film (RUSTOM-E-BAGHDAD)(1963) .... Rustom-E-Rome रुस्तम ए रोम (1964) | Full Hindi Movie | | Hindi . .... Rustom-E-Baghdad is a 1963 Bollywood film.
Complete information on bollywood movie: Rustom-E-Hind Star cast, Movie Rating .... Rustom-E-Rome 1964 | Full Movie | Dara Singh, Azad, Vijaya Choudhury .
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.film (Rustom-E-Rome)(1964)
.film (Rustom-E-Rome)(1964)
Rustom-e-Rome (1964) Cast - Actor, Actress ... - Cinestaan
Know the full star cast of Rustom-e-Rome film
Producer S. J. Rajdeo Director Radhakant
Select Cast Azad, Dara Singh, Paul Vachan, Vijaya Chaudhary, Indira, Rajan Kapoor, Sheri & Sunder
Total Results 23
When
the kingdom of Jamah is attacked, the emperor is killed, his wife, Anam
flees with her two infant sons, but ends up getting separated from
them. She tries to ...
Rustom-E-Rome (1964)
When the kingdom of Jamah is attacked, the emperor
is killed, his wife, Anam flees with her two infant sons, but ends up
getting separated from them. She tries to kill herself, but Daresh ...
See full summary »
Director:
RadhakantWriter:
Girish PanditStars:
Dara Singh, Azaad Irani, Vijaya Choudhury | See full cast & crew »Cast
| Cast overview, first billed only: | |||
 |
Dara Singh | ||
 |
Azaad Irani | ... | Asalan (as Azad) |
 |
Vijaya Choudhury | ... | Shehzadi Roma |
| |
Rajan Kapoor | ... | Daresh Baba |
| |
Sherry | ... | (as Sheri) |
| |
Indira | ... | Shabana |
| |
Sunder | ... | Firdaus' friend |
| |
Aruna | ... | Shabana |
| |
Raj Rani | ... | Malkay-e-alam Anam (as Rajrani) |
| |
Madhumati | ... | Zainab |
| |
Arvind Pandya | ... | (as Arvin Pandya) |
| |
S.K. Shyam | ||
| |
Ram Rasila | ||
| |
Anand | ||
| |
Jillani | ||
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Storyline
When the kingdom of Jamah is attacked, the
emperor is killed, his wife, Anam flees with her two infant sons, but
ends up getting separated from them. She tries to kill herself, but
Daresh Baba counsels her, brings her home and lets her live there so
that she can look after his mother-less daughter, Shabana. Years later,
Shabana has grown up and is in love with a young wrestler, Arsalan, who
is Anam's son. Her other son, Firdaus, is still alive, and has been
bestowed the title of 'Rustom-E-Rome' by none other than Shehzadi Ruma,
who plans to marry him. Before that could happen, Firdaus is given a
priceless knife and is asked to locate it's twin, and Shabana gets
abducted by bandits. In the process of locating Shabana, Firdaus not
only loses the knife, but also puts his, Shabana's and Arsalan's lives
in jeopardy.
Written by
rAjOo (gunwanti@hotmail.com)
Plot Summary
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Parents Guide:
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See full technical specs »
Details
Country:
IndiaLanguage:
HindiRelease Date:
1964 (India) See more »Company Credits
Show more on
IMDbPro »
Technical Specs
Sound Mix:
MonoColor:
Black and White
Edit
Performed by Asha Bhosle
Music by G. Suresh Kumar
Lyrics by Zafar Rahi, Naza Sholapuri
See more »
Did You Know?
Soundtracks
Peela De Aaj Pahemana, Bana De Humko DeewanaPerformed by Asha Bhosle
Music by G. Suresh Kumar
Lyrics by Zafar Rahi, Naza Sholapuri
See more »
Rustom-e-Rome is a movie directed by featuring Dara Singh, Sunder.
Lyrics and video of songs from Movie / Album : Rustom-e-Rome (1964); Music by: Suresh Kumar; Singer(s): Asha Bhosle, Ismail Azad Qawwal, Jaani Babu ...
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jab se dekha tumhe dil hai bechan sa
dil hai betab sa kah faya halo ka
hum to bas thik hai aap apni kahe
apko kya hua kah faya halo ka
jab se dekha tumhe dil hai bechan sa
dil hai betab sa kah faya halo ka
rang lakar rahi meri gusthakiya
bujh gayi shokhiya
rang lakar rahi meri gustakhiya
bujh gayi shokhiya hum bhala kya kare
aap par gir padi aap ki bijliya
aap ki bijliya
ab na ghabrayiye ab na pachhtayiye
jo hua so hua kah faya halo ka
jab se dekha tumhe dil hai bechan sa
dil hai betab sa kah faya halo ka
uljhne badh gayi dhadkane badh gayi
ab karm kijiye uljhne badh gayi
dhadkane badh gayi ab karm kijiye
toba mat todyiye hath mat chhod iye
bas sitam kijiye bas sitam kijiye
sahte aye hai hum sahte jayenge hum
aapki jafa kah faya halo ka
jab se dekha tumhe dil hai bechan sa
dil hai betab sa kah faya halo ka
hum to bas thik hai ap apni kahe
apko kya hua kah faya halo ka
jab se dekha tumhe
ye bahakti ghataaye ye mahakti hawaaye
kah rahi hai humse tumse jaane kya afsaana
kahti hai ye ghataaye kahati hai ye hawaaye
dhadakano ki saaj par ab chhed dil ka tarana
ye bahakti ghataaye
kya haseen bahaare kya jawaa hai mausam
chha raha hai dil par ek nashe ka aalam
chha raha hai dil par ek nashe ka aalam
ishq hai husn hai aur phir tanhaai
ye bahakti ghataaye ye mahakti hawaaye
kah rahi hai humse tumse jaane kya afsaana
ye bahakti ghataaye
patharo ke nagme waadiyo ke saaye
aaj hum khwaabo ki anjuman me aaye
aaj hum khwaabo ki anjuman me aaye
aapke pyar se aarju sharmaaye
ye bahakti ghataaye ye mahakti hawaaye
kah rahi hai humse tumse jaane kya afsaana
ye bahakti ghataaye
@ Dara Singh, Azad
dekhte hi tujhe dil satkega
julfo me teri ja atkega
tu khud bhi janti hai
pahle se manti hai
aage kya kya hoga
hath mera kahi jo bahkega
bulbul ki tarah tu chahkega
tu khud bhi janta hai mujhko pehchanta hai
aage kya kya hoga
dekhte hi tujhe dil satkega
tujhse pahle humne dekhe hai kayi diwane
roj humse apne dil ke kahte hai afsane
hum se pahle tere aashiq honge andhe kane
hum se nichi jat ke honge sab tere diwane
hath mera kahi jo bahkega
bulbul ki tarah tu chahkega
tu khud bhi janta hai mujhko pehchanta hai
aage kya kya hoga
dekhte hi tujhe dil satkega
dil chhuvara ban gaya hai
ab kayamat hogi
kya khabar thi tujhse milte hi
mohabbat hogi
charo khane chit padega
yo hajamt hogi
tere sar pe jab padegi tujhko rahat hogi
dekhte hi tujhe dil satkega
julfo me teri ja atkega
tu khud bhi janti hai
pahle se manti hai
aage kya kya hoga
hath mera kahi jo bahkega
bulbul ki tarah tu chahkega
tu khud bhi janta hai mujhko pehchanta hai
aage kya kya hoga
dekhte hi tujhe dil satkega
apna nahla tere nahle par jama ke rahnge
dekhlena din me taare hum dikhake rahenge
hum hai jidi tujhko apna yu bana ke rahenge
chutkiyo me chat se tera dil uda ke rahenge
hath mera kahi jo bahkega
bulbul ki tarah tu chahkega
tu khud bhi janta hai mujhko pehchanta hai
aage kya kya hoga
o dekhte hi tujhe dil satkega
Jun 23, 2017 - Uploaded by boblovenyc
Lyrics and video of songs from Movie / Album : Rustom-e-Rome (1964); Music by: Suresh Kumar; Singer(s ...
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pila de aaj paimana bana de humko divana
pila de aaj paimana bana de humko divana
o khush sham hai, saki sham hai saki
sham hai saki
mubark jashne bahara, mubark rasme bahara
salamat teri surat teri bate
salamat teri mehkhane ki rate
salamat teri surat teri bate
salamat teri mehkhane ki rate
hume bhi ek chhalakta jaam de de
bahkti ladkhadati shaam de de
bahkti ladkhadati shaam de de
meharba ye hai maykhana
yaha pyaso ko tadpana bada iljam hai saki
pila de aaj paimana bana de humko divana
o khush sham hai, saki sham hai saki
sham hai saki
mubark jashne bahara, mubark rasme bahara
na jane kaun si mazil pe aakar
humari jindgani khaye thokar
na jane kaun si mazil pe aakar
humari jindgani khaye thokar
na jane kis jagah ho band aakhe
khuda jane kaha rukti hai sanse
khuda jane kaha rukti hai sanse
dile divana kahata hai ke
apni jindagi bhi ek chhalkta jam hai saki
Lyrics of Jo Achhi Cheez Hoti Hai
husan valo ki kya baat hain unse meri mulakat hain
husan valo ki kya baat hain unse meri mulakat hain
unki har baat mein ghat hain unse milna buri baat hain
ronke dil hain yahi shamme mehfil hain yahi
ronke dil hain yahi shamme mehfil hain yahi
inse gulshan ki bhar ye hain phoolo ka nikhar
ye kare solha shingar inpe mar jaaye hazar
inke baalo ki ada leke uthti hain ghta
maine kaha daga baaz hai ye
daga baaz hai ye
kabile naaz hain ye
kabile naaz hain ye
maine kaha daga baaz hain ye
daga baaz hain ye
ye mere saaj mein ye meri avaj hain ye
ye mere saaj mein ye meri avaj hain ye
inpe ilzam na rakh ye bhut hi buri baat hain
husan valo ki kya baat hain unse meri mulakat hain
tu valakalat nahi aur iljar nahi
aise baat unse na kar kabile pyar nahi
inko vo yaad kare unko barbad kare
aise beiman ko jinka savami na mile
jinpe vo pyar kare unko hi pani na mile
unse puchho unse puchho jab chlega pata jinse mulakat hain
vo mulakat hain vo mulakat hain vo mulakat hain
unse puchho ki kya baat hain unse milna buri baat hain
husan bebak sahi husan chalak sahi
husan bebak sahi husan chalak sahi
roshani husan se hain zindgi husan se hain
nujavani ne surur husan se paya jurur
husan ke saaz baje nabh mein balkhane lage
khil gaya dil ka kamal
khil gaya dil ka kamal
chhed di hamne gajal
khil gaya dil ka kamal
chhed di humne gajal
husan benam nahi husan badnam nahi
inpe iljam na rakh ye bhut hi buri baat hain
husan valo ki kya baat hain unse meri mulakat hain
vo mulakat hain vo mulakat hain vo mulakat hain
husan valo ki kya baat hain unse meri mulakat hain
unki har baat mein ghat hain unse milna buri baat hain
ronke dil hain yahi shamme mehfil hain yahi
ronke dil hain yahi shamme mehfil hain yahi
inse gulshan ki bhar ye hain phoolo ka nikhar
ye kare solha shingar inpe mar jaaye hazar
inke baalo ki ada leke uthti hain ghta
maine kaha daga baaz hai ye
daga baaz hai ye
kabile naaz hain ye
kabile naaz hain ye
maine kaha daga baaz hain ye
daga baaz hain ye
ye mere saaj mein ye meri avaj hain ye
ye mere saaj mein ye meri avaj hain ye
inpe ilzam na rakh ye bhut hi buri baat hain
husan valo ki kya baat hain unse meri mulakat hain
tu valakalat nahi aur iljar nahi
aise baat unse na kar kabile pyar nahi
inko vo yaad kare unko barbad kare
aise beiman ko jinka savami na mile
jinpe vo pyar kare unko hi pani na mile
unse puchho unse puchho jab chlega pata jinse mulakat hain
vo mulakat hain vo mulakat hain vo mulakat hain
unse puchho ki kya baat hain unse milna buri baat hain
husan bebak sahi husan chalak sahi
husan bebak sahi husan chalak sahi
roshani husan se hain zindgi husan se hain
nujavani ne surur husan se paya jurur
husan ke saaz baje nabh mein balkhane lage
khil gaya dil ka kamal
khil gaya dil ka kamal
chhed di hamne gajal
khil gaya dil ka kamal
chhed di humne gajal
husan benam nahi husan badnam nahi
inpe iljam na rakh ye bhut hi buri baat hain
husan valo ki kya baat hain unse meri mulakat hain
vo mulakat hain vo mulakat hain vo mulakat hain
Complete information on bollywood movie: Rustom-E-Rome Star cast, Movie Rating, Reviews, Plot, Screenshots, Song listing, Trailer, Watch Movie link and ...
Jul 13, 2012 - Rustom-e-Rome (1964). Another tribute, to yet another great who's passed on. Dara Singh, the wrestler-turned-actor who made such a big ...
Rustom-e-Rome (1964)
67
Another tribute, to yet another great who’s passed on. Dara Singh, the wrestler-turned-actor who made such a big niche for himself in a slew of films, especially in the 1960s, passed away on July 12, 2012.
As a child, nearly all my movie-watching was restricted to what was aired on Indian TV—Doordarshan—(and later, the few TV channels that showed Hindi movies). Somehow, I never ended up watching any Dara Singh movies. Despite that, Dara Singh was a very familiar figure and name. A synonym for formidable strength, for something like the Rock of Gibraltar: utterly immovable, impossible to defeat.
I confess I watched my first Dara Singh starrer only a couple of years back, and I was struck by the sweetness of the man: there was a certain naïve charm about him that seemed to shine through even onscreen. And it’s the same with this film: a quintessential Dara Singh showcase, not much in the way of storyline [to be precise, nothing], but everybody seems to have had a lot of fun. Dara Singh included.
Rustom-e-Rome begins in the midst of an invasion. The kingdom of Chhaama [Jaama? It’s not very clear, and it certainly doesn’t sound like any place I’ve heard of] has been attacked by enemies—who, we don’t know. They’ve laid Chhaama/Jaama low, along with its king, who stumbles back into his palace just in time to tell the distraught queen (Rajrani?) that all is lost. The king’s sole regret as he’s gasping his last, is that if only Suleiman had been here—“Who is Suleiman?” asks the queen. “Suleiman is my—” the king begins to blurt out, and then cops it before he can impart that secret.
The queen is inclined to weep while the enemy takes over, but a wise officer advises her to save her two sons and escape through the tunnel that leads from the palace, out of Chhaama/Jaama.
The queen, therefore, gathers up her two sons—both clad in sad-looking frocks [which I later realised might have been an attempt at kiddie tunics]. She manages to get them out into the countryside and lies down to sleep with them in some ruins.
Come morning, and the elder child wakes up and wanders off by himself. He runs up against a cobra, and is so frightened, he loses his balance and goes over a cliff—just in time for his mother to see him fall off. Poor woman. First her husband, then her elder son…
…and, while she’s been away by the edge of the cliff, weeping her eyes out, her younger son too.
A bunch of passing bandits, led by a man in a really badly-crafted mask, happens to come upon the toddler, who’s woken up and begun crying. For some reason best known to himself [and never revealed to us, the poor audience], the leader of the bandits decides to take the baby and bring him up among the bandits.
The bandits go off with the little prince, and are watched—unknown to them—by Darvesh Baba (Rajan Kapoor?), a prophet with a wonderfully gnarled staff. Darvesh Baba makes no attempt to rescue the child [not that he would have been successful, methinks], but seeing the devastated mother make for the cliff-edge to fling herself off, goes and stops her, and brings her to his own home.
The queen doesn’t tell Darvesh Baba who she is, and he asks her to be like a sister to him and bring up his poor motherless baby daughter, Shabnam. The queen agrees and stays on in Darvesh Baba’s house.
Meanwhile, there’s been a minor miracle. The queen’s elder son, who’d fallen off the cliff, has been rescued by a passing soldier named Scipio [Really. Everybody pronounces his name as CPO, which makes me think of Star Wars]. Scipio has brought him to court, asking what’s to be done with the child (nobody knows that this is the prince).
The king summarily hands him over to his rescuer, telling the soldier to bring up the boy [hah. Go around rescuing children, and you get saddled with them for the rest of your life]. Darvesh Baba, who happens to be present, suggests that the boy be named Firdaus [which means ‘paradise’; I have a feeling the foster father doesn’t think this kid’s heaven-sent. But he is given no choice].
Years pass, and Firdaus has now grown up (into Dara Singh, yippee!). Firdaus is big and brawny and seems to be pretty untrammelled by a foster-father or any other foster relatives. He lives in the kingdom of Jodia [that’s how everybody pronounces it. I wonder if this was meant to be Judaea. It seems to have some connection to Rome, but nobody bothers to mention what].
Jodia is ruled by the beautiful Princess Ruma (Vijaya Choudhary).
Ruma is right now presiding over a tournament in which contestants generally batter each other until one emerges victor—something like gladiatorial fights, though mostly minus the weaponry. In the fights, one man soon manages to trounce all his opponents: Firdaus. He’s so magnificent that even Ruma is quite bedazzled.
When Firdaus has laid low the last of his competitors, Ruma summons him to bestow on him the title of Rustom-e-Rome. With it comes a splendid jewelled dagger. When Firdaus sees the dagger, he staggers back, confused and puzzled. Where on earth has the princess been able to lay her hands on this dagger? There’s obviously some mystery here.
We don’t get a chance to learn why the sight of the dagger has shaken Firdaus so, because just then, an interloper appears. This is Arsalan (Azad), who claims that the contest is not over—he is here to defeat Firdaus. [In a later scene set in the camp of the masked bandits, we learn that Arsalan is the younger brother of Firdaus, whom the leader of the bandits had decided to bring up. How he’s parted ways with them isn’t explained].
So Firdaus and Arsalan battle it out, and Firdaus pretty much bashes Arsalan to a pulp. Despite the crowd egging him on to finish Arsalan off, however, Firdaus shows mercy. [Ah, brotherly love. Even when there’s no reason to suspect that the other is a brother].
That night, Arsalan sits and ponders over what has happened. His conscience tells him to go and thank Firdaus for sparing his life, and Arsalan listens.
—just in time to enter Firdaus’s chamber to see a masked assassin bending over Firdaus, ready to plunge a dagger into him. Arsalan throws a dagger and kills the assassin himself, and Firdaus, who wakes up because of the racket, is suitably grateful, not to mention puzzled. [I must admit to being puzzled, too: why did this masked bandit want to kill Firdaus? And why did Arsalan—who, after all, was once a buddy to these guys—kill him? Why not simply yell and wake Firdaus, who would no doubt have made short work of the man?]
Because this masked bandit was killed, both Firdaus and Arsalan are hauled up before Princess Ruma, on charges of murder. She sentences both of them to death. [Nobody in Jodia, least of all the dim-witted princess, seems to think that killing an assassin by way of defence is pardonable. Even the much-respected Darvesh Baba, who seems to be the last word in wisdom, keeps mum].
Firdaus and Arsalan obviously believe that actions speak louder than words. Instead of wasting their breath trying to defend themselves, they set about fighting the royal executioner and guards. In a matter of minutes, our two heroes have managed to floor the better part of Ruma’s guard, and Darvesh Baba decides to step in, begging Ruma to pardon them, which she does.
Darvesh Baba has figured out who Arsalan really is [remember? All those years ago, when the masked bandits were making off with the little prince, Darvesh Baba had seen them]. He thinks it’ll be a good idea to re-unite mother and son [how he’s realised that Shabnam’s foster-mother is the queen is never explained]. So he takes Arsalan home, and invites him to live with them.
…with the result that Arsalan and Shabnam (Indira) fall in love with each other and are soon going about singing love songs, under the indulgent eye of mother/foster mother.
Not that the ex-queen knows who Arsalan is. For some unexplained reason, Darvesh Baba doesn’t tell her or Arsalan their relationship. They end up floundering for a long time, wondering why they feel such a deep and inexplicable affection for each other. [Does Darvesh Baba have a love for the dramatic, and hopes that when they eventually learn the truth, it’ll be even more joyous for them?]
Thankfully, the scene now shifts to Firdaus, who (having been named Rustom-e-Rome), on the pretext of taking Ruma hunting, has gotten the chance to romance her. We’re treated to a lovely little song and dance in a garden…
And then disaster strikes. [Or rather, the masked bandits do]. Their leader, for reasons best known to himself [and he tells his men so], has decided to terrorise Jodia. He does so by kidnapping Ruma while she’s out gallivanting with Firdaus.
Poor Firdaus again gets hauled up before the law—this time, a high-ranking courtier accuses Firdaus of not having looked after the princess. Firdaus is again sentenced to death.
Once again, Darvesh Baba intervenes. Give Firdaus a day to search for Ruma, he pleads. So, after some cribbing, Firdaus is allowed till sunset to find and bring back Ruma. If he doesn’t, he’ll be put to death. [Nobody stops to think that Firdaus, if he has an ounce of sense, won’t come meekly back to be executed, if he can’t find the princess]. So Firdaus and his friend Naatu (Sundar) go off into the wild, towards the lair of the masked bandits, to look for Ruma.
What is going to come of all of this? What is the secret of the two daggers? Who is the leader of the masked bandits [and why is he masked, anyway]? What is going on? [Warning: a lot of these questions are never effectively answered, so don’t hold your breath].
What I liked about this film:
Dara Singh. Rustom-e-Rome is one of those films where he doesn’t get much to do except wrestle and show off his muscles—even Firdaus’s romancing of the heroine takes second place. Yet, even when he’s throwing punches or hoisting opponents on his shoulders and whirling them around till they’re dizzy, there’s a beguiling, endearing charm about Dara Singh that is very sweet. [Yes, I know. Calling a man who’s that tall and that broad ‘sweet’ is odd. But you just have to see his smile and his eyes, and listen to him speak with that Punjabi accent, and you’ll know what I mean].
The music, by Suresh Kumar. A little-known composer, but he created some good tunes for this film. My favourite is the lovely Yeh bahekti ghataayein, yeh mahekti hawaayein; the qawwali, Husnwaalon ki kya baat hai, isn’t bad, either.