| Sandesh | Bal Gajbar | Kumud, Umesh Sharma, Meenaxi, Durga Khote, Lalita Pawar, Nana Palsikar | Social | Music: S. Purushottam Lyrics: |
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Sandesh (1952) - IMDb
Director:
Bal GajbarStars:
Durga Khote, Lalita PawarCast
| Credited cast: | |||
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Durga Khote | ||
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Lalita Pawar | ||
Details
Country:
IndiaLanguage:
HindiCompany Credits
Technical Specs
Sound Mix:
MonoColor:
Black and White
Sandesh : Lyrics and video of Songs from the Movie Sandesh (1952)
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Purushottam Laxman Deshpande - IPFS
- संदेश (Sandesh) [in Hindi] – 1952: Writer of Story, Screenplay, and Dialogues (translated by Mir Asgar Ali)
Music Director : S Purushottam : Lyrics and video of Hindi Film Songs ...
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bisree huyee ee woh baatein aen qismat se kyaa gilaa karein duniyaa ko gham kaa kyaa pataa |
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| Aao Ji Aao Raghuraj Aao | Manik Varma | S Purushottam | Kumud Tripathi |
| Soya Gagan Me Chand
1.00 - 1 votes
| Manik Varma | S Purushottam | Kumud Tripathi |
[New post] Soyaa gagan mein chaand so jaa
| Mar 11, 2023, 5:01 AM |  | ||
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one such successful but totally unknown Arranger SHYAMRAO KAMBLE.
Kamble was born in Karad, near Kolhapur in Maharashtra, on 23-10-1925. His elder brother taught him Tabla and Pakhawaj. Kamble joined a musical drama company where he learnt writing notations. When he came to Bombay he accompanied great singers like Saraswati Rane, Suresh Haldankar, Manik Verma etc. He used to make rounds of film studios and learnt to play Piano, Saxophone, trumpet, mandolin etc.
His career started as an assistant to music director H N Sharma.
Then he worked for Roshan in Bawre nain, wherein he played harmonium in all songs and Roshan was pleased. In Bheegi Raat-65 he played Guitar in the song ‘Dil jo na kah saka’
While doing Anokhi Raat he made use of Flute artistically in ‘oh re taal mile’. During this film Roshan died and he helped his wife to complete the recording of ‘Sapnon ka raja’ by Lata.
Chitralekha’s background music was liked by Hemant kumar very much.
After Roshan, Kamble worked for his son Rajesh Roshan also.
Kamble says,``Though my work was appreciated, my name never appeared in film credits till Jaidev and Sudhir Phadke insisted for it.”
From ‘Mujhe jeene do’-63 Kamble became Jaidev’s assistant. He says,' Jaidev ji was a composer totally sold to indian classical music.’ For Reshma and Shera Kamble used Sarod effectively.
The producer director of Gharonda,Bheem Sen insisted its music to be like R D Burman. Kamble used the interludes in every song just like RDB and songs of Gharonda became very famous. Jaidev was so happy that he gave a 5 speaker gramophone to him as a Gift.
In the film ‘Tumhaare Liye’ Kamble wanted Hariprasad Chaurasiya to play Flute. He discussed it with Hari ji, but Hari ji did not come for any rehearsals, so Kamble called Sumant Raj and did the rehearsals. As luck would have it,on the day of recording Hariprasad came to play Flute. Kamble did not hesitate in making his decision. He used both the flutists for different pieces in the song.
Kamble also worked with Sudhir Phadke. when a producer wanted to make a remake of marathi film ‘Vahininchya Bangdya”, he took Sudhir Phadke for Bhabhi ki choodiyan as a composer, but put a condition that his Arranger will work with him. That person was a Goanese and Phadke did not like his arrangement with western instruments for this emotional film. He called Kamble and asked him to write notations for all the songs on the tunes decided already. Kamble did all this and left. Phadke gave the notations to the Goanese arranger and asked him to arrange orchestration accordingly. That is why all the songs of this film including ‘Jyoti kalash chamke” became popular.
Shyamrao Kamble did not attempt to become a film composer himself, as he knew his limitations. However,for ``Bibal-My Brother”-1975, he shared the music with Prabhakar Jog.
Shamrao himself was a brilliant composer as well. He used to compose Bhajans and once on listening to the Bhajans he composed, music director Pyarelal asked him “Shamraoji if you can compose the tunes so nicely, why don’t you think to be a full-fledged music director for films ?” He just said “I am more interested in the Music Arrangements..” Pyarelal asked him jokingly, “so shall I use your compositions ?” smiling, within a second he said, “Pyareji, my all work is for you… you may use it whenever you wish..!” I am very much sure that if Shamraoji had taken music-direction as a career, he would have definitely achieved the position in the list of most talented and successful composers in the Indian music field," said Pyarelal Ramprasad Sharma, the ace music director.
"His knowledge and devotion towards music was so deep, that he even used to guide or suggest the top artists like Rais Khan (sitar), Hariprasad Chaurasia (flute), Shivkumar Sharma (santoor) about the playing during the recordings. He also used to express that a particular music piece would be more effective if improvised in a different manner etc. And the greatness of those artists also, who used to sportingly accept Shamraoji's suggestions and appreciate the same.. This was only because they were fully aware of Shamraoji’s knowledge and capacity. And also this was the reason that we had given total freedom to him in our work also," said Pyarelal.
In his early career, Shamrao had worked as a notation-writer. He was the one who wrote down the notation for Dinanath Mangeshkar's natya sangeet (Chandrika hi janu, Vilopale madhu meelanat ya, Yuwati mana etc).
Though he retired and settled in Poona, Laxmikant Pyarelal always called him for work. He has toured several countries with Laxmikant Pyarelal’s orchestra as an Arranger. Shamrao kamble died on 17-10-2008, at Dombivali, due to Brain Haemorrhage, at the age of 83 years.
The tribe of Arrangers always worked behind the curtain, without any limelight on them and without appearing in film credits.
Truly, they are the brains behind good music in films ! (Thanks to Subhashandra Jadhav of ‘Voh bhooli Dastaan’ and Imprints and images, with thanks.)
Let us now enjoy the song by the classical singer Manik Verma. She sang only 17 songs in 13 Hindi films. Today's song was her last song in Hindi films.
Song- Soya gagan mein chaand sojaa (Sandesh)(1952) Singer- Manik Verma, Lyricist- Kumud Tripathi, MD- S.Purushottam
Lyrics
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soya gagan mein chaand
soja
soya gagan mein chaand
soja
pyaar ki loree
gaaye chakori
gaaye chakori
baadal jhulna jhulaaye
so jaa
soya gagan mein chaand
soja
soja aaye sapne suhaane
mit jaaye dukh dard puraane
dard puraane
sapnon mein meet bulaaye
soja
soya gagan mein chaand
soja
hat jaayega dukh ka andhera
aayega jab sukh ka sawera
sukh ka sawera
pichhli kahaani bhulaaye
soja
pichhli kahaani bhulaaye
soja
soya gagan mein chaand
soja
soya gagan mein chaand
soja
hmm mm mm
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hmm mm mm
hmm mm mm
| Ye Do Ankhe Tujhe Dikhe Hai Mohabbat | Zohrabai Ambalewali | S Purushottam | Kumud Tripathi | Sandesh (1952) |
