film (Vachan)(1974) ... Complete information on bollywood movie: Vachan Star cast, Movie Rating, Reviews, Plot, Screenshots, Song listing, Trailer, Watch ... Vachan (1974) | Hindi Movie Songs - Bollywood MuVyz ... Release date(s), 1955-----------------------------------------------------------------------------------------------------------------------
After her elder brother dies and her father goes blind, Kamla sacrifices her love and happiness to look after the needs of her family, only to be betrayed by her loved ones.
Vachan (Hindi: वचन English: Word) is a 1955 Indian Bollywood film directed by Raj Rishi and produced by Devendra Goel. The film stars Geeta Bali, Rajendra Kumar and Balraj in lead roles. The film marked the debut of composer Ravi. It was also Rajendra Kumar's first major film role.
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Kamla lives a poor lifestyle in a small town in
Uttar Pradesh, India, along with her widowed dad, Dinanath, who works as
an Accountant with Sarpanch Journal, and two younger brothers, ...
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Kamla lives a poor lifestyle in a small town
in Uttar Pradesh, India, along with her widowed dad, Dinanath, who works
as an Accountant with Sarpanch Journal, and two younger brothers,
college-going Kumar, and school-going 12 year old brother, Kishore.
Dinanath's main aim is to get Kamla married to her lover, wealthy Prem,
and ensure that Kumar and Kishore get a proper college education. When
Dinanath's eyesight becomes very weak, he starts making errors, and
loses his job. He does manage to persuade his employer, Laxmidas, to
hire Kumar once he gets his degree in Arts. On the day of the results,
Kumar has an accident and passes away, a devastated Dinanath bangs his
head, injures himself, is hospitalized, recovers but loses his vision
completely. As a result, Kamla's wedding is canceled, Prem reluctantly
gets married to Shyama; while Kamla gets a job and starts to look after
her dad and Kishore. Years pass by, Kishore has grown up, graduates,
gets a job, gets married to Tara, the niece...
Written by
rAjOo (gunwanti@hotmail.com)
Vachan (1955) cast and crew credits, including actors, actresses, directors, writers and more. ... Help; |. Sign in · Edit · Vachan (1955) Poster ... Film Editing by ...
Know the full star cast of Vachan film like producer, music director, singers, writer ... to the complete cast and crew page for Vachan (1955) on Cinestaan.com.
Niroo, Actress: Adhikar. Niroo was born on August 14, 1936 in Agra, India. She is an actress, known for Adhikar (1954), Badal (1966) and Jasoos (1955).
Radhakrishan was born on June 13, 1915 in New Delhi, India. He is an actor and writer, known for Ek-Hi-Rasta (1956), Amar Rahe Ye Pyar (1961) and Krorepati (1961). ... Mahesh's dad (as Radha Kishan)
Lyrics and video of songs from Movie / Album : Vachan (1955); Music by: Ravi; Singer(s): Asha Bhosle, Ravishankar, Mohammed Rafi; having star cast: ...
Song :Chanda mama door ke.. Movie : Vachan (1955) (वचन : Word) Singer : Asha Bhonsle, Lyricist : Prem Dhawan, Music Director ...
chandamama dur ke, puye pakaye bur ke
chandamama dur ke, puye pakaye bur ke
aap khaye thali me, munne ko de pyali me
aap khaye thali me, munne ko de pyali me
chandamama dur ke, puye pakaye bur ke
pyali gayi tut munna gaya ruth
pyali gayi tut munna gaya ruth
layenge nayi pyaliya baja baja ke taliya
layenge nayi pyaliya baja baja ke taliya
munne ko manayenge hum dudh malai khayenge
chandamama dur ke, puye pakaye bur ke
aap khaye thali me, munne ko de pyali me
chandamama dur ke, puye pakaye bur ke
udankhatole baith ke munna chanda ke ghar jayega
udankhatole baith ke munna chanda ke ghar jayega
taaro ke sang aankh michauli khel ke dil bahlayega
khel kud se jab mere munne ka dil bhar jayega
thumak thumak mera munna wapas ghar ko aayega
chandamama dur ke, puye pakaye bur ke
ho chandamama dur ke, puye pakaye bur ke
aap khaye thali me, munne ko de pyali me
aap khaye thali me, munne ko de pyali me
chandamama dur ke, o puye pakaye bur ke
"For
better or for worse, in sickness or in health till death do us part"
this was the pledge Prem and Kamla swore-with the sky, the ...
o babu, o jaanewale babu
ek paisa de de
ek paisa de de
o babu, o babu, o jaanewale babu
ek paisa de de
teri jeb rahe naa khaali o o o
teri jeb rahe naa khaali
teri roj mane diwali diwali
tu hardam mauj udaaye, kabhi naa dukh paaye
o babu ek paisa de de
ek paisa de de
o babu, o babu, o jaanewale babu
ek paisa de de
ye baccha duayein dega, tera bigada kaam banega
ye baccha duayein dega, tera bigada kaam banega
ise raato nind nahi aaye bhuk tadapayein
o babu ek paisa de de
ek paisa de de
o babu, o babu, o jaanewale babu
ek paisa de de
kismat phuti duniya ruthi tute sabhi sahaare
pet ke khaatir bane bhikhari, phirte dar dar maare
pet ke khaatir bane bhikhari, phirte dar dar maare
aankh se andha bapu mera
aankh se andha bapu mera
pag pag thokar khaaye chala nahi jaaye
o babu ek paisa de de
ek paisa de de
ek paisa de de
"For
better or for worse, in sickness or in health till death do us part"
this was the pledge Prem and Kamla swore-with the sky, the ...
jab liya hath me hath nibhana sath
mere sajana dekho ji hame chhod na jana
jab liya hath me hath nibhana sath
mere sajana dekho ji hame chhod na jana
sath kabhi na chhute chahe dushaman bane jamana
dekho ji hame chhod na jana
dekho ji dil tod na jana
phulo ki barat saji hai, aur kaliyo ki doli
phulo ki barat saji hai, aur kaliyo ki doli
jivan bhar ke liye piya mai aj tumhari ho li
aj tumhari ho li ghunghat ki rakho ke laj
vachan do aj mere sajana
dekho ji mukh mod na jana
dekho ji dil tod na jana
nile ambar wala dega nis din meri gawahi
nile ambar wala dega nis din meri gawahi
sada yeh prit nibhaunga mai sada hai prit nibhayi
sada hai prit nibhayi
duniya me pyar ka nam na ho badnam
mere sajana dekho ji dil tod na jana
sath kabhi na chhute chahe dushaman bane jamana
dekho ji hame chhod na jana
dekho ji dil tod na jana
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Song : Wo Din Kaha Gaye Mere
Movie : Vachan (1955)
Singer : Asha ...
wo din kaha gaye mere wo din kaha gaye
sapno se mithe geeto se pyare
wo din kaha gaye mere wo din kaha gaye
bairan wo haye kaun ghadi thi
palko ki khidki mai khole khadi thi
bairan wo haye kaun ghadi thi
palko ki khidki mai khole khadi thi
anjanepan se jo ankhe ladi thi
anjanepan se jo ankhe ladi thi
un ankho ko bhul gaye
wo din kaha gaye mere wo din kaha gaye
taro se jhilmil gagan ke niche
taro se jhilmil gagan ke niche
chipke khadi thi mai pipal ke piche
chupke se jisne mere nain miche
chupke se jisne mere nain miche
wo chaliya kaha gaye
wo din kaha gaye mere wo din kaha gaye
o mere man o mere man ab na aansu baha re
chip gaye jab teri kismat ke tare kismat ke tare
kahe ko pagle tu rah rah pukare rah rah pukare
wo din kaha gaye mere wo din kaha gaye
sapno se mithe geeto se pyare
wo din kaha gaye mere wo din kaha gaye
iss jahan me hame aise jina pada
aansuo ko bhi has has ke pina pada
iss jahan me hame aise jina pada
aansuo ko bhi has has ke pina pada
iss jahan me hame
zulm dekhe kayi jakhm khaaye kayi
yu toh iss dil me tufaan aaye kayi
zulm dekhe kayi jakhm khaaye kayi
yu toh iss dil me tufaan aaye kayi
yu toh iss dil me tufaan aaye kayi
umrr bhar phir bhi honto ko sina pada
umrr bhar phir bhi honto ko sina pada
aansuo ko bhi has has ke pina pada
iss jahan me hame
jindagi apani barbaad ho ke kati
jindagi apani barbaad ho ke kati
kabhi hans ke kati, kabhi roke kati
kabhi hans ke kati, kabhi roke kati
yuhi jite rahe yuhi jina pada
yuhi jite rahe yuhi jina pada
aansuo ko bhi has has ke pina pada
iss jahan me hame aise jina pada
aansuo ko bhi has has ke pina pada
iss jahan me hame
Film - Vachan - 1955 MD - Ravi Lyrics -Prem Dhawan.
koyi jahan mein, humaari tarah,
gareeb na ho, gareeb ho bhi tho,
hum jaisa badanaseeb na ho
ek paisa dede, ooo babu, oo babu,
oo jaane wale babu,
ek paisa dede
teri jeb rahe na khali, teri roz mane diwali,
tu hardam mauj udaaye, kabhi na dukh paaye,
oo babu ik paisa dede
yeh bacha duvayen dega, tera bigada kaam banega,
ise raaton neend nahin aaye, bhook tadapaaye,
oo babu ik paisa dede
qismat phuti duniya ruti, choote sabhi sahare,
pet ke khatir bane bhikaari, phirthe dardar maare,
aankh ke anda bapu meera pag pag thokar khaye,
chala nahin jaaye, ik paisa dede
ek paisa dede, ooo babu, oo babu,
oo jaane wale babu,
ek paisa dede
yuhi chupake chupake bahane bahane
nigaho se dil me lage ho samane
nigaho se dil me lage ho samane
isharo se luti adao se mari
hasino ko ate hai kya kya bahane
hasino ko ate hai kya kya bahane
akhiyo ki nind gayi dil ka karar mere dil ka karar ji
akhiyo ki nind gayi dil ka karar mere dil ka karar ji
isi ko to dil wale kahate hai pyar dekho kahate hai pyar ji
ye kya jadu dala ke mann bhola bhala
sambhale na sambhale manaye na mane
hasino ko ate hai kya kya bahane
yuhi chupake chupake bahane bahane
nigaho se dil me lage ho samane
nigaho se dil me lage ho samane
najaro ka teri hampe jadu na chalega ham pe jadu na chalega
najaro ka teri hampe jadu na chalega ham pe jadu na chalega
parvana khud ake shama pe jalega dekho shama pe jalega
kaha tak chhupoge kaha tak bachoge
ke khali na jaye najar ke nishane
hasino ko ate hai kya kya bahane yuhi chupake chupake
Ravi
Shankar, born Rabindra Shankar Chowdhury, his name often preceded by
the title Pandit and "Sitar maestro", was an Indian musician and a
composer of Hindustani classical music. Wikipedia
"For
better or for worse, in sickness or in health till death do us part"
this was the pledge Prem and Kamla swore-with the sky, the ...
zara sikh lo ankhiya sharmana chup ja na kabhi muskana
desh piya ke jana o mohe desh piya ke jana
zara sikh lo ankhiya sharmana chup ja na kabhi muskana
desh piya ke jana o mohe desh piya ke jana
jab sajan pas bulaye dil dhadke kadam ruk jaye
jab sajan pas bulaye dil dhadke kadam ruk jaye
wo badhke tham le aachal or baiya pakad bithlaye
sharmau uthna chahu sujhe na koi bahana
o mohe desh piya ke jana zara sikh lo ankhiya sharmana
chup ja na kabhi muskana desh piya ke jana
o mohe desh piya ke jana
jab aaye milan ki rate or do dil ek ho jaye
jab aaye milan ki rate or do dil ek ho jaye
naino me naina dale ek sapne me kho jaye
naino me naina dale ek sapne me kho jaye
more kangana khanak na jana
tute na sawpan suhana o mohe desh piya ke jana
zara sikh lo ankhiya sharmana chup ja na kabhi muskana
desh piya ke jana o mohe desh piya ke jana
Posted on February 4, 2019 by dustedoff · 16 .... While I watched Vachan for Chanda mama door ke, I realized it also had several other ..... Madhulika Liddle ...
The story gets off to a flying start, with no time wasted about
setting up a romance for the hero and heroine. They—Kamla (Geeta Bali)
and Prem (Balraj)—are already very much in love, even though their
circumstances couldn’t be more different. Prem is a very wealthy young
man, the only offspring of a widowed mother (Praveen Paul), who spends
her days complaining of high blood pressure and yelling at the opium
addict munim, Ghasi Ram (Radhakrishan), who seems to be not just a munim but some sort of general factotum in the house.
Kamla, on the other hand, is from a poor and rather distressed family [and they’re going to get much more distressed in the days to come].
She lives with her father (SK Prem), and two brothers—Kumar (who has
just given his BA exams, and wants to do an MA after this), and Kishore,
who is in school. Daddy, whose eyesight is pretty bad, works as an
accountant. It’s not a job that pays well (Kumar’s assertion that he
wants to do his MA and Kishore’s plea for money to go on a school tour
to Agra makes him look very worried, but he gamely agrees: he will work
harder and do all he can to get the money to pay for all of it).
But disaster strikes early, and hard. Daddy is sacked—because of his
poor eyesight, he’s been making far too many mistakes at work. He rushes
off to plead with the boss (Madan Puri), who says he can’t help it; the
errors are too many. They cannot keep him on any longer.
An idea strikes Daddy: will the boss take on Kumar in his stead?
After all, Kumar is a bright young man, and he’ll be certain to pass his
BA. The boss, fortunately, isn’t utterly unreasonable; he agrees. If
Kumar passes his BA, certainly he can be given his father’s old job.
A relieved Daddy breaks this news to Kumar, who, for the briefest of
moments, looks disappointed that his dream of an MA has gone down the
drain. But he rallies around, says that this will be good for them all,
and that he can always do his MA on the side. Plus, he knows he did well
in his BA exams. He’s sure to pass.
Daddy couldn’t be happier. Now all that is needed is to get Kamla
married too. Kumar, who knows all about the Kamla-Prem love affair,
tells Daddy that Kamla already has a groom identified, so Daddy [instead of berating his daughter about gallivanting around with men, as any other filmi father would do] finds out who the man is—and goes off to meet Prem’s mother…
… who, in as refreshing a change from the norm, says she only wants a bahu,
not a dowry. Munim Ghasi Ram looks horrified at this, and when Kamla’s
father has left, does try to reason with Prem’s mother, but she is
adamant. They have all they want; why be greedy?
All is happy. Kumar and Daddy visit the jeweller to order Kamla’s wedding jewellery [I am a little surprised that Kamla is not involved in choosing her own jewellery].
The date for the wedding has been fixed, her trousseau has been bought,
other arrangements are being made. Kamla and Prem, out on a date, find
themselves near a small temple and, in anticipation of their coming
marriage, Prem slips a ring on Kamla’s finger. [No, there’s nothing about “This makes you my wife, so let’s have some fun, shall we?”].
Of course, because everything is going so well, disaster must strike.
And it does. The BA results are announced. Kumar, buying a newspaper,
sees he’s come first, and is so excited and eager to break the news to
his father that he climbs on to his bicycle and goes pedaling off, very
fast—and rams into a truck. Daddy, who has also learnt of Kumar’s
success in the exams, has hurried home so quickly that he’s bumped into
someone and broken his spectacles. No matter, no matter, says Daddy, in a
hurry to get home…
… and when he does, it’s to see Kumar’s corpse there, surrounded by a
mourning Kamla, Kishore, and neighbours. Daddy is so heart-broken, he
bangs his head on the stone floor beside his son’s corpse, and concusses
himself [yes, well. As if they didn’t already have enough on their plates, now Daddy must go and harm himself too].
The scene shifts to some weeks later; Kamla’s wedding is now only ten
days away. The doctor is about to open the bandages around Daddy’s
eyes; Daddy is glad he will finally be able to see.
But no. He cannot see. And suddenly, things are much worse than the family had thought they would be.
Because Daddy’s job is gone, and Kumar is gone, and soon Kamla will
be gone too. With Daddy blind and Kishore a child, how will they make
ends meet? Kishore bravely tells Daddy that he will give up school and
do whatever petty jobs he can get to earn something. Kamla, overhearing
this, feels very guilty—and even more so when a pair of passing beggars,
a blind old man and his young son, burst into song, begging for a
little to keep body and soul together. [What perfect timing].
So Kamla decides that she cannot possibly get married now. Seven
years, she tells Prem. Give me seven years, in which I can work to
support my father and educate my brother enough so that he can grow up
and start earning. Prem says that there’s no need for that; he will look
after Daddy and Kishore, and pay for Kishore’s education. But Kamla is
adamant. Her father will not agree to that, anyway.
When Prem’s mother comes to know of this latest misfortune that’s befallen her future samdhi, she throws a fit [ably supported by Ghasi Ram, who adds fuel to the fire].
Ghasi Ram points out that if Prem marries Kamla now, his blind
father-in-law and useless little brother-in-law will come and foist
themselves on this house. And how can Prem think of waiting seven years?
So, when Prem comes to tell his mother of his decision to wait seven
years for Kamla, his mother puts up a fine display of emotional
blackmail, beating her head on a wall and then racing upstairs to throw
herself off the roof so that she is spared the trauma of seeing her only
son withering away into middle age still unmarried. Prem, naturally,
capitulates.
Prem, therefore, is married off to Shyama (Neeroo). And Neeroo, when
she inadvertently discovers that Prem had been in love with someone
named Kamla, is furious. So furious that their marriage starts off on a
bad note.
And meanwhile, Kamla is toiling away [no, not stitching clothes or rolling out papads à la Leela Chitnis etc, but at a typewriter, in an office], keeping her family afloat.
Pandit Mukhram Sharma, who was to go on to write several classic (and often surprisingly progressive) family dramas such as Gharana, Ek hi Raasta, Dhool ka Phool and Sadhana, wrote Vachan
too: this was among his earliest films. It does bear the stamp of a lot
of his later work—the strong central female character, the conniving
villain who poisons the easily influenced mind(s) of weaker characters
(in this case, nearly all female), the family breaking apart under
misunderstandings. Vachan’s is not as powerful a story as—say—Dhool ka Phool or Sadhana, but it’s still a good, solid family drama.
(1955)&ved=0ahUKEwjB7cn1373hAhWSbisKHaeoBRUQMwhgKBQwFA&iact=mrc&uact=8)
