Anita | Manoj Kumar, Sadhana, I.S. Johar | Suspense |
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Anita
Initial release: 1967
Running time: 2h 34m
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Anita (1967) | Hindi Movie Reviews - Bollywood MuVyz
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Complete information on bollywood movie: Anita Star cast, Movie Rating, Reviews, Plot, Screenshots, Song listing, Trailer, ... Anita (1967) ... Old films and me.
Anita (1967 film) - Wikipedia, the free encyclopedia
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Complete information on bollywood movie: Anita Star cast, Movie Rating, Reviews, Plot, Screenshots, Song listing, Trailer, ... Anita (1967) ... Old films and me.
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Anita 1967 - YouTube
www.youtube.com/watch?v=K5jruH1fKbY
Dec 16, 2013 - Uploaded by Dhruv Kaushik
Anita is a 1967 Indian suspense film, directed and written by Raj Khosla, and starring Manoj Kumar and ...Anita (1967) - Full Movie In 15 Mins - Manoj Kumar ...
www.youtube.com/watch?v=DM3ny6po2lk
Apr 10, 2012 - Uploaded by 15 Min Movies
Watch the 1967 thriller Anita that stars Manoj Kumar as Neeraj and ... Dr. Vidya - Classic Bollywood Film ...Anita 1967/ Manoj Kumar/ Sadhana/ Full Length HIndi Movie
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Sep 11, 2013 - Neeraj and Anita are in love, which is unacceptable to her father. Anita's father wants her to marry Anil Sharma, a business tycoon. Initially ...
Anita (1967) - IMDb
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Rating: 6.8/10 - 63 votes
Anita (1967) on IMDb ..... Wealthy Anita and office-worker Neeraj almost elope, but her father ... Anita is a film I like a lot and I like revisiting it from time to time.
After his ex-fiancée's sudden and mysterious suicide, a jilted
bridegroom seeks answers. What he finds, makes him question if he ever
really knew her. And then he begins to see her face everywhere he goes.
Director:
Raj KhoslaWriters:
Chandrakant (dialogue), G.R. Kamath (screenplay), 2 more credits »Stars:
Sadhana, Manoj Kumar, I.S. Johar | See full cast and crew »Cast
Complete credited cast: | |||
Sadhana | ... |
Anita
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Manoj Kumar | ... |
Neeraj
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I.S. Johar | ... |
Pramanand Marayan
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Sajjan | ... |
Biharilal
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Chand Usmani | ... |
Bela
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Dhumal | ... |
Roshandhan
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Mukri | ... |
Joseph Baker
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Shivraj | ... |
Police Commissioner
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Bela Bose | ... |
Redhead Nightclub Performer (song 'Hai Nazar Ka Ishara')
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Madhumati | ... |
Brunette Nightclub Performer (song 'Hai Nazar Ka Ishara')
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Birbal | ... |
Razdhan
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Edit
See full technical specs »
Storyline
Wealthy Anita and office-worker Neeraj almost elope, but her father
interrupts the wedding. Neeraj tries to contact Anita, but finds that
she is now engaged to Anil Sharma. Later, a heartbroken Neeraj reads in
the newspaper that Anita has committed suicide. He tries to find the
truth behind her death. From various people he learns different stories
about Anita's past: she had multiple personalities or she was a
morally-loose woman. All this goes against the Anita he knew and loved.
And then, he sees her again. Is she a ghost, is Neeraj losing his mind,
or is there something sinister afoot? Written by
L. Hamre
Plot Summary
|
Add Synopsis
Certificate:
UCountry:
IndiaLanguage:
HindiFilming Locations:
Mehboob Studios, Mumbai, Maharashtra, IndiaCompany Credits
Show detailed
company contact information
on
IMDbPro »
Technical Specs
Runtime:
Sound Mix:
MonoColor:
Color (Eastmancolor)
Edit
Did You Know?
Trivia
D' LIME (mash ah vine) by MR. O'NEIL BHAJMAN is a cover version :Na Baba Na Baba (Kaise Karoon Prem Ki)" See more »User Reviews
Last part of Raj Khosla-Saadhna mystery-trilogy
Director Raj Khosla
made three suspense movies consecutively during the sixties casting
Saadhna in the female lead. The specialty of these three movies is that
in all of them, the plot is based on the mysterious personality of a
woman. Hence Saadhna's role is not just to fill the heroine's space in
these movies, hers is the pivotal wheel of the story. These three movies
are - Woh Kaun Thi (1964), Mera Saaya (1966) and Anita (1967). Since I
have reviewed the first two, I feel, I should review the last part of
this trilogy too.
As the title itself is after the name of the lead (female) character, the whole story is based on her personality only. Anita (Saadhna) is the daughter of a businessman and is in love with a salaried ordinary person, Neeraj (Manoj Kumar). She first almost drags him to marry her in a hurry but backs out at the last moment. Neeraj comes to know that she is going to marry another person. Heartbroken, he gets himself transferred to another place and moves out of Anita's town. However, an apprehensive letter from Anita brings him back only to know that she has committed suicide. His heart is not ready to believe it. Further he happens to get a glimpse of her at places. And upon inquiring, different people say different things to him about her. Ultimately he is able to find her as well as unravel the truth behind her activities.
The story apparently is quite interesting and seems to have been written in the hangover of Woh Kaun Thi, the first part of this trilogy. However, the weak script is the biggest minus point of this movie. Whatever the director could do, he has done with all his abilities (and he seems to be overwhelmed by Saadhna's gorgeous personality, of course). But when the script is not good, direction itself cannot help much. That's the case with Anita. That's why the revelation in the climax is not very impressive and convincing. Due to the shortage of interesting twists and events in the story, the comedy track of two private detectives have been given undue footage which bores. The opening scene is interest-provoking but the writers could not link it to the main story later on, hence it loses its shine.
Still, the movie scores though it lags behind its predecessor, Woh Kaun Thi in quality of entertainment. Mainly, the charming personality of Saadhna and her chemistry with Manoj Kumar keep the interest alive till the climax. Saadhna has carried this movie on her shoulders and made it worth a watch. Manoj Kumar has not been a great actor but he has not disappointed. All others have supported the lead-pair satisfactorily. In fact, their romance has been handled very well on the screen and it's a plus point of the movie.
But the biggest plus point of the movie is music. Laxmikant Pyarelal have composed some heart-winning songs for this movie. Mukesh's classic song - Tum Bin Jeevan Kaise Beeta, Poochho Mere Dil Se is undoubtedly the best song. Gore Gore Chaand Se Mukh Par Kaali Kaali Aankhen Hain (Mukesh), Main Dekhun Jis Or Sakhi Ri Saamne Mere Saanwariya (Lata) and Kareeb Aa Ye Nazar Phir Mile Mile Na Mile (Lata) are other good songs which we can listen to any number of times and in fact, they help the thin storyline to move forward. The songs have been shot and choreographed very well.
Cinematography is quite good. The era of colour movies had started by then and the makers have used the best stuff. Hence this movie is an eye-soothing experience. Not only we can feel Saadhna's beauty in that time while watching the movie now, after more than two decades but otherwise also, the movie appears to be a visual treat, courtesy its bright colours and beautiful scenes. Production value is high. Raj Khosla's efficient direction has given the movie an attractive look but editing should have been better and the movie should have been shortened.
Saadhna's famous hairdo has been given a new look in the initial reels of the movie. She is the heart and soul of this not-so-great suspense movie which can be watched for herself as well as the songs. Overall speaking, it is an entertaining suspense movie. A good one time watch.
As the title itself is after the name of the lead (female) character, the whole story is based on her personality only. Anita (Saadhna) is the daughter of a businessman and is in love with a salaried ordinary person, Neeraj (Manoj Kumar). She first almost drags him to marry her in a hurry but backs out at the last moment. Neeraj comes to know that she is going to marry another person. Heartbroken, he gets himself transferred to another place and moves out of Anita's town. However, an apprehensive letter from Anita brings him back only to know that she has committed suicide. His heart is not ready to believe it. Further he happens to get a glimpse of her at places. And upon inquiring, different people say different things to him about her. Ultimately he is able to find her as well as unravel the truth behind her activities.
The story apparently is quite interesting and seems to have been written in the hangover of Woh Kaun Thi, the first part of this trilogy. However, the weak script is the biggest minus point of this movie. Whatever the director could do, he has done with all his abilities (and he seems to be overwhelmed by Saadhna's gorgeous personality, of course). But when the script is not good, direction itself cannot help much. That's the case with Anita. That's why the revelation in the climax is not very impressive and convincing. Due to the shortage of interesting twists and events in the story, the comedy track of two private detectives have been given undue footage which bores. The opening scene is interest-provoking but the writers could not link it to the main story later on, hence it loses its shine.
Still, the movie scores though it lags behind its predecessor, Woh Kaun Thi in quality of entertainment. Mainly, the charming personality of Saadhna and her chemistry with Manoj Kumar keep the interest alive till the climax. Saadhna has carried this movie on her shoulders and made it worth a watch. Manoj Kumar has not been a great actor but he has not disappointed. All others have supported the lead-pair satisfactorily. In fact, their romance has been handled very well on the screen and it's a plus point of the movie.
But the biggest plus point of the movie is music. Laxmikant Pyarelal have composed some heart-winning songs for this movie. Mukesh's classic song - Tum Bin Jeevan Kaise Beeta, Poochho Mere Dil Se is undoubtedly the best song. Gore Gore Chaand Se Mukh Par Kaali Kaali Aankhen Hain (Mukesh), Main Dekhun Jis Or Sakhi Ri Saamne Mere Saanwariya (Lata) and Kareeb Aa Ye Nazar Phir Mile Mile Na Mile (Lata) are other good songs which we can listen to any number of times and in fact, they help the thin storyline to move forward. The songs have been shot and choreographed very well.
Cinematography is quite good. The era of colour movies had started by then and the makers have used the best stuff. Hence this movie is an eye-soothing experience. Not only we can feel Saadhna's beauty in that time while watching the movie now, after more than two decades but otherwise also, the movie appears to be a visual treat, courtesy its bright colours and beautiful scenes. Production value is high. Raj Khosla's efficient direction has given the movie an attractive look but editing should have been better and the movie should have been shortened.
Saadhna's famous hairdo has been given a new look in the initial reels of the movie. She is the heart and soul of this not-so-great suspense movie which can be watched for herself as well as the songs. Overall speaking, it is an entertaining suspense movie. A good one time watch.
Anita : Lyrics and video of Songs from the Movie Anita (1967)
hindigeetmala.net/movie/anita.htm
Lyrics and video of songs from Movie / Album : Anita (1967); Music by: ... Film cast: Manoj Kumar, Sadhna, I S Johar, Sajjan, Dhumal, Indu Shivraj, Birbal, Helen, ...
|
Hindi Film Songs - Anita (1967) | MySwar
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Anita (1967)
by Laxmikant - Pyarelal - Complete information including lyricist,
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Anita 1967 - YouTube
www.youtube.com/watch?v=K5jruH1fKbY
Dec 16, 2013 - Uploaded by Dhruv Kaushik
Anita is a 1967 Indian suspense film, directed and written by Raj Khosla, and starring Manoj Kumar and ...Anita (1967) - Full Movie In 15 Mins - Manoj Kumar ...
www.youtube.com/watch?v=DM3ny6po2lk
Apr 10, 2012 - Uploaded by 15 Min Movies
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