Indian films and posters from 1930: film (Adhikaar)(1954)
Indian films and posters from 1930: film (adhikar)(1986)
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film (Aadhikar)(1971)
Adhikar (1971) | Hindi Movie Screen Shots - Bollywood MuVyz
Adhikar (1971) (Hindi Film / Bollywood Movie ... - Amazon.com
Adhikar (1971) (Hindi Film / Bollywood Movie ... - Amazon.com
Adhikar (1971) | MemsaabStory
KOHI MANE YA NA MANE...HINDI MOVIE ADHIKAR(1971) - YouTube
Rekha O Rekha ( Adhikar 1971) - YouTube
https://www.youtube.com/watch?v=_bdpBCwjNRY
Adhikar (1971 film) - Wikipedia
Adhikar (1971) - IMDb
Director:
S.M. SagarStars:
Ashok Kumar, Nanda, Deb Mukherjee | See full cast & crewCast
| Cast overview, first billed only: | |||
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Ashok Kumar | ... |
Barrister Shukla
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Nanda | ... |
Meera
|
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Deb Mukherjee | ... |
Shyam
(as Deb Mukerji)
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Nazima | ... |
Radha
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Raj Mehra | ... |
Shivcharan Sharma
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| |
Rajnish | ... |
Rajan Shukla
|
| |
Kishan Mehta | ... |
Dr. Kailash
(as Kishen Mehta)
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Shivraj | ... |
Doctor
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Kundan | ||
| |
Kumud Tripathi | ||
| |
Brahmachari | ... |
Deepak
(as Brahmchari)
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Shammi | ... |
Rajan's Mother
|
| |
Ratnamala | ... |
Parvati S. Sharma
(as Ratna Mala)
|
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Tabassum | ... |
Rekha Shukla
|
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Indira Bansal | ... |
Radha's mom
|
Storyline
Genres:
DramaCertificate:
UParents Guide:
Add content advisory for parents »Details
Country:
IndiaLanguage:
HindiRelease Date:
28 April 1971 (India) See more »Also Known As:
A Privilege See more »Company Credits
Technical Specs
Sound Mix:
MonoColor:
Color (Eastmancolor)Adhikar 1971, / Ashok Kumar, / Nanda, / Deb Mukherjee/ Full Length ...
Koi Maane Ya Na Maane - Deb Mukherjee - Nazima - Adhikar - Old Bollywood Songs - R.D. Burman
Rafi sings 'Jeena to hai useeka' qawwali in Adhikar 1971 Music R D Burman
Jeena Toh Hai Usi Ka - Pran - Ashok Kumar - Adhikar - Old Bollywood Songs
Tum To Sabke Ho Rakhwale...Adhikar (1971)
Rekha O Rekha | Film Adhikar 1971 | Tabassum Talkies
Adhikar - Koi Maane Ya Na Maane - Kishore Kumar - Asha Bhonsle
Nadaan (1971) | Full Hindi Movie | Asha Parekh, Navin Nischol, Nirupa Roy
Rekha O Rekha Jab Se Tumhen Dekha - Tabassum - Adhikar - Old Bollywood Songs
Adhikar (1954) Full Movie | Classic Hindi Films by MOVIES HERITAGE
Ansoo Ban Gaye Phool {HD} - Ashok Kumar - Nirupa Roy - Pran - Deb Mukherjee - Old Hindi Movie
Sharab Nahin Hoon - Helen - Deb Mukherjee - Adhikar - Cabaret Song - R.D. Burman
Shemaroo Filmi Gaane0:00:01 - Koi Maane Ya Na Maane 0:04:08 - Jeena To Hai Uska 0:10:32 - Rekha O Rekha Jab Se 0:13:32 - Sharab Nahin Hoon ...Adhikar (1971) (Hindi Film / Bollywood Movie ... - Amazon.com
2:07:58 (1986)
Adhikar (1971) (Hindi Film / Bollywood Movie ... - Amazon.com
2:07:58 (1986)
Adhikar {HD} - Rajesh Khanna | Tina Munim | Bindu | Raza Murad | Tanuja | Danny | Zarina Wahab
- CC
Adhikar : Lyrics and video of Songs from the Movie Adhikar (1971)
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3:10Rekha O Rekha | Film Adhikar 1971 | Tabassum Talkies
- 2 months ago
- 1,317 views
Lyrics of Rekha O Rekha, Jab Se Tumhe Dekha - रेखा ओ रेखा जब से तुम्हें देखा
rekhaa o rekhaa jab se tumhe dekhakhana pina sona dushvaar ho gaya
main aadami tha kam ka bekar ho gaya
rekha o rekha
tumase dil kyaa lagaya hai tumako katil banaya hai
tumase dil kyaa lagaya hai tumako katil banaya hai
din raat jalaati ho divaana banaati ho
are meraa bhi ek din zarur aayega
rekha o rekha
kaafi mahaga ye pyaar hai shadi ka intazaar hai
maalik pe bharosaa hai maine to ye sochaa hai
are mehanat jo ki hai to phal bhi milega
rekhaa o rekha
6:21qawwali by Mohd Rafi - Jeena to hai usika - Adhikar (1971)
Lyrics of Aisi Chiz Sunaye Kee ( Jina To Hai Usika Jisne Ye Raaz Jana) - ऐसी चीज़ सुनाये की (जीना तो है उसीका जिसने ये राज जाना)
aisi chiz sunaye ki mehfil de tali pe talivarna apna nam nahi banne khan bhopali
munne miya badhayi bano khub honhaar
dono jahan ki nemate ho aap pe nisaar
ha bachapan ho kushgavar jawani sadabahar
allah kare ye din aaye hajar baar
jina to hai usi ka, jisne ye raaz jana
are jina to hai usi ka, jisne ye raaz jana
ha jina to hai usi ka, jisne ye raaz jana
hai kaam admi ka
hai kaam admi ka, auro ke kaam aana
jina to hai usi ka, jisne ye raaz jana
jina to hai usi ka, jisne ye raaz jana
jina to hai usi ka, jisne ye raaz jana
kisi ne kaha tu hai taro ka raja
kisi ne kaha aaja mere paas aaja
kisi ne dua di kisi ne badhayi
sabki ankho ka tu tara bane
teri hi roshani me chamke tera gharana
hai kaam admi ka
hai kaam admi ka, auro ke kaam aana
jina to hai usi ka, jisne ye raaz jana
jina to hai usi ka, jisne ye raaz jana
jina to hai usi ka, jisne ye raaz jana
dil lagakar tu padhna, hamesha aage badhna
sach ka daman na chhute, chahe ye duniya ruthe
kam tu achha karna, sirf allah se darna
sabhi ko gale lagana, mohabbat me lut jana
mohabbat wo khajana hai kabhi jo kam nahi hota
hai jiske paas daulat use kuchh gam nahi hota
hai jiske paas daulat use kuchh gam nahi hota
mera tera karke jo marte, gore kaale me bhed karte
unko ye samajhana
sab log hain barabar, itna na bhul jaana
hai kaam admi ka
hai kaam admi ka, auro ke kaam aana
jina to hai usi ka, jisne ye raaz jana
jina to hai usi ka, jisne ye raaz jana
jina to hai usi ka, jisne ye raaz jana
surat pe masha allah, wo baat hai abhi se
tadapenge dil hajaro, gujroge jis gali se
doli me jab bithakar, laoge phuljhadi ko
jinda rahe to ham bhi, dekhenge us ghadi ko
agar allah ne chaha, to ham us din bhi ayenge
badhayi hamne gaayi hai to, ham sehra bhi gayenge
agar allah ne chaha, to ham us din bhi ayenge
badhayi hamne gaayi hai to, ham sehra bhi gayenge
badhayi hamne gaayi hai to, ham sehra bhi gayenge
chand-suraj bhi ayenge niche
dulha-dulhan ke aage pichhe, phul barsaayenge
aayega jab khushi ka hansta huaa jamana
hai kaam adami ka
hai kaam admi ka, auro ke kaam aana
jina to hai usi ka, jisne ye raaz jana
jina to hai usi ka, jisne ye raaz jana
jina to hai usi ka, jisne ye raaz jana
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Tum Abhi Kamsin Ho - Helen | Asha Bhosle | Man Mandir | Bollywood Song5:12
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Main Hasina Nazneena - Waheeda Rehman, Helen | Lata Mangeshkar, Asha Bhosle | Baazi Song4:36
Lyrics of Sharab Nahi Hu Magar Ek Nasha Hu - शराब नहीं हूँ मगर एक नशा हूँ
sharab nahi hu magar ek nasha humai sare zamane ke gam ki dava hu
sharab nahi hu magar ek nasha hu
mai sare zamane ke gam ki dava hu
haye re haye re sharab nahi hu magar ek nasha hu
mai sare zamane ke gam ki dava hu
dilbar zara nazar to mila mehfil me aake mat sharma
mai janu tere dil me hai kya ji bhar ke le le maza jine ka jine ka
dilbar zara nazar to mila mehfil me aake mat sharma
mai janu tere dil me hai kya ji bhar ke le le maza jine ka jine ka
ho jo gam ke mare hote hai unka koi nahi hota
ho jo gam ke mare hote hai unka koi nahi hota
unhe apna banati hu haye re haye re
sharab nahi hu magar ek nasha hu
mai sare zamane ke gam ki dava hu
sharab nahi hu magar ek nasha hu
mai sare zamane ke gam ki dava hu
aakhir tujhe hua kya hai ab to zara muskura
jo hua bhule ja chehara bhuja bhuja sa hai
aankho me dard chhalka hai aakhir tujhe hua kya hai
ab to zara muskura jo hua bhule ja
udas nazro ki pyas ho ya ho aag sine ki
udas nazro ki pyas ho ya ho aag sine ki
mai dono ko bhujati hu haye re haye re
sharab nahi hu magar ek nasha hu
mai sare zamane ke gam ki dava hu
sharab nahi hu magar ek nasha hu
mai sare zamane ke gam ki dava hu
Lyrics of Tum To Sabke Ho Rakhwale - तुम तो सबके हो रखवाले
tum to sabke ho rakhwalebahut suna hai naam
tum to sabke ho rakhwale
bahut suna hai naam
mai sab jnau jab tum
meri bigdi bana do shyam
tum to sabke ho rakhwale
vinti sun lo mujhpe kar do bas itna upkar
vapas de do ijska tumne chhina hai adhikar
mere vachan ki laz bacha lo
mere vachan ki laz bacha lo
ab to tumhara kam
tum to sabke ho rakhwale
bahut suna hai naam
sabka jivan safal banati in charno ki dhul
banke suhagan rahi mai abhagan
mujhse hui kya bhul
jag ke sawami antaryami
jag ke sawami antaryami
tumko lakho parnam
tum to sabke ho rakhwale
bahut suna hai naam
mai jab jnau jab tum
meri bigdi bana do shyam
meri bigdi bana do shyam
tum to sabke ho rakhwale
Adhikar - Koi Maane Ya Na Maane - Kishore Kumar - Asha Bhonsle
https://www.youtube.com/watch?v=OTu4fmW7uao
https://www.youtube.com/watch?v=BgFjgt0hnOw
https://www.youtube.com/watch?v=1W4Js9dY7OY
https://www.youtube.com/watch?v=mV_eCVGbrWM
Lyrics of Koi Mane Ya Na Mane - कोई माने या ना माने
koyi mane ya na mane, jo kal tak the anjanekoyi mane ya na mane, jo kal tak the anjane
woh aaj hame jan se bhi pyare ho gaye
koyi mane ya na mane, jo kal tak the anjane
koyi mane ya na mane, jo kal tak the anjane
woh aaj hame jan se bhi pyare ho gaye
abb toh hamko ek hi sapna pura karna hai
janam janam ka sath tumhari mang me bharna hai
jis din se tumko jana, hamne kismat ko mana
tumhara hi hona tha, tumhare ho gaye
koyi mane ya na mane, jo kal tak the anjane
woh aaj hame jan se bhi pyare ho gaye
aise na dekho hans kar, hamko kuchh ho jata hai
tan par kabu rakhte hain toh mann kho jata hai
dil ko kar dil milta hai, ab hamse kya parda hai
jab aankho hi aankho me ishare ho gaye
koyi mane ya na mane, jo kal tak the anjane
woh aaj hame jan se bhi pyare ho gaye
ankho me dore galo pe lali, hontho pe phul khile
jitna bhi dekhu dil nahi bharta, tum hame khub mile
yeh kali kali julfe, yeh gori gori bahen
kitne sare jine ke sahare ho gaye
koyi mane ya na mane, jo kal tak the anjane
woh aaj hame jan se bhi pyare ho gaye
koyi mane ya na mane, jo kal tak the anjane
woh aaj hame jan se bhi pyare ho gaye
koyi mane ya na mane, jo kal tak the anjane
woh aaj hame jan se bhi pyare ho gaye
 | Are Fashion Ki Diwani Ye Gudiya Hai Japani |
Manna Dey | R D Burman | Nanda, Deb Mukherjee |
| Adhikar (1971) | Ramesh Pant |
Lyrics of Are Fashion Ki Diwani Ye Gudiya Hai Japani - अरे फैशन की दीवानी ये गुड़िया है जापानी
are fashion ki diwani ye gudiya hai japaniare fashion ki diwani ye gudiya hai japani
are kaun kahega bolo inko ladki hindustani
bolo bolo bolo bolo bolo na
are fashion ki diwani ye gudiya hai japani
are kaun kahega bolo inko ladki hindustani
kano tak bal kata ke paudar se gal saza ke
achhi khasi surat ka rakha ye hal bana ke
kano tak bal kata ke paudar se gal saza ke
achhi khasi surat ka rakha ye hal bana ke
hath hai sune matha naga aankhe surmedani
are fashion ki diwani ye gudiya hai japani
are kaun kahega bolo inko ladki hindustani
bolo bolo bolo bolo bolo na
are fashion ki diwani ye gudiya hai japani
are kaun kahega bolo inko ladki hindustani
tauba tauba ye beauty nakli hai bilkul jhuti
inse ki jinse shadi uski to kismat phuti
tauba tauba ye beauty nakli hai bilkul jhuti
inse ki jinse shadi uski to kismat phuti
dur se inko tata karna agar ho jaan bachani
fashion ki diwani ye gudiya hai japani
are kaun kahega bolo inko ladki hindustani
bolo bolo bolo bolo bolo na
fashion ki diwani ye gudiya hai japani
are kaun kahega bolo inko ladki hindustani
ek din is desh me nari samjhi jati thi devi
hoke ab bis baras ki ye kahlati hai baby
ek din is desh me nari samjhi jati thi devi
hoke ab bis baras ki ye kahlati hai baby
deti hai par nakal videshi ye kaisi hai rani
fashion ki diwani ye gudiya hai japani
are kaun kahega bolo inko ladki hindustani
bolo bolo bolo bolo bolo na
fashion ki diwani ye gudiya hai japani
are kaun kahega bolo inko ladki hindustani
Videos
Koi Maane Ya Na Maane - Deb Mukherjee - Nazima - Adhikar - Old Bollywood Songs - R.D. Burman
&h=147&w=220&tbnid=lNzy8efomk8aiM:&vet=1&tbnh=116&tbnw=173&docid=cn8j3Xmn7iLHJM&itg=1&usg=__LMTGIApgc_-ZUR75LfU1UtAtHjw=&sa=X&ved=0ahUKEwjSrPa9ipHSAhWGtI8KHcPRACoQ_B0IdDAK "https://en.wikipedia.org/wiki/Tabassum_(actress)")
Adhikar (1971) | MemsaabStory
Adhikar (1971)
After Ansoo Ban Gaye Phool, I set out to find more Deb Mukherjee films to see whether he could hold up under further scrutiny. I found this one:
Hooray! It’s 154 minutes of Trauma-Drama-O-Rama in Eastman Kodak Color. The main ingredients in this potboiler are:
- Several Big Misunderstandings
- A series of Bad Decisions
- An endless string of Coincidences
- Many Lost Opportunities
- A couple of Unnecessary Side Plots
and some very tight pants and loudly patterned shirts. If you don’t care for soap operas then you needn’t read further. You won’t like Adhikar. If you do sneak peeks at soaps on sick days and holidays…read on! But be warned: I can’t do this justice without a verrrrry long narrative and many many screen shots.
Barrister Shukla (Ashok Kumar) is delighted to discover that his old friend Shivcharan Sharma (Raj Mehra) has moved to Bombay with his family. They are old friends, and Sharma has a beautiful daughter, Mira (Nanda), whom Shukla feels would be a perfect match for his nephew Shyam (Deb Mukherjee). She is appropriately shy at the thought.
Shyam meanwhile is hanging out with his posse at what looks suspiciously like the Sun ‘N’ Sands hotel on Juhu Beach, looking for some mischief. He finds it when some girls dressed in pants (and therefore clearly up to no good) appear to harass a couple of girls in saris (clearly in need of rescuing).
Lost Opportunity #1: After chasing away the girls in pants, he introduces himself to Radha (Nazima) and there is clearly a spark between them. But he doesn’t ask her anything other than her name and they say goodbye.
When he gets home, his uncle tells him to go visit Mr. Sharma and his daughter—his cousin-sister Rekha (Tabassum) tells him that’s he’s being sent to approve of his future bride. Off he goes obediently—only to meet that the same Radha at the door!
Coincidence #1: Radha is working at the Sharmas as a nursemaid and companion to bedridden Mrs. Sharma at the recommendation of her physician, Dr. Kailash (Shivraj).
Big Misunderstanding #1: Shyam thinks that she is Mr. Sharma’s daughter and his intended bride, and he’s very happy. Radha has no clue about this angle to things, and she falls in love with him.
Bad Decision #1: Shyam romances her and then seduces her after declaring before a shrine that he will marry her.
The next day he goes off to spend a few months in England, but first he calls Radha to say goodbye.
Big Misunderstanding #2: Mira answers the phone. Shyam fails to realize that she isn’t Radha and he promises to come back and marry her. Mira assumes that he has accepted her father’s proposal. When he also apologizes for his behavior the day before she thinks he is apologizing for missing dinner with the family, to which he had been invited but didn’t show up for (because he was very busy elsewhere).
Meanwhile, Radha’s hag of a stepmother is promising to marry her to a sleazy guy named Shankar in exchange for his gifts of money.
She is upset when Radha returns home very late from her tryst, and forbids her from going to work at the Sharmas again. When Radha discovers that she is pregnant, her father and stepmother throw her out, and nobody wants anything to do with her. She goes to her friend Dr. Kailash and confides in him. He takes her in, saying she can work at his clinic until she has the baby.
Radha receives a letter from Shyam (brought to her by one of the Sharmas’ servants) telling her that he loves her and will marry her on his return from England.
Unnecessary Side Plot #1: Shyam’s sister Rekha meanwhile is being romanced by a guy named Deepak with a fondness for psychedelic shirts and tight pants. This is a track that never goes anywhere, and could have been cut out—although Deepak’s fashion choices are almost worth the extra minutes it adds to the film.
Lost Opportunity #2: Dr. Kailash is in love with Mira but too shy to say so. When he finally works up the courage to propose marriage, he discovers that he is too late and she is promised to Shukla’s son Shyam.
When Shyam returns from England he goes directly to the Sharmas to see Radha. When he is introduced to Mira, he is surprised.
Mira knows that something is wrong, but her father takes Shyam upstairs to meet her mother.
Lost Opportunity #3: Dr. Kailash is there with Mrs. Sharma but of course neither of them knows that the other one knows Radha.
Shyam is distraught and leaves the Sharmas to look for Radha but can’t find her and really has no idea where to even look.
Coincidence #2: He happens to ask—of all people—former suitor Shankar if he knows Radha or where she lives. Shankar tells Shyam that Radha was an immoral woman and was run out of the neighborhood. He gives Shyam directions to Radha’s house, where her stepmother confirms what Shankar has said.
Lost Opportunity #4: The next time they meet, Mira asks Shyam if he is in love with someone else. She says that she will refuse the marriage if he is. He thinks she is really sweet and remembers the criticism of Radha’s character, and his uncle’s enthusiasm for the marriage to Mira.
Bad Decision #2: He agrees to marry Mira and tells her that he doesn’t love anyone else.
At the clinic, Radha gives birth to a baby boy. Dr. Kailash stops by to see her and mentions that he’s going to Mira’s wedding. He gives the invitation to Radha for her to look at and goes off. When Radha sees the groom’s name, she freaks.
Lost Opportunity #5: She finds a cab and urges the driver to hurry to the Sharmas so that she can stop the wedding—but arrives just as Mira and Shyam are taking the final steps around the fire.
Bad Decision #3: She leaves the baby in Mira’s room with a note explaining everything. To prove the truth of her story, she writes the note on the other side of the letter that Shyam had sent her from England. She says that since Mira has taken her place in Shyam’s life, she should also take the baby and bring it up as her own.
Bad Decision #4: Mira reads the note and decides that it is her duty to reunite Radha with Shyam and the baby. To that end, she tells Shyam that she has a child out of wedlock. Needless to say, he is upset and leaves her to a lonely nuptial bed.
As Shyam continues to shun his new bride, she settles in at his house. Shukla thinks Mira is wonderful and when he sees her crying asks what is wrong. She tells him that she had a friend who had a baby and died—leaving the baby with her. She doesn’t know what to do with it. He tells her to bring the child home.
Unnecessary Side Plot #2: Shyam’s cousin Rajan is jealous of Shyam’s elevated status (Shukla clearly prefers him over Rajan). Rajan is making a good living as a forger in addition to working at the family’s company. This side plot gains some usefulness towards the end of the film, but an awful lot of time is wasted on it nonetheless.
Shukla is happy to play grandfather to the baby; but Shyam is shocked when he comes home and finds the baby in residence, and hears the story Mira has told his uncle.
Lost Opportunity #6/Coincidence #3: Just as Shyam is about to tell his uncle what Mira had told him, the phone rings. It’s Shukla’s cardiologist. He tells Shyam that his uncle’s heart condition is bad and he should not be given any surprises or distressing news.
Shyam confronts Mira and asks her angrily why she didn’t tell her father the true story. Mira says that it was out of respect for Shukla, and that Shyam should learn to forgive those who make mistakes. He doesn’t seem to get it. I don’t like him nearly as much as I did in Ansoo Ban Gaye Phool.
Back in poor Radha’s life, things are looking up. After leaving the baby at Mira’s, she had wandered in the rain, considered suicide, was nearly molested by some loafers and finally was rescued by a hunter from Bhopal named Banne Khan Bhopali (Pran).
Coincidence #4: Banne Khan is a good friend of Shukla’s. He’s been in the film from the beginning as a Somewhat Unnecessary Side Plot (although an argument could easily be made that Pran is NEVER unnecessary); going forward now, though, he has more of a purpose.
Banne Khan has taken Radha home to live with him and adopted her as his sister. She tells him that she needs something to do with her time, a job; and he promises to get one for her.
Coincidence #5: The next day he takes her to meet his friend Shukla. They arrive just as Mira is leaving and Radha realizes whose house it is. She’s amazed at the coincidence (clearly she hasn’t been paying attention) but overjoyed to see her baby in Shukla’s arms.
Banne Khan asks Shukla if he can provide Radha with a job and Shukla says she can work at the company office. Hearing this, Radha prepares herself for a confrontation with Shyam.
Lost Opportunity #7: It doesn’t go well. Recriminations fly on both sides, and Radha tells him to forget his child and to forget her, and storms out.
Bad Decision #5: She decides to keep the job however, not knowing what she would give as an excuse to Banne Khan, and also hoping that she can see her son now and again. She vows not to have an affair with Shyam, though, saying that Mira is a goddess for accepting her child into her home.
Mira is continuing to endear herself to all at home too (except Shyam of course). She finds out about Rekha’s feelings for Deepak and arranges their engagement. Evil cousin Rajan comes to the house and picks up the notebook that Mira writes her poetry in.
Bad Decision #6: She lets him take it home.
At this juncture I realize two things: one, there is still an hour left to go in the film and two, I am exhausted—although engaged—by all the plot points.
Anyway, a party is given to celebrate the child’s first birthday. Shyam is tired of being told by one and all that his wife is a goddess when he thinks he knows her true nature. This party is the last straw. He picks a fight with Mira which is overheard by Rajan, who is positively gleeful when he hears that Mira is the mother of the baby.
The next day, Radha is called into Shyam’s office. Alas, he is not there, but Rajan is.
Bad Decision #7: Rajan tries to rape her
but she fights him off with an ashtray, and then a chair which she throws through Shyam’s office window into the main office.
Bad Decision #8: Even though everyone in the office can now see what’s going on, Rajan continues his assault.
After the other office workers rescue Radha, they call Banne Khan, Shukla and Shyam to the office. Rajan gets a thrashing from Banne Khan and is thrown out of the office, vowing revenge as he goes.
Back at home, Deepak’s parents arrive to talk with Shukla about breaking the engagement with Rekha. They tell him they have heard a rumor that Mira is the baby’s real mother. He calms them down and refuses to listen to such nonsense. Shyam though wants to take the baby to an orphanage, and he and Shukla have an argument which ends with Shukla reminding Shyam that he too is an orphan.
Shyam heads for a bar to get drunk and I perk up. This can only mean one thing!
Shyam gets good and sozzled while Rajan looks on and gloats. Clearly all these Lost Opportunities, Coincidences and Bad Decisions are leading to Trouble Ahead.
Will Shyam ever get a clue? Will Rajan use his forgery skills and Mira’s notebook to bring disgrace on the family? Will Radha die like most fallen women in Hindi films before her? Will any of them ever be happy again?
