List of Hindi films of 1990 - from Wikipedia
1990[edit]
Indian films and posters from 1930: film (Aaj ka arjun)(1990)
Aug 10, 1990 - Complete information on bollywood movie: Aaj Ka Arjun Star cast, Movie Rating, Reviews, Plot, Screenshots, Song listing, Trailer, Watch Movie .
film (Aag Ka Dariya)(1990) - Indian films and posters from 1930
film (Aag Ka Gola )(1990) - Indian films and posters from 1930
film(aaj ke shahenshah)(1990)
film (Aandhiyaan)(1990) - Indian films and posters from 1930
film (Aandhiyaan)(1952) - Indian films and posters from 1930
HINDI FILMS -1950 TO 1955 - Indian films and posters from 1930
Indian films and posters from 1930: film (Ashiqui)(1990)
Lady Tarzan 1990.--
film (Maha-Sangram)(1990)
film (Mera Pati Sirf Mera Hai)(1990)
film (Meri Lalkaar)(1990)
film (Muqaddar Ka Badshaah)(1990)
film ((Naakaabandi)(1990) - Indian films and posters from 1930
film (Nadiya Ke Paar) (1990)-OBSCURE MOVIE
film (Naya Khoon)(1990)
film (Nyay Anyay)(1990)
film (Patthar Ke Insaan) (1991)
film (Pati Patni Aur Tawaif)(1990)
Police Public (1990) - Indian films and posters from 1930
film (pratibandh)(1990) - Indian films and posters from 1930
Pyar Ka Karz (1990) - Indian films and posters from 1930
film (Pyaar Ka Toofan)(1990)
film (pyar ke naam qurban)(1990)
film (pyasi nigahen)(1990) - Indian films and posters from 1930
film (qatil jawani)(1990) - Indian films and posters from 1930
film (Qayamat Ki Raat)(1990)
film (raeeszada)(1990) - Indian films and posters from 1930
Indian films and posters from 1930: film (roti kee keemat)(1990)
film (Sailaab)(1990) - Indian films and posters from 1930
film (shadyantra)(1990) - Indian films and posters from 1930
film (Shaitani Ilaaka)(1990) - Indian films and posters from 1930
film (shandaar)(1990) [ Magnificent]
film (Shararat)(1990) - Indian films and posters from 1930
film (sher dil movie)(1990) - Indian films and posters from 1930
film (shera shamshera)(1990)
film (sheshnaag)(1990) - Indian films and posters from 1930
film (shiva)(1990) - Indian films and posters from 1930
film (Solah Satra)(1990)--
film (Swarg)(1990) - Indian films and posters from 1930
film (tadap)(1990)film remains completed and unreleased
film (Taqdeer ka tamasha)(1990)
film (tejaa)(1990) - Indian films and posters from 1930
film (Teri Talaash Mein)(1990)
film (thanedaar)(1990) - Indian films and posters from 1930
film (Thodasa Roomani Ho Jaayen) (1990)
film (tum mere ho)(1990) - Indian films and posters from 1930
film (veeru dada)(1990) - Indian films and posters from 1930
film (zahreelay)(1990) - Indian films and posters from 1930
Indian films and posters from 1930: film (Zakhmi Zameen)(1990)
film (Zimmedaar)(1990) - Indian films and posters from 1930
- Take The Quiz! Test your knowledge of Aaj Ki Baat. ... Discuss Aaj Ki Baat (1955) on the IMDb message boards ». Getting Started ... Buy Movie and. TV Show .
Indian films and posters from 1930: film (Aaj ka yeh ghar)(1976)
bombaymann2.blogspot.com/2016/01/film-aaj-ka-yeh-ghar1976.htmlAaj Ka Ye Ghar is a 1976 Bollywood film directed by Surendra Shailaj. .... (2000); # Aaj Ka Robinhood (1987); # Aaj Ka Samson (1991); # Aaj Ka Yeh Ghar .Aaj Ka Mahatma 1975 Hindi Movie Mp3 Song Free Download ..... Aaj Ka Samson is a 1991 Bollywood film directed by Kuku Kapoor. film stars - Hemant Birje, ...Indian films and posters from 1930: film (Aaj Ka Mahatma) (1976)
bombaymann2.blogspot.com/2016/01/film-aaj-ka-mahatma-1976.htmlfilm (
samson
)(1964) - Indian films and posters from 1930
Indian films and posters from 1930: film (Aaj Ka Daur)(1985)
bombaymann2.blogspot.com/2016/06/film-aaj-ka-daur1985.htmlAaj Ka Daur (1985). "Aaj Ka Daur" Full Movie: Jackie Shroff, Padmini Kolhapure. ALF Hindi Mirchmasala | 2015 March 06. Aaj Ka Daur | Hindi Full Movie | Jackie ...Aaj Ka Daur (1985). "Aaj Ka Daur" Full Movie: Jackie Shroff, Padmini Kolhapure. ALF Hindi Mirchmasala | 2015 March 06. Aaj Ka Daur | Hindi Full Movie | Jackie ...Indian films and posters from 1930: film (Aaj Ka Dada)(1985)[dubbed ...
bombaymann2.blogspot.com/2016/06/film-aaj-ka-dada1985dubbed-hindi.htmlfilm (Aaj Ka MLA Ramavtaar)(1984)
https://bombaymann2.blogspot.com › 2014/05 › film-a...Complete information on bollywood movie: Aaj Ka M.L.A. Ram Avtar Star cast, Movie Rating, Reviews, Plot, Screenshots, Song listing, Trailer, Watch Movie ....Indian films and posters from 1930: film (college girl)(1960)
College Girl is a 1960 Hindi black-and-white romantic family film written by K. A. ... College Girl Hindi Full Length Movie || Sachin, Rita Bhaduri, S.D.Narang ...Rita Bhaduri · Urmila Bhatt · Shreeram ... College Girl (1978) | Hindi Movie Plot - Bollywood MuVyz ... The film stars Sachin, Bindiya Goswami, Rita Bhaduri, . ... Directed by S.D. Narang. ... Ankh Ka Tara (1978) Full Length Hindi Movie - Bharat .Oct 8, 2010 - The films are just so long and my attention span so short. ..... I want to recommend “Achanak(1973)” starring vinod khanna(for his yumminessIndian films and posters from 1930: film(Achanak)(1973)
bombaymann2.blogspot.com/2015/12/filmachanak1973.htmlfilm(Achanak)(1998) - Indian films and posters from 1930
Achanak is an Indian film directed by Naresh Malhotra in 1998. The huge speculations were made that movie is a remake of Hollywood movie The Mask due to ...Indian films and posters from 1930: film (sati Savitri)(1936) Marathi ... Mahasati Ansuya (1965)-Bollywood Movie Reviews, Trailers . ... date, and more on Nthwall. Indian films and posters from 1930: film (Mahasati Anusuya ...
(1965)
film (Mahasati Anusuya)(1965) ... Watch Movie Mahasati Anasuya, Movie Poster ... Mahasati Ansuya (1965)-Bollywood Movie Reviews, Trailers . ..... (1965) · Mahasati Ansuya (1965) · Rishte Naate (1965) · Sati Nari (1965) · Sikandar E Azam ...Complete information on bollywood movie: Sati Savitri Star cast, Movie ... Maha Sati Savitri ..... Hatimtai Ki Beti (1955) ..... Powered by Blogger. Indian films and posters from 1930: film (Mahasati Anusuya)(1965) ... Aao Suhagan Naari.Indian films and posters from 1930: film(Aaj Ki Baat)(1955)
bombaymann2.blogspot.com/2014/09/filmaaj-ki-baat1955.htmlfilm (rishta ho to aisa)(1992) - Indian films and posters from 1930
Details · 2:34:35. Ghar Ho Toh Aisa 1990 | Full Hindi Movie | Anil Kapoor, Meenakshi Seshadri, Kader · Goldmines Hindi. 7 monIndian films and posters from 1930: film (hum sab chor hain)(1973)
Hum Sab Chor Hain is the title of several Hindi films: Hum Sab Chor Hain (1956 film) · Hum Sab Chor Hain (1973 film) · Ham Sab Chor Hain (1995 film) .Indian films and posters from 1930: film (hum sab chor hain)(1995)
bombaymann2.blogspot.com/2016/11/film-hum-sab-chor-hain1957.html ... Movie / Album : Hum Sab Chor Hain (1956); Music by: O P Nayyar; Singer(s): Asha ...Indian films and posters from 1930: film (hum sab chor hain)(1957)
Jun 4, 2010 - Lyrics and video of songs from Movie / Album : Hum Sab Chor Hain (1956); Music by: O P Nayyar; Singer(s): Asha Bhosle, Mohammed Rafi, .bombaymann2.blogspot.com/2016/11/film-hum-sab-chor-hain1957.html
Indian films and posters from 1930: film (Hercules)(1964)
सेमसन | Samson (1964) | Full Hindi Movie | Dara Singh . ... His last Hindi movie was Jab We Met and the last Punjabi movie released before his illness ... Year
Ramsay brother's horror cinemas1980s
RAMSAY INTERNATIONAL
- Motherland
- 9 December
- #GHOST STORIES:, Feature
- 10274 Views
WITH THE SLICK HORROR FILMS OF TODAY’S HINDI CINEMA, WE MEET THE ORIGINAL KINGS OF LOW BUDGET PRODUCTIONS PACKED WITH SLEAZE, GORE AND TERRIFYING CREATURES.
While shooting their first horror film, the Ramsay Brothers accidentally dug up a body. “Half a body,” says Tulsi Ramsay. It was October 1971. They were filming, appropriately, for
Do Gaz Zameen Ke Neeche (Two Feet Beneath the Ground),
"Do Gaz Zameen Ke Neeche" - Full Horror - Movie - YouTube
India’s first zombie movie, at a graveyard near Mahabaleshwar in Maharashtra. “People working there had shown us where to dig and said: ‘nothing will happen here,’ ” Tulsi recalls.
But something did – angry villagers who lived nearby surrounded the crew. They managed to pacify the villagers, and then they reburied the body and, as a gesture of atonement, lit an earthen lamp where it lay.
Tulsi, who was co-directing the film with his brother Shyam, asked the crew to pack up. It was 2.30 am when he started walking back to his guesthouse alone, about a kilometre away, to clear his head.
“I’d barely left the graveyard when leaves on a tree next to me started rustling: ShhShhShh.” His eyes light up when he tells a scary story. He punctuates sentences with sound effects.
We’re sharing a sprawling sofa on the 15th floor of a posh Lokhandwala high rise. There’s an overarching view of suburban Mumbai beyond. Tulsi’s grandchildren run around the flat, peeking in occasionally to listen to their grandfather. Above us, a slow ceiling fan casts shadows on Tulsi, his faded blue-striped collar t-shirt and his palm that he’s shaking to the tune of those leaves.
“I heard heavy breathing and footsteps: Cheu, Cheu, Cheu,” Tulsi continues. “I thought it was some aatma-vaatma (a spirit) from the graveyard.” He prayed and ran to his guesthouse. When he arrived, the heavy breathing had stopped. “It was me,” he says. So were the footsteps. As he then realised: “The soles of my chappals had come loose.”
Tulsi, has created something of a life around it as a director of 29 horror movies, but this is the closest he has come to a paranormal experience.
At a time when the average Hindi film took about a year and 50 lakhs to complete, Do Gaz Zameen KeNeeche was shot in 40 days on a budget of Rs 3.5 lakhs. Here’s how it was done: seven brothers boarded buses with small-time actors, a sparse film crew, their wives and their mother and father and drove to a government guesthouse in Mahabaleshwar that cost Rs 12 a room – they took eight rooms. They didn’t spend on sets because they shot on location. They didn’t spend on costumes because these were picked out of actors’ wardrobes. The cameras were all borrowed.
The eldest brother Kumar wrote the script. Tulsi and Shyam directed (most Ramsay films bear the directorial credit “Tulsi-Shyam”). Kiran worked on sound. Gangu was the cinematographer. Keshu assisted him and handled production too. Arjun helped with production, but mainly worked on the edits. Their mother Kishni and her daughters-in-law cooked and helped with makeup. “We would sleep for four hours a day and shoot for eighteen,” Tulsi says. When it was complete, they publicised the movie on radio, mostly with faux-scary voice ads. The film ran to full houses in the first week after its release. It made Rs 45 lakhs.
The brothers repeated this model – Tulsi calls it “a picnic,” their father called it “tiffin box productions” – to make 35 more movies, which epitomise the lower depths of 1980s Bollywood sleaze and gore, but which have secured their place in Hindi cinema’s hall of fame as the pioneers of horror. The “Ramsay Brothers,” as they are called, have in these films, and in India’s first horror show on television, featured ghosts, ghouls, monsters, zombies, witches, vampires and every conceivable version of things that go bump in the night. Mostly, they’ve been the first to do so.
And mostly, the Ramsay movies were hits. Some, like
Purana Mandir (1984),
Purana Mandir (1984) Full Hindi Movie | Mohnish Bahl, Puneet Issar ...
Indian films and posters from 1930:
film(purana mandir (1984)
In the 1990s the Ramsays moved to the small screen, finding success with the Zee Horror Show that ran for eight years. In the 2000s, the horrorscape was taken over by slicker filmmakers like Ram Gopal Verma and Vikram Bhatt. The brothers are mostly semi-retired, and rarely work together anymore. Shyam Ramsay has directed three films on his own in the last decade. And Tulsi has produced a horror movie directed by his son Deepak, 38. They weren’t anywhere near as successful as the Ramsay releases of the 1980s. Elsewhere, these earlier films have been resurrected. Deepak has sold some film rights to YouTube where they register lakhs of views each, and to Canadian DVD brand Mondo Macabro, featuring “the wild side of world cinema.” Four decades after they started making movies, the Ramsay Brothers are being re-received as camp.
Ramsay House, at Lamington Road, Mumbai, is where Deepak says “it all began.” The building is a ghost of its former self. A siris tree twice its size, spreads its branches out across the dilapidated three storied structure, covering faded French windows and a sloping tin roof that seems about to cave in. Among all the newer buildings, it looks out of place, as though belonging in a small town rather than a metropolis. The shutters are down on the ground floor office that’s been closed for 18 years. The props and costumes of 36 films have been locked away in a godown at Malad. On the office façade are large black sign boards that say in peeling red and white letters: “Ramsays” and “Ramsay Films” in English and Hindi.
Indian films and posters from 1930: film (tahkhana)(1986)
film (Shaheed-e-azam Bhagat Singh) (1954) - Indian films and posters ...
Indian films and posters from 1930: film (rustom sohrab) (1963)
India was a strictly socialist state back then and to be part of a film team one had to belong to a film workers union. So over the course of the two films, F U Ramsay got his sons union cards according to what he felt each had a knack for. Gangu, for instance, was a good photographer – so he would assist a cinematographer, Kiran liked music – so sound assistant, and Kumar as the most educated – “a double graduate” says Tulsi – was tasked with screenwriting. The Ramsay family unit became the Ramsay film unit.
F U Ramsay’s next film, seven years later, was
Ek Nanhi Munni Ladki Thi, a family saga starring Prithviraj Kapoor. It bombed at the box office.
Indian films and posters from 1930: film (Ek Nanhi Munni Ladki Thi ...
It was evident what audiences wanted. They wanted that jolt of horror. And the brothers, as fans of this genre, particularly of the British “Hammer Horror” films such as Dracula and The Curse Of Frankenstein,set about convincing their father to let them make a horror film that they would write, direct, shoot and make almost entirely among themselves. A three month long workshop followed, with film books (the brothers swear by The 5 Cs Of Cinematography by Joseph V Mascelli), on a houseboat in Srinagar. Then a Sindhi “workshop film” called Nakuli Shaan shot mostly within a Chowpatty flat. Then Do Gaz Zameen Ke Neeche. After the success of the zombie film, their father “let us brothers run the show,” Tulsi says.
“Seven of us would share two rooms on the first floor of Ramsay House in those days. After work we would keep planning, discussing scenes, talking business, telling each other ghost stories.” He lays a bet: who can come up with more ghost stories by the time a cup of tea is over? He claims he can do five.
When I visit Ramsay House paint peels off a narrow concrete flight of stairs leading up to the first floor. There’s no doorbell or knocker, so I slam the door latch. After ten minutes, Arjun Ramsay opens the door with tussled grey hair fringing an otherwise bald pate, a benign smile and a crumpled shirt. Arjun, 64, is the only brother who stays at the house now. He’s moved to the second floor. He calls the ground floor office a “bhoot bangla (haunted house)” because it’s been shut so long.
His craziest memories are in that office. He recalls how the brothers dealt with a film distributor, who was cynical about the success of their second production, Darwaza — India’s first “creature horror,” a sub-genre of film featuring a terrorising supernatural monster. Tulsi had to convince the distributor that it would work in order for him to fund the filming. They’d already invested heavily by spending Rs 72 000 on the monster’s costume and makeup, designed by legendary British makeup artist Christopher Tucker, and inspired by the hunchback of Notre Dame.
On the day the distributor came for the meeting Arjun wore the costume and waited in a room while Tulsi and the distributor negotiated next door. In between arguments, they heard monstrous grunts and the clanging of chains. Then Arjun, with a horribly disfigured face, protruding teeth, hairy arms and legs, giant talons and dragging chains that seemed to have just been snapped, rushed into the room, roaring at the distributor. “Tulsi had said: just attack him,” he remembers, laughing. The distributor shrieked, then fell to the floor and, as Arjun puts it: “his heart had nearly stopped beating.”
A huge crowd gathered outside the office to watch. “I knew then that I had a star in that monster,” Tulsi says. “I had Rajesh Khanna, I had Shah Rukh Khan.”
They got the funds and made back much more, when
Darwaza was released in 1978.
Purana Mandir 1984
Purana Mandir (1984) Full Hindi Movie | Mohnish Bahl, Puneet Issar ...
The Ramsay Brothers’ films comprised mostly newcomers and character actors, and became a launching pad for some (F U Ramsay had cast Shatrugan Sinha, when he hadn’t done any films yet, in Ek Nanhi Munni Ladki Thi; the brothers cast Shakti Kapoor in Darwaza). The Ramsays had their own, unique criteria for what they perceived as promising talent. They rarely enlisted stars, and in part because of their tawdriness, the Ramsay films were not perceived as the kind where an actor would get a big break. Few from their large band of actors really made it to Bollywood’s A set.
Hemant Birje, who was in many Ramsay films after launching his career with the B-movie Adventures Of Tarzan,
What made them consistently successful during the course of the 1980s, Pritish Nandy, a film producer and former film critic says, was their propensity to produce films in quick succession, making their presence equally dominant compared with big budget productions. “You could call the Ramsays tacky, or any number of things,” Nandy says. “But the regularity and consistency with which they made these movies made them a brand. And they had a serious connect with the audience.”
Most of the Ramsay following came from small cities and towns, where the films ran – some continue to do so – for years. And many of the films were set in small towns with haunted havelis (mansions). This is one of the reasons why Shyam, 60, often called the creative head of the brothers, feels their target audience relished their movies. “[They] could relate more to our films because of these locations contrary to an urban setup. Also the fear element can easily be accomplished in far off remote corners rather than cities,” Shyam says.
The Ramsay movies mirrored beliefs prevalent in rural India, such as a chudail (witch) whose feet do a 180 degree turn before she reveals herself or a medieval curse that holds true in present day. The Censor Board would order a disclaimer preceding some films to rubbish any superstition they might encourage.
The Ramsays mixed and matched from horror movies from around the world. Their movies are full of influences for a horror aficionado to spot. Gothic horror sequences with an overdose of smoke and diffused blue light. Stuffed animals from Alfred Hitchcock and Hammer movies.
The use of primary colour filters from Italian horror maker Mario Bava’s Black Sabbath
and Blood And Black Lace.
Chase sequences from American slasher films like Black Christmas (Bob Clark)
and Friday The 13th (Sean S Cunningham).
Friday the 13th (1980) Full Movie HD - Dailymotion - video dailymotion
Arjun credits Shyam for devising most of the horror sequences and Tulsi with adding the Bollywood masala,a formulaic medley of slapstick comedy, sex, song and dance, action and melodrama. According to Nandy, this mix made the movies more “comic book horror – not so much the horror that would scare you, as horror you would enjoy.” And when a film didn’t work, Tulsi remembers his father criticising them: “You should have put more masala,” he would say. “I didn’t get any jhatkas (shocks).”
There were unrelated subplots where martial arts exponents showed off their skills or ones for comic relief, for instance, a parody of Bollywood blockbuster Sholay in Purana Mandir. The humour was often crass and in the same film Jagdeep accuses Lalita Pawar – an actress with an eye defect – of winking at him. And for music, the likes of Kishore Kumar, Asha Bhonsale and, most often, 1980s disco king Bappi Lahiri were roped in for some films.
Then there was the sex. “You can’t deny that sex sells,” Shyam says. “Of course, if shot aesthetically.” There are endless camera zoom-ins on parts of the female anatomy for so long that, as reviewer David Austin writes: “you’d think you’re watching a Japanese game show.” Lewd jokes abound. Romance is used as garb for injecting vulgar innuendo. But even with their A rating the Ramsays fought shy of crossing over into porn. There’s no kissing or overt nudity. Aarti Gupta is the centrepiece of a shower scene in Purana Mandirwhere her shower sprays blood instead of water, and eyes shut, she lathers herself. Yet a modicum of modesty, so characteristic of 1980s Bollywood, is ensured in that she is, inexplicably, wearing a bathing suit.
“We work around a well-balanced script to offer a completely entertaining package,” says Shyam. “Script and content are most important.” Predictably, at the heart of most Ramsay scripts is the idea of family. The crux of a classic Ramsay horror plot is that a demon or witch doesn’t have anything against the protagonist, but a score to settle with their dead ancestor. And the climax of a Ramsay horror is nearly always preceded by melodrama: a father giving up his life for his daughter, a man for his best friend. Tulsi believes this sentimentality distinguishes Indian horror from that elsewhere in the world. “In the foreign movies you don’t have people sacrificing their lives for one another so readily,” he says. When the horror arrives “everyone is running alone.”
By the late 1980s things were beginning to slow down on the big screen for the brothers. Keshu, who passed away a year and a half ago, branched off around that time to make action blockbusters. Kiran joined him. All the brothers, except Arjun, had produced or directed their own horror films under the Ramsay Brothers banner. But the last big Ramsay hit – Bandh Darwaza, with Ajay Agarwal playing a burly vampire – was in 1990.
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In the early 1990s Tulsi and Shyam tried their hand at other genres like action movies and also a children’s adventure movie featuring the Yeti, called
The Magnificent Guardian.
Indian films and posters from 1930: film (ajooba kudrat ka)(1991 ...
Later renamed Anhonee, it ran for eight years. The show cut out the gore and sex but had its fair share of hooting owls, creaking doors, screaming dogs, blood, a black cat driving a car and a woman’s head cackling on a plate. All the ghost stories the Ramsays had filed away came in handy. “Once my servant from Bihar told me about very interesting ghosts in his village,” Tulsi says. “A few episodes came of that.”
With the lukewarm response to the few films the Ramsays released in the 1990s, Arjun puts the fading popularity of their movies down to the clones they spawned in the previous decade. Clones, like Vinod Talwar and Mohan Bhakri, who made cheaper, more vulgar films and released them mostly in non-metros (the B centres). These clones spawned other clones in turn, who would release only in small towns or really low-cost theatres. “The horror genre got crowded and mixed up,” Arjun concludes. “The Ramsays were clubbed with everyone and people got sick of it all.”
With the 2000s came the multiplex – with ticket prices five times higher than they were previously – that completely redefined Indian cinema.
Films which took months to make up their money earlier would now do so in a few weeks in the multiplexes.
The chunk of profits from cinema today is made up from urban middle class audiences, for whom films have to be palatable,
unlike the 1980s when the small town and rural viewers contributed equally to a producer’s kitty. “The audience is now clearly fragmented,” Nandy explains.
“There are the rural masses, who have greater links with the past, and the intelligent urban audiences who have a greater disconnect with the past.” The Ramsays have been unable to capture the latter.
“You need ‘flame,’ ” Tulsi says. “We had ‘flame’ when we started out. Like Raj Kapoor had ‘flame.’ Like Ranbir Kapoor has ‘flame’ now. Shyam and I keep talking about this. We have to get the ‘flame’ back.”
Byline: Rishi Majumder Photographs: Sheetal Mallar
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Take The Quiz! Test your knowledge of Aaj Ki Baat. ... Discuss Aaj Ki Baat (1955) on the IMDb message boards ». Getting Started ... Buy Movie and. TV Show .
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Aaj Ka Mahatma 1975 Hindi Movie Mp3 Song Free Download ..... Aaj Ka Samson is a 1991 Bollywood film directed by Kuku Kapoor. film stars - Hemant Birje, ...
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