Mudda: The Issue
Emotional Scene from superhit movie Mudda: The Issue (2003) starring: Arya Babbar, Prashanth Narayanan, Aditya Srivastava,
Oct 29, 2016 - Mudda: The Issue (2003) - Hindi Movie Watch Online.
Starring - Arya Babbar, Prashant Narayanan, Aditya Srivastava, Rajat
Kapoor, Dolly Ahluwalia, Rekha Vedavyasa Director - Saurabh Shukla Genre
- Drama Movie Info - http://www.
Lyrics and video of songs from Movie / Album : Mudda: The Issue (2003);
Music by: Pritam Chakraborty; Singer(s): Sumeet Kumar, Arun Bakshi,
Poornima, Hariharan, Sonu Nigam, Saurabh Shukla, Zubin; having star
cast: Aarya Babbar, ... Film cast: Aarya Babbar, Rekha Vedvyasa, Rajat Kapoor, Vijay Raaz, Pankaj Jha.
songs:-
Emotional Song from superhit movie Mudda: The Issue (2003) starring: Arya Babbar, Prashanth Narayanan, Aditya Srivastava, Rajat
Mudda: The Issue (2003) Music:Jeet -Pritam Singer:Zubeen Garg.Collection By PRINCE PRIYAM.
Listen to the classic hindi sad song "Jhilmil Sitaaron Ka Aangan Hoga" from the bollywood classic romantic drama hindi movei
Romantic Song from superhit movie Mudda: The Issue (2003) starring: Arya Babbar, Prashanth Narayanan, Aditya Srivastava, Rajat
Dance Song from superhit movie Mudda: The Issue (2003) starring: Arya Babbar, Prashanth Narayanan, Aditya Srivastava, Rajat
Romantic Song from superhit movie Mudda: The Issue (2003) starring: Arya Babbar, Prashanth Narayanan, Aditya Srivastava, Rajat
Mudda – The Issue is a 2003 Hindi Drama film directed by Saurabh Shukla and produced by Daksha Mavani. The film features an
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Two men, who are the sons of political rivals, fall in love with the same woman. As their continue to vie for her attention, an unassuming professor is dragged into the mess.
Release date: 12 December 2003 (India)
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Mudda – The Issue - Wikipedia
https://en.wikipedia.org/wiki/Mudda_–_The_Issue
Mudda – The Issue is a 2003 Hindi Drama film. This movie is a directorial debut of actor director Saurabh Shukla and produced by Daksha Mavani. The film features an ensemble cast where director himself played a role in the film. The movie was box office failure. Actor and Bollywood Singing legend Kishore Kumar'
Mudda – The Issue is a 2003 Hindi Drama film. This movie is a directorial debut of actor director Saurabh Shukla and produced by Daksha Mavani. The film features an ensemble cast where director himself played a role in the film.[1][2] The movie was box office failure. Actor and Bollywood Singing legend Kishore Kumar's youngest son Sumit Kumar also debuted as singer with this movie.
The music of the film is composed by Jeet Gannguli and Pritam while the lyrics are written by Chandrani Ganguly, Saurabh Shukla
and Sanjay Swami. It was the last Film of Jeet and Pritam as musical
duo Jeet-Pritam as both of them pursued their solo career after this
film.
All music composed by Jeet-Pritam.
| Mudda - The Issue | |
|---|---|
Audio CD Cover
|
|
| Directed by | Saurabh Shukla |
| Produced by | Daksha Mavani |
| Story by | Saurabh Shukla |
| Starring | Arya Babbar Aditya Srivastava Rekha Vedavyas Vijay Raaz Nawazuddin Siddiqui |
| Music by | Jeet-Pritam |
| Cinematography | Taposh Mandal |
| Edited by | K Ravi Kumar |
Production
company |
Ramnord Research Laboratories Pvt Ltd
|
Release date
|
|
| Country | India |
| Language | Hindi |
Contents
Story
Perplexed, and frustrated with life in Bombay's corrupt colleges, Lecturer Siddharth Archarya, decides to re-locate to a small town called Samaypur, where he feels he will get some satisfaction in teaching youngsters who are not influenced by politics. Alas, he is wrong. Student union rivalry and hatred has encompassed the entire town, fights break out frequently, mostly between two rival student leaders, Pratap and Rajbir, who are children of local political leaders, Harphool Singh and MLA Balli Tai. Siddharth decides to garner their energy in a positive way by making them renovate the college building - with disastrous results - and no hopes for a reconciliation. Things get even more complicated when both young men fall for a fellow collegian, Sundari, who wants to marry Pratap. It is then the parents of both Rajbir and Pratap meet secretly - and decide what their sons' and Samaypur's fate is going to be.Cast
- Arya Babbar as Rajbir (Balli's son)
- Prashant Narayanan as Pratap Singh (Harphool's son)
- Rekha Vedavyas as Sundari
- Aditya Srivastava as Harphool Singh
- Vijay Raaz as Lemur
- Pankaj Jha
- Saurabh Shukla as Dinanath
- Rajat Kapoor as Siddharth Acharya
- Nawazuddin Siddiqui
Music
| Mudda - The Issue | ||||
|---|---|---|---|---|
|
||||
| Soundtrack album by Jeet-Pritam | ||||
| Released | December 12, 2003 | |||
| Genre | filmi | |||
| Length | 39:46 | |||
| Label | Zee Music | |||
| Producer | Jeet Gannguli Pritam |
|||
| Jeet-Pritam chronology | ||||
|
||||
All music composed by Jeet-Pritam.
| No. | Title | Lyrics | Singer(s) | Length |
|---|---|---|---|---|
| 1. | "Khwabon Ki" | Saurabh Shukla | Kavita Krishnamurthy, Zubeen Garg | 5:27 |
| 2. | "Godanva" | Saurabh Shukla | Arun Bakshi, Poornima | 5:29 |
| 3. | "Kaise Main Kahoon" | Sanjay Swami | Sumeet Kumar | 6:17 |
| 4. | "Deewangee" | Chandrani Ganguly | Sumeet Kumar | 6:06 |
| 5. | "Kutta Kaate" | Saurabh Shukla | Sonu Nigam, Saurabh Shukla | 4:02 |
| 6. | "Khwabon Ki" | Saurabh Shukla | Hariharan | 5:26 |
| 7. | "Sapne Saare" | Saurabh Shukla | Zubeen Garg | 4:13 |
| 8. | "Deewangee" | Chandrani Ganguly | Sumeet Kumar | 2:46 |
| Total length: | 39:46 | |||
Mudda: The Issue (2003) - IMDb
www.imdb.com/title/tt0392951/
Rating: 4.2/10 - 25 votes
Drama
· A small town university lecturer becomes embroiled in the family feud
between the two sons of the town's two policial rivals which escalates
when both sons fall for the same woman and ..... Mudda could have been a poignant but quirky art film focusing on ethical issues (you had an ethics professor as a potential lead character, but you blew it!) in ...
A small town university lecturer becomes embroiled
in the family feud between the two sons of the town's two policial
rivals which escalates when both sons fall for the same woman and vie
for her attention.
Director:
Saurabh ShuklaWriter:
Saurabh ShuklaCast
| Credited cast: | |||
 |
Prashant Narayanan | ... |
Pratap Singh (Harphool's son)
|
 |
Rekha Vedavyasa | ... |
Sundari
|
 |
Aditya Srivastava | ... |
Harphool Singh
|
 |
Rajat Kapoor | ... |
Siddharth Acharya
|
| |
Dolly Ahluwalia | ... |
MLA Balli Tai
|
 |
Arya Babbar | ... |
Rajbir (Balli's son)
|
 |
Saurabh Shukla | ... |
Dinanath
|
| |
Vijay Raj | ... |
Lumer
|
| |
Hauazudain | ... |
Gajanand Ramlal Bhaduri
|
| |
Pankaj Jha | ||
| |
Anil Chaudhary | ||
| Rest of cast listed alphabetically: | |||
 |
Vijay Raaz | ... |
Villager in Bus
|
| |
Nagesh Salwan | ... |
Bus Driver
|
 |
Nawazuddin Siddiqui | ... |
Student
|
Edit
Storyline
Acharya is a college lecturer in Bombay who moves to a small rural
village to accept a teaching post at the village's small college where
he soon becomes entangled in a conflict between the village's two
polical rivals, Balli Tai and Harpod Singh whom are jocking for power
control while their children, Balli's trouble-making son Rajbir, and
Harpod's docile son Pratap, both fall for the same woman, a young
newcomer named Sundari, for her affections which spill out into all out
war with Acharya acting as a buffer and mediator to prevent the conflict
from getting any more out of control. Written by
Matt Patay
Plot Summary
|
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Genres:
DramaCertificate:
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Details
Country:
IndiaLanguage:
HindiRelease Date:
12 December 2003 (India) See more »Also Known As:
The Issue See more »Company Credits
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How to ruin a good thing
Too many Bollywood
films try to be too many different things. Having a standard running
time of two and a half to three hours doesn't help, as it encourages
sprawl to meet the expected length. Occasionally, the broad-spanning
genre hopping works. More often the films work despite the loose focus.
But occasionally the over-ambitiousness ends up sinking a film. That's
what happens in Mudda.
Writer/director Saurabh Shukla begins the film on solid enough footing. We first follow a college ethics professor named Acharya (Aditya Srivastava) as he announces that he's tired of city life in Mumbai, including the overly political atmosphere of the university and the way that students are used as pawns. He wants to return to a simpler existence in a rural village, where he is certain he'll find peace.
Humorously, as soon as he announces this, Shukla segues to the warring village that Acharya is headed to. Acharya's complaints and subsequent move turn out to have an even more ironic edge later on. The source of the problem is a feud between competing village rulers Balli Tai (Dolly Ahluwalia) and Harphul Singh (Rajat Kapoor). Balli Tai has an almost mobster-like control of the village, including the police, and Harphul accuses her of rigging the most recent election. Paralleling the feud are their offspring. Balli Tai's son Rajbeer (Arya Babbar) is the local bully. Harphul's son Pratap (Prashant Narayanan) is kinder and quieter, which means that Rajbeer is constantly pushing him around.
The initial focus on Acharya as well as subsequent scenes that center on this character have a refreshing "art film" feel. Unfortunately, Acharya quickly becomes negligible in the story. This is another problem that plagues too many Bollywood films--following an interesting character/story for the first 20 to 30 minutes before completely changing gears. Note to Bollywood producers, directors and writers: Don't tease your audience with intriguing material that you're not going to deliver on. Just get on with the story right from the beginning.
Even with changing gears, Mudda isn't too bad at first, as it seems that it will turn out to be something of a quirkily humorous but mostly serious political parable, with the different sides using despicable tactics to win. And fairly quickly Shukla makes the college students the focus instead, but continues the political parable in almost a Lord of the Flies-vein.
However, all of this falls apart and becomes just another dreaded, clichéd love triangle film centered on both Rajbir and Pratap courting the beautiful Sundari (Rekha Vedavyasa). There are a number of character disposition 180-degree shifts that only exist to meet the conventions of the love triangle plot. Character changes like these require justification.
And there are plenty of other problems. Fight scenes have way too much facial mugging and melodrama. They are also poorly blocked, and the sound effects work is so ridiculous that it is hilarious instead. The timbre of the punch sounds is all wrong, and the sounds occur even when no one is punching. At times these scenes were ridiculous enough that I had to pause because I was laughing so hard. The fight scenes are a bit like the cheesiest, most poorly dubbed early 1970s kung fu film you've ever scene, minus the nifty kung fu but plus a lot of overacted primping and posing.
And of course there are breaks for musical numbers. While the music would be pleasant enough in isolation--much of it has almost a light jazz feel, which is refreshing, it wasn't integrated into the film very well, and the songs featured that generic travelogue cinematography as well as generic lyrics--you know that stuff where characters are so in love that they're "pining" for each other, they can't sleep, and so on. These musical numbers could be inserted into a few thousand other films without audiences noticing the difference. Note to Bollywood producers, directors and writers: Not every film has to be a musical--please! Not every film has to be a romance or a love triangle. And if you can't help yourself from putting musical numbers in your films, try a bit of creativity in your lyrics. Believe it or not, it's possible to write song lyrics about any topic imaginable. And not all of the staging of the songs has to be a travelogue. Stop copying whatever classic Bollywood film it is that everyone has been copying for years and years. Bollywood has been complaining about a lack of profits recently. Try to make some creative films that don't putz out by bowing to conventions. If you do that, you'll begin to see hefty profits, and not just from areas with heavy Indian populations.
Because without the incongruous but clichéd songs, without the ridiculous fight scenes, without the horrendous mugging, without the atrociously overacted melodrama, and without the obligation to stretch a story out to a particular bloated running time, Mudda could have been quite a film. The actors are good. The actors are attractive (not just Vedavyasa). There is a lot of good, underdeveloped material here. The village setting was interesting. The composer, Jeet-Pritnam, is talented and very capable of writing intriguing _background_ music. You have some nice cinematography. Mudda could have been a poignant but quirky art film focusing on ethical issues (you had an ethics professor as a potential lead character, but you blew it!) in politics, using a small village as a parable for global political realities. Stop ruining films like this with the insertion of formulaic crap. Please? I'll give you a dollar?
Writer/director Saurabh Shukla begins the film on solid enough footing. We first follow a college ethics professor named Acharya (Aditya Srivastava) as he announces that he's tired of city life in Mumbai, including the overly political atmosphere of the university and the way that students are used as pawns. He wants to return to a simpler existence in a rural village, where he is certain he'll find peace.
Humorously, as soon as he announces this, Shukla segues to the warring village that Acharya is headed to. Acharya's complaints and subsequent move turn out to have an even more ironic edge later on. The source of the problem is a feud between competing village rulers Balli Tai (Dolly Ahluwalia) and Harphul Singh (Rajat Kapoor). Balli Tai has an almost mobster-like control of the village, including the police, and Harphul accuses her of rigging the most recent election. Paralleling the feud are their offspring. Balli Tai's son Rajbeer (Arya Babbar) is the local bully. Harphul's son Pratap (Prashant Narayanan) is kinder and quieter, which means that Rajbeer is constantly pushing him around.
The initial focus on Acharya as well as subsequent scenes that center on this character have a refreshing "art film" feel. Unfortunately, Acharya quickly becomes negligible in the story. This is another problem that plagues too many Bollywood films--following an interesting character/story for the first 20 to 30 minutes before completely changing gears. Note to Bollywood producers, directors and writers: Don't tease your audience with intriguing material that you're not going to deliver on. Just get on with the story right from the beginning.
Even with changing gears, Mudda isn't too bad at first, as it seems that it will turn out to be something of a quirkily humorous but mostly serious political parable, with the different sides using despicable tactics to win. And fairly quickly Shukla makes the college students the focus instead, but continues the political parable in almost a Lord of the Flies-vein.
However, all of this falls apart and becomes just another dreaded, clichéd love triangle film centered on both Rajbir and Pratap courting the beautiful Sundari (Rekha Vedavyasa). There are a number of character disposition 180-degree shifts that only exist to meet the conventions of the love triangle plot. Character changes like these require justification.
And there are plenty of other problems. Fight scenes have way too much facial mugging and melodrama. They are also poorly blocked, and the sound effects work is so ridiculous that it is hilarious instead. The timbre of the punch sounds is all wrong, and the sounds occur even when no one is punching. At times these scenes were ridiculous enough that I had to pause because I was laughing so hard. The fight scenes are a bit like the cheesiest, most poorly dubbed early 1970s kung fu film you've ever scene, minus the nifty kung fu but plus a lot of overacted primping and posing.
And of course there are breaks for musical numbers. While the music would be pleasant enough in isolation--much of it has almost a light jazz feel, which is refreshing, it wasn't integrated into the film very well, and the songs featured that generic travelogue cinematography as well as generic lyrics--you know that stuff where characters are so in love that they're "pining" for each other, they can't sleep, and so on. These musical numbers could be inserted into a few thousand other films without audiences noticing the difference. Note to Bollywood producers, directors and writers: Not every film has to be a musical--please! Not every film has to be a romance or a love triangle. And if you can't help yourself from putting musical numbers in your films, try a bit of creativity in your lyrics. Believe it or not, it's possible to write song lyrics about any topic imaginable. And not all of the staging of the songs has to be a travelogue. Stop copying whatever classic Bollywood film it is that everyone has been copying for years and years. Bollywood has been complaining about a lack of profits recently. Try to make some creative films that don't putz out by bowing to conventions. If you do that, you'll begin to see hefty profits, and not just from areas with heavy Indian populations.
Because without the incongruous but clichéd songs, without the ridiculous fight scenes, without the horrendous mugging, without the atrociously overacted melodrama, and without the obligation to stretch a story out to a particular bloated running time, Mudda could have been quite a film. The actors are good. The actors are attractive (not just Vedavyasa). There is a lot of good, underdeveloped material here. The village setting was interesting. The composer, Jeet-Pritnam, is talented and very capable of writing intriguing _background_ music. You have some nice cinematography. Mudda could have been a poignant but quirky art film focusing on ethical issues (you had an ethics professor as a potential lead character, but you blew it!) in politics, using a small village as a parable for global political realities. Stop ruining films like this with the insertion of formulaic crap. Please? I'll give you a dollar?
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Action Scene from superhit movie Mudda: The Issue (2003) starring: Arya Babbar
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Action Scene from superhit movie Mudda: The Issue (2003) starring: Arya BabbarRekha Vedavyasa, Arya Babbar, Mudda The Issue - Scene 22/22 ...
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Scene from superhit movie Mudda: The Issue (2003) starring: Arya Babbar, Prashanth Narayanan, Aditya ...Prashanth Narayanan, Arya Babbar, Mudda The Issue - Action Scene ...
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Deewangi - Sad - Sumit Kumar.mp3 Free Download ::SurMaza.com
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Related Files. Deewangi - Sad - Sumit Kumar.mp3 [2.15 mb] 18 Hits · Sapne Saare - Zubeen Garg.mp3 [3.74 mb] 30 Hits · Deewangee - Sumit Kumar.mp3 [Deewangi (sad) Lyrics | Mudda: The Issue - OyeLyrics
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Kaise Mai Kahu Jara Ruk Ja, Arya Babbar - Mudda The Issue ...
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