| 12. | Pehchan | Manoj Kumar, Babita |
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Lo Aayi Hai Jawaani Roop Ke Naghme Gaati | Atul's Song A ...
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Sabse Bada Nadaan (Kaun Kaun Kitne Paani Mein) - Mukesh @ Pehchan - Manoj, Babita, Balraj Sahni3:44
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Paise Ki Pehchan Yahaan 2 - Emotional Song - Mohammed Rafi @ Pehchan - Manoj, Babita, Balraj Sahni3:25
Pehchan (1970) | Hindi Movie Review, Songs ... - MuVyz
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"Pehchan" | Award Winning | Full Movie | Manoj Kumar ...
Pehchan (1970 film) - Wikipedia, the free encyclopedia
Pehchan (1970) - IMDb
Director:
Sohanlal KanwarCast
| Complete credited cast: | |||
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Manoj Kumar | ... | Gangaram 'Ganga' Ramkishan |
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Babita Kapoor | ... | Barkha |
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Balraj Sahni | ... | Baba (Ex-Firefighter) |
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Sailesh Kumar | ... | Rakesh |
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Chand Usmani | ... | Champa |
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Tun Tun | ... | Ganga's prospective bride |
| Rest of cast listed alphabetically: | |||
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Brahm Bhardwaj | ... | Maya's dad |
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Lata Bose | ... | Maya |
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C.S. Dubey | ... | Sunder |
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Daisy Irani | ... | Rani |
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Kuljeet | ... | Rajiv 'Raju' |
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Sulochana Latkar | ... | Barkha's mom |
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Keshav Rana | ... | Rakesh's employee |
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Raj Rani | ... | Maya's mom (as Rajrani) |
Plot Summary | Add Synopsis
Country:
IndiaLanguage:
HindiCompany Credits
Technical Specs
Color:
ColorDid You Know?
Soundtracks
Sabse Bada Nadaan Wohi Hai Jo Samjhe Nadaan MujheSung by Mukesh
Music by Shankarsingh Raghuwanshi (as Shankar) & Jaikishan Dayabhai Panchal (as Jaikishan)
Lyrics by Verma Malik
See more »
User Reviews
Forget itA very typical kind of a story which is quite boring at times, Pehchan is a rather melodramatic fare which does not really work. It has its moments and the music is very good, but on the whole it just doesn't make sense. The script is poorly written, the dialogues are often clichéd, and the characters lack depth. Manoj Kumar plays the male lead, and he is downright annoying as the overly innocent and naive young man. In all fairness, it is the script which lets him down. Babita is pretty, but she too is cast in a rather ordinary role. The saving grace is of course Balraj Sahni who is good as always, while Chand Usmani gets the meatiest part and does pretty well. I say give this movie a skip, there's nothing particularly good to look out for in it.
Paise Ki Pahachaan Yahaan Lyrics | Pehchan (1970) Songs ...
"Pehchan" | Award Winning | Full Movie | Manoj Kumar ...
mukesh & suman kalyanpur - aaya na hamko - pehchan 1970
"Pehchan" | Full Classic Movie | Manoj Kumar | Babita ...
paise ki pehchan yahan mohd rafi film pehchan [1970 ...
Wo pari kahan se laoon, teri dulhan jise -PEHCHAN (1970 ...
Aaya na humko pyar jatana pyar kabhi se -PEHCHAN (1970 ...
Bas Yehi Apradh - Manoj Kumar - Pehchan - Bollywood ...
BAS YEHI APRADH MAIN MUKESH FILM PEHCHAN [1970 ...
Paise Ki Pehchan - Manoj Kumar - Pehchan - Bollywood ...
Pehchan 1970 - YouTube
Pehchan (1970) MP4 Video Songs Download Free From ...
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Pehchan, Pehchan songs, Hindi Album Pehchan 1970 ...
Pehchan (1970) - HindiGeetMala.net
| Song Heading | Singer(s) | Music Director | Lyricist | Movie / Album | Actor(s) |
| Bas Yahi Apradh Main Har Baar | Mukesh | Shankar Jaikishan | Neeraj | Pehchan (1970) | Manoj Kumar |
| Video Playlist of all the songs of this movie from youtube | Advertisements |
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 Pehchan (1970) |
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Lyrics of Aaya Naa Hamko Pyaar Jataana - आया ना हमको प्यार जताना
aaya na hamko pyar jatana, pyar kabhi se tujhe karte haiaaya na hamko pyar jatana, pyar kabhi se tujhe karte hai
bholapan tera bha gaya hamko, saadagi par teri marte hai
aaya na hamko pyar jatana, pyar kabhi se tujhe karte hai
bholapan tera bha gaya hamko, saadagi par teri marte hai
jisne hamare dil ko samjha woh ek tera hi dil hai
jisne hamare dil ko samjha woh ek tera hi dil hai
tera aanchal bas apni yahi toh manjil hai
apni yahi toh manjil hai
hum to tere ho hi chuke hai, apna keh de darte hai
bholapan tera bha gaya hamko, saadagi par teri marte hai
surat achchhi sirat achchhi, tu toh ek hai laakho me
surat achchhi sirat achchhi, tu toh ek hai laakho me
dil karta hai ji se laga lu, rakh lu chhupa ke aankho me
khud pe bharosa badh jaata hai jab tere saath gujarte hai
bholapan tera bha gaya hamko, saadagi par teri marte hai
ek hi jivan me toh dil ki pyaas bujha nahi paayenge
ek hi jivan me toh dil ki pyaas bujha nahi paayenge
tujhko phir paane ke liye ham agle janam me aayenge
pyar amar hai amar hi rahega, marne wale insan marte hai
bholapan tera bha gaya hamko, saadagi par teri marte hai
aaya na hamko pyar jatana, pyar kabhi se tujhe karte hai
bholapan tera bha gaya hamko, saadagi par teri marte hai
Lyrics of Vo Pari Kahaan Se Laaun - वो परी कहाँ से लाऊँ
vo pari kahaan se laaun teri dulhan jise banaaunki gori koi pasand na aaye tujhako
ki chhori koi pasand na aaye tujhako
vo pari kahaan se laaun teri dulhan jise banaaun
ki gori koi pasand na aaye tujhako
ki chhori koi pasand na aaye tujhako
vo pari kahaan se laaun teri dulhan jise banaaun
ki gori koi pasand na aaye tujhako
ki chhori koi pasand na aaye tujhako
ye to meri hai saheli, dilavaali alabeli
jaise motiyaa chameli, jaise pyaar ki haveli
solah saal ki umar, kokaa-kolaa si kamar
ratti bhar bhi qasar kahi aaye na nazar
kuchh huaa hai asar
gol jude me ye veni, aur veni me ye tahani
kaise judiyo se ped ugaaye
ye gagaaraam ke samajh me na aaye
ye gagaaraam ke samajh me na aaye
vo pari kahaan se laaun teri dulhan jise banaaun
ki gori koi pasand na aaye tujhako
ki chhori koi pasand na aaye tujhako
aankh jisaki hai billi naam usakaa hai lilli
aise kajare ki dhaar, jaise tikhi talavaar
dekh hotho kaa ye rag chalane kaa dhag
kate agrezi baal, baandhaa resham kaa rumaal
bolo kyaa hai khayaal
ise jab liyaa taq meraa dil huaa faq
chhori ho ke hajaamat karaaye
ye gagaaraam ke samajh me na aaye
vo pari kahaan se laaun teri dulhan jise banaaun
ki gori koi pasand na aaye tujhako
ki chhori koi pasand na aaye tujhako
nam iska chamal jaise ganne ki fasal
jaise phula hai gulab dekh phula hai sansar
dekh rup ki umang jaise sherni ka ang
jaise niti ho khajur aise mukhde pe lor
bol hai manjur
ye to nache chham chham mera nikale hai dam
ise bhangda kon nachaye
ye gagaaraam ke samajh me na aaye
vo pari kahaan se laaun teri dulhan jise banaaun
ki gori koi pasand na aaye tujhako
ki chhori koi pasand na aaye tujhako
ye to sinjh ke hai aayi padi dhoneki kadhai
sang kurta pehjama jaise chhokari hangama
jaise titli ka ang jaise udti patang
jaise koyal ki kuhu jaise khile khushbu
sach kahti hai i love u
ye fir u hai aise nakhare kon uthaye
ye gagaaraam ke samajh me na aaye
vo pari kahaan se laaun teri dulhan jise banaaun
ki gori koi pasand na aaye tujhako
ki chhori koi pasand na aaye tujhako
na hai dil ki ye chhoti na hai pyar ki ye khoti
jara hogayi hai moti tabhi lagti hai chhoti
dekh iski lachal bhi khati hai asal
tere kheto me jaye tere hal bhi chalaye
tere bade kam aayegi
mujhe karo na hairan ye to lage pahilvan
isse kasrat kon karaye
ye gagaaraam ke samajh me na aaye
vo pari kahaan se laaun teri dulhan jise banaaun
ki gori koi pasand na aaye tujhako
ki chhori koi pasand na aaye tujhako
Lyrics of Sabase Bada Nadan Vahi Hai - सबसे बड़ा नादान वही है
sabase bada nadan vahi hai jo samajhe nadan mujhesabase bada nadan vahi hai jo samajhe nadan mujhe
kaun kaun kitane pani me sabaki hai pahachan mujhe
sabase bada nadan vahi hai jo samajhe nadan mujhe
kaun kaun kitane pani me sabaki hai pahachan mujhe
sabase bada nadan vahi hai
daulat hai tere kadamo me kismat hai tere hatho me
khushiyan hai teri palako me masti hai teri ankho me
sab kuchh tujhko malik ne diya mai tujhko kya de sakta hu
ik rup ko bhet ki rishvat dena lagata hai aparadh mujhe
kaun kaun kitane pani me sabaki hai pahachan mujhe
sabase bada nadan vahi hai
koi shan ki khatir paise ko pani ki tarah bahata hai
kahi bin kimat malik ka diya pani paise se bikata hai
is sabha ki sundar cheharo se raunak to badhati hai lekin
raunak vale cheharo ke pichhe mile hai dil sunasan mujhe
kaun kaun kitane pani me sabaki hai pahachan mujhe
sabase bada nadan vahi hai
dharm karm sabhyata maryada nazar na aai mujhe kahi
gita gyan ki bate dekho aaj kisi ko yad nahi
maf mujhe kar dena bhaiyo jhuth nahi mai bolunga
vahi kahunga apase jo gita se mila hai gyan mujhe
kaun kaun kitane pani me sabaki hai pahachan mujhe
sabase bada nadan vahi hai jo samaajhe nadan mujhe
kaun kaun kitane pani me sabaki hai pahachan mujhe
sabase bada nadan vahi hai
Lyrics of Lo Aayi Hai Jawani Roop Ke Nagme Gaati, Jeevan Ke Safar Me - लो आई हैं जवानी रूप के नगमे गाती जीवन के सफ़र में
lo aayi hai jawani roop ke nagme gaatijeevan ke safar me koi to milega sathi
ab hosh me hai rut hai badi madmati
ab hosh me hai rut hai badi madmati
lo aayi hai jawani roop ke nagme gaati
apne rang jamati aayi balkahti sharmati aayi
duniya ki rangeen chaman me bijali si laharati aayi
ho aayi hai jawani roop ke nagme gaati
jeevan ke safar me koi to milega sathi
ab hosh me hai rut hai badi madmati
ab hosh me hai rut hai badi madmati
lo aayi hai jawani roop ke nagme gaati
balo me ghan kale kale galo me rangeen najare
baki anokhi pine ke andaj nirale
lo aayi hai jawani roop ke nagme gaati
jeevan ke safar me koi to milega sathi
ab hosh me hai rut hai badi madmati
ab hosh me hai rut hai badi madmati
lo aayi hai jawani roop ke nagme gaati
dil me apne aag liye hai
kanto me ekraar liye hai baite baite
ye diwani chahat ka aagaz liye hai
lo aayi hai jawani roop ke nagme gaati
jeevan ke safar me koi to milega sathi
ab hosh me hai rut hai badi madmati
ab hosh me hai rut hai badi madmati
lo aayi hai jawani roop ke nagme gaati
Lyrics of Paise Ki Pehchan Yaha (2) are not available yet.
Lyrics of Bas Yahi Apradh Main Har Baar - बस यही अपराध मैं हर बार करता हूँ
bas yehi apradh main har baar karta hubas yehi apradh main har baar karta hu
aadmi hu aadmi se pyar karta hu
aadmi hu aadmi se pyar karta hu
bas yehi apradh main har baar karta hu
bas yehi apradh main har baar karta hu
aadmi hu aadmi se pyar karta hu
aadmi hu aadmi se pyar karta hu
ek khilauna ban gaya duniya ke mele me
koi khele bhid me koi akele me
ek khilauna ban gaya duniya ke mele me
koi khele bhid me koi akele me
muskura kar bhent har swikar karta hu
muskura kar bhent har swikar karta hu
aadmi hu aadmi se pyar karta hu
aadmi hu aadmi se pyar karta hu
hu bahut naadan karta hu ye naadani
bech kar khishiya kharidu aankh ka paani
hu bahut naadan karta hu ye naadani
bech kar khishiya kharidu aankh ka paani
hath khali hain magar vyapar karta hu
hath khali hain magar vyapar karta hu
aadmi hu aadmi se pyar karta hu
aadmi hu aadmi se pyar karta hu
main basana chahta hu swarg dharti par
aadmi jis me rahe bas aadmi bankar
main basana chahta hu swarg dharti par
aadmi jis me rahe bas aadmi bankar
us nagar ki har gali taiyar karta hu
us nagar ki har gali taiyar karta hu
aadmi hu aadmi se pyar karta hu
aadmi hu aadmi se pyar karta hu
bas yehi apradh main har baar karta hu
bas yehi apradh main har baar karta hu
aadmi hu aadmi se pyar karta hu
aadmi hu aadmi se pyar karta hu
Lyrics of Kar Le Dil Ki Baat - कर ले दिल की बात
kar le dil ki bat, kar le dil ki bataaj mauka hai, aaj mauka hai
kar le dil ki bat, kar le dil ki bat
aaj mauka hai, aaj mauka hai
are chal dunia ke sath chal dunia ke sath
aaj mauka hai, aaj mauka hai
are chal dunia ke sath chal dunia ke sath
aaj mauka hai, aaj mauka hai
pyar tera dhadkan me rakh lu mitha dard banake
apne ghunghar ki badli me le jau tujhko chupa ke
apne mathe me rakh lu tujhko takdir banake
teri dunia me kho jau apna aap bhulake
nachu tere sath, nachu tere sath
aaj mauka hai, aaj mauka hai
kar le dil ki bat, kar le dil ki bat
aaj mauka hai, aaj mauka hai
patli patli kamar hai teri lachak gayi bal khake
lut gaya ek pardeshi gori teri gali me aake
jitne bhi arman hai mere sabke geet banade
sab rang fike pad jaye tu aisa rang jamade
are karde sabko mat, karde sabko mat
aaj mauka hai, aaj mauka hai
kar le dil ki bat, kar le dil ki bat
aaj mauka hai, aaj mauka hai
jhuk jhuk lambe ho gaye teri palko ke ye saye
mang ye teri julfo ki kuch kahne se sharmaye
apne muh se kaise kah du tujhko hi man chahe
mere dil ki bat sharam se hotho me ruk jaye
are sab kuch tere hath, sab kuch tere hath
aaj mauka hai, aaj mauka hai
kar le dil ki bat, kar le dil ki bat
aaj mauka hai, aaj mauka hai
are chal dunia ke sath, chal dunia ke sath
aaj mauka hai, aaj mauka hai
kar le dil ki bat, kar le dil ki bat
aaj mauka hai, aaj mauka hai
Lyrics of Paise Ki Pahachaan Yaha Insan Ki Kimat Koi Nahi - पैसे की पहचान यहाँ इंसान की क़ीमत कोई नहीं
paise ki pahchaan yahaan insaan ki qimat koyi nahibach ke nikal ja is basti me karta mohabbat koyi nahi
biwi bahan maa beti na koyi paise ka sab rishta hai
biwi bahan maa beti na koyi paise ka sab rishta hai
aankh ka aansu khun jigar ka mitti se bhi sasta hai
mitti se bhi sasta hai
sabka teri jeb se naata teri zururat koyi nahi
bach ke nikal ja is basti me karta mohabbat koyi nahi
shokh gunaaho ki ye mandi mitha zahar jawaani hai
shokh gunaaho ki ye mandi mitha zahar jawaani hai
kahte hai imaan jise wo kuchh noto ki kahaani hai
kuchh noto ki kahaani hai
bhukh hai mazhab is duniya ka aur haqiqat koyi nahi
bach ke nikal ja is basti me karta mohabbat koyi nahi
zindagi kya hai chiz yahaan mat puchh aankh bhar aati hai
zindagi kya hai chiz yahaan mat puchh aankh bhar aati hai
raat me karti byaah kali wo bewa subah ho jaati hai
bewa subah ho jaati hai
aurat ban kar is kuche me rahti aurat koyi nahi
bach ke nikal ja is basti me karta mohabbat koyi nahi
karta mohabbat koyi nahi
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Sabse Bada Nadaan (Kaun Kaun Kitne Paani Mein) - Mukesh @ Pehchan - Manoj, Babita, Balraj Sahni3:44
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Paise Ki Pehchan Yahaan 2 - Emotional Song - Mohammed Rafi @ Pehchan - Manoj, Babita, Balraj Sahni3:25
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Pehchan (1970) | MemsaabStory
Pehchan (1970)
This entire review is nothing but a giant spoiler, because the ending especially is So Many Kinds of Wrong that I cannot do anything but tell you all about it. My sister pointed out that if Rush Limbaugh and his ilk were to make a film this might very well be it, a sentiment I fully agree with. It spouts the same judgmental and self-righteous crap that those people do and is just as egregiously dumb, although clearly many people don’t find it as obviously stupid as I do. It’s a typical Manoj Kumar venture: everything modern (or progressive) is evil and can only be redeemed through the influence of traditional (and repressive) values and mores. It sums up exactly why I hate his “Mr. Bharat” persona.
Sweet pure Gangaram (seriously, this is one of MK’s most nauseating roles ever) comes to the big bad city from his village in order to find a bride. He meets a woman named Champa (Chand Usmani), helps her escape from the brothel where she has been trapped and adopts her as his sister. He also rescues an old crippled man called Baba (Balraj Sahni) from being beaten up by a nasty piece of work named Raju (Kuljeet, one of only Three and a Half Good Things about the film). Raju is after Barkha (Babita, who is Half a Good Thing), the wayward modern daughter in a wealthy family. Baba was crippled in a fire when he rescued Barkha as a child from her burning flat, and Ganga brings them into each other’s lives again and falls in love himself with Barkha.
Barkha inexplicably returns his feelings after Ganga gives her a cookbook for her birthday.
Granted, her choices are creepy Kuljeet or village idiot Ganga, but still. I might well have gone with creepy Kuljeet.
There are lots of references to Ganga’s purity and his ability to cleanse away the sins of modern living, with all the parallels possible between Ganga the man and Ganga the holy river drawn and then used to beat us repeatedly over the head.
When Barkha’s mother (Sulochana Latkar) agrees to get them married, her brother Rakesh (Sailesh Kumar) takes the proposal to Ganga’s home and finds Champa there.
He recognizes her and rushes home to tell his Ma and Barkha that she can’t marry Ganga because his sister is a prostitute. Amidst a great wailing and screeching of shehnais (or is it some other instrument?), Barkha and Ganga break up and we discover that Rakesh knows all about Champa because he seduced her on a visit to her village and then abandoned her. When she came to the city to marry him as he’d promised, he sold her off to the brothel to get rid of her.
Champa now goes to plead with him not to let Ganga’s good deed in rescuing her interfere with his marriage with Barkha, and predictably Rakesh sends her back to the brothel. Ganga rescues her again after discovering the truth (they have to fight off the goons Rakesh has sent to kill both of them):
and decides that he will get Champa married to Rakesh.
They meet Rakesh, and Rakesh pulls a gun on them.
Champa manages to get the gun away from him, and Ganga slaps her when she points it at Rakesh: it is a great sin to threaten your husband-to-be (although apparently not a great sin to slap her for trying to save her own and Ganga’s life). This results in Rakesh getting the gun back, and he shoots Champa in the back as she flees with Ganga.
Meanwhile, Baba has gone to Barkha and told her the truth about Champa and Rakesh, with the result that she and her mother (Sulochana) also decide that the obvious solution is to get Champa married to Rakesh.
Everyone ends up at Rakesh’s hotel on the occasion of his engagement party to wealthy Maya (Lata Bose), including Ganga who arrives with the bullet-ridden nearly-dead Champa.
They all give Rakesh a whole lot of “do-overs” along the lines of: “Okay you messed up but do the right thing now….Okay you messed up but do the right thing now….Okay you messed up but do the…” You get the picture.
But he continues to make poor decisions, culminating in his setting his own hotel on fire in order to kill poor unconscious Champa who has been left inside. Ganga rescues her again, and finally Rakesh, cornered now by his family and the police, runs into to the burning building to kill himself. Ganga goes in to save him for the sole purpose of…yes, you’ve got it: getting Champa married to Rakesh!
Rakesh is finally purified by I guess the combination of fire and Ganga. He apologizes to all and to everyone’s joy agrees to marry Champa, the woman whom he (let me recap for you):
- seduced and abandoned
- sold off to a brothel
- sold off to the brothel a second time
- sent his goondas to kill
- when they failed, shot in the back himself
- when that failed, tried to burn alive
That, my friends, is our happy ending. I haven’t even gone into Champa’s ongoing penchant for suicidal self-sacrifice although it comes as no surprise when she regains consciousness just in time to be grateful.
So why did I stick with it? Well as usual I don’t really know, except that it was cartoonish enough and so really over-the-top idiotic and self-contradictory (much like Fox News) that I just had to roll my eyes and giggle.
*Arghhhh*
Barkha is a lively, self-confident girl whom I really like before she meets self-righteous prig Ganga and is transformed into a moron, which is why I give Babita Half a Good Thing status. She is a large part of the other Two Good Things (besides Kuljeet) about this film too: the fabulous songs “Lo Aayi Hain Jawani” and “Woh Pari Kahan Se Laaoon”.
another asli memsaabThe first she performs at a charity dance show after telling her conservative prospective in-laws (a groom her parents have fixed her marriage with at the beginning of the film) that she will be performing “Sita’s exile”—they break the engagement after seeing this, which of course was her plan all along. She looks gorgeous in this, and for the first time I see a resemblance between her and daughter Kareena.
And the second she sings with her friends as they tease Ganga about looking for a bride in the city. It is so much fun that I even like Ganga in it!
These songs are the reason I got the film and watched it despite my serious aversion to all things Manoj. I am saving you the agony of watching it by linking the videos here. Skip the torturous stupidity of the movie.
Hey, I sound like Baburao Patel!
