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Mandi : Lyrics and video of Songs from the Movie Mandi (1983)
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Mandi (film) - Wikipedia, the free encyclopedia
https://en.wikipedia.org/wiki/Mandi_(film)
Mandi is a 1983 Urdu movie starring Shabana Azmi. The film is a satirical comedy on politics and prostitution, and stars Shabana Azmi, Naseeruddin Shah and ...
Mandi - YouTube
https://www.youtube.com/watch?v=fmh6wwFedxA
Apr 1, 2014 - Uploaded by Shemaroo Movies
Mandi The Marketplace deals with a brothel at the located in the heart ... Los Angeles Exposition (FILMEX) and ...Mandi (1983) - Part(9) - YouTube
https://www.youtube.com/watch?v=l0Jpv041ZYo
Aug 2, 2007 - Uploaded by Aung Phyoe
Movie : Mandi Year : 1983 Director : Shyam Benegal Cast : Shabana Azmi, Smita Patil,Naseeruddin ...Mandi (1983) - IMDb
www.imdb.com/title/tt0085896/
Rating: 7.6/10 - 468 votes
This classic film is based on a classic Urdu short story 'Aanandi' by Pakistani writer Ghulam Abbas.
This classic film is based on a classic Urdu short
story 'Aanandi' by Pakistani writer Ghulam Abbas. It deals with a
brothel at the heart of a city, in an area that some politicians want
...
See full summary »
Director:
Shyam BenegalWriters:
Shama Zaidi (screenplay), Satyadev Dubey (screenplay) (as Pt. Satyadev Dubey) | 3 more credits »Stars:
Shabana Azmi, Smita Patil, Naseeruddin Shah | See full cast & crew »Cast
| Cast overview, first billed only: | |||
 |
Shabana Azmi | ... |
Rukmini Bai
|
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Smita Patil | ... |
Zeenat
|
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Naseeruddin Shah | ... |
Tungrus
|
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Amrish Puri | ... |
Darvish
|
 |
Kulbhushan Kharbanda | ... |
Mr. Gupta
|
 |
Saeed Jaffrey | ... |
Mr. Agarwal
|
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Om Puri | ... |
Ram Gopal
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Sreela Majumdar | ... |
Phoolmani
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| |
Neena Gupta | ... |
Vasanti
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| |
Gita Siddharth | ... |
Shantidevi
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| |
Sunila Pradhan | ... |
Mrs. Gupta
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| |
Soni Razdan | ... |
Bordello girl
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| |
Anita Kanwar | ... |
Parveena
|
| |
Ratna Pathak | ... |
Malti
|
| |
Pankaj Kapur | ... |
Shantidevi's assistant
|
Edit
See full technical specs »
Storyline
This classic film is based on a classic Urdu short story 'Aanandi' by
Pakistani writer Ghulam Abbas. It deals with a brothel at the heart of a
city, in an area that some politicians want for its prime locality.
They rally up against the brothel and its inhabitants in the name of
morality, and soon everyone in the area jumps on the bandwagon. The
politicians offer to put up an alternative residence for the
prostitutes, only this place is miles away, isolated from the city. The
madam of the house has no choice but to comply, but by the end things
take a (logical) turn for the better. After all, men will be men.
Written by
ajmal hussain
Plot Summary
|
Add Synopsis
Country:
IndiaLanguage:
HindiAlso Known As:
Market Place See more »Company Credits
Show detailed
company contact information
on
IMDbPro »
Technical Specs
Runtime:
Sound Mix:
MonoColor:
Color
Edit
Sung by Asha Bhosle
Music by Vanraj Bhatia
Lyrics by Mir Taqi Mir, Bahadur Shah Zafar, Insha, Makhdoom
Mohiuddin, Sarwar Danda
See more »
Did You Know?
Soundtracks
Ishq ke sholeSung by Asha Bhosle
Music by Vanraj Bhatia
Lyrics by Mir Taqi Mir, Bahadur Shah Zafar, Insha, Makhdoom
Mohiuddin, Sarwar Danda
See more »
User Reviews
"Bigdi Zamaane Ki Baatein" (A tale of the spoiled people)
Based on a short story
from an Urdu short story called "Anandi" by Ghulam Abbas, Mandi is
presented as a black comedy about a group of prostitutes, led by
Rukminibai, who struggle against the 'morality-police' forces in the
city that want them thrown out, and their brothel destroyed to make room
for 'development'.
This film is among Shyam Benegal's best work. Benegal assembles some highly professional actors, with Shabana Azmi excelling as the crude, selfish, yet likable "Bai" (madam) of the "Khota" (brothel), Smita Patil as the beautiful, gentle-looking, but rebellious Zeenat. The movie rests on their strong performances, and also on Naseeruddin Shah's, whose character reveals a lot about the 'khota' and about the relationships between its inhabitants. The relationship between Rukminibai and Tungrus is deceptively simple, for underneath all their interactions there is a deep concern they share for each other. This is why we see Tungrus being excessively critical of her during the opening scenes; he worries for her.
The relationship between Rukminibai and Zeenat is one of the main focuses of this movie; Rukminibai loves Zeenat like a daughter, but feels threatened when Zeenat wants to assert her freedom, and becomes addicted to 'taking care' of Zeenat and keeping her under her control. She eventually alienates herself from all the women who work for her, and her seemingly strong personality disintegrates, and right when she is on the verge of breaking down, and when the possibility of starting afresh and maybe beginning a reflective process of self-recovery appears, she tragically falls into the cycle of selfish-love/'motherly' control again.
Other interesting facets of this movie include the 'social worker', Shanti Devi, who is concerned about the moral degradation of the city, and fights the unrelenting prostitutes to claim back lost honor. There is an especially emotionally frustrating scene where Shanti Devi speaks about how a woman should be respected and not sold, while addressing a crowd, and proclaims that she will persuade her 'sisters' to give up this lowly work. Some prostitutes respond with, "And where will we get our bread?" Shanti Devi, the great, compassionate womens-rights espouser coldly says, "Bread isn't everything in life." One of the women casually reply with bursting frustration: "you must get it for free."
The prostitutes' fate feebly dangles in between these powerful forces--on the one side, there is the moral, 'feminist', social-worker, who is so superficially attached to her 'cause' that she cannot relate to real women and their struggles, and on the other, there is the powerful industrialist, Gupta, who buys their brothel with the intention of razing it down, but continues to mislead them.
Other female representations include Gupta's extremely-inhibited, mentally-restrained, child-like daughter, for whom he strategically arranges a marriage with the son of another powerful figure who also ties-in with the prostitutes in another manner. Aditya Bhattacharya plays the innocent, young Sushil, engaged to Gupta's daughter, but attracted to the liveliness and beauty he perceives in the unpretentious Zeenat. His attraction to her soon proves to be problematic, however.
This movie very subtly points out how morally-lacking these surrounding forces are, and how the prostitutes, who seem more real and bound by morals than the other, rather snobbish, 'respectable' people, ultimately are forced to take the blame for 'moral degradation' and are forced to leave the city (their struggles don't end there). This theme is at the heart of the recurring song (Rukminibai hums it often, and also asks Zeenat to sing it), "Zabaane Badalte Hain Har Aan Khubaan.. Yeh Sab Kuch Hai Bigdi Zamaane Ki Baatein."
This film is among Shyam Benegal's best work. Benegal assembles some highly professional actors, with Shabana Azmi excelling as the crude, selfish, yet likable "Bai" (madam) of the "Khota" (brothel), Smita Patil as the beautiful, gentle-looking, but rebellious Zeenat. The movie rests on their strong performances, and also on Naseeruddin Shah's, whose character reveals a lot about the 'khota' and about the relationships between its inhabitants. The relationship between Rukminibai and Tungrus is deceptively simple, for underneath all their interactions there is a deep concern they share for each other. This is why we see Tungrus being excessively critical of her during the opening scenes; he worries for her.
The relationship between Rukminibai and Zeenat is one of the main focuses of this movie; Rukminibai loves Zeenat like a daughter, but feels threatened when Zeenat wants to assert her freedom, and becomes addicted to 'taking care' of Zeenat and keeping her under her control. She eventually alienates herself from all the women who work for her, and her seemingly strong personality disintegrates, and right when she is on the verge of breaking down, and when the possibility of starting afresh and maybe beginning a reflective process of self-recovery appears, she tragically falls into the cycle of selfish-love/'motherly' control again.
Other interesting facets of this movie include the 'social worker', Shanti Devi, who is concerned about the moral degradation of the city, and fights the unrelenting prostitutes to claim back lost honor. There is an especially emotionally frustrating scene where Shanti Devi speaks about how a woman should be respected and not sold, while addressing a crowd, and proclaims that she will persuade her 'sisters' to give up this lowly work. Some prostitutes respond with, "And where will we get our bread?" Shanti Devi, the great, compassionate womens-rights espouser coldly says, "Bread isn't everything in life." One of the women casually reply with bursting frustration: "you must get it for free."
The prostitutes' fate feebly dangles in between these powerful forces--on the one side, there is the moral, 'feminist', social-worker, who is so superficially attached to her 'cause' that she cannot relate to real women and their struggles, and on the other, there is the powerful industrialist, Gupta, who buys their brothel with the intention of razing it down, but continues to mislead them.
Other female representations include Gupta's extremely-inhibited, mentally-restrained, child-like daughter, for whom he strategically arranges a marriage with the son of another powerful figure who also ties-in with the prostitutes in another manner. Aditya Bhattacharya plays the innocent, young Sushil, engaged to Gupta's daughter, but attracted to the liveliness and beauty he perceives in the unpretentious Zeenat. His attraction to her soon proves to be problematic, however.
This movie very subtly points out how morally-lacking these surrounding forces are, and how the prostitutes, who seem more real and bound by morals than the other, rather snobbish, 'respectable' people, ultimately are forced to take the blame for 'moral degradation' and are forced to leave the city (their struggles don't end there). This theme is at the heart of the recurring song (Rukminibai hums it often, and also asks Zeenat to sing it), "Zabaane Badalte Hain Har Aan Khubaan.. Yeh Sab Kuch Hai Bigdi Zamaane Ki Baatein."
Mandi (1983) - Full Cast & Crew - IMDb
www.imdb.com/title/tt0085896/fullcredits/
Mandi (1983) cast and crew credits, including actors, actresses, directors, writers and more. ... Help · Sign in · Edit · Mandi (1983) Poster ... Film Editing by ...
Mandi (1983) - Filmi Geek
www.filmigeek.com/2008/01/mandi-1983.html
Jan 30, 2008 - Mandi (1983). मंडी. Mandi Shyam Benegal films often explore broad social themes through a closely focused lens, in detailed studies of ...
Lyrics of Shamsheer Bhari Na Hindi Song from Mandi (1983), Shamsheer Bhari Na Lyrics ... Latest Hindi Songs Lyrics | Hindi Movie Song Lyrics | LyricsBogie.
Shamsheer Bhari Na Lyrics | Mandi (1983) Songs Lyrics | Latest Hindi ...
https://www.lyricsbogie.com/movies/mandi-1983/shamsheer-bhari-na.html
Hindi Film Songs - Mandi (1983) | MySwar
myswar.com/album/mandi-1983
Thirty best screen performances by Indian film actors : FILMS - India ...
indiatoday.intoday.in › Magazine › SOCIETY & THE ARTS › FILMS
Mandi - YouTube
https://www.youtube.com/watch?v=fmh6wwFedxA
Apr 1, 2014 - Uploaded by Shemaroo Movies
Mandi The Marketplace deals with a brothel at the located in the heart ... Los Angeles Exposition (FILMEX) and ...Mandi (1983) - Part(9) - YouTube
https://www.youtube.com/watch?v=l0Jpv041ZYo
Aug 2, 2007 - Uploaded by Aung Phyoe
Movie : Mandi Year : 1983 Director : Shyam Benegal Cast : Shabana Azmi, Smita Patil,Naseeruddin ...Mandi (1983) - Part(10) - YouTube
https://www.youtube.com/watch?v=2d2uZUGM9qM
Aug 3, 2007 - Uploaded by Aung Phyoe
Movie : Mandi Year : 1983 Director : Shyam Benegal Cast : Shabana Azmi, Smita Patil,Naseeruddin ...Mandi (1983) - Part (16) - YouTube
https://www.youtube.com/watch?v=teKmKz8TxQY
Aug 4, 2007 - Uploaded by Aung Phyoe
Movie : Mandi Year : 1983 Director : Shyam Benegal Cast : Shabana Azmi, Smita Patil,Naseeruddin ...Mandi (1983) - Part (2) - YouTube
https://www.youtube.com/watch?v=f5YrMAkgt4M
Jul 22, 2007 - Uploaded by Aung Phyoe
Movie : Mandi Year : 1983 Director : Shyam Benegal Cast : Shabana Azmi, Smita Patil,Naseeruddin ...Shabana Azmi, Smita Patil n others in Mandi - YouTube
https://www.youtube.com/watch?v=Rk6L9-pV8qU
Mar 2, 2008 - Uploaded by Mohammed Rehan
MANDI IS ONE MY FVT HINDI MOVIE. ... You should watch Ankur (which is available on youtube), it's ...Mandi (1983) - Part (18) - YouTube
https://www.youtube.com/watch?v=5dAoYymyzmY
Aug 5, 2007 - Uploaded by Aung Phyoe
Movie : Mandi Year : 1983 Director : Shyam Benegal Cast : Shabana Azmi, Smita Patil,Naseeruddin ..Mandi 1983 Full Movie - YouTube
https://www.youtube.com/watch?v=n02FlIfMRGM
6 hours ago - Uploaded by Serlye4
Watch or Download Here http://moviestream4u.net/search/Mandi.Mandi (1983) - Part (6) - YouTube
https://www.youtube.com/watch?v=VacHP3VhM3c
Jul 31, 2007 - Uploaded by Aung Phyoe
Movie : Mandi Year : 1983 Director : Shyam Benegal Cast : Shabana Azmi, Smita Patil,Naseeruddin .Chubti Hai Yeh To Nigodi - Mandi
Song - Chubti Hai Yeh To Nigodi Singer - Asha Bhonsle Movie - Mandi Music Director - Vanraj Bhatia Year - 1983 Director .
Zabaane Badlati hain- Mandi 1983
Mandi
( Market Place) is a 1983 Hindi movie directed by Shyam Benegal.The
film is a satirical comedy on politics and prostitution, ...
Mandi
Based on the Urdu short story 'Aanandi' by Pakistani writer Ghulam Abbas. Mandi The Marketplace deals with a brothel at the ...
===============================SONGS:-
Shamsheer berehna maang gazab - Mandi- 1980
This
song was right aftre zabane badlati hain of smita patil, this song
bahadurshah zafar poetry and nina gupta in classical dance ...
Zabane Badalte Hain Video Song | Bollywood Movie Songs | Shabana Azmi, Smita Patil, Naseeruddin Shah
Watch Zabane Badalte Hain Video Song | Bollywood Movie Songs | Shabana Azmi, Smita Patil, Naseeruddin Shah For More ..
.Lyrics Bahadur Shah Zafar
Bahadur Shah II
Mughal Emperor
Mirza
Abu Zafar Sirajuddin Muhammad Bahadur Shah Zafar was the last Mughal
emperor. He was the second son of and became the successor to his
father, Akbar II, upon his death on 28 September 1837. Wikipedia
Died: 7 November 1862, Yangon, Myanmar (Burma)
Buried: 7 November 1862
Spouse: Zeenat Mahal (m. 1840–1862)
Shayari of Bahadur Shah Zafar | Rekhta
https://rekhta.org/poets/bahadur-shah-zafar/couplets
Bahadur Shah Zafar Shayari available in Hindi, Urdu and Roman scripts. Access to poetry videos, audios & Ebooks of Bahadur Shah Zafar.
Ghazals of Bahadur Shah Zafar | Rekhta
https://rekhta.org/poets/bahadur-shah-zafar
Items 1 - 51 of 51 - Bahadur Shah Zafar Ghazals available in Hindi, Urdu and Roman scripts. Access to ghazal videos, audios & Ebooks of Bahadur Shah Zafar.
Bahadur Shah Zafar Biography, History and Facts - Maps of India
www.mapsofindia.com › Who is Who › History
Feb 1, 2014 - Bahadur Shah Zafar was the last Mughal emperor of India who was born in 1775 at Delhi. He was named Abu Zafar Sirajuddin Muhammad ...
...
Chubti Hai Yeh To Nigodi - Mandi
Song - Chubti Hai Yeh To Nigodi Singer - Asha Bhonsle Movie - Mandi Music Director - Vanraj Bhatia Year - 1983 Director ...
Har Mein Har Ko Dekha Amjad Asad Warsi Sufi Qawwal
Amjad Khan Warsi and Asad Khan Warsi are Awarded by Sangeet Natak Akademi India Ustad Bismillah Khan Yuva Puraskar .
Alaap in Raag Todi -by Asha Bhosle (Rain Ka Sapna)
for the movie Mandi (1983)
. 
[New post] Ishq ke shole ko bhadkaao ki kuchh raat kate
Inbox
| Aug 25, 2020, 4:26 PM |  | ||
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Audio Clip:
Song-Ishq ke shole ko bhadkaao ke kuchh raat kate(Mandi)(1983) Singer-Asha Bhonsle, Lyrics-Makhdoom Mohiuddin, MD-Vanraj Bhatia
Lyrics
aa aa aa aaaaaa
aa aa aa aa
aa aa aa aa aaa
ishq ke shole ko bhadkaao ke kuchh raat kate ae ae
raat kate ae
dil ke angaare ko dahkaao ke kuchh raat kate ae
raat kate ae
ishq ke shole ko bhadkaaao
koī jalta hī nahin
koi pighalta hi nahin
mom ban jaao
pighal jaao
pighal jaao
ki kuchh raat kate ae
raat kate ae
raat kate
ishq ke shole ko bhadkaaao…o
hijr mein milne shab-e-maah ke ġham aaye hain
chaarasaazon ko bhi bulwaao
bulwaao
ke kuchh raat kate
raat kate
ishq ke shole ko bhadkaao…o
chashm-o-ruḳhsaar ke aazkaar ko jaari rakkho
pyaar ke naghmen ko dohraao
dohraao
ke kuchh raat kate
ishq ke shole ko bhadkaao ke kuchh raat kate ae
raat kate ae
dil ke angaare ko dahkaao ke kuchh raat kate ae
raat kate ae
ishq ke shole ko bhadkaao…o
aaj ho jaane do har ek ko badmast-o-kharaab
aaj ho jaane do har ek ko badmast-o-kharaab
aaj har ek ko pilwaaao
pilwaao
pilwaao
ke kuchh raat kate
koh-e-ġham aur giraan aur giraan aur giraan
ġhamzadon teshe ko chamkaao ki kuchh raat kate
kuchh raat kate
kuchh raat kate ae
ishq ke shole ko bhadkaaao…o
ishq ke shole ko bhadkaaaao…......o
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