1952 ban on film songsVScold play artists popularity 2025?young,Rising income,consumerism,evolving culture

 India's evolving cultural and economic landscape
signifying a growing appetite for premium experiences among a rising middle class-more disposable income

The popularity of artists like Diljit Dosanjh, Dua Lipa, and Coldplay has surged, fueling the growth of concert culture and influencing Gen Z's spending habits
 
cold play artists formed in London in 1996-1997.so Coldplay's music appeals to a wide range of audiences, including young people


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Key points about this connection:
  • Rising disposable income:
    India's expanding middle class has more disposable income, allowing them to spend on entertainment like live concerts, which was previously less accessible. 
  • Urbanization and cultural shift:
    Urban areas are rapidly adopting global trends, making international artists like Coldplay highly sought after. 
  • Social media influence:
    The widespread use of social media amplifies the excitement around such events, creating a "FOMO" (fear of missing out) effect. 
  • Experiential consumption:
    People are increasingly prioritizing experiences over material possessions, and attending a Coldplay concert is seen as a unique experience. 
However, concerns also arise:
  • Income inequality:
    The high cost of tickets often creates a barrier for people from lower socioeconomic backgrounds, raising questions about accessibility to such events. 
  • Consumerism debate:
    The frenzy around Coldplay concerts can be viewed as a reflection of excessive consumerism, where people prioritize luxury experiences over essential needs. 
In summary, Coldplay's popularity in India serves as a microcosm of the country's evolving cultural landscape, where a growing middle class is embracing global entertainment trends, leading to a heightened demand for high-profile live events while also raising questions about social equity and responsible consumption
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Remembering 1950's when even film songs were banned
1952-minister keskar banned even film songs


When All India Radio banned film music from its broadcasts
Posted on July 14th, 2018

By Radhika Iyengar/Livemint Courtesy NewsIn.Asia

New Delhi, July 14: It was in 1952 that the Minister of Information and Broadcasting (I&B) of newly independent India, B.V. Keskar, decided that All India Radio (AIR)—the information and entertainment lifeline of the nation—would not air film songs as they were degenerate and far too Westernized”. He believed they would hinder the cultural growth of a young nation on the cusp of a bright future. Instead, he proposed, the country could lend its ears to highbrow classical music.

In an article in The Hindu (19 July 1953), Keskar argued that the country’s appreciation for classical music had fallen” and was on the point of extinction”—particularly in north India. The onus of making his countrymen intimate with (classical music)”, therefore, was bestowed on AIR. We must make (ourselves) familiar with our traditional music,” he declared.

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5 days ago — But the strongest impulse for the ban came from Keskar's deep distaste for the very sound and form of Hindi film music. He characterised this ...

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