| Dooj Ka Chaand | Nitin Bose | Ashok Kumar, Bharat Bhushan, B. Saroja Devi, Raaj Kumar, Azra, Chandrashekhar, Ulhas, Agha | Drama | Music: Roshan Lyrics: Sahir Ludhianvi |
Rating: 5/10 - 8 votes
The movie under review refers to this Dooj only whose auspicious sign is Dooj Ka Chaand, i.e., the slender moon visible on this night. The base of the very ...
Director:
Nitin BoseWriter:
Rajinder Singh BediStars:
Raaj Kumar, Saroja Devi B., Chandrashekhar | See full cast & crew »Cast
| Complete credited cast: | |||
 |
Raaj Kumar | ||
 |
Saroja Devi B. | ||
 |
Chandrashekhar | ||
| Ulhas | |||
  |
Ratna | ||
 |
Agha | ||
| Rest of cast listed alphabetically: | |||
 |
Bharat Bhushan | ||
 |
Ashok Kumar | ||
Edit
Dooj Ka Chaand is the story of Gopu (Bhaarat Bhooshan) who lives with his elder brother, Mahendra (Chandrashekhar) and sister-in-law, i.e., Bhabhi (Sulochana). Their parents are no more and Gopu's Bhabhi is also issueless. But these two brothers have a sister, Lalita (Jeevankala) who is actually the adopted daughter of their parents. Gopu is a carefree youth in his life not giving a damn for career and living. More than his studies, he takes interest in doing theatre. His Bhabhi loves him very much and always becomes a shelter for him from the resentment of Mahendra. Further, he loves his younger sister, Lalita very much and wants a suitable boy for her. Lalita also loves her fosters brothers very much, especially Gopu. One more track of this story is the friendship of Gopu with Anand (Ashok Kumar) who has become a lawyer after facing a lot of hardships in his life. Gopu has always helped him in his hour of need.
Due to his carelessness in life, Gopu has to suffer a heartbreak when his sweetheart, Indira (Azra) is married to the public prosecutor in the city court (Iftekhar). Gopu has to leave his home also when his sister, Lalita's engagement is broken. His fate makes him cross paths with Gauri (B. Saroja Devi) who starts loving him. On the other hand, Anand happens to meet Leela (Preeti Baala) who is the daughter of a big barrister (Ulhaas). Anand not only starts his legal practice successfully under Leela's father but also gets married to her.
The twist in the tale comes when Gopu comes to know about Lalita's marriage with a rich but licentious aged person, Meeraasdaar (Muraad). He is awestruck to see that his sister's life is going to be spoilt this way. The reason behind this marriage is conveyed to him as the money owed by his family to Meeraasdaar. Gopu promises Meeraasdaar to repay his debt and leaves no stone unturned in arranging money for that with the help of Gauri. Still he could not stop Lalita's marriage with Meeraasdaar. But on the wedding night itself, Meeraasdaar is murdered and Gopu is arrested for his murder. In his trial, his ex-flame's husband is the public prosecutor whereas his close friend, Anand is the defence counsel for him. The real murderer is unmasked in the end and Gopu is acquitted.
This story has been written by K.P. Kottarakara with a
lot of effort which deserves admiration.
Storyline
Add Full Plot | Add SynopsisDooj Ka Chaand is the story of Gopu (Bhaarat Bhooshan) who lives with his elder brother, Mahendra (Chandrashekhar) and sister-in-law, i.e., Bhabhi (Sulochana). Their parents are no more and Gopu's Bhabhi is also issueless. But these two brothers have a sister, Lalita (Jeevankala) who is actually the adopted daughter of their parents. Gopu is a carefree youth in his life not giving a damn for career and living. More than his studies, he takes interest in doing theatre. His Bhabhi loves him very much and always becomes a shelter for him from the resentment of Mahendra. Further, he loves his younger sister, Lalita very much and wants a suitable boy for her. Lalita also loves her fosters brothers very much, especially Gopu. One more track of this story is the friendship of Gopu with Anand (Ashok Kumar) who has become a lawyer after facing a lot of hardships in his life. Gopu has always helped him in his hour of need.
Due to his carelessness in life, Gopu has to suffer a heartbreak when his sweetheart, Indira (Azra) is married to the public prosecutor in the city court (Iftekhar). Gopu has to leave his home also when his sister, Lalita's engagement is broken. His fate makes him cross paths with Gauri (B. Saroja Devi) who starts loving him. On the other hand, Anand happens to meet Leela (Preeti Baala) who is the daughter of a big barrister (Ulhaas). Anand not only starts his legal practice successfully under Leela's father but also gets married to her.
The twist in the tale comes when Gopu comes to know about Lalita's marriage with a rich but licentious aged person, Meeraasdaar (Muraad). He is awestruck to see that his sister's life is going to be spoilt this way. The reason behind this marriage is conveyed to him as the money owed by his family to Meeraasdaar. Gopu promises Meeraasdaar to repay his debt and leaves no stone unturned in arranging money for that with the help of Gauri. Still he could not stop Lalita's marriage with Meeraasdaar. But on the wedding night itself, Meeraasdaar is murdered and Gopu is arrested for his murder. In his trial, his ex-flame's husband is the public prosecutor whereas his close friend, Anand is the defence counsel for him. The real murderer is unmasked in the end and Gopu is acquitted.
Writer:
Rajinder Singh BediParents Guide:
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IndiaLanguage:
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The moon of the second day signifying bro-sis love
During the sixties Bollywood witnessed many
potboilers which originally were romance or social / family dramas but
in the final reels, a suspense element was inserted by the
script-writers to provide an interesting twist in the tale and though
the movie continued to be entertaining afterwards too but now the focus
of entertainment had shifted to a murder-mystery. Dooj Ka Chaand is such
movie only which was a box office flop but not low on the scale of
entertainment.
Dooj Ka Chaand literally means the moon of the second night of the bright fortnight according to the lunar calendar. Since just after the new moon night, the first day moon is mostly not visible because of the strong effect of the sun on it. It's on the second day (Dooj) only when people are able to see the moon which is a very slender shape.
This second day coming after Diwali as well as Holi is considered as Bhaiya-Dooj in several parts of India which is a great festival of brothers and sisters. On this day the sisters put a Tilak on the foreheads of their brothers and perform Aarti for them. And the brothers take vows to protect and support the sisters wholeheartedly whenever needed. We can call it a mini Rakshabandhan which is an emotional festival, especially for the sisters who eagerly wait for their brothers on this day. The movie under review refers to this Dooj only whose auspicious sign is Dooj Ka Chaand, i.e., the slender moon visible on this night. The base of the very interesting story of this movie is the bro-sis love only.
Dooj Ka Chaand is the story of Gopu (Bhaarat Bhooshan) who lives with his elder brother, Mahendra (Chandrashekhar) and sister-in-law, i.e., Bhabhi (Sulochana). Their parents are no more and Gopu's Bhabhi is also issueless. But these two brothers have a sister, Lalita (Jeevankala) who is actually the adopted daughter of their parents. Gopu is a carefree youth in his life not giving a damn for career and living. More than his studies, he takes interest in doing theatre. His Bhabhi loves him very much and always becomes a shelter for him from the resentment of Mahendra. Further, he loves his younger sister, Lalita very much and wants a suitable boy for her. Lalita also loves her fosters brothers very much, especially Gopu. One more track of this story is the friendship of Gopu with Anand (Ashok Kumar) who has become a lawyer after facing a lot of hardships in his life. Gopu has always helped him in his hour of need.
Due to his carelessness in life, Gopu has to suffer a heartbreak when his sweetheart, Indira (Azra) is married to the public prosecutor in the city court (Iftekhar). Gopu has to leave his home also when his sister, Lalita's engagement is broken. His fate makes him cross paths with Gauri (B. Saroja Devi) who starts loving him. On the other hand, Anand happens to meet Leela (Preeti Baala) who is the daughter of a big barrister (Ulhaas). Anand not only starts his legal practice successfully under Leela's father but also gets married to her.
The twist in the tale comes when Gopu comes to know about Lalita's marriage with a rich but licentious aged person, Meeraasdaar (Muraad). He is awestruck to see that his sister's life is going to be spoilt this way. The reason behind this marriage is conveyed to him as the money owed by his family to Meeraasdaar. Gopu promises Meeraasdaar to repay his debt and leaves no stone unturned in arranging money for that with the help of Gauri. Still he could not stop Lalita's marriage with Meeraasdaar. But on the wedding night itself, Meeraasdaar is murdered and Gopu is arrested for his murder. In his trial, his ex-flame's husband is the public prosecutor whereas his close friend, Anand is the defence counsel for him. The real murderer is unmasked in the end and Gopu is acquitted.
This story has been written by K.P. Kottarakara with a
lot of effort which deserves admiration.
Though director, Nitin Bose
could not direct this admirable script perfectly for the screen,
nevertheless the movie is engrossing for the viewer. Good doses of
romance, comedy, sentiments and music are there before the final dose of
mystery is effected to the spectator. The dialogues have been written
by the famous Hindi litterateur, Rajinder Singh Bedi.
Performances are all admirable. It's interesting to see 53 years old Ashok Kumar playing the role of a suitable boy in the movie. All the actors have done their parts very well and nobody has disappointed.
The hero of this movie, Bhaarat Bhooshan only has produced this movie and he has chosen an interesting script with all the ingredients of a successful movie. However there are directorial flaws which seem to have had a negative impact on the commercial result of this movie. The movie is not unduly long. Still certain sequences could have been done away with.
Roshan has composed very good music for this movie with the beautiful and touching lyrics being penned by none other than Saahir Ludhianvi. The music album of this movie contains melodious and impressive songs like Vinati Suno Mori, Sajan Salona Maang Lo Ji, Pade Barkha Phuhaar, Chaand Takta Hai, Phool Gendwa Na Maaro, Sun Aye Mehjabeen, Mehfil Se Uth Jaane Waalon, Jhaankti Hai Meri Aankhon Se Kaza Teri, Lo Apna Jahaan Duniya Waalon etc. sung by Lata Mangeshkar, Asha Bhonsle, Geeta Dutt, Suman Kalyanpur, Mohammed Rafi, Manna Dey and Asha Singh Mastaana. All the tracks are admirable. The dances have been choreographed aesthetically.
Dooj Ka Chaand is a long-forgotten but very interesting movie which loosens its grip on the spectator at no place during its running. Once you are in it for a few minutes, you will find yourself as glued to the screen. Movie buffs of all categories are supposed to like it.
Dooj Ka Chaand literally means the moon of the second night of the bright fortnight according to the lunar calendar. Since just after the new moon night, the first day moon is mostly not visible because of the strong effect of the sun on it. It's on the second day (Dooj) only when people are able to see the moon which is a very slender shape.
This second day coming after Diwali as well as Holi is considered as Bhaiya-Dooj in several parts of India which is a great festival of brothers and sisters. On this day the sisters put a Tilak on the foreheads of their brothers and perform Aarti for them. And the brothers take vows to protect and support the sisters wholeheartedly whenever needed. We can call it a mini Rakshabandhan which is an emotional festival, especially for the sisters who eagerly wait for their brothers on this day. The movie under review refers to this Dooj only whose auspicious sign is Dooj Ka Chaand, i.e., the slender moon visible on this night. The base of the very interesting story of this movie is the bro-sis love only.
Dooj Ka Chaand is the story of Gopu (Bhaarat Bhooshan) who lives with his elder brother, Mahendra (Chandrashekhar) and sister-in-law, i.e., Bhabhi (Sulochana). Their parents are no more and Gopu's Bhabhi is also issueless. But these two brothers have a sister, Lalita (Jeevankala) who is actually the adopted daughter of their parents. Gopu is a carefree youth in his life not giving a damn for career and living. More than his studies, he takes interest in doing theatre. His Bhabhi loves him very much and always becomes a shelter for him from the resentment of Mahendra. Further, he loves his younger sister, Lalita very much and wants a suitable boy for her. Lalita also loves her fosters brothers very much, especially Gopu. One more track of this story is the friendship of Gopu with Anand (Ashok Kumar) who has become a lawyer after facing a lot of hardships in his life. Gopu has always helped him in his hour of need.
Due to his carelessness in life, Gopu has to suffer a heartbreak when his sweetheart, Indira (Azra) is married to the public prosecutor in the city court (Iftekhar). Gopu has to leave his home also when his sister, Lalita's engagement is broken. His fate makes him cross paths with Gauri (B. Saroja Devi) who starts loving him. On the other hand, Anand happens to meet Leela (Preeti Baala) who is the daughter of a big barrister (Ulhaas). Anand not only starts his legal practice successfully under Leela's father but also gets married to her.
The twist in the tale comes when Gopu comes to know about Lalita's marriage with a rich but licentious aged person, Meeraasdaar (Muraad). He is awestruck to see that his sister's life is going to be spoilt this way. The reason behind this marriage is conveyed to him as the money owed by his family to Meeraasdaar. Gopu promises Meeraasdaar to repay his debt and leaves no stone unturned in arranging money for that with the help of Gauri. Still he could not stop Lalita's marriage with Meeraasdaar. But on the wedding night itself, Meeraasdaar is murdered and Gopu is arrested for his murder. In his trial, his ex-flame's husband is the public prosecutor whereas his close friend, Anand is the defence counsel for him. The real murderer is unmasked in the end and Gopu is acquitted.
T
Writer:
Rajinder Singh BediPerformances are all admirable. It's interesting to see 53 years old Ashok Kumar playing the role of a suitable boy in the movie. All the actors have done their parts very well and nobody has disappointed.
The hero of this movie, Bhaarat Bhooshan only has produced this movie and he has chosen an interesting script with all the ingredients of a successful movie. However there are directorial flaws which seem to have had a negative impact on the commercial result of this movie. The movie is not unduly long. Still certain sequences could have been done away with.
Roshan has composed very good music for this movie with the beautiful and touching lyrics being penned by none other than Saahir Ludhianvi. The music album of this movie contains melodious and impressive songs like Vinati Suno Mori, Sajan Salona Maang Lo Ji, Pade Barkha Phuhaar, Chaand Takta Hai, Phool Gendwa Na Maaro, Sun Aye Mehjabeen, Mehfil Se Uth Jaane Waalon, Jhaankti Hai Meri Aankhon Se Kaza Teri, Lo Apna Jahaan Duniya Waalon etc. sung by Lata Mangeshkar, Asha Bhonsle, Geeta Dutt, Suman Kalyanpur, Mohammed Rafi, Manna Dey and Asha Singh Mastaana. All the tracks are admirable. The dances have been choreographed aesthetically.
Dooj Ka Chaand is a long-forgotten but very interesting movie which loosens its grip on the spectator at no place during its running. Once you are in it for a few minutes, you will find yourself as glued to the screen. Movie buffs of all categories are supposed to like it.
Dooj Ka Chand (1964) cast and crew credits, including actors, actresses, directors, ... browse photos, track your Watchlist and rate your favorite movies and TV ...
Dooj Ka Chand Full Hindi Movie Directore Nitin Bose Writer: Rajinder Singh Bedi Stars: Raaj Kumar, Saroja Devi B, ...
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Sun Ae Mahjabeen Mujhe Tujhse Ishq Nahin - Mohammed Rafi - DOOJ KA CHAND - Ashok Kumar, Raj Kumar5:11
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Sajan Salona Maang Lo Ji - Asha Bhosle, Lata Mangeshkar - DOOJ KA CHAND - Ashok Kumar, Raj Kumar4:07
Know the full star cast of Dooj Ka Chand film like producer, music director, singers, ... Welcome to the complete cast and crew page for Dooj Ka Chand (
With this song, “Dooj Ka Chaand” (1964) joins the list of movies that have all ... se kazaa chhan chhan ke(Dooj Ka Chaand)(1964) Singers-Suman Kalyanpur, ...
Complete information on bollywood movie: Dooj Ka Chaand Star cast, Movie Rating, Reviews, Plot, Sc
Complete information on bollywood movie: Dooj Ka Chaand Star cast, Movie Rating, Reviews, Plot, Sc
chand taktaa hai idhar..Rafi - SumanKalyanpur- Sahir - Roshan..Dooj Ka Chand1964..a tribute.
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Sun Ae Mahjabeen Mujhe Tujhse Ishq Nahin - Mohammed Rafi - DOOJ KA CHAND - Ashok Kumar, Raj Kumar5:11
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Sajan Salona Maang Lo Ji - Asha Bhosle, Lata Mangeshkar - DOOJ KA CHAND - Ashok Kumar, Raj Kumar4:07
chand takta hai idhar
chand takta hai idhar aap kahi chup jaye
kahi laage na najar aao kahi chup jaye
chand takta hai idhar
phul sakho se jhuke jaate hotho ki taraf
phul sakho se jhuke jaate hotho ki taraf
jhoke balkhaake mude aate hai
ho mude aate hai julfo ki taraf
chhod kar inki dagar
chhod kar inki dagar aao kahi chup jaye
kahi lage na najar aao kahi chup jaye
chand takta hai idhar
mai hi dekhu sajan duja na dekhe tohe
mai hi dekhu sajan duja na dekhe tohe
ka khabar kaun sautaniya tora
ho sautaniya tora man mohe
dil pe dalo na asar
dil pe dalo na asar aao kahi chup jaye
chand takta hai idhar aao kahi chup jaye
chand takta hai idhar
sari najro se pare sare najaaro se pare
sari najro se pare sare najaaro se pare
aasmano pe chamakte hue
ho chamakte hue taro se pare
odh kar lal chunar
odh kar lal chunar aao kahi chup jaye
kahi lage na najar aao kahi chup jaye
chand takta hai idhar
mahafil se uth jaanevaalo, tum logo par kyaa ilzaam
tum aabaad gharo ke basi, mai aavara aur badnaam
mere sathi, mere sathi, mere sathi khaali jaam
mere sathi khaali jaam
do din tum ne pyaar jataya, do din tum se mel raha
achhaa khasaa vaqt kataa, aur achhaa khasaa khel raha
ab us khel kaa jikr hi kaisaa, vakt kataa aur khel tamaam
mere sathi, mere sathi, mere sathi khaali jaam
tum ne dhundhi sukh ki daulat, maine pala gam kaa rog
kaise bantaa kaise nibhataa, ye rishtaa aur ye sajog
maine dil ko dil se tola, tum ne maange pyaar ke daam
mere sathi, mere sathi, mere sathi khaali jaam
tum duniyaa ko behtar samajhe, mai pagal tha khar hua
tum ko apnane niklaa tha, khud se bhi bezaar hua
dekh liyaa ghar funk tamaasha, jaan liyaa apanaa anjaam
mere sathi, mere sathi, mere sathi khaali jaam
haay aji phul gendwaa na maaro, na maaro lagat karejwaa me chot dungi mai duhaai kaahe chatur banat chhichhori karat harjaai phul gendwaa na maaro, na maaro phul gendwaa na maaro, na maaro lagat karejwaa me chot he dahakaa huaa ye angaara, angaara haan dahakaa huaa ye angaara jo gendwaa kahlaaye hai aji tan par jahaan gire paapi wahi daag pad jaaye hai ang-ang moraa pir kare aur kar ke kahe phul gendwaa na maaro phul gendwaa na maaro, na maaro lagat karejwaa me chot he phul gendwaa na maaro aji phul gendwaa na maaro phul gendwaa na maaro, phul gendwaa na maaro maika, na maaro, na maaro, na maaro phul gendwaa na maaro, na maaro lagat karejwaa me chot ruk jaao, ruk jaao ruk jaao, ruk jaao, ruk jaao na sataao mohe julmi balam, o balam na sataao mohe julmi balam, o balam maan jaao, binti ablaa ki dekho-dekho dungi mai duhaai kaahe chatur banat chhichhori karat harjaai phul gendwaa na maaro na maaro na maaro na pa pa dha dha dha dha ni dha pa ma dha pa ma ga ma ga re sa sa sa sa sa sa sa phul gendwaa na maaro na maaro, na maaro, na maaro na maaro, na maaro, na maaro lagat karejwaa me chot karejwaa me chot, karejwaa me chot sa ga ga re re sa sa ma pa ma ga ga re sa sa ni sa dha dha dha sa pa pa pa sa pa sa pa sa pa ni ma phul gendwaa na, na maaro lagat karejwaa me chot lagat karejwaa me chot
ho o o ho o o o
sajan salonaa maang lo ji koi
sajan salonaa maang lo ji koi
nikalaa hai duj kaa chaand
sakhi ri aaj na kariyo laaj
sakhi ri aaj na kariyo laaj
suno to gori ri ui maa
kaahe ki chori ui maa
sajan salonaa maang lo ji koi
nikalaa hai duj kaa chaand
sakhi ri aaj na kariyo laaj
sakhi ri aaj na kariyo laaj
mohe nik naahi laage aisi baat
sakhi chhedo naa
mohe nik naahi laage aisi baat
sakhi chhedo naa
o mai na chaahun kisi chhaliye kaa saath
sakhi chhedo naa ahaa
tu naa chaahe kisi mitawaa kaa saath ri kaisi
ke tori chham-chham karati paayal
kyaa hai boli matawaaraa rasiyaa
suno to gori ri ui maa
kaahe ki chori ui maa
sajan salonaa maang lo ji koi
nikalaa hai duj kaa chaand
sakhi ri aaj na kariyo laaj
sakhi ri aaj na kariyo laaj
jaa ko bhaaun wahi maange moraa haath
mai to maangun naa
jaa ko bhaaun wahi maange moraa haath
mai to maangun naa
badi aai hai ye duj ki raat
mai to maangun naa aai
tu naa maage sakhi aaj ki raat ri sakhi
ke tori cham-cham karati bindiyaa
maange koi matawaaraa rasiyaa
suno to gori ri ui maa
kaahe ki chori ui maa
sajan salonaa maang lo ji koi
sajan salonaa maang lo ji koi
nikalaa hai duj kaa chaand
sakhi ri aaj na kariyo laaj
sakhi ri aaj na kariyo laaj
sun aye mahjabin mujhe tujhse ishk nahi
mujhe tujhse ishk nahi tujhse ishk nahi
nahi nahi nahi
ae wallaah
sun aye mahjabin mujhe tujhse ishk nahi
yu mai tera kayal hu, kayal hu
naqz-o-adaa par mayal hu, mayal hu
jalwo ka dam
jalwo ka dam bharta hu
chup-chup dekha karta hu
par aye parda nashi mujhe tujhse ishk nahi
tujhse ishk nahi nahi nahi nahi
ae wallaah
sun aye mahjabin mujhe tujhse ishk nahi
tu wo dilkash hasti hai, hasti hai
jo kwabo me basti hai, basti hai
tu kah de to
tu kah de to jaan de du
jaan to kya imaan de du
par aye khas lagi mujhe tujhse ishk nahi
tujhse ishk nahi nahi nahi nahi
ae wallaah
sun aye mahjabin mujhe tujhse ishk nahi
mujhe tujhse ishk nahi tujhse ishk nahi
nahi nahi nahi
ae wallaah
panth niharu dagar buharu nain bahau roj
suli upar sej piya ki kis vidh milna hoye
pade barkha phuhar kare jiyara pukar
dukh jane na hamar bairan rut barsaat ki
barsaat ki
pade barkha phuhar kare jiyara pukar
ut barse badarva kaare
it barse do nain humare
haye miti kajre ki dhar
luta man ka singaar
dukh jane na hamar bairan rut barsaat ki
barsaat ki
pade barkha phuhar kare jiyara pukar
dukh hamri abhagan preet ke
wo hi jane jo haraa ho jeet ke
haye tute sapno ke haar suna laage sansaar
dukh jane na hamar bairan rut barsaat ki
barsaat ki
pade barkha phuhar kare jiyara pukar
dukh jane na hamar bairan rut barsaat ki
barsaat ki
vinti suno mori avadhpur ke basiya
vinti suno mori avadhpur ke basiya
vinti suno mori avadhpur ke basiya
bhakt jano ki raksha kijo
sukh sanpati ki chhaya dijo
bhakt jano ki raksha kijo
tum hi to ho prabhu
tum hi to ho prabhu
jag me dukh ke hariya
vinti suno mori avadhpur ke basiya
lo apna jaha dunia walo
hum is dunia ko chhod chale
jo rishte nate haye jode the
wo rishte nate tod chale
kuch sukh ke sapne dekh chale
kuch dukh ke sadme jhel chale
takdir ki isi gardish me
jo khel khilaye khel chale
ye raah akele katti hai
yaha sath na koi yaar chale
us par na jane kya hay
is par to sab kuch haal chale
Mar 1, 2016 - Uploaded by SEPL Vintage
Jhankti Hai Meri Ankho Se Kaza Tham Tham Ke ; Singer: Suman Kalyanpur, Shyama Hemadi ; Movie ...
jhankti hain meri aankho se kaza tham tham ke
jhankti hain meri aankho se kaza tham tham ke
jhankti jhankti hain meri aankho se kaza tham tham ke
mujhse mat chhed karna khel jaan ke
aji ha khel jaan ke
aag ko chhu na lena suleman ke
aji ha suleman ke
mere daman pe daal na lalchai najre bhi
jara tham tham ke jhankti
jhankti hain meri aankho se kaza tham tham ke
ek bijli si chamake ghat ghat me
aji ha ghat ghat me
ek shola sa damke baat baat me
aji ha baat baat me
dil to kya hain jaan bhi le legi matwali ada
tham tham ke jhanke
jhankti hain meri aankho se kaza tham tham ke
meri chahat ka nada dhang aur hain
aji ha dhang aur hain
meri kaatil hansi ka rang aur hain
aji ha rang aur hain
mere khanjar ke war ka milta hain bismal ko maja
tham tham ke jhank ke
jhankti hain meri aankho se kaza tham tham ke
jahnkti jhankti hain meri aankho se kaza tham tham ke
.........................................................................................................
M
K.P. Kottarakara
- Writer
- Producer
- Actor
