!
All central performances are fine though it must be said that Raj Kapoor and Usha Kiron come off best with their comparitively restrained, sincere performances even if Raj Kapoor’s role is undemanding by and large. Vyjayanthimala, however, follows the old South dictum and gives a performance that has its high moments, as it is she who initiates events in the film, but her acting at times tends towards high eye-popping melodrama like for instance the sequence where Geeta confides to Vasanti that she loves Raj and Vasanti ‘reacts’ to this. Achala Sachdev lends adequate support in her usual motherly role. Gemini does whatever he has to, adequately.
Ravi’s music is a definite asset with some sweetly composed melodic songs among which include Mere Peeche Ek Deewana, Zulfon Ko Bikhrake, Baazi Kisine Pyaar Ki and the two Diwali songs used quite well in both happy and sad versions.
Nazrana opened up the National audience for Sridhar as he went on to making more films in Hindi including Dil Ek Mandir (1963) and Pyar Kiye Jaa (1966).
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Nazrana (English: Gift) is a 1961 Indian black-and-white Hindi-language melodrama film produced by S. Krishnamurthy and T. Govindarajan and directed by C. V. Sridhar in his Hindi directorial debut. The film stars Raj Kapoor and Vyjayanthimala in the lead, with Usha Kiran, Achala Sachdev and Agha as an ensemble cast, while South Star Gemini Ganesan has an extended cameo appearance.[1] The music is by Ravi.
The Mohammed Rafi song "Baji Kisi Ne Pyar Ki" was picturised on Raj
Kapoor and it was one of the popular sad songs of that era.
The film was a remake of the 1959 Tamil film Kalyana Parisu, which was also directed by C. V. Sridhar.[2] Nazrana is a triangular love story between Raj, Vasanthi and Geeta.
Raj
(Raj Kapoor) and Vasanti (Vyjayanthimala) are college mates who clash
when she complains to the college principal about a love letter he sent
her. Later on, realizing her mistake, Vasanti apologizes to him and the
two fall in love. Vasanti's elder sister, Geeta (Usha Kiron), supports
the family by stitching clothes. Raj rents the room upstairs in their
house. He falls ill and in nursing him, Geeta falls in love with him.
She confides her love to Vasanti, who decides to sacrifice her love for
the sake of her sister and convinces Raj to marry Geeta. Raj initially
neglects Geeta. On finding out, Vasanti writes to him that their
sacrifice, made for Geeta's happiness, would mean nothing unless he is a
good husband to Geeta. Raj relents and marries Geeta and they have a
son. Vasanti joins them and Geeta suspects that there is something on
between Raj and Vasanti and makes Vasanti leave the house. A few years
later, Geeta, having found out that Raj and Vasanti loved each other,
dies in guilt leaving Raj alone to bring up their child, making him
promise that he will make Vasanti the child's mother. Raj learns of
Vasanti's impending marriage to her former boss (Gemini Ganesan). By the
time he reaches there, Vasanti is already married. He hands over his
child to Vasanti as a wedding gift and walks away.
| Nazrana | |
|---|---|
Film poster
| |
| Directed by | C. V. Sridhar |
| Produced by | S. Krishnamurthy and T. Govindarajan |
| Written by | C. V. Sridhar (story) Rajendra Krishan (dialogue) |
| Starring | Raj Kapoor Vyjayanthimala Usha Kiran Gemini Ganesan Agha Achala Sachdeva |
| Music by | Ravi |
| Cinematography | A. Vincent |
| Edited by | N. M. Shankar |
Production
company |
Venus Pictures
|
| Distributed by | Venus Pictures |
Release date
|
|
Running time
| 130 minutes |
| Country | India |
| Language | Hindi |
| Budget | ₹40,00,000 (estimated) |
| Box office | ₹90,00,000 |
The film was a remake of the 1959 Tamil film Kalyana Parisu, which was also directed by C. V. Sridhar.[2] Nazrana is a triangular love story between Raj, Vasanthi and Geeta.
Contents
Plot
Cast
- Raj Kapoor as Rajesh
- Vyjayanthimala as Vasanthi
- Usha Kiran as Geetha
- Gemini Ganesan as Shyam, Vasanthi's boss in a Guest appearance.
- Agha as Murli
- Achala Sachdev as Getha's and Vasanthi's mother.
Casting
Initially the shooting of the film was started with actress B. Saroja Devi, who acted in the Tamil original Kalyana Parisu and its Telugu remake Pelli Kanuka. During the filming process, she fell out with the director C. V. Sridhar and was replaced by actress Usha Kiran.[3][4]Box office
At the end of its theatrical run, Nazrana grossed around ₹90,00,000 with net of ₹45,00,000 and was an average success at box office, thus becoming 12th highest-grossing film of 1961.[5]Soundtrack
| Nazrana | ||||
|---|---|---|---|---|
| Soundtrack album by | ||||
| Released | 1961 | |||
| Genre | Feature film soundtrack | |||
| Label | Sa Re Ga Ma HMV Group | |||
| Ravi chronology | ||||
| ||||
| No. | Song | Singers | Picturization | Length (m:ss) | Lyrics |
| 1 | "Baazi Kisine Pyar Ki" | Mohammed Rafi | Climax sequence feature actress Vyjayanthimala, Raj Kapoor, Gemini Ganesan and Master Shahid | 03:32 | Rajendra Krishan |
| 2 | "Mele Hain Chiraghon Ki Diwali" | Lata Mangeshkar | Featuring actress Vyjayanthimala along with Raj Kapoor, Usha Kiran and Master Shahid | 03:33 | Rajendra Krishan |
| 3 | "Mere Peechhe Ek Diwana" | Mukesh, Asha Bhosle | Duet on actress Vyjayanthimala and Raj Kapoor | 03:37 | Rajendra Krishan |
| 4 | "Ek Woh Bhi Diwali Thi" | Mukesh | Featuring actor Raj Kapoor and Master Shahid | 03:19 | Rajendra Krishan |
| 5 | "Bikhra Ke Zulfen Chaman Mein" | Mukesh, Lata Mangeshkar | Featuring actress Vyjayanthimala, Leela Chitnis and Sunil Dutt | 03:22 | Rajendra Krishan |
Awards
Filmfare Awards
1961 – Filmfare Award for 15st Story – C. V. Sridhar[8]Table of Kalyana Parisu and its remakes
| Kalyana Parisu (Tamil) (1959) |
Pelli Kanuka (Telugu) (1960) |
Nazrana (Hindi) (1961) |
Devatha (Telugu) (1982) |
Tohfa (Hindi) (1984) |
|---|---|---|---|---|
| Bhaskar (Gemini Ganesan) | Bhaskar (Akkineni Nageswara Rao) | Rajesh (Raj Kapoor) | (Sobhan Babu) | Ramu (Jeetendra) |
| Vasanthi (B. Saroja Devi) | Vasanthi (B. Saroja Devi) | Vasanthi (Vyjayanthimala) | (Sridevi) | Lalita (Sridevi) |
| Geetha (Vijayakumari) | Geetha (Krishna Kumari) | Geetha (Usha Kiran) | (Jaya Prada) | Janki (Jaya Prada) |
| Raghu (Akkineni Nageswara Rao) | Raghu (Kongara Jaggayya) | Shyam (Gemini Ganesan) | Ramudu (Mohan Babu) |
References
Choreography
Dance Master
Geeta lives a poor lifestyle near Charni Road,
Bombay, along with her widowed mom, and a younger collegian sister,
Vasanti. The family is dependent on Geeta, who uses a sewing machine to
...
See full summary »
Director:
C.V. Sridhar (as C. Sridhar)Writers:
Som Haksar (dialogue director), Rajendra Krishan (dialogue) (as Rajinder Krishan) | 1 more credit »Cast
| Complete credited cast: | |||
 |
Raj Kapoor | ... | Raj 'Raju' |
 |
Vyjayanthimala | ... | Vasanti |
 |
Usha Kiran | ... | Geeta |
 |
Agha | ... | Murli |
| |
Sabita Chatterjee | ... | Chanchal (as Sabita Chatterji) |
| |
Niranjan Sharma | ... | Shyam's dad |
 |
Achala Sachdev | ... | Geeta's mom |
| |
Master Shahid | ... | Raja |
 |
Gemini Ganesan | ... | Shyam (as Gemini Ganesh) |
Edit
Storyline
Geeta lives a poor lifestyle near Charni Road,
Bombay, along with her widowed mom, and a younger collegian sister,
Vasanti. The family is dependent on Geeta, who uses a sewing machine to
make ends meet. They rent a room to a ex-college student, Raj, and make
some extra income from him. One day he falls ill, Geeta looks after him,
and falls in love with him. Vasanti arranges their marriage, both
re-locate to Poona, and become parents of a boy, Raja. Shortly
thereafter Geeta's mom passes away, and Vasanti moves in with them.
After a short while, Geeta notices that Raj and Raja are both spending
more and more time with Vasanti than with her, and she starts suspecting
that Raj maybe having an affair - not realizing that she may be opening
a Pandora's box that may well change their lives forever.
Written by
rAjOo (gunwanti@hotmail.com)
Plot Summary
|
Add Synopsis
Certificate:
UParents Guide:
Add content advisory for parents »
Edit
See full technical specs »
Details
Country:
IndiaLanguage:
HindiAlso Known As:
The Gift See more »Company Credits
Show more on
IMDbPro »
Technical Specs
Runtime:
Sound Mix:
Mono (Westrex Recording System)Color:
Black and WhiteAspect Ratio:
1.37 : 1
Edit
Performed by Mukesh, Lata Mangeshkar
Lyrics by Rajendra Krishan
Music by Ravi
See more »
Did You Know?
Soundtracks
Bhikrake Jhulfein Chaman Me Na Jaana, Kyon?Performed by Mukesh, Lata Mangeshkar
Lyrics by Rajendra Krishan
Music by Ravi
See more »
bikharaa ke zulfe chaman me na jaanaa
- kyo?
is liye
ki sharmaa na jaaye phulo ke saaye
muhabbat ke nagame tum bhi na gaanaa
- kyo?
is liye
ki bhanvaraa tumhaari hansi na udaaye
muhabbat ke bhanvare ki pahachaan kyaa?
ye kaliyo se puchho hame kyaa pataa
har_jaa_i hogaa
ham to nahi hai
kahi sikh lenaa na tum ye adaa
zubaan par kabhi baat aisi na laanaa
- kyo?
is liye
ki duniyaan se rasm-e-vafaa mit na jaaye
kaho saath doge kahaan tak meraa
vahaan tak jahaan aasamaan jhuk rahaa
bolo chalogi?
jo tum le chaloge
kahi raah me ho na jaanaa judaa
meraa pyaar dekhegaa saaraa zamaanaa
- kyo?
is liye
ki vaade kiye aur kar ke nibhaaye
------------------------------------------------------------------------------------------------------------------------
------------------------------------------------------------------------------------------------------------------------ Nazrana
- Initial release: 1961
- Running time: 2h 10m
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Lyrics and video of songs from Movie / Album : Nazrana (1961); Music by: Ravi; Singer(s): Asha Bhosle, Lata Mangeshkar, Mohammed Rafi, Mukesh; having star| Song Heading | Singer(s) | Music Director | Lyricist | Movie / Album | Actor(s) |
| Mele Hain Chiraago Ke, Rangin Diwali Hai, Mahka Hua Gulshan Hai | Lata Mangeshkar | Ravi | Rajinder Krishan | Nazrana (1961) | Vyjayantimala |
| Video Playlist of all the songs of this movie from youtube | Advertisements |
Legend / symbol used on this page |
 Nazrana (1961) |
|
Nazrana (1961 film) - Wikipedia, the free encyclopedia
https://en.wikipedia.org/wiki/Nazrana_(1961_film)
Nazrana (Hindi: नजराना; English: Gift) is a 1961 Black-and-white melodrama Hindi film produced by S. Krishnamurthy and directed by C. V. Sridhar in his ...
Nazrana - YouTube
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Nov 29, 2011 - Uploaded by Rajshri
In Nazrana, only 'bekrake zulfein' is good. ... Nazarana - This film was originally a Tamil Film KALYANA ...Baazi kisi ne pyaar ki (part1&2) Mohd Rafi Film Nazrana ...
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Nazrana is a 1961 black-and-white melodrama Hindi film, The film stars Raj Kapoor and Vyjayanthimala, The movie is about Geeta lives a poor lifestyle.
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Bikhara ke zulfein chaman
Mein na jaana kyon is liye
Ki sharma na jaayein
Phulon ke saaye
Muhabbat ke nagame
Tum bhi na gaana
Kyon is liye
Ki bhanvara tumhaari
Hansi na udaaye
Bikhara ke zulfein chaman
Mein na jaana kyon is liye
Ki sharma na jaayein
Phulon ke saaye
Muhabbat ke bhanvare
Ki pahachaan kyaa
Ye kaliyon se puchho
Hamein kya pata
Muhabbat ke bhanvare
Ki pahachaan kyaa
Ye kaliyon se puchho hamein
Kya pata harjaayi hoga
Ham to nahin hain
Kahin sikh lena na tum ye ada
Zubaan par kabhi baat
Aisi na laana kyon is liye ki
Duniyaan se
Rasm-e-vafa mit na jaaye
Muhabbat ke nagame
Tum bhi na gaana kyon is liye
Ki bhanvara tumhaari
Hansi na udaaye
Kaho saath doge
Kahaan tak mera
Vahaan tak jahaan
Aasman jhuk raha
Kaho saath doge
Kahaan tak mera
Vahaan tak jahaan
Aasman jhuk raha bolo chalogi
Jo tum le chaloge
Kahin raah mein
Ho na jaana juda
Mera pyaar dekhega
Saara zamaana kyon is liye
Ki vaade kiye aur
Kar ke nibhaaye
Bikhara ke zulfein chaman
Mein na jaana kyon is liye
Ki sharma na jaayein
Phulon ke saaye
Muhabbat ke nagame
Tum bhi na gaana kyon is liye
Ki bhanvara tumhaari
Hansi na udaaye.
...............................................................................................
Nazrana (1961) - Watch Online Hindi Movies, Dubbed ...
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==============================================
1:58BAZI KISI NE PYAR KI JITI YA HARADI.mp4..by BachchuBabu Agarwal
Nazrana (1961) Songs Lyrics
Director: C. V. Sridhar
Producer(s): S. Krishnamurthy
Music Director(s): Ravi Shankar Sharma (Ravi)
Lyricist(s): Rajendra Krishan
Composer(s): Ravi Shankar Sharma (Ravi)
Release on: 1st January, 1961
Nazrana (1961) Songs Lyrics
Maine Apni Shama Bujhakar
by Lata Mangeshkar3:42Dekha Hai Tumne Jidhar
by Lata Mangeshkar3:15Bikhra Ke Zulfen Chaman Mein
by Lata Mangeshkar, Mukesh Chand Mathur (Mukesh)3:37Ek Woh Bhi Diwali Thi
by Mukesh Chand Mathur (Mukesh)3:13Mere Peechhe Ek Deewana
by Asha Bhosle, Mukesh Chand Mathur (Mukesh)4:22Mele Hain Chiraghon Ki Diwali
by Lata Mangeshkar3:32Baazi Kisine Pyar Ki
by Mohammed Rafi3:40
Nazrana is a 1961 black-and-white melodrama Hindi film, The film stars Raj Kapoor and Vyjayanthimala, The movie is about Geeta lives a poor lifestyle.