Disha (1990) | Hindi Movie Plot - Bollywood MuVyz
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Disha - Wikipedia
https://en.wikipedia.org/wiki/Disha
Disha (The Uprooted) was a 1990 Hindi film directed by Sai Paranjpye, based on the plight of immigrant workers in urban India, and starring Shabana Azmi, ...
Disha (1990) - IMDb
www.imdb.com/title/tt0099437/
Rating: 7.3/10 - 117 votes
Comedy ... Disha (1990) ..... Yet the discomfort in chemistry is there to see at the beginning of the film, but soon eases off as the characters get comfortable with ...
The Sarpat family, who live in Bhukari, consist of
Parsaram, who has been involved in digging a well for the past over 12
years and is now called 'Pagal Parsa'; his brother, Soma, who gets ...
See full summary »
Director:
Sai ParanjapeStars:
Shabana Azmi, Nana Patekar, Raghuvir Yadav | See full cast & crew »Cast
| Cast overview, first billed only: | |||
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Shabana Azmi | ... |
Hansa P. Sarpat
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Nana Patekar | ... |
Vasant 'Vasanta' D. Mandre
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Raghuvir Yadav | ... |
Soma Sarpat
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Rajshree Sawant | ... |
Phoolwanti V. Mandre
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Nilu Phule | ... |
Dashrath 'Dadji' Mandre
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Om Puri | ... |
Parshuram 'Pagal Parsa' Sarpat
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Achyut Potdar | ... |
Munshi
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Prashant Subhedar | ||
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Jayamala Inamdar | ||
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Anil Bhagavat | ||
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Dipak Alegaokar | ||
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Shivkumar Divekar | ||
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Shubhangi Manjrekar | ||
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Vijay Parulkar | ||
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Sayaji Shinde | ... |
Soma's friend in Bombay
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Storyline
The Sarpat family, who live in Bhukari, consist of Parsaram, who has
been involved in digging a well for the past over 12 years and is now
called 'Pagal Parsa'; his brother, Soma, who gets some casual work in
the fields; his wife, Hansa, who goes to work at a Bidi factory; and
four children ironically named Sharmila, Jeetendra, Amitabh, and Kadhu.
Soma's neighbor, Vasant Mandre, is a young man who has recently got
married to Phoolwanti, lives with his ailing father, Dashrath, who had
taken a loan of Rs.10,000/- in order to have a lavish wedding
celebration. Soma is the first one to re-locate to Bombay, and when he
immediately sends some money, Vasant too leaves for Bombay. Shortly
thereafter, Phoolwanti goes to visit him and is horrified when she finds
that Soma and Vasant are sharing a small room with 39 other males from
their village; work in a mill; are poorly paid, and in debt. She returns
home immediately thereafter. Then Vasant gets a letter from his dad
asking him to come home ... Written by
rAjOo (gunwanti@hotmail.com)
Plot Summary
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Country:
IndiaLanguage:
HindiAlso Known As:
The Immigrants See more »Company Credits
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Insightful sights and sounds from India in the truest tradition of the Indian New Wave
DISHA (THE UPROOTED) -
Sai Paranjpe / India 1990 (3.5 STARS) 25 December 2003: It is not often
that there is a film from India that furthers a western audience's
understanding of the Indian ethos. Disha does so, and does it well. In
a tale of alienation and pathos, Sai Paranjpe compellingly interweaves
the lives of members of two families from the same village, even as some
of them migrate to for the city of Bombay to find their treasure, and
improve their tribe's stock. . Mise-en-scene: Disha belongs to the
Parallel Cinema movement of the 1970s and 80s and in the true tradition
of the movement goes into painstaking depth to establish and introduce
each character to us, sometimes at the cost of exposition. Yet that
introduction is rewarding for we start empathizing for them, as we root
for their aspirations and feel for their disappointments. . The
typage-like feel of the characters is carefully controlled by Paranjpe
who takes great care to set up conflicts of desire for issues which we
in the western world would have no resource-tradeoffs for. Yet this is
what furthers our understanding of the pathos of Indian rural-existence.
Method-actors such as Om Puri, Shabana Azmi, Nana Patekar and Raghuvir
Yadav, all icons in India Theatre and Film, lend themselves to the
screen. Yet the discomfort in chemistry is there to see at the beginning
of the film, but soon eases off as the characters get comfortable with
each other and we get drawn in, layer by layer, absorbed by the
narrative. . Cinematography: The camera has always been the conservative
eye in Indian cinema. Filmmakers have been reluctant to experiment with
angles, camera height or lenses, often sticking to the 50mm lens. Disha
is no exception. Yet this artistic choice works, to give the film an
almost documentary feel, augmenting the narration. . The brown washed
out outdoor colors of India are complimented well by the saturated
colors of ethnic Indian life. The emphasis on medium shots helps move
away from the staged feel and allows Paranjpe to interact with the
protagonists in three-dimensional space. . The Editing literally serves
the purpose of joining shots. There is minimal experimentation, an
absence of a role beyond matches on action. The editing remains linear
throughout and the use of off-screen space is restricted. . Sound: India
is a high decibel country, especially in the cities, and any good
filmmaker knows the importance of playing with soundtrack. Paranjpe goes
a step further and integrates the soundtrack as a narrative element,
often using it to establish scenes through sound-bridges and change
moods within scenes. Yet she does so with subtlety, and without the
harsh overkill that we have come to expect from sound in Indian Cinema.
DISHA (1990) HINDI MOVIE - YouTube
https://www.youtube.com/watch?v=jNgM_Ovxnq4
Aug 30, 2013 - Uploaded by Rajat Arora
DISHA (1990) HINDI MOVIE ... Junglee Film Club 380,228 views ... Apna Asmaan - Full Length Bollywood ...DISHA (1990) HINDI MOVIE - YouTube
www.youtube.com/watch?v=jNgM_Ovxnq4&list...jj7pdoz
Aug 30, 2013 - Uploaded by Rajat Arora
DISHA (1990) HINDI MOVIE .... Apna Asmaan - Full Length Bollywood Hindi Film - Irfan Khan, Shobhna ...Disha (1990) - (Movies To See Before You Die - Drama)
www.bobbytalkscinema.com/recentpost.php?postid=postid041609100554
In 1990 she directed this lesser known masterpiece based on the still burning ... "
Alternate Movies: Disha (Direction) -1990
parallelcinema.blogspot.com/2005/09/disha-direction-1990.html
| Directed by | Sai Paranjpye |
|---|---|
| Produced by | NFDC, Sai Paranjpye Films |
| Written by | Sai Paranjpye (Screenplay & Dialogue) |
| Starring | Shabana Azmi Nana Patekar Om Puri Raghuvir Yadav |
| Music by | Anand Modak |
| Cinematography | Madhu Ambat, G. S. Bhaskar |
| Edited by | Om Prakash Makkad |
Release dates
|
|
Running time
|
135 minutes |
| Country | India |
| Language | Hindi |
New post on Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs |
 |
|
Bambai Bambai Bambai Bambai Bamby skapur01 |
The
film was released in Mumbai in November 1991 and thereafter in Pune by
Sai Paranjpye as no one was willing to distribute the film. It generated
interest in the initial few days with house-full board. After watching
the film, Manmohan Desai offered to release the film in the Delhi
circuit. With the releases in limited theatres. the box office
collection could barely cover the budget of the film.
The
film did not get any award in India. However, when the film was shown
in Chennai International Film Festival in 1991 as a private entry (it
could not be shown in Indian Panorama as it had not won any award), it
was highly appreciated because of which over a period of time, the film
got invitations in as many as 23 international film festivals all over
the world where it has won 5 awards with cash prizes including one at
Cannes international film festival.
Sai
Paranjpye has mentioned in her book that the film had three songs.
However, I found only two songs in the film – one is a lavani song and
the other a fun song. Songs were not released on audio format. I am
presenting the fun song, "Bambai Bambai Bambai Bambai Bam’ sung by Vinay
Mandke, Ravindra Sathe, Tyagraj Khadilkar, Arun Joglekar and Chorus.
The song is written by Sai Paranjpye which is set to music by Anand
Modak. I am not able to segregate the lyrics according to playback
singers as I am not familiar with their voices except that of Ravindra
Sathe. I have also observed that playback singers seem to lip sync for
multiple actors According to Sai Paranjpye, the 'anokhe bol' in the
song have been rendered by Vinay Mandke in addition to his part of the
song.
The
song is picturised in a gala where about 40 mill workers stay. Except
for about 10 actors, rest of the participants in the song are real mill
workers staying in the gala. If one goes through the lyrics of the
song, it would be observed that the sad realities of mill workers (or
for that matter, migrant workers in general) have been presented in the
mask of a fun song. In the last two stanzas, there are 'locals verses
migrants' theme presented in 'lavani' style. The prelude music of the
songs with "Dhak Dhak Dhak. . ." is akin to the sound generated by the
power looms of a mill when they are operational.
This song is the essence of the film’s main theme. With this song, ‘Disha’ (1990) make a debut in the Blog.
Acknowledgements:
Some of the information about the background for making the film ‘Disha’ (1990) is based on
- An interview conducted by Sridhar Rangayan and Saagar Gupta titled ‘Queen of Humour: A Candid Interview with Award-Winning Director and Writer Sai Paranjpye,’ South Asianist, Vol 2, No.3 (2010).
- The Marathi book, ‘Sai – Maaza Kalapravaas’ (2016) written by Sai Paranjpye.
Song - Bambai Bambai Bambai Bambai Bam (Disha) (1990) Singer -Vinay Mandke, Ravindra Sathe, Tyagraj Khadilkar, Arun Joglekar, Lyrics - Sai Paranjpye, MD - Anand Modak
Chorus
Chorus
Lyrics
dhak dhak dhak dhak
dhak dhak dhak dhak
dhak dhak dhak dhak
dhak dhak dhak dhak
dhak dhak dhak dhak
dhak dhak dhak dhak
dhak dhak dhak dhak
dhak dhak dhak dhak
dhak dhak
dhak dhak
dhak daa dham
dhak dhak
dhak dhak
dhak daa dham
dhak dhak dhak dhak
dhak dhak dhak dhak
dhak dhak dhak dhak
dhak dhak dhak dhak
dhak dhak dhak dhak
dhak dhak dhak dhak
dhak dhak dhak dhak
dhak dhak
dhak dhak
dhak daa dham
dhak dhak
dhak dhak
dhak daa dham
arre bambai bambai bambai bambai bam
arre bambai bambai bambai bambai bam
bambai bambai bambai bam
bambai bambai bambai bam
bambai bambai bambai bam
bambai bambai bambai bam
arre bambai bambai bambai bambai bam
arre bambai bambai bambai bambai bam
gaon mein behti doodh ki ganga aa
haay
gaon mein behti doodh ki ganga aa
kaanha murli bajaawat hai bhai
kaanha murli bajaawat hai
aisa gokul chhoda… haay
aisa gokul chhoda bhai
kya narakpuri ye bhaawat hai
makdi ke jaal mein keeden ham
bambai bambai bambai bam
bambai bambai bambai bam
bambai bambai bambai bam
bambai bambai bambai bam
arre bambai bambai bambai bambai bam
bam b-bam b-bam bam
arre bambai bambai bambai bambai bam
bam b-bam b-bam bam
dhuaan gootan aur bimaari
dhuaan gootan aur bimaari
yahaan jawaan mard ke baal pakey
har kuchh bikta hai is nagri mein
bol tumhaara chaar takey
arre chaar take bhi naahin kam
bambai bambai bambai bam
bambai bambai bambai bam
bambai bambai bambai bam
bambai bambai bambai bam
arre bambai bambai bambai bambai bam
arre bambai bambai bambai bambai bam
wahaan aankh bichaaye baithi radha
aansoo uske sookh gaye
wahaan aankh bichaaye baithi radha
aansoo uske sookh gaye
bachche jo peechhe chhode wo
shaql baap ki dbhool gaye
bachche jo peechhe chhode wo
shaql baap ki bhool gaye
arre bhool gaye to kya hai gham
bambai bambai bambai bam
bambai bambai bambai bam
bambai bambai bambai bam
bambai bambai bambai bam
arre bambai bambai bambai bambai bam
bam bam bam bam
arre bambai bambai bambai bambai bam
bam bam bam bam
haaaaaaaaaaa
arre kameenon
beimaanon
badh badh taane dete ho
phir bharti kyunkar hote ho
tum phir bharti kyunkar hote ho
dham chik chik dham chik dham
arre bina bhulaaye tum mehmaan
upar se ho namak haram
waapas jaao
hari gun gaao,,o
waapas jaao
hari gun gaao
yahaan tumhaara kya hai kaam
yahaan timhaara kya hai kaam
kissa abhi karo ye khatam
khatam khatam bhai karo khatam
bambai bambai bambai bam
bambai bambai bambai bam
bambai bambai bambai bam
bambai bambai bambai bam
arre bambai bambai bambai bambai bam
bam b-bam b-bam bam bam bam
arre bambai bambai bambai bambai bam
bam b-bam b-bam bam bam bam
aiyya
paapi pet yahaan le aaya…aa….aa
arre paapi pet yahaan le aaya
nagar nahi ye bhul bhulaiyya
khoon paseena yahaan bahaaya
arre khoon paseena yahaan bahaaya
iss nagri ka namak chukaaya..aa aa aa aaa
yahin basera ho ab hardam
yahin basera ho ab hardam
arre bambai bambai bambai bambai bam
arre bambai bambai bambai bambai bam
b-bam bam bambai
arre bambai bambai bambai bambai bam
arre bambai bambai bambai bambai bam
arre bambai bambai bambai bambai bam
bambai bambai bambai bam
bambai bambai bambai bam
bambai bambai bambai bam
bambai bambai bambai bam
arre bambai bambai bambai bambai bam
arre bambai bambai bambai bambai bam
gaon mein behti doodh ki ganga aa
haay
gaon mein behti doodh ki ganga aa
kaanha murli bajaawat hai bhai
kaanha murli bajaawat hai
aisa gokul chhoda… haay
aisa gokul chhoda bhai
kya narakpuri ye bhaawat hai
makdi ke jaal mein keeden ham
bambai bambai bambai bam
bambai bambai bambai bam
bambai bambai bambai bam
bambai bambai bambai bam
arre bambai bambai bambai bambai bam
bam b-bam b-bam bam
arre bambai bambai bambai bambai bam
bam b-bam b-bam bam
dhuaan gootan aur bimaari
dhuaan gootan aur bimaari
yahaan jawaan mard ke baal pakey
har kuchh bikta hai is nagri mein
bol tumhaara chaar takey
arre chaar take bhi naahin kam
bambai bambai bambai bam
bambai bambai bambai bam
bambai bambai bambai bam
bambai bambai bambai bam
arre bambai bambai bambai bambai bam
arre bambai bambai bambai bambai bam
wahaan aankh bichaaye baithi radha
aansoo uske sookh gaye
wahaan aankh bichaaye baithi radha
aansoo uske sookh gaye
bachche jo peechhe chhode wo
shaql baap ki dbhool gaye
bachche jo peechhe chhode wo
shaql baap ki bhool gaye
arre bhool gaye to kya hai gham
bambai bambai bambai bam
bambai bambai bambai bam
bambai bambai bambai bam
bambai bambai bambai bam
arre bambai bambai bambai bambai bam
bam bam bam bam
arre bambai bambai bambai bambai bam
bam bam bam bam
haaaaaaaaaaa
arre kameenon
beimaanon
badh badh taane dete ho
phir bharti kyunkar hote ho
tum phir bharti kyunkar hote ho
dham chik chik dham chik dham
arre bina bhulaaye tum mehmaan
upar se ho namak haram
waapas jaao
hari gun gaao,,o
waapas jaao
hari gun gaao
yahaan tumhaara kya hai kaam
yahaan timhaara kya hai kaam
kissa abhi karo ye khatam
khatam khatam bhai karo khatam
bambai bambai bambai bam
bambai bambai bambai bam
bambai bambai bambai bam
bambai bambai bambai bam
arre bambai bambai bambai bambai bam
bam b-bam b-bam bam bam bam
arre bambai bambai bambai bambai bam
bam b-bam b-bam bam bam bam
aiyya
paapi pet yahaan le aaya…aa….aa
arre paapi pet yahaan le aaya
nagar nahi ye bhul bhulaiyya
khoon paseena yahaan bahaaya
arre khoon paseena yahaan bahaaya
iss nagri ka namak chukaaya..aa aa aa aaa
yahin basera ho ab hardam
yahin basera ho ab hardam
arre bambai bambai bambai bambai bam
arre bambai bambai bambai bambai bam
b-bam bam bambai
arre bambai bambai bambai bambai bam
arre bambai bambai bambai bambai bam